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    Orpheus Emerged

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      Blake.

      English poet, engraver, painter,

      and mystic William Blake (1757-1827) was a

      visionary: he bypassed organized religion and

      experienced God directly; his personal visions

      formed his idiosyncratic mythology. His most

      famous works are Songs of Innocence, Songs of

      Experience, and The Marriage of Heaven and

      Hell.

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      Spengler. German historian

      Oswald Spengler (1880-1936) is best known

      for his philosophical work, The Decline of the

      West, in which he maintained that history pro-

      gresses in natural phases, and each culture

      grows, matures, and decays. He predicted

      that Western culture, post World War I, was in

      its final stage.

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      Prometheus. The Greek god who

      stole fire from heaven and gave it to man. As

      a punishment, Prometheus was chained to a

      mountain; an eagle ate his liver every day, but

      it grew back each night. He was eventually

      rescued by Heracles.

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      Orpheus. In Greek mythology, Orpheus

      was a beloved musician, the son of the muse

      Calliope and Apollo, and a follower of Dionysus

      (the god of wine and fertile crops). He married

      Eurydice, but she was killed by a snake while

      fleeing the advances of Aristaeus. Orpheus

      descended to Hades to find her. His playing of

      the lyre so delighted Hades himself that Orpheus

      was permitted to take Eurydice back with him,

      provided that he did not look at her until they

      arrived in the upper world. When they were

      nearly there, however, he no longer heard her

      behind him, and he looked back. Eurydice

      returned to Hades. He could not get over the

      loss of his love, and the women in his home of

      Thrace were so outraged that they tore him to

      pieces during a bacchanalian orgy. The pieces of

      his body were collected by the Muses, and buried

      at the foot of Mt. Olympus; but his head was car-

      ried out to sea and eventually came ashore on

      the island of Lesbos, where it became an oracle.

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      Burroughs.

      William Seward

      Burroughs (1914-1997) was a student at

      Columbia University when Jack Kerouac met

      him there. The scion of a rich family, he

      became a heroin addict and based his first

      novels -- Junk (written as William Lee and

      published in 1953, then reissued as Junky in

      1964) and Naked Lunch (1959) -- on his drug-

      related experiences. Burroughs’ writing is

      characterized by biting and hilarious satire of

      contemporary society, and disjointed, phan-

      tasmagorical prose.

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      Jan. 1944

      We are all too sensitive to go on: it is too

      cold, and our bodies are too exhausted.

      There is too much life around. The multi-

      tude is feverish and ill. There is war where

      men sleep on the snow, and when we

      waken from sleep we do not desire to go

      on. I hiccup very violently, twice. This is

      an age that has created sick men, all weak-

      lings like me. What we need is a journey

      to new lands. I shall embark soon on one

      of these. I shall sleep on the grass and

      eat fruit for breakfast.

      Perhaps when I

      return, I shall be well again.

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      Brief notes on “The Half Jest”

      (Orpheus Emerged)

      Michael – the genius of imagination and art, 22

      Paul – the genius of life and love, 22

      Maureen – Michael’s mistress, 32 years old

      Claude [Arthur] – Michael’s friend, a student,

      20

      Leo – a student, 18

      Anthony – Paul’s friend, a drunkard and artist,

      38

      “Toni” – Claude’s [Arthur’s] girl, 21

      Jules – a strange student, 17

      Marie – Dmitri’s [Anthony’s] beautiful wife, 27

      “Barbara” – Maureen’s friend, 25

      “Robert” – a psychopath, 26

      Helen – the beloved of Marcel Opheus, 21

      Marcel Orpheus, who is never seen, 22

      Setting – A large city called West, in the land of

      Promethea – or vice versa.

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      Symbolized Idea – M. trying to transcend

      human emotions to those of God – emotions of

      creation, or of Eternity, etc. Thus he abandons

      his human self, Paul, and strikes off for the High

      Regions. But there he finds himself lost, lonely,

      and out of his element: his species-self, biologi-

      cally speaking, holds him back. A fish trying to

      live out of water, on air alone, M. finds that his

      life exists unquestionably on human terms: he

      cannot be God, or be like him, because he is

      human. This makes him see that the highest

      state he can attain is that of the "Lyre of God,"

      and in a contemporaneous sense, that of God’s

      representative to man. "A high meeting…" As

      Orpheus, the artist-man, rather than merely

      man, or merely Prometheus (the artist), he

      achieves his great goal of wholeness. This is a

      "new vision" – possible only after the cold windy

      darknesses of the High Regions have been

      explored. The "Impulse of God" poem key to

      M.’s whole success – but he transcends, yet

      maintains, this success to that of wholeness plus

      vision.

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      Journal

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      Symbolized Idea – M. trying to transcend

      human emotions to those of God – emotions of

      creation, or of Eternity, etc. Thus he abandons

      his human self, Paul, and strikes off for the High

      Regions. But there he finds himself lost, lonely,

      and out of his element: his species-self, biologi-

      cally speaking, holds him back. A fish trying to

      live out of water, on air alone, M. finds that his

      life exists unquestionably on human terms: he

      cannot be God, or be like him, because he is

      human. This makes him see that the highest

      state he can attain is that of the "Lyre of God,"

      and in a contemporaneous sense, that of God’s

      representative to man. "A high meeting…" As

      Orpheus, the artist-man, rather than merely

     
    ; man, or merely Prometheus (the artist), he

      achieves his great goal of wholeness. This is a

      "new vision" – possible only after the cold windy

      darknesses of the High Regions have been

      explored. The "Impulse of God" poem key to

      M.’s whole success – but he transcends, yet

      maintains, this success to that of wholeness plus

      vision.

      RETURN TO PREVIOUS

      LiveREADS

      LINK 54

      Journal

      Hyperlinks

      Symbolized Idea – M. trying to transcend

      human emotions to those of God – emotions of

      creation, or of Eternity, etc. Thus he abandons

      his human self, Paul, and strikes off for the High

      Regions. But there he finds himself lost, lonely,

      and out of his element: his species-self, biologi-

      cally speaking, holds him back. A fish trying to

      live out of water, on air alone, M. finds that his

      life exists unquestionably on human terms: he

      cannot be God, or be like him, because he is

      human. This makes him see that the highest

      state he can attain is that of the "Lyre of God,"

      and in a contemporaneous sense, that of God’s

      representative to man. "A high meeting…" As

      Orpheus, the artist-man, rather than merely

      man, or merely Prometheus (the artist), he

      achieves his great goal of wholeness. This is a

      "new vision" – possible only after the cold windy

      darknesses of the High Regions have been

      explored. The "Impulse of God" poem key to

      M.’s whole success – but he transcends, yet

      maintains, this success to that of wholeness plus

      vision.

      RETURN TO PREVIOUS

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      LINK 55

      Journal

      Hyperlinks

      March, 1945 – Seeing a lot of Burroughs. He

      is responsible for the education of Lucien, whom

      I had found, in lieu of his anarchy (rather than in

      spite of it), an extremely important person. "I

      lean with fearful attraction over the depths of

      each creature’s possibilities and weep for all that

      lies atrophied under the heavy lid of custom and

      morality" – and – "The bastard alone has the

      right to be natural." (Gide) These lines elicit a picture of the Burroughs thought. However, the

      psychoanalytical probing has upset me prodi-

      giously.

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      Journal

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      March, 1945 – Seeing a lot of Burroughs. He

      is responsible for the education of Lucien, whom

      I had found, in lieu of his anarchy (rather than in

      spite of it), an extremely important person. "I

      lean with fearful attraction over the depths of

      each creature’s possibilities and weep for all that

      lies atrophied under the heavy lid of custom and

      morality" – and – "The bastard alone has the

      right to be natural." (Gide) These lines elicit a

      picture of the Burroughs thought. However, the

      psychoanalytical probing has upset me prodi-

      giously.

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      Timeline

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      1922. Jean-Louis Lebris de

      Kerouac born 5 P.M. March 12 in Lowell,

      Massachusetts, third child of Gabrielle and

      Leo Kerouac, French-Canadian emigrants

      to New England; brother of Caroline and

      Gerard; family lives at 9 Lupine Road.

      Backward

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      1923. Father opens print shop

      business, Spotlight Print.

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      1926. Brother Gerard dies

      from rheumatic fever.

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      1933. Skips 6th grade and

      enters 7th grade at Bartlett Junior High;

      becomes friends with Sebastian Sampas;

      writes first short story.

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      1938. Excels in football

      and baseball at Lowell High School;

      flood destroys father’s printshop.

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      1939.

      Graduates from Lowell High School.

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      1939-1940.

      Attends Horace Mann Preparatory School

      in New York City; short stories, "The

      Brothers" and "Une Veille de Noel" pub-

      lished in Horace Mann Quarterly; hears

      jazz at Harlem clubs; smokes marijuana

      for the first time; loses his virginity with a

      Manhattan prostitute.

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      1940-1941.

      Attends Columbia College on a scholar-

      ship; breaks leg in November during a

      game; reads Thomas Wolfe novels and

      James Joyce’s Portrait of the Artist as a

      Young Man.

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      1942-1943.

      Serves in Merchant Marine and sails to

      Greenland aboard the Dorchester; joins

      Navy in February and is discharged on psy-

      chiatric grounds in September; sails to

      Liverpool on George Weems; returns to

      New York and hangs out at Joan Vollmer’s

      apartment at 421 W. 118th St.; meets

      Lucien Carr.

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      1944. Meets William

      Burroughs and Allen Ginsberg; Carr kills

      acquaintance David Kammerer, Kerouac is

      arrested for helping Carr dispose of mur-

      der weapon; marries Edie Parker to
    raise

      bail money; Parker and Vollmer move into

      apartment at 419 W. 115th St., where

      Kerouac, Ginsberg, and Burroughs also

      stay; Herbert Huncke visits often.

      Backward

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      1945. Completes novella,

      Orpheus Emerged, co-writes novella, And

      the Hippos Were Boiled in Their Tanks, with

      Burroughs; hospitalized for throm-

      bophlebitis.

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      1946. Father dies of cancer

      of the spleen; begins The Town and the

      City; meets Neal Cassady in December;

      marriage to Edie Parker annulled.

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      1947.Takes bus to Denver,

      meets up with Cassady and Carolyn

      Robinson (whom Cassady later marries),

      hitchhikes to West Coast; returns to New

      York in October.

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      1948. Meets John Clellon

      Holmes and invents the term "beat gener-

      ation"; completes early version of On the

      Road based on his 1947 travels.

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      1949. Leaves New York in

      January with Cassady, Cassady’s wife

      Luanne Henderson, and friend Al Hickle

      on second cross-country trip; takes bus

      from San Francisco to sister’s home in

      North Carolina; The Town and the City sold

      to Harcourt Brace for $1,000 advance;

      moves to Denver.

      Backward

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      1950. The Town and the City

      published; drives to Mexico with Cassady,

      and visits with Bill and Joan Burroughs;

      hitchhikes to New York; marries second

     


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