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    The Valley of the Moon Jack London

    Page 30
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    you two burleys breaking my husband's arms, then seeing him home

      and holding a love-fest with him."

      "An' you got a right," Bud Strothers assured her. "You see, it

      happened this way--"

      "You shut up, Bud," Billy broke it. "You didn't see anything of

      it."

      Saxon looked to the San Francisco teamsters.

      "We'd come over to lend a hand, seein' as the Oakland boys was

      gettin' some the short end of it," one spoke up, "an' we've sure

      learned some scabs there's better trades than drivin' team. Well,

      me an' Jackson here was nosin' around to see what we can see,

      when your husband comes moseyin' along. When he--"

      "Hold on," Jackson interrupted. "Get it straight as you go along.

      We reckon we know the boys by sight. But your husband we ain't

      never seen around, him bein'. .."

      "As you might say, put away for a while," the first teamster took

      up the tale. "So, when we sees what we thinks is a scab dodgin'

      away from us an' takin' the shortcut through the alley--"

      "The alley back of Campbell's grocery," Billy elucidated.

      "Yep, back of the grocery," the first teamster went on; "why,

      we're sure he's one of them squarehead scabs, hired through

      Murray an' Ready, makin' a sneak to get into the stables over the

      back fences."

      "We caught one there, Billy an' me," Bud interpolated.

      "So we don't waste any time," Jackson said, addressing himself to

      Saxon. "We've done it before, an' we know how to do 'em up brown

      an' tie 'em with baby ribbon. So we catch your husband right in

      the alley."

      "I was lookin' for Bud," said Billy. "The boys told me I'd find

      him somewhere around the other end of the alley. An' the first

      thing I know, Jackson, here, asks me for a match."

      "An' right there's where I get in my fine work," resumed the

      first teamster.

      "What?" asked Saxon.

      "That." The man pointed to the wound in Billy's scalp. "I laid 'm

      out. He went down like a steer, an' got up on his knees dippy,

      a-gabblin' about somebody standin' on their foot. He didn't know

      where he was at, you see, clean groggy. An' then we done it."

      The man paused, the tale told.

      "Broke both his arms with the crowbar," Bud supplemented.

      "That's when I come to myself, when the bones broke," Billy

      corroborated. "An' there was the two of 'em givin' me the ha-ha.

      'That'll last you some time,' Jackson was sayin'. An' Anson says,

      'I'd like to see you drive horses with them arms.' An' then

      Jackson says, 'let's give 'm something for luck.' An' with that

      he fetched me a wallop on the jaw--"

      "No," corrected Anson. "That wallop was mine."

      "Well, it sent me into dreamland over again," Billy sighed. "An'

      when I come to, here was Bud an' Anson an' Jackson dousin' me at

      a water trough. An' then we dodged a reporter an' all come home

      together."

      Bud Strothers held up his fist and indicated freshly abraded

      skin.

      "The reporter-guy just insisted on samplin' it," he said. Then,

      to Billy: "That's why I cut around Ninth an' caught up with you

      down on Sixth."

      A few minutes later Doctor Hentley arrived, and drove the men

      from the rooms. They waited till he had finished, to assure

      themselves of Billy's well being, and then departed. In the

      kitchen Doctor Hentley washed his hands and gave Saxon final

      instructions. As he dried himself he sniffed the air and looked

      toward the stove where a pot was simmering.

      "Clams," he said. "Where did you buy them?"

      "I didn't buy them," replied Saxon. "I dug them myself."

      "Not in the marsh?" he asked with quickened interest.

      "Yes."

      "Throw them away. Throw them out. They're death and corruption.

      Typhoid--I've got three cases now, all traced to the clams and

      the marsh."

      When he had gone, Saxon obeyed. Still another mark against

      Oakland, she reflected--Oakland, the man-trap, that poisoned

      those it could not starve.

      "If it wouldn't drive a man to drink," Billy groaned, when Saxon

      returned to him. "Did you ever dream such luck? Look at all my

      fights in the ring, an' never a broken bone, an' here, snap,

      snap, just like that, two arms smashed."

      "Oh, it might be worse," Saxon smiled cheerfully.

      "I'd like to know how." It might have been your neck."

      "An' a good job. I tell you, Saxon, you gotta show me anything

      worse."

      "I can," she said confidently.

      "Well?"

      "Well, wouldn't it be worse if you intended staying on in Oakland

      where it might happen again?"

      "I can see myself becomin' a farmer an' plowin' with a pair of

      pipe-stems like these," he persisted.

      "Doctor Hentley says they'll be stronger at the break than ever

      before. And you know yourself that's true of clean-broken bones.

      Now you close your eyes and go to sleep. You're all done up, and

      you need to keep your brain quiet and stop thinking."

      He closed his eyes obediently. She slipped a cool hand under the

      nape of his neck and let it rest.

      "That feels good," he murmured. "You're so cool, Saxon. Your

      hand, and you, all of you. Bein' with you is like comin' out into

      the cool night after dancin' in a hot room."

      After several minutes of quiet, he began to giggle.

      "What is it?" she asked.

      "Oh, nothin'. I was just thinkin'--thinking of them mutts doin'

      me up--me, that's done up more scabs than I can remember."

      Next morning Billy awoke with his blues dissipated. From the

      kitchen Saxon heard him painfully wrestling strange vocal

      acrobatics.

      "I got a new song you never heard," he told her when she came in

      with a cup of coffee. "I only remember the chorus though. It's

      the old man talkin' to some hobo of a hired man that wants to

      marry his daughter. Mamie, that Billy Murphy used to run with

      before he got married, used to sing it. It's a kind of a sobby

      song. It used to always give Mamie the weeps. Here's the way the

      chorus goes--an' remember, it's the old man spielin'."

      And with great solemnity and excruciating Batting, Billy sang:

      "O treat my daughter kind-i-ly;

      An' say you'll do no harm,

      An' when I die I'll will to you

      My little house an' farm--

      My horse, my plow, my sheep, my cow,

      An' all them little chickens in the ga-a-rden.

      "It's them little chickens in the garden that gets me," he

      explained. "That's how I remembered it--from the chickens in the

      movin' pictures yesterday. An' some day we'll have little

      chickens in the garden, won't we, old girl?"

      "And a daughter, too," Saxon amplified.

      "An' I'll be the old geezer sayin' them same words to the hired

      man," Billy carried the fancy along. "It don't take long to raise

      a daughter if you ain't in a hurry."

      Saxon took her long-neglected ukulele from its case and strummed

      it into tune.

      "And I've a song you never heard, Billy. Tom's always singing it.

      He's crazy about taking up government land and going farming,

      only Sarah won't think
    of it. He sings it something like this:

      "We'll have a little farm,

      A pig, a horse, a cow,

      And you will drive the wagon,

      And I will drive the plow."

      "Only in this case I guess it's me that'll do the plowin'," Billy

      approved. "Say, Saxon, sing 'Harvest Days.' That's a farmer's

      song, too."

      After that she feared the coffee was growing cold and compelled

      Billy to take it. In the helplessness of two broken arms, he had

      to be fed like a baby, and as she fed him they talked.

      "I'll tell you one thing," Billy said, between mouthfuls. "Once

      we get settled down in the country you'll have that horse you've

      been wishin' for all your life. An' it'll be all your own, to

      ride, drive, sell, or do anything you want with."

      And, again, he ruminated: "One thing that'll come handy in the

      country is that I know horses; that's a big start. I can always

      get a job at that--if it ain't at union wages. An' the other

      things about farmin' I can learn fast enough.--Say, d'ye remember

      that day you first told me about wantin' a horse to ride all your

      life?"

      Saxon remembered, and it was only by a severe struggle that she

      was able to keep the tears from welling into her eyes. She seemed

      bursting with happiness, and she was remembering many things--all

      the warm promise of life with Billy that had been hers in the

      days before hard times. And now the promise was renewed again.

      Since its fulfillment had not come to them, they were going away

      to fulfill it for themselves and make the moving pictures come

      true.

      Impelled by a half-feigned fear, she stole away into the kitchen

      bedroom where Bert had died, to study her face in the bureau

      mirror. No, she decided; she was little changed. She was still

      equipped for the battlefield of love. Beautiful she was not. She

      knew that. But had not Mercedes said that the great women of

      history who had won men had not been beautiful? And yet, Saxon

      insisted, as she gazed at her reflection, she was anything but

      unlovely. She studied her wide gray eyes that were so very gray,

      that were always alive with light and vivacities, where, in the

      surface and depths, always swam thoughts unuttered, thoughts that

      sank down and dissolved to give place to other thoughts. The

      brows were excellent--she realized that. Slenderly penciled, a

      little darker than her light brown hair, they just fitted her

      irregular nose that was feminine but not weak, that if anything

      was piquant and that picturesquely might be declared impudent.

      She could see that her face was slightly thin, that the red of

      her lips was not quite so red, and that she had lost some of her

      quick coloring. But all that would come back again. Her mouth was

      not of the rosebud type she saw in the magazines. She paid

      particular attention to it. A pleasant mouth it was, a mouth to

      be joyous with, a mouth for laughter and to make laughter in

      others. She deliberately experimented with it, smiled till the

      corners dented deeper. And she knew that when she smiled her

      smile was provocative of smiles. She laughed with her eyes

      alone--a trick of hers. She threw back her head and laughed with

      eyes and mouth together, between her spread lips showing the even

      rows of strong white teeth.

      And she remembered Billy's praise of her teeth, the night at

      Germanic Hall after he had told Charley Long he was standing on

      his foot. "Not big, and not little dinky baby's teeth either,"

      Billy had said, ". . . just right, and they fit you." Also, he had

      said that to look at them made him hungry, and that they were

      good enough to eat.

      She recollected all the compliments he had ever paid her. Beyond

      all treasures, these were treasures to her--the love phrases,

      praises, and admirations. He had said her skin was cool--soft as

      velvet, too, and smooth as silk. She rolled up her sleeve to the

      shoulder, brushed her cheek with the white skin for a test, with

      deep scrutiny examined the fineness of its texture. And he had

      told her that she was sweet; that he hadn't known what it meant

      when they said a girl was sweet, not until he had known her. And

      he had told her that her voice was cool, that it gave him the

      feeling her hand did when it rested on his forehead. Her voice

      went all through him, he had said, cool and fine, like a wind of

      coolness. And he had likened it to the first of the sea breeze

      setting in the afternoon after a scorching hot morning. And,

      also, when she talked low, that it was round and sweet, like the

      'cello in the Macdonough Theater orchestra.

      He had called her his Tonic Kid. He had called her a

      thoroughbred, clean-cut and spirited, all fine nerves and

      delicate and sensitive. He had liked the way she carried her

      clothes. She carried them like a dream, had been his way of

      putting it. They were part of her, just as much as the cool of

      her voice and skin and the scent of her hair.

      And her figure! She got upon a chair and tilted the mirror so

      that she could see herself from hips to feet. She drew her skirt

      back and up. The slender ankle was just as slender. The calf had

      lost none of its delicately mature swell. She studied her hips,

      her waist, her bosom, her neck, the poise of her head, and sighed

      contentedly. Billy must be right, and he had said that she was

      built like a French woman, and that in the matter of lines and

      form she could give Annette Kellerman cards and spades.

      He had said so many things, now that she recalled them all at one

      time. Her lips! The Sunday he proposed he had said: "I like to

      watch your lips talking. It's funny, but every move they make

      looks like a tickly kiss." And afterward, that same day: "You

      looked good to me from the first moment I spotted you." He had

      praised her housekeeping. He had said he fed better, lived more

      comfortably, held up his end with the fellows, and saved money.

      And she remembered that day when he had crushed her in his arms

      and declared she was the greatest little bit of a woman that had

      ever come down the pike.

      She ran her eyes over all herself in the mirror again, gathered

      herself together into a whole, compact and good to look

      upon--delicious, she knew. Yes, she would do. Magnificent as

      Billy was in his man way, in her own way she was a match for him.

      Yes, she had done well by Billy. She deserved much--all he could

      give her, the best he could give her. But she made no blunder of

      egotism. Frankly valuing herself, she as frankly valued him. When

      he was himself, his real self, not harassed by trouble, not

      pinched by the trap, not maddened by drink, her man-boy and

      lover, he was well worth all she gave him or could give him.

      Saxon gave herself a farewell look. No. She was not dead, any

      more than was Billy's love dead, than was her love dead. All that

      was needed was the proper soil, and their love would grow and

      blossom. And they were turning their backs upon Oakland to go and

      seek that proper soil.

      "Oh, Billy!
    " she called through the partition, still standing on

      the chair, one hand tipping the mirror forward and back, so that

      she was able to run her eyes from the reflection of her ankles

      and calves to her face, warm with color and roguishly alive.

      "Yes?" she heard him answer.

      "I'm loving myself," she called back.

      "What's the game?" came his puzzled query. "What are you so stuck

      on yourself for!"

      "Because you love me," she answered. "I love every bit of me,

      Billy, because . . . because . . . well, because you love every bit

      of me."

      CHAPTER XIX

      Between feeding and caring for Billy, doing the housework, making

      plans, and selling her store of pretty needlework, the days flew

      happily for Saxon. Billy's consent to sell her pretties had been

      hard to get, but at last she succeeded in coaxing it out of him.

      "It's only the ones I haven't used," she urged; "and I can always

      make more when we get settled somewhere."

      What she did not sell, along with the household linen and hers

      and Billy's spare clothing, she arranged to store with Tom.

      "Go ahead," Billy said. "This is your picnic. What you say goes.

      You're Robinson Crusoe an' I'm your man Friday. Make up your mind

      yet which way you're goin' to travel?"

      Saxon shook her head.

      "Or how?"

      She held up one foot and then the other, encased in stout walking

      shoes which she had begun that morning to break in about the

      house. Shank's mare, eh?"

      "It's the way our people came into the West," she said proudly.

      "It'll be regular trampin', though," he argued. "An' I never

      heard of a woman tramp."

      "Then here's one. Why, Billy, there's no shame in tramping. My

      mother tramped most of the way across the Plains. And 'most

      everybody else's mother tramped across in those days. I don't

      care what people will think. I guess our race has been on the

      tramp since the beginning of creation, just like we'll be,

      looking for a piece of land that looked good to settle down on."

      After a few days, when his scalp was sufficiently healed and the

      bone-knitting was nicely in process, Billy was able to be up and

      about. He was still quite helpless, however, with both his arms

      in splints.

      Doctor Hentley not only agreed, but himself suggested, that his

      bill should wait against better times for settlement. Of

      government land, in response to Saxon's eager questioning, he

      knew nothing, except that he had a hazy idea that the days of

      government land were over.

      Tom, on the contrary, was confident that there was plenty of

      government hand. He talked of Honey Lake, of Shasta County, and

      of Humboldt.

      "But you can't tackle it at this time of year, with winter comin'

      on," he advised Saxon. "The thing for you to do is head south for

      warmer weather--say along the coast. It don't snow down there. I

      tell you what you do. Go down by San Jose and Salinas an' come

      out on the coast at Monterey. South of that you'll find

      government land mixed up with forest reserves and Mexican

      rancheros. It's pretty wild, without any roads to speak of. All

      they do is handle cattle. But there's some fine redwood canyons,

      with good patches of farming ground that run right down to the

      ocean. I was talkin' last year with a fellow that's been all

      through there. An' I'd a-gone, like you an' Billy, only Sarah

      wouldn't hear of it. There's gold down there, too. Quite a bunch

      is in there prospectin', an' two or three good mines have opened.

      But that's farther along and in a ways from the coast. You might

      take a look."

      Saxon shook her head. "We're not looking for gold but for

      chickens and a place to grow vegetables. Our folks had all the

      chance for gold in the early days, and what have they got to show

      for it?"

      "I guess you're right," Tom conceded. "They always played too big

     


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