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    Fix


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      This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.

      Copyright © 2021 by Jennifer Mann

      Cover silhouette by Neil Swaab. Cover pill art © mecaleha/istockphoto.com. Cover hand-lettering and design by Karina Granda.

      Cover copyright © 2021 by Hachette Book Group, Inc.

      Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

      The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the author’s rights.

      Little, Brown and Company

      Hachette Book Group

      1290 Avenue of the Americas, New York, NY 10104

      Visit us at LBYR.com

      First Edition: May 2021

      Little, Brown and Company is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc.

      The publisher is not responsible for websites (or their content) that are not owned by the publisher.

      Library of Congress Cataloging-in-Publication Data

      Names: Mann, J. Albert, author.

      Title: Fix / J. Albert Mann.

      Description: First edition. | New York : Little, Brown and Company, 2021. | Audience: Ages 14+. | Summary: In the aftermath of major surgery, sixteen-year-old Eve struggles with pain, grief, and guilt while becoming increasingly dependent on pain medication, revisiting memories of her best friend, and exploring a potential romance.

      Identifiers: LCCN 2020048433 | ISBN 9780316493499 (hardcover) | ISBN 9780316493406 (ebook) | ISBN 9780316493437 (ebook other)

      Subjects: CYAC: Surgery—Fiction. | Scoliosis—Fiction. | Best friends—Fiction. | Friendship—Fiction. | Drug addiction—Fiction. | Mothers and daughters—Fiction.

      Classification: LCC PZ7.1.M36614 Fix 2021 | DDC [Fic]—dc23

      LC record available at https://lccn.loc.gov/2020048433

      ISBNs: 978-0-316-49349-9 (hardcover), 978-0-316-49340-6 (ebook)

      E3-20210409-JV-NF-ORI

      Contents

      Cover

      Title Page

      Copyright

      Dedication

      Nineteen Degrees

      Red Rover, Red Rover

      Please, No

      God

      The Telescope

      Collage

      Lidia Returns

      Something I Don’t Know

      Just Like It Always Was

      Me and Lidia

      Your Decision

      Something I Already Knew

      Pain

      The Burger Hut

      “Lidia”

      The Hand

      The Real One

      Eve and the Serpent

      Lies, Lies, Lies

      Everything I Want

      The Real One

      Need

      The Surgery

      The Real One

      The Human Form

      The Happiest of Huts

      Minnesota

      Mirrors and Miracles

      Something We Both Knew

      The Real One

      Slow Motion

      The Real One

      Say Something

      Who You Want Me to Be

      The Real One

      A Shower

      The Real One

      Forced from the Realm

      A Kiss

      The Roxy

      Possibly. Hopefully. Probably.

      Anywhere but Here

      The Real One

      I’ll Be Waiting

      An Exact Replica

      The Real One

      Take Me Somewhere

      Trying

      Me and Lidia

      Dry

      The Real One

      Shame

      Lidia Banks Never Needed Two Hands

      Food Fight

      My Decision

      Author’s Note

      Acknowledgments

      Discover More

      About the Author

      For Kevin Mann

      The only lie I’ve ever told my children is that we make our own lives.

      You made my life.

      Explore book giveaways, sneak peeks, deals, and more.

      Tap here to learn more.

      Nineteen Degrees

      I’M COLD.

      Cold and confused.

      Do I feel the tube between my lips? The staples sunk deep into my torso? The bars and screws bolted to my spine? The pain?

      No. All I feel is cold.

      A warm shadow lingers over me. I hear her. Maybe. Then… nothing.

      I dream of soft blurry voices and distant bright lights. Slowly, so slowly, I realize these aren’t dreams at all, but reality flittering into focus.

      Colors.

      Sounds.

      Everything hazy and high-pitched and filled with beeping and clicking and the whooshing sounds of air.

      At some point, they pull the tube from my throat. I think about screaming but then forget.

      Nearby, I hear someone calling out over and over. I beg them to please stop—although only in my head—because my voice is off somewhere. Lost.

      I see the light of day coming in through a window. And I hear Dr. Sowah, talking, laughing. Where is my mother?

      “Eve!”

      Someone calls to me from a distance, as if I’m floating far away from them.

      “’Ey, lazy, open up those eyes. You can totally ’ear me.” It’s Dr. Sowah. His missing h so familiar. He always joked that he left that letter back in Ghana when he came over at age eighteen.

      I think I must have smiled because he chuckles. Dr. Sowah is always chuckling.

      “That’s right, I know you’re there.”

      Am I? Or am I on a river?

      Sliding along in the sunshine.

      Safe.

      Warm.

      Happy.

      Until he leans over me, blocking out the sun like a rain cloud. “Eve, I’m delighted to report that you are officially nineteen degrees.”

      Nineteen degrees?

      It’s easy to hear his pride in that number.

      Nineteen.

      But I can’t wrap my head around it.… This new Cobb angle measuring the tilty twist of my spine. Large progressive scoliosis meant my forever-collapsing spine was forever producing a new one. Forty-eight degrees… fifty-two… sixty-seven… who could keep track? Although, this one—nineteen—is now fixed to me.

      By titanium.

      The river spins me. Then stops flowing with a loud snap, sending a searing shudder all along that nineteen-degree angle.

      The beginning of the second week in Massachusetts General Hospital is filled with pain, needles, thirst, and screaming—mostly mine.

      I am pinned under cold wet skin and bones. I can’t breathe from the terrifying pain, the fear that this bloodied slab is forever on me, in me, is me.

      Then… there is the shuffle near my IV. The surge of air deeply entering my lungs. And me, grasping at the nearest scrubs—to let them know they saved me, they have to keep saving me—before I’m floating off again on that river, light as a duck feather.

      Sometimes I wake up screaming in the light.

      Sometimes I wake up screaming in the dark.

      Every time I open my eyes, and even when I don’t, I scramble for the button to my morphine pump and cry out to Martin, the nice nurse, regardless if it’s his shift. And there he is, bending over my arm with an extra dose.

      A rush of saliva.

      A
    sting.

      And I hear her again.

      “Martin,” I whisper. “She’s here. Lidia.”

      “It’s the drugs, baby,” Martin tells me. “No one’s here.”

      Red Rover, Red Rover

      When I was six years old, I could

      not imagine being anything but

      strong and fast and tough.

      I thought as much about my spine

      twisting deep inside me

      as I did about the world’s economy

      or my mother’s day at work—which meant

      not at all.

      I wanted to play.

      I always wanted to play.

      And couldn’t believe my luck

      that sunny afternoon

      when a game of red rover

      began around me.

      Hand slapped into

      hand slapped into

      hand. Forming

      a human chain. A chain

      I wasn’t part of.

      Turning every which

      way, desperate

      for entry—there she stood

      reaching out with an arm

      that did not end

      in a hand.

      Not knowing what to do

      I did nothing.

      But she knew.

      “Take it,”

      she said.

      I took it.

      Clutching the arm where it ended,

      a little way up from where a wrist

      would be.

      Our line began to chant.

      Red rover, red rover,

      send Justin over.

      Across the field,

      a kid in stiff new jeans

      and a Red Sox T-shirt

      broke from the line

      and started running toward us.

      Fast.

      Toward us.

      Me and the girl.

      Me and Lidia.

      “Hold on,” she screamed.

      And I did.

      Please, No

      “HOLD ON, DARLIN’, I’M ABOUT TO REMOVE YOUR CATHETER,” Martin says. “It’s time to get out of that bed.”

      I don’t bother opening my eyes.

      “You’re gonna have to move sooner or later, little Evie.”

      I feel a dry sting from deep behind my belly button all the way down to my knees.

      The sting fades.

      I fade with it.

      I’m never moving.

      But they come.

      The physical terrorists.

      Talking. Touching. Positioning.

      Please. Please, no. It hurts. Please.

      Moving my blankets, my gown, my limbs.

      No. Please, no. I can’t. Stop.

      They don’t stop. They sit my body up. And then they stand it up. While I scream so loud the sound comes out my eye sockets.

      It’s like someone has stuck a metal rod straight up my ass, through my torso, and into my shoulder blades. Because they have.

      As I choke on a thick mix of sweat and tears and snot, my head rolls about at the end of my neck, giving me a swirling view of ceiling, floor, curtains. The PTs mutter “Shhh” and “It’s okay,” standing on either side of me, holding me upright. Not that it’s a hard job—I haven’t eaten anything for almost two weeks and I’m pretty sure my hospital gown weighs more than I do.

      My utter lack of compliance does nothing to convince them to return me to my bed so I try begging—saying the word please so many times it’s really just my lips quivering with fear.

      They continue like they can’t hear me. The short woman saying “You can do this,” and the taller repeating “Yes, you can do this,” in an even louder voice over and over. It’s like I’m trapped in some strange torturous pep-talk echo chamber, and I can’t tell if these two are physical therapists or personal trainers.

      Together, they drag me across the hospital room while I sob, and the old lady I share the room with shouts, “Jesus H. Christ, take me,” and “Holy Mother of God, shut her up,” in a cigarette-induced Southie rasp.

      It isn’t even a ten-foot journey, but every muscle I need to take those steps has been sawed through and then stapled back together.

      My mother walks in. Her face drops, and she quickly backs out the door. “I’ll come back when you’re done.”

      What? No. Help!

      But she’s gone.

      The PTs cart me into the bathroom, position my hands on the bars on either side of the toilet, and hike up my gown. Immediately, I remove my hands to clutch at them, pleading through my tears for someone to do something to stop the pain.

      Again they reposition my hands and attempt to lower me to the pot, but my gown falls down first. Up I come as they attempt to tie the gown out of my way.

      “Just take the goddamn thing off,” I snap.

      The tall PT gently removes my gown, and together, they lower my body onto the toilet, resting each of my arms on one of the bars. I beg them not to leave me like this. I can’t do it. I can’t stay here. It hurts too much. Everything hurts too much.

      Staying true to their infuriating optimism, they leave me and pull the door closed half an inch—like I need privacy after having just been placed naked onto a toilet.

      I cling to the bars, my head dangling from my neck, my rib cage and spine on fire. I’ve stopped crying, and the lingering panting and hiccups send shocks of pain from my knees to my eyes.

      I sit.

      And sit.

      Nothing happens. It’s like the pee doesn’t know how to come out of me without a tube.

      My physical therapy cheerleading squad keeps up their chanting outside the bathroom, which does nothing to help. Finally, the short PT comes back in and turns on the faucet. As she exits, she pulls the door almost completely closed, and I’m left staring at my reflection in a full-length mirror.

      There was a time—called my entire fucking life—when I’d have done anything to see myself in a mirror with a Cobb angle of nineteen degrees, but now all I see are staples.

      Large staples.

      Large, metal staples.

      Many, many large, metal staples. A gleaming railroad track sunk deep into my pale white skin and crisscrossing a thick red slice of open wound traveling from under my armpit, down past my belly button, and around my hip.

      What did they do to me? What did they do?

      Forgetting I can’t, I jump up and then fall back onto the toilet, hitting the seat hard. The pain is so horrible that I can do nothing but cling to the bars while blood pounds in my temples.

      One of the PTs calls my name.

      I can’t answer. I’m sliding. Sliding from the toilet. Sliding toward the floor, where my staples will catch on the seat and rip me open. I’m going to be ripped open and I’m going to hurt worse than I do right now.

      Fear overwhelms me. And just as my sweaty hands slip from the bar, the PTs rush into the room and grab my arms, righting me.

      Nineteen degrees? Who the hell cares.

      I’m shouting. Or screeching. My voice needing to mimic the pain.

      The PTs try to calm me down as they shove my arms back into my gown. I won’t be calmed. That wasn’t me. How could anyone live looking like this?

      The old lady howls profanity while the PTs haul me past her toward my bed. I’m sobbing and hyperventilating at the same time. Every breath yanking mercilessly at my staples.

      Martin, the nice nurse, is behind me. He has a needle in his hand. My needle.

      When they roll me onto my bed, it feels like someone is ripping my spine right out through my neck. Martin sticks me even as I scream into his face.

      I keep on screaming until the morphine turns my screams into hoarse moans, and then finally into nothing at all.

      “Martin,” I gasp. “I didn’t pee.”

      “Yes, you did, sweet baby.” He laughs. “I’m gonna go clean it up off the bathroom floor right now.”

      “Martin,” I say, clutching him. My throat burns. Somehow, he knows, and he shovels in a spoonful of ice chips.

      Holy Mother of God, that feels good.


      God

      The first time I

      officially heard His name

      was in school.

      The Pledge of Allegiance.

      Although I’d certainly

      seen churches—for me

      they were curious buildings with doors

      I’d never walked through.

      In this pledge,

      which I was asked

      to repeat each morning, we were

      under Him.

      I didn’t get it, so

      I asked my mother.

      “God doesn’t like women,”

      she said.

      In my mother’s defense,

      I probably asked while

      she was in the middle of grading undergraduate papers

      or

      composing feminist verse

      and I’m sure she didn’t consider

      for a second

      I’d take her statement

      and think about it

      for as long as I did.

      God didn’t like me much.

      The weird thing was,

      I felt Him

      not liking me.

      I was diagnosed with scoliosis at eight.

      By twelve, my spine was twisting

      into the squirrely shape

      of a loopy S.

      A band of muscles

      was beginning to collect

      on my back.

      It wasn’t a hump

      yet.

      My shoulder blade

      hadn’t protruded—

      awkwardly stretching my skin tight

      in one place

      while folding it into elephant-like wrinkles

     


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