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    The Bridge on the Drina - PDFDrive.com

    Page 30
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    orceasingtosmile,alsoblinkedquicklyandimperceptibly,whichmeant:

      'Allright,thankyou;keepaneyeonit!'

      There remained only the question of what the expelled guest had drunk or

      broken. That sum Lotte wrote off in Gustav's accounts when they made up the

      accountsfortheday,whichtheydidlateatnightbehindaredscreen.

      XV

      Thereweremanywaysbywhichtheturbulentandskilfullyexpelledguest,ifhe

      were not immediately taken to prison from outside the hotel, could recover his

      spiritsandhisstrengthaftertheunpleasantnessthathadbefallenhim.Hecould

      tottertothe kapia and refresh himself there in the cool breeze from the waters andthesurroundinghills;orhecouldgotoZarije'sinnwhichwasonlyalittle

      fartheron,inthemainsquare,andtherefreelyandwithouthindrancegrindhis

      teeth, threaten and curse the invisible hand that had so painfully and definitely

      thrownhimoutofthehotel.There,afterthesolidcitizensandartisanswhohad

      only come to drink their 'evening nip' or chat with their fellows had dispersed,

      therewasnoscandal,norcouldtherebe,foreveryonedrankasmuchasheliked

      orasmuchashecouldpayfor,andeveryonedidandsaidwhatheliked.There

      wasnoquestionofaskingaguesttospendmoneyanddrinkupandatthesame

      timebehaveasifwassober.Thoughifanyonewentbeyondduemeasurethere

      was always the solid and taciturn Zarije himself whose scowling and bad-

      tempered face discouraged even the most rabid drunkards and brawlers. He

      quietenedthemwithaslowmovementofhisheavyhandandafewwordsinhis

      gruffvoice:

      'Heyyouthere!Dropit!Enoughofyourfunandgames!'Buteveninthatold-

      fashioned inn where there were no separate rooms or waiters, for there was

      always some fellow or other from the Sanjak to serve the drinks, new habits

      mingledwondrouslywiththeold.

      Withdrawn into the farthest corners the notorious addicts of plum brandy sat

      silent.Theywereloversofshadowandsilence,sittingovertheirplumbrandyas

      if it were something sacred, hating movement and commotion. With burnt-out

      stomachs, inflamed livers and disordered nerves, unshaven and uncared for,

      indifferenttoeverythingelseintheworldandaburdeneventothemselves,they

      sat there and drank and, while drinking, waited until that magical light which

      shinesforthosecompletelygivenovertodrinkshouldat last burst upon them,

      that joy for which it is sweet to suffer, to decay and finally to die, but which unfortunatelyappearsmoreandmorerarelyandshinesmoreandmoreweakly.

      Themostnoisyandtalkativewerethebeginners,forthemostpartsonsoflocal

      worthies,youngmeninthosedangerousyearswhichmarkthefirststepsonthe

      road to ruin, paying that tribute which all must pay to the vices of drink and

      idleness, some for shorter, others for longer periods. Most of them did not remainlongonthisroadbutturnedawayfromit,foundedfamiliesanddevoted

      themselvestothriftandlabour,tothedailylifeofacitizenwithvicessuppressed

      and passions moderated. Only an insignificant minority, accursed and

      preordained,continuedonthatroadforever,choosingalcoholinsteadoflife,that

      shortest and most deceptive illusion in this short and deceptive life; they lived

      for alcohol and were consumed by it, until they became sullen, dull and puffy

      likethosewhosatinthecornersintheshadows.

      Sincethenewwaysoflifebegan,withoutdisciplineorconsideration,withmore

      livelytradeandbetterwages,aswellasSumbotheGipsywhohadaccompanied

      all the townsmen's orgies for the past thirteen years with his zurla, or peasant clarinet, there now came often to the inn Franz Furlan with his accordion. He

      was a thin reddish man with a gold earring in his right ear, a woodcarver by

      profession, but too great a lover of wine and music. The soldiers and foreign

      workmenlovedtolistentohim.

      Itoftenhappenedthata guslar(aplayerontheone-stringedfiddle)couldalsobe

      found there, usually some Montenegrin, thin as a hermit, poorly dressed but

      proud in bearing, famished but ashamed, proud but forced to accept alms. He

      wouldsitforsometimeinacorner,noticeablywithdrawn,orderingnothingand

      looking straight in front of him, pretending to notice nothing and to be

      indifferent to everything. None the less it could be seen that he had other

      thoughts and intentions than his appearance revealed. Within him wrestled

      invisibly many contrary and irreconcilable feelings, especially the contrast

      between the greatness that he felt in his soul and the misery and weakness of

      whathewasabletoexpressandrevealbeforeothers.Thereforehewasalwaysa

      littleconfusedandembarrassed.Proudlyandpatientlyhewaitedforsomeoneto

      ask for a song from him and then hesitantly took his gusle out of his bag, breathedonit,lookedtoseeifhisbowhadbeenslackenedbydamp,andtuned

      up,allthewhilequiteclearlywantingtoattractaslittleattentionaspossibleto

      these technical preliminaries. When he first passed the bow across the string it

      was still a wavering sound, uneven as a rutted road. But just as somehow or

      other one passes such a road, so he too through his nose with closed mouth

      began softly to accompany the sound and complete and harmonize it with his

      voice. When at last the two sounds merged into a single melancholy even note

      whichwoveanaccompanimentforhissong,themiserablesingerchangedasif

      by magic and all his troubled hesitation disappeared, his inner contradictions

      calmed and all his outer cares forgotten. The guslar suddenly raised his head,

      like a man who throws off the mask of humility, no longer having need to conceal who and what he was, and began unexpectedly in a strong voice his

      introductoryverses:

      'Thesprigofbasilbegantoweep,

      Ogentledew,whyfallyounotuponme?'

      The guests, who until then had pretended not to notice and had been chatting

      together, all fell silent. At these first verses all of them, Turks and Christians alike,feltthesameshiverofundefineddesire,ofthirstforthatdewwhichlived

      in themselves as in the song, without distinction or difference. But when

      immediatelyafterwardsthe guslar continuedsoftly:

      'Butitwasnotthesprigofbasil...'

      and lifting the veil from his metaphor began to enumerate the real desires of

      Turks and Serbs concealed behind these words of dew and basil, there arose

      divided feelings among the listeners which led them along opposing paths

      according to what each felt within himself and what each desired or believed.

      Butnonetheless,bysomeunwrittenrule,theyallquietlylistenedtotheendof

      the song and, patient and enduring, did not reveal their mood, but only looked


      into the glasses before them where, on the shining surface of the plum brandy,

      theyseemedtoseethevictoriessodesired,thefights,theheroes,thegloryand

      theglitter,suchasexistednowhereintheworld.

      Itwasliveliestintheinnwhentheyoungermen,sonsofrichlocalworthies,sat

      downtodrink.ThentherewasworkforSumboandFranzFurlanandĆorkanthe

      One-EyedandSahatheGipsy.

      Sahawasasquintinggipsywoman,aboldviragowhodrankwithanyonewho

      couldpay,butnevergotdrunk.NoorgycouldbeimaginedwithoutSahaandher

      meatyjokes.

      The men who made merry with them changed, but Ćorkan, Sumbo and Saha

      werealwaysthesame.Theylivedonmusic,jokesandplumbrandy.Theirwork

      layinthetime-wastingofothersandtheirrewardinothers'spendings.Theirtrue

      lifewasatnight,especiallyinthoseunusualhourswhenhealthyandhappymen

      areasleep,whenplumbrandyandhithertorestrainedinstinctscreateanoisyand

      glittering mood and unexpected enthusiasms which are always the same yet

      seem always new and unimaginably beautiful. They were close-mouthed paid

      witnessesbeforewhomeveryonedaredtoshowhimselfashereallywas,orin

      the local expression 'to show the blood beneath the skin', without having

      afterwards either to repent or be ashamed; with them and in their presence everythingwaspermittedwhichwouldbeconsideredscandalousbytherestof

      theworldandathomewouldbesinfulandimpossible.Alltheserich,respected

      fathers and sons of good families could, in their name and to their account, be

      foramomentwhattheydidnotdareshowthemselves,atleastatcertaintimes

      andatleastinapartoftheirbeing.Thecruelcouldmockatthemorbeatthem,

      the cowards could shout insults at them, the prodigal could reward them

      generously;thevainboughttheirflattery,themelancholicandmoodytheirjokes

      and pleasantries, the debauched their boldness or their services. They were an

      eternal but unrecognized need of the townsmen whose spiritual lives were

      stunted and deformed. They were rather in the position of artists in a milieu

      whereartisunknown.Therearealwayssuchpeopleinatown,singers,jesters,

      buffoons, eccentrics. When one of them grew threadbare or died, another

      replaced him, for besides the notorious and well known there developed fresh

      onestoshortenthehoursandmakegaythelivesofnewgenerations.Butmuch

      timewouldhavetopassbeforesuchanotherappearedasSalkoĆorkantheOne-

      Eyed.

      When, after the Austrian occupation, the first circus had come to the town

      Ćorkan had fallen in love with the tight-rope walker and because of her had

      behavedsomadlyandeccentricallythathehadbeenbeatenandsenttoprison,

      andthelocalworthieswhohadheedlesslyledhimastrayandencouragedhimto

      losehisheadhadhadtopayheavyfines.

      Some years had passed since then, the people had grown accustomed to many

      thingsandthearrivalofstrangeplayers,clownsandconjurersnolongerexcited

      suchuniversalandcontagioussensationashadthefirstcircus,butĆorkan'slove

      forthedancerwasstillremembered.

      Foralongtimehehadwastedhisstrengthindoingoddjobsbydayandbynight

      helping the local begs and rich men to forget their cares in drinking and

      brawling. So it went from generation to generation. As some sowed their wild

      oats and withdrew, got married and settled down, other and younger ones who

      wanted to sow theirs took their places. Now Ćorkan was washed out and old

      beforehistime;hewasfarmoreoftenintheinnthanatworkandlivednotso

      much from what he earned as from free drinks and snacks given him by the

      customers.

      On rainy autumn nights the guests in Zarije's inn were overcome by boredom.

      Their thoughts came slowly and were all concerned with melancholy and

      unpleasant matters; speech came with difficulty and sounded empty and irritating, faces were cold, absent or mistrustful. Not even plum brandy could

      enliven and improve their mood. On a bench in a corner of the inn Ćorkan

      drowsed overcome by fatigue, the moist heat and the first glasses of plum

      brandy;itwasrainingcatsanddogs.

      Thenoneofthesullenguestsatthemaintablementioned,asifbychance,the

      dancerfromthecircusandCorkan'sunhappylove.Theyallglancedatthecorner

      butĆorkandidnotbudgeandpretendedtogoondozing.Letthemsaywhatthey

      liked; he had firmly decided that very morning, after a heavy night's drinking,

      nottoreplytotheirjeeringandmockingandnottoletthemplaycrudejokeson

      himassomeofthemhaddonethenightbeforeinthatveryinn.

      'Ibelievethattheystillwritetoeachother,'saidone.

      'Soyousee,thebastardwriteslove-letterstoonewhileanotherisonherkneesto

      himhere!'retortedanother.

      Ćorkan forced himself to remain indifferent but the conversation irritated and

      excited him as if the sun were burning his face; his only eye seemed as if it

      forceditselftoopenandallthemusclesofhisfacestre'tchedintoahappylaugh.

      Hewasnolongerabletomaintainhismotionlesssilence.Atfirsthewavedhis

      handinacasualandindifferentgestureandthensaid:

      'Allthatisover,overlongago.'

      'Allover,isit?WhatawretchthisfellowĆorkanis!Onegirlispiningawayfor

      him somewhere far away while another is going mad for him here. One is all

      over,thisoneherewillsoonbethesameandthenitwillbetheturnofathird.

      What sort of a fellow are you, you wretch, to turn their heads one after the

      other?'

      Ćorkan leapt to his feet and approached the table. He had forgotten his

      drowsinessandfatigueandhisdecisionnottobedrawnintoconversation.With

      handonheartheassuredthegueststhatithadnotbeenhisfaultandthathewas

      not so great a lover and seducer as they made out. His clothes were still damp

      andhisfacestreakedanddirty,forthecolourofhischeapredfezran,butitwas

      lightedupwithasmileofalcoholicbliss.Hesatdownnearthetable.

      'RumforĆorkan!'shoutedSantoPapo,afatandgreasyJew,sonofMenteand

      grandson of Morde Papo, leading hardware merchants. Corkan had recently

      beguntodrinkruminsteadofplumbrandywheneverhecouldgetholdofit.The

      newdrinkwasasifmadeforsuchashe;itwasstronger,quickerineffectand pleasantlydifferentfromplumbrandy.Itcameinsmallflasksoftwo decis each,

      withalabelshowingayoungmulattogirlwithlusciouslipsandfieryeyeswith

      awidestrawhatonherhead,greatgoldenearringsandtheinscriptionbeneath:

      Jamaica. (That was something exotic for a Bosnian in the last stages of

      alcoholismborderingondelirium.ItwasmadeinSlavonskiBrodbythefirmof

      Eisler,SirowatkaandCo.)Whenhelookedatthepictureoftheyoungmulatto

      girl, �
    �orkan also felt the fire and aroma of the new drink and at once thought

      that he would never have been able to know this earthly treasure had he died

      even a year before. 'And how many such wonderful things there are in this

      world!' He felt deeply moved at this thought and therefore always waited for a

      few pensive moments before he opened a bottle of rum. And after the

      satisfactionofthatthoughtcamethedelightofthedrinkitself.

      Thistimetooheheldthebottlebeforehisfaceasifconversingwithitunheard.

      Buthewhohadfirstmanagedtodrawhimintoconversationaskedhimsharply:

      'Whyareyoudreamingaboutthatgirl,youwretch;areyougoingtotakeheras

      yourwifeorplayaboutwithherasyoudidwithalltheothers?'

      ThegirlinquestionwasacertainPašafromDušče.Shewastheprettiestgirlin

      thetown,poorandfatherless,aseamstressaswasalsohermother.

      During the countless picnics and drinking bouts of the past year the young

      bachelors had talked and sung much about Paša and her inaccessible beauty.

      ListeningtothemĆorkanhadgraduallyandimperceptiblybecomeenthusiastic

      too,hehimselfdidnotknowhoworwhy.Sotheybegantoteasehimabouther.

      One Friday they took Ćorkan with them for asikovanje (to flirt with the town girls in the Turkish manner) when from behind the courtyard gates or the

      windowlatticesmuffledgigglescouldbeheardandthewhisperingoftheunseen

      girls within. From one courtyard where Paša and her friends lived a sprig of

      tansy was thrown over the wall and fell at Ćorkan's feet. He hesitated in

      confusion,notwantingtotreadontheflowerandundecidedwhethertopickit

      up.Theyouthswhohadbroughthimclappedhimonthebackandcongratulated

      him that Paša had chosen him from so many and had shown him greater

      attentionthananyoneelsehadeverobtainedfromher.

      That night they had gone drinking beside the river under the walnut trees at

      Mezalin and continued until dawn. Corkan sat beside the fire, solemn and

      withdrawn, now joyous, now pensive. That night they would not let him serve

      thedrinksorbusyhimselfpreparingcoffeeandsnacks.

     


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