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    The Valley of the Moon Jack London

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    the road. These animals ain't automobile broke altogether, an' if

      you think I'm goin' to have 'em shy off the grade you got another

      guess comin'."

      A confusion of injured protestation arose from those that sat in

      the car.

      "You needn't be a road-hog because you're a Rube," said the

      chauffeur. "We ain't a-goin' to hurt your horses. Pull out so we

      can pass. If you don't . . ."

      "That'll do you, sport," was Billy's retort. "You can't talk that

      way to yours truly. I got your number an' your tag, my son.

      You're standin' on your foot. Back up the grade an' get off of

      it. Stop on the outside at the first psssin'-place an' we'll pass

      you. You've got the juice. Throw on the reverse."

      After a nervous consultation, the chauffeur obeyed, and the car

      backed up the hill and out of sight around the turn.

      "Them cheap skates," Billy sneered to Saxon, "with a couple of

      gallons of gasoline an' the price of a machine a-thinkin' they

      own the roads your folks an' my folks made."

      "Talkin' all night about it?" came the chauffeur's voice from

      around the bend. "Get a move on. You can pass."

      "Get off your foot," Billy retorted contemptuously. "I'm a-comin'

      when I'm ready to come, an' if you ain't given room enough I'll

      go clean over you an' your load of chicken meat."

      He slightly slacked the reins on the restless, head-tossing

      animals, and without need of chirrup they took the weight of the

      light vehicle and passed up the hill and apprehensively on the

      inside of the purring machine.

      "Where was we?" Billy queried, as the clear road showed in front.

      "Yep, take my boss. Why should he own two hundred horses, an'

      women, an' the rest, an' you an' me own nothin'?"

      "You own your silk, Billy," she said softly.

      "An' you yours. Yet we sell it to 'em like it was cloth across

      the counter at so much a yard. I guess you're hep to what a few

      more years in the laundry'll do to you. Take me. I'm sellin' my

      silk slow every day I work. See that little finger?" He shifted

      the reins to one hand for a moment and held up the free hand for

      inspection. "I can't straighten it like the others, an' it's

      growin'. I never put it out fightin'. The teamin's done it.

      That's silk gone across the counter, that's all. Ever see a old

      four-horse teamster's hands? They look like claws they're that

      crippled an' twisted."

      "Things weren't like that in the old days when our folks crossed

      the plains," she answered. "They might a-got their fingers

      twisted, but they owned the best goin' in the way of horses and

      such."

      "Sure. They worked for themselves. They twisted their fingers for

      themselves. But I'm twistin' my fingers for my boss. Why, d'ye

      know, Saxon, his hands is soft as a woman's that's never done any

      work. Yet he owns the horses an' the stables, an' never does a

      tap of work, an' I manage to scratch my meal-ticket an' my

      clothes. It's got my goat the way things is run. An' who runs 'em

      that way? That's what I want to know. Times has changed. Who

      changed 'em?"

      "God didn't."

      "You bet your life he didn't. An' that's another thing that gets

      me. Who's God anyway? If he's runnin' things--an' what good is he

      if he ain't?--then why does he let my boss, an' men like that

      cashier you mentioned, why does he let them own the horses, an'

      buy the women, the nice little girls that oughta be lovin' their

      own husbands, an' havin' children they're not ashamed of, an'

      just bein' happy accordin' to their nature?"

      CHAPTER XI

      The horses, resting frequently and lathered by the work, had

      climbed the steep grade of the old road to Moraga Valley, and on

      the divide of the Contra Costa hills the way descended sharply

      through the green and sunny stillness of Redwood Canyon.

      "Say, ain't it swell?" Billy queried, with a wave of his hand

      indicating the circled tree-groups, the trickle of unseen water,

      and the summer hum of bees.

      "I love it"' Saxon affirmed. "It makes me want to live in the

      country, and I never have."

      "Me, too, Saxon. I've never lived in the country in my life--an'

      all my folks was country folks."

      "No cities then. Everybody lived in the country."

      "I guess you're right," he nodded. "They just had to live in the

      country."

      There was no brake on the light carriage, and Billy became

      absorbed in managing his team down the steep, winding road. Saxon

      leaned back, eyes closed, with a feeling of ineffable rest. Time

      and again he shot glances at her closed eyes.

      "What's the matter?" he asked finally, in mild alarm. "You ain't

      sick?"

      "It's so beautiful I'm afraid to look," she answered. "It's so

      brave it hurts."

      "BRAVE?--now that's funnny."

      "Isn't it? But it just makes me feel that way. It's brave. Now

      the houses and streets and things in the city aren't brave. But

      this is. I don't know why. It just is."

      "By golly, I think you're right," he exclaimed. "It strikes me

      that way, now you speak of it. They ain't no games or tricks

      here, no cheatin' an' no lyin'. Them trees just stand up natural

      an' strong an' clean like young boys their first time in the ring

      before they've learned its rottenness an' how to double-cross an'

      lay down to the bettin' odds an' the fightfans. Yep; it is brave.

      Say, Saxon, you see things, don't you?" His pause was almost

      wistful, and he looked at her and studied her with a caressing

      softness that ran through her in resurgent thrills. "D'ye know,

      I'd just like you to see me fight some time--a real fight, with

      something doin' every moment. I'd be proud to death to do it for

      you. An' I'd sure fight some with you lookin' on an'

      understandin'. That'd be a fight what is, take it from me. An'

      that's funny, too. I never wanted to fight before a woman in my

      life. They squeal and screech an' don't understand. But you'd

      understand. It's dead open an' shut you would."

      A little later, swinging along the flat of the valley, through

      the little clearings of the farmers and the ripe grain-stretches

      golden in the sunshine, Billy turned to Saxon again.

      "Say, you've ben in love with fellows, lots of times. Tell me

      about it. What's it like?"

      She shook her head slowly.

      "I only thought I was in love--and not many times, either--"

      "Many times!" he cried.

      "Not really ever," she assured him, secretly exultant at his

      unconscious jealousy. "I never was really in love. If I had been

      I'd be married now. You see, I couldn't see anything else to it

      but to marry a man if I loved him."

      "But suppose he didn't love you?"

      "Oh, I don't know," she smiled, half with facetiousness and half

      with certainty and pride. "I think I could make him love me."

      "I guess you sure could," Billy proclaimed enthusiastically.

      "The trouble is," she went on, "the men that loved me I never

      cared for that way.--Oh, look!"

      A cottontail rabbit had scuttled across the road, and a tiny dust


      cloud lingered like smoke, marking the way of his flight. At the

      next turn a dozen quail exploded into the air from under the

      noses of the horses. Billy and Saxon exclaimed in mutual delight.

      "Gee," he muttered, "I almost wisht I'd ben born a farmer. Folks

      wasn't made to live in cities."

      "Not our kind, at least," she agreed. Followed a pause and a long

      sigh. "It's all so beautiful. It would be a dream just to live

      all your life in it. I'd like to be an Indian squaw sometimes."

      Several times Billy checked himself on the verge of speech.

      "About those fellows you thought you was in love with," he said

      finally. "You ain't told me, yet."

      "You want to know?" she asked. "They didn't amount to anything."

      "Of course I want to know. Go ahead. Fire away."

      "Well, first there was Al Stanley--"

      "What did he do for a livin'?" Billy demanded, almost as with

      authority.

      "He was a gambler."

      Billy's face abruptly stiffened, and she could see his eyes

      cloudy with doubt in the quick glance he flung at her.

      "Oh, it was all right," she laughed. "I was only eight years old.

      You see, I'm beginning at the beginning. It was after my mother

      died and when I was adopted by Cady. He kept a hotel and saloon.

      It was down in Los Angeles. Just a small hotel. Workingmen, just

      common laborers, mostly, and some railroad men, stopped at it,

      and I guess Al Stanley got his share of their wages. He was so

      handsome and so quiet and soft-spoken. And he had the nicest eyes

      and the softest, cleanest hands. I can see them now. He played

      with me sometimes, in the afternoon, and gave me candy and little

      presents. He used to sleep most of the day. I didn't know why,

      then. I thought he was a fairy prince in disguise. And then he

      got killed, right in the bar-room, but first he killed the man

      that killed him. So that was the end of that love affair.

      "Next was after the asylum, when I was thirteen and living with

      my brother--I've lived with him ever since. He was a boy that

      drove a bakery wagon. Almost every morning, on the way to school,

      I used to pass him. He would come driving down Wood Street and

      turn in on Twelfth. Maybe it was because he drove a horse that

      attracted me. Anyway, I must have loved him for a couple of

      months. Then he lost his job, or something, for another boy drove

      the wagon. And we'd never even spoken to each other.

      "Then there was a bookkeeper when I was sixteen. I seem to run to

      bookkeepers. It was a bookkeeper at the laundry that Charley Long

      beat up. This other one was when I was working in Hickmeyer's

      Cannery. He had soft hands, too. But I quickly got all I wanted

      of him. He was . . . well, anyway, he had ideas like your boss.

      And I never really did love him, truly and honest, Billy. I felt

      from the first that he wasn't just right. And when I was working

      in the paper-box factory I thought I loved a clerk in Kahn's

      Emporium--you know, on Eleventh and Washington. He was all right.

      That was the trouble with him. He was too much all right. He

      didn't have any life in him, any go. He wanted to marry me,

      though. But somehow I couldn't see it. That shows I didn't love

      him. He was narrow-chested and skinny, and his hands were always

      cold and fishy. But my! he could dress--just like he came out of

      a bandbox. He said he was going to drown himself, and all kinds

      of things, but I broke with him just the same.

      "And after that . . . well, there isn't any after that. I must have

      got particular, I guess, but I didn't see anybody I could love.

      It seemed more like a game with the men I met, or a fight. And we

      never fought fair on either side. Seemed as if we always had

      cards up our sleeves. We weren't honest or outspoken, but instead

      it seemed as if we were trying to take advantage of each other.

      Charley Long was honest, though. And so was that bank cashier.

      And even they made me have the fight feeling harder than ever.

      All of them always made me feel I had to take care of myself.

      They wouldn't. That was sure."

      She stopped and looked with interest at the clean profile of his

      face as he watched and guided the homes. He looked at her

      inquiringly, and her eyes laughed lazily into his as she

      stretched her arms.

      "That's all," she concluded. "I've told you everything, which

      I've never done before to any one. And it's your turn now."

      "Not much of a turn, Saxon. I've never cared for girls--that is,

      not enough to want to marry 'em. I always liked men

      better--fellows like Billy Murphy. Besides, I guess I was too

      interested in trainin' an' fightin' to bother with women much.

      Why, Saxon, honest, while I ain't ben altogether good--you

      understand what I mean--just the same I ain't never talked love

      to a girl in my life. They was no call to."

      "The girls have loved you just the same," she teased, while in

      her heart was a curious elation at his virginal confession.

      He devoted himself to the horses.

      "Lots of them," she urged.

      Still he did not reply.

      "Now, haven't they?"

      "Well, it wasn't my fault," he said slowly. "If they wanted to

      look sideways at me it was up to them. And it was up to me to

      sidestep if I wanted to, wasn't it? You've no idea, Saxon, how a

      prizefighter is run after. Why, sometimes it's seemed to me that

      girls an' women ain't got an ounce of natural shame in their

      make-up. Oh, I was never afraid of them, believe muh, but I

      didn't hanker after 'em. A man's a fool that'd let them kind get

      his goat.

      "Maybe you haven't got love in you," she challenged.

      "Maybe I haven't," was his discouraging reply. "Anyway, I don't

      see myself lovin' a girl that runs after me. It's all right for

      Charley-boys, but a man that is a man don't like bein' chased by

      women."

      "My mother always said that love was the greatest thing in the

      world," Saxon argued. "She wrote poems about it, too. Some of

      them were published in the San Jose Mercury."

      "What do you think about it?"

      "Oh, I don't know," she baffled, meeting his eyes with another

      lazy smile. "All I know is it's pretty good to be alive a day

      like this."

      "On a trip like this--you bet it is," he added promptly.

      At one o'clock Billy turned off the road and drove into an open

      space among the trees.

      "Here's where we eat," he announced. "I thought it'd be better to

      have a lunch by ourselves than atop at one of these roadside

      dinner counters. An' now, just to make everything safe an'

      comfortable, I'm goin' to unharness the horses. We got lots of

      time. You can get the lunch basket out an' spread it on the

      lap-robe."

      As Saxon unpacked she basket she was appalled at his

      extravagance. She spread an amazing array of ham and chicken

      sandwiches, crab salad, hard-boiled eggs, pickled pigs' feet,

      ripe olives and dill pickles, Swiss cheese, salted almonds,

      oranges and bananas, and several pint bottles of beer. It was the

      quantity as we
    ll as the variety that bothered her. It had the

      appearance of a reckless attempt to buy out a whole delicatessen

      shop.

      "You oughtn't to blow yourself that way," she reproved him as he

      sat down beside her. "Why it's enough for half a dozen

      bricklayers."

      "It's all right, isn't it?"

      "Yes," she acknowledged. "But that's the trouble. It's too much

      so."

      "Then it's all right," he concluded. "I always believe in havin'

      plenty. Have some beer to wash the dust away before we begin?

      Watch out for the glasses. I gotta return them."

      Later, the meal finished, he lay on his back, smoking a

      cigarette, and questioned her about her earlier history. She had

      been telling him of her life in her brother's house, where she

      paid four dollars and a half a week board. At fifteen she had

      graduated from grammar school and gone to work in the jute mills

      for four dollars a week, three of which she had paid to Sarah.

      "How about that saloonkeeper?" Billy asked. "How come it he

      adopted you?"

      She shrugged her shoulders. "I don't know, except that all my

      relatives were hard up. It seemed they just couldn't get on. They

      managed to scratch a lean living for themselves, and that was

      all. Cady--he was the saloonkeeper--had been a soldier in my

      father's company, and he always swore by Captain Kit, which was

      their nickname for him. My father had kept the surgeons from

      amputating his leg in the war, and he never forgot it. He was

      making money in the hotel and saloon, and I found out afterward

      he helped out a lot to pay the doctors and to bury my mother

      alongside of father. I was to go to Uncle Will--that was my

      mother's wish; but there had been fighting up in the Ventura

      Mountains where his ranch was, and men had been killed. It was

      about fences and cattlemen or something, and anyway he was in

      jail a long time, and when he got his freedom the lawyers had got

      his ranch. He was an old man, then, and broken, and his wife took

      sick, and he got a job as night watchman for forty dollars a

      month. So he couldn't do anything for me, and Cady adopted me.

      "Cady was a good man, if he did run a saloon. His wife was a big,

      handsome-looking woman. I don't think she was all right . . . and

      I've heard so since. But she was good to me. I don't care what

      they say about her, or what she was. She was awful good to me.

      After he died, she went altogether bad, and so I went into the

      orphan asylum. It wasn't any too good there, and I had three

      years of it. And then Tom had married and settled down to steady

      work, and he took me out to live with him. And--well, I've been

      working pretty steady ever since."

      She gazed sadly away across the fields until her eyes came to

      rest on a fence bright-splashed with poppies at its base. Billy,

      who from his supine position had been looking up at her, studying

      and pleasuring in the pointed oval of her woman's face, reached

      his hand out slowly as he murmured:

      "You poor little kid."

      His hand closed sympathetically on her bare forearm, and as she

      looked down to greet his eyes she saw in them surprise and

      delight.

      "Say, ain't your skin cool though," he said. "Now me, I'm always

      warm. Feel my hand."

      It was warmly moist, and she noted microscopic beads of sweat on

      his forehead and clean-shaven upper lip.

      "My, but you are sweaty."

      She bent to him and with her handkerchief dabbed his lip and

      forehead dry, then dried his palms.

      "I breathe through my skin, I guess," he explained. "The wise

      guys in the trainin' camps and gyms say it's a good sign for

      health. But somehow I'm sweatin' more than usual now. Funny,

      ain't it?"

      She had been forced to unclasp his hand from her arm in order to

      dry it, and when she finished, it returned to its old position.

     


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