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    Book of Blues

    Page 8
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      Grange toutes les villes

      les jilles

      Mange toutes les filles

      19TH CHORUS

      The diamond that cuts through

      To the other view

      That I painted all white for you

      I edited your rough stone,

      Produced a diamond show,

      Elephantine was the mine

      Eglantine adamant and mad

      And madly adamantine

      My Allah you mine,

      The diamond of Dipankar

      The prime ripe wreak havoc

      Buddha pra-teeth torn

      Mouth Ya-Hoi-Ya-Hai

      Pastumintapaling porpitoi

      Turnpot of biled pata taters

      Smater Gater the Mater

      O’Shay, rife was the weather

      Was singin was gay,

      Rape were the weathers

      In heaven’s O Shay

      20TH CHORUS

      Old buddy aint you gonna stay by me?

      Didnt we say I’d die by a lonesome tree

      And you come and dont cut me down

      But I’m lying as I be

      Under a deathsome tree

      Under a headache cross

      Under a powerful boss

      Under a hoss

      (my kingdom for a hoss

      a hoss

      fork a hoss and head

      for ole Mexico)

      Joe, aint you my buddy thee?

      And stay by me, when I fall & die

      In the apricot field

      And you, blue moon, what you doon

      Shining in the sky

      With a glass of port wine

      In your eye

      —Ladies, let fall your drapes

      and we’ll have an evening

      of interesting rapes

      inneresting rapes

      21ST CHORUS

      Let fall the interesting fall

      And I lie and be as I be

      He stayed up in my case

      for quite awhile

      Tremendous pace—He was

      A petty thief or he’d sell junk

      One or the other

      I did my best to keep him from

      selling junk

      French fag from Montreal

      Hid the capsules up his ass

      And took em out in a restaurant

      On Broadway and Ninety Sixth

      And I went to Eighty Sixth

      Those girls hit up on me

      “Man is here!”

      And I bought four more caps

      And the fag went home with a girl

      What a beautiful shape

      that woman had

      22ND CHORUS

      Ha well dear and Ah Men

      The wee girl that was comin again

      She was for the books

      The Ursula plea

      That I could not take

      O you better baike

      O you better bake

      A better cake than this

      O you better Miss

      Yes you better miss

      When the thing never will kwiss

      O sweetheart and okay

      Here’s hopin we’ll all be away

      It was great fun

      But it was just one a

      those tings

      23RD CHORUS

      Dom dum dom domry

      Dom—dom—hahem—

      Sum—(creeeeee!)—Hnf—

      Shh—Hnf—Shh—Haf

      Shhh—Shhh—Hiffff—

      —Ma—

      Snffff—(bing bring, se ting)

      —“Yo conee na nache”—

      D ding—d ding—d-ding—

      Cramp!—O ya ta dee

      —ker blum—kheum—

      Hnffff—drrrrrrrr—drosh—

      Pepock—Sniffle—t bda—

      Want a piece a bread

      No

      Jack? Hnff—Ta ra ta ra fuee

      —Te wa ta ra teur—

      Grrr—he na pa powa shetaw—

      Tck tick tick Today is Sunday

      24TH CHORUS

      Eternally the lightning runs

      Through form after form formless

      In positive and negative repose

      It makes no difference that your uncle

      Was black with sufferance & bile,

      The whild childscriming skies will

      Always be the muchacho same

      Much words been written about it

      The message from infinite

      That will be was brought to us

      Is one

      But because it has no name

      We can only call it Bibit

      “It was Liebernaut who had

      the dream of uncovering Carthage”

      The snow in the sea mountains

      25TH CHORUS

      In Egypt under rosebushes

      Fifi’s fruits & sweets

      My Egyptian connection’s

      Gonna be late, the conductor

      Wouldnt take my change

      The Egyptian conductor

      Wouldnt nod

      Sandalwood and piss and pulque

      Burning in every door,

      Mighty Marabuda River

      Flows along

      Sampans and river thieves

      And woodsplitters and blind

      Thieves’ Markets & imbeciles

      “See Milan and see the world”

      Heppatity the twat kid

      Hatted by the racetrack

      Horses’ moon barns

      spun on a gibbee

      For lying alone

      26TH CHORUS

      My poems were stolen

      by Fellaheen Thieves

      In the city of the midnight

      The title was “Fellaheen Blues”

      And justice is done to Rome

      I’ll never see them again

      Learn what sweet development

      I’d harbored up to meditate

      All’s left now

      is these hateful

      New Fallaheen Blues

      which mean nothing

      and I hate them

      In the other book I cried

      Ah-da Ah-da

      the parturient spinsters

      that prate i the dining hill

      Are having blue venison

      To goose their old hyms

      Og

      27TH CHORUS

      But I’ll tell you—electricity

      Runs through all these forms

      And we call it electricity

      And notice the forms

      But what’s hoppen in nothin

      Is wha hoppen in nothin

      See?

      The butchers a de Bronx

      Ourter now dat

      —the late night tweed diners

      Italian restaurants on Bleecker

      that sing in the staring blue street

      with cigarettes of legs

      Ourter know dat

      The wild outflow wow open

      O gate of golden honey

      Hopin hill up above

      And below & within

      The kin, aye, my,

      What a roseate balloon

      For lovers of kin

      28TH CHORUS

      Part of the morning stars

      The moon and the mail

      The ravenous X, the raving ache,

      —the moon Sittle La

      Pottle, teh, teh, teh,—

      The tatata of
    thusness

      Twatting everywhere—

      The poets in owlish old rooms

      who write bent over words

      know that words were invented

      Because nothing was nothing

      In use of words, use words,

      the X and the blank

      And the Emperor’s white page

      And the last of the Bulls

      Before spring operates

      Are all lotsa nothin

      which we got anyway

      So we’ll deal in the night

      in the market of words

      29TH CHORUS

      And he sits embrowned

      in a brown chest

      Before the palish priests

      And he points delicately

      at the sky

      With palm and forefinger

      And’s got a halo

      of gate black

      And’s got a hawknosed

      watcher who loves to hate

      But has learned to meditate

      It do no good to hate

      So watches, roseate laurel

      on head

      In back of Prince Avolokitesvar

      Who moos with snow hand

      And laces with pearls

      the sea’s majesty

      30TH CHORUS

      The little bug thrasheth

      on the table

      Hungry to burn in the candle

      of flames

      Jerks at the gate-bottoms

      of wax cold hide

      Albions and Albans

      to his little sight

      Leaps to be browned

      in the roast rite

      Soars & tries to reach

      dizzy height

      Falls in the temples

      and quivers & slaps

      Playin like a schoolboy

      in the valleys

      Of silver & ivory hate

      ELEVEN VERSES OF GARVER

      31ST CHORUS

      I

      I had a slouch hat too one time

      The old slouch hat

      I just keep walkin around

      And he keeps walkin around with me

      Around and round that necktie

      counter we went

      When it rained I wore my old

      slouch hat

      It was a good felt that

      I had to carry through many

      rainy day, late fall

      and the early spring

      Perhaps it was a rainy day

      And the house dick mighta saw

      My hat

      Each tie on that ring

      Worth six bucks, Brooks Brothers,

      Sixty bucks wortha ties

      Slacks with peculiarities

      I couldnt even find a pair of slacks

      I thought it was suitable to wear

      32ND CHORUS

      II

      Wrapped one pair around me

      And pinned it with a safety pin

      And pulled up my trousers and

      Went out looked at myself in the mirror

      ‘O no, those wont do’

      And I walked out

      Wrap the slacks around my waist

      Took two other pair

      went to the mirror

      threw them at the salesman

      ‘No those wont do—good

      afternoon’ and walked out

      The slouch hat I got at Harvard

      Club, Yale Club, Princeton Club

      one or the other

      Dartmouth Club

      University Club

      Always barred the Yatch Club

      because it was a little over

      my kin

      33RD CHORUS

      III

      The doorman knew that only

      Mr Astor Mr Vanderbilt

      Mr Whitney belonged

      He couldnt say ‘Good morning

      Mister Astor’ because

      he knew I wasnt Mister

      Astor

      I always figured a way to heel

      into those other clubs

      Not only a member of Who’s

      Who but a Who’s Who

      also have to be a member

      of Who’s Who in New York

      in the special clique of Who’s

      Hoo—slouch hat!

      I get in the Athletic Club

      many time

      34TH CHORUS

      IV

      And I’d go up in the Billiard Room

      And I would wander back around

      The room, hands in back,

      And every coat rack I backed

      Up against feel for the wallet

      One day I walked

      Outa there with ten wallets

      Bellboy lookin me over

      Pretty soon a very dignified looking

      gentleman came up and buzzed

      the bell boy

      He says “Who?” and I says

      “Man told me his name, while

      We’re drinkin at the bar,

      And told me to meet him

      In the billiard-room

      of the Athletic Club

      I dont see him—so I best I

      better go”

      35TH CHORUS

      V

      “Tell me about the old slouch

      hat”

      One of my numerous trips

      to one of the numerous clubs

      in New York City

      The hat finally was left

      in the hotel

      which I had to leave

      rather hurriedly one night

      never to return

      so the hat was given

      to the castoffs of the hotel

      which they collect

      and rummage sells

      May now be worn by one

      Of the members of Skid Row

      New York City—the Bowery

      “I seen that hat

      by moonlight”

      36TH CHORUS

      VI

      I had a pointed mustache

      and I mean pointed

      half inch from here

      Double breasted vest

      and a Derby hat

      and striped trousers

      English shoes, black,

      very pointed, they were

      Hannah Shoes

      People on Broadway’d turn

      and look at me

      The worst is yet to come

      I had a pince nez

      with a long black ribbon

      to my buttonhole

      And I wore a carnation

      white or red

      Boy did I look like somethin

      37TH CHORUS

      VII

      A year later I got caught

      I was dressed differently

      and everything

      But boy that mustache

      and that pince nez

      was really out of this world

      I used that outfit six months

      I finally had to pack it in

      because it was too well-worn

      Pince nez was in a coat

      I stole

      Mustache I grew in the

      sanitarium

      While taking one of my

      numerous drug cures

      My mother’d come to see me

      She says “Oh No!

      Cut it off!”

      “I’m just havin a little fun, mother”

      38TH CHORUS

      V
    III

      Took it on the lam

      And went to Canada

      late at night I’m fulla

      morphine and I come down

      fulla goofballs too

      This guy had ventriloquist doll

      And he gave out this Texas Guinan

      Routine “Hello Sucker, we

      like your money as well

      as anybody else’s—s matter

      of fact the bigger your roll

      the more we take ya”

      He used to get everybody

      interested with the doll

      and cutout silhouettes

      put stripes in your tie

      Wound up in his room

      gave him a shot of morphine

      39TH CHORUS

      IX

      Out on the highway I thumbed a ride

      into Buffalo and I put the bum

      on the guy for something to eat

      —’Eat in my drugstore’—

      So we went in the back

      And he had corn on the cob

      And boiled potatos, ‘Say fellow

      I always hear people talk

      about morphine, what’s it look

      like?’—he shows me—he

      had a key a cabinet and

      he had bottles of hundreds

      quartergrains halfgrains

      pantapon delauddit everything

      and soon as he tended

      the customers I emptied the

      bottles—got outa there pretty

      quick, bought a safety pin

      in Buffalo and took a shot

      in the toilet

      40TH CHORUS

      X

      Come out and saw a fellow

      shaving, his coat hanging there,

      hung my own coat and gave

      his coat a brush of my hand,

      felt his wallet, washed my hands,

      and went out and took off

      with the wallet

      So I started out on a shoplifting

      campaign in Buffalo

      wasnt very experienced at it

      Started out with a topcoat

      and I sold it in a taxicab stand

      Next day I decided to get myself

      some suits

      and I went up

      I had a suitbox

      I walked about & put the suitbox

      in one of the dressingrooms

     


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