He considered letting them descend the spillway into Hell, slipping
behind them, killing the man, disabling the woman, and then proceeding
with a dual crucifxion. But there was something about the husband that
unsettled him. He couldn't put his finger on it.
But he realized now that, in spite of his bravado, he had been avoiding
a confrontation with the husband. In their house earlier in the night,
when the element of surprise had still been his, he should have circled
behind the husband and disposed of him first, before going after either
Regina or Lindsey. Had he done so, he might have been able to acquire
both woman and child at that time. By now he might have been happily
engrossed in their mutilation.
Far above, the pearly glow of light had resolved into a pair of
flashlight beams at the brink of the spillway. After a brief
hesitation, they started down. Because he had put his sunglasses in his
shirt pocket, Vassago was forced to squint at the slashing swords of
light.
As before, he decided not to move against the man, choosing instead to
retreat with the child. This time, however, he wondered at his
prudence.
A Master of the Game, he thought, must exhibit iron control and choose
the right moments to prove Ins power and superiority.
True. But this time the thought struck him as spineless justification
for avoiding confrontation.
Nonsense. He was afraid of nothing in this world.
The flashlights were still a considerable distance away, focused on the
floor of the spillway, not yet to the midpoint of the long incline. He
could hear their footsteps, which grew louder and developed an echo as
the pair advanced into the huge chamber.
He seized the catatonic girl, lifted her as if she weighed no more than
a pillow, slung her over his shoulder, and moved soundlessly across the
floor of Hell toward those rock formations where he knew a door to a
service room was hidden.
"Oh, my God."
"Don't look," he told Lindsey as he swept the beam of his flashlight
across the macabre collection. "Don't look, Jesus, cover my back, make
sure he's not coming around on us."
Gratefully, she did as he said, turning away from the array of posed
cadavers in various stages of decomposition. She was certain that her
sleep, even if she lived to be a hundred, would be haunted every night
by those forms and faces. But who was she kidding-she would never make
a hundred. She was beginning to think she wouldn't even make it through
the night.
The very idea of breathing that air, reeking and impure, through her
mouth was almost enough to make her violently ill. She did it anyway
because it .. . . the stink.
The darkness was so deep. The flashlight seemed barely able to
penetrate. It was like syrup, flowing back into the brief channel that
the beam stirred through it.
She could hear Hatch moving along the collection of bodies, and she knew
what he had to be doing-taking a quick look at each of them, just to be
sure that Jeremy Nyebern was not posed among them, one living
monstrosity among those consumed by rot, waiting to spring at them the
moment they passed him.
Where was Regina?
Ceaselessly, Lindsey swept her flashlight back and forth, back and
forth, in a wide arc, never giving the murderous bastard a chance to
sneak up on her before she brought the beam around again. But, oh, he
was fast.
She had seen how fast. Flying down the hallway into Regina's room,
slamming the door behind him, fast as if he'd flown, had wings, bat
wings.
And agile. Down the trumpet-vine trellis with the girl over his
shoulder, unfazed by the fall, up and off into the night with her.
She heard Hatch moving away, and she knew where he was going, not just
following the line of bodies but circling the towering figure of Satan,
to be sure Jeremy Nyebern wasn't on the other side of it. He was just
doing what he had to do. She knew that, but she didn't like it anyway,
not one little bit, because now she was alone with all of those dead
people behind her. Some of them were withered and would make papery
sounds if somehow they became animated and edged toward her, while
others were in more horrendous stages of decomposition and sure to
reveal their approach with thick, wet ... And what crazy' thoughts were
these?
They were all d'ad. Nothing to fear from them. The dead stayed dead.
Except they didn't always, did they? No, not in her own personal
experience, they' didn't. But she kept sweeping her light back and
forth, back and forth, resisting the urge to turn around and shine it on
the festering cadavers behind her. She knew she should mourn them
rather than fear them, be angry for the abuse and loss of dignity that
they had suffered, but she only had room at the moment for fear. And
now she heard Hatch coming closer, around the other side of the statue,
completing his circumnavigation, thank God. But in the next breath,
horribly metallic as it passed through her mouth, she wondered if it was
Hatch or one of the bodies moving. Or Jeremy. She swung around,
looking past the row of corpses rather than at them, and her light
showed her that it was, indeed, Hatch coming back.
Are was Regina?
as if in answer, a distinctive creak sliced through the heavy air.
Doors the world over made that identical sound when their hinges were
corroded and unoiled.
She and Hatch swung their flashlights in the same direction. The
over-lapping terminuses of their beams showed they had both judged the
origin of the sound to have come from a rock formation along the far
shore of what would have been, with water, a lake larger than the lagoon
outside.
She was moving before she saw it. Hatch whispered her name in an urgent
tone that meant move after me, I'll go first. But she could no more
have held back than she could have turned coward and retreated up the
spill way. Her Regina had been among the dead, perhaps spared the
direct sight of them because of her strange keeper's aversion to light,
but among them nevertheless and so aware of them. Lindsey could not
bear the thought of that innocent child held in this slaughterhouse one
minute longer. Lindsey's own safety didn't matter, only Regina's.
As she reached the rocks and plunged in among them, stabbing here with
her light, then there, then over there, shadows leaping, she heard the
wail of distant sirens. Sheriff's men. Hatch's phone call had been
taken seriously. But Regina was in the hands of Death. If the girl was
still alive, she would not last as long as it would take the cops to
find the funhouse and get down to the lair ofLucifer. So Lindsey
pressed deeper into the rocks, the Browning in one hand, flashlight in
the other, turning corners recklessly, taking chances, with Hatch close
behind her.
She came upon the door abruptly. Metal, streaked with rust, operated by
a push-bar rather than a knob. Ajar.
She shoved it open and went through without even the finesse that she
should have learned from a lifetime of police movies and television
shows.
She exploded across the threshold as might a mother lion in pursuit of
the predator that had dared to drag off her cub. Stupid, she knew that
it was stupid, that she could get herself killed, but mother lions in a
fever of matriarchal aggression were not notably creatures of reason.
She was operating on instinct now, and instinct told her that they had
the bastard on the run, had to keep him running to prevent him from
dealing with the girl as he wanted, and should press him harder and
harder until they had him in a corner.
Beyond the door in the rocks, behind the walls of Hell, was a
twenty-foot-wide area that had once been crowded with machinery. It was
now littered with the bolts and steel plates on which those machines had
been mounted. Elaborate scaffolding, festooned with spider webs, rose
forty or fifty feet; it provided access to other doors and crawl spaces
and panels through which the complex lighting and effects
equipment-cold-steam generators, laser-had been serviced.
That stuff was gone now, stripped out and carted away.
How long did he need to cut the girl open, seize her beating heart, and
take his satisfaction from her death? One minute? Two? Perhaps no
more than that. To keep her safe, they had to breathe down his
goddamned neck.
Lindsey swept her flashlight beam across that spider-infested
conglomeration of steel pipes and elbow joints and tread plates. She
quickly decided their quarry had not ascended to any hiding place above.
Hatch was at her side and slightly behind her, staying close. They were
breathing hard, not because they had exerted themselves but because
their chests were tight with fear, constricting their lungs.
Turning left, Lindsey moved straight toward a dark opening in the
concrete-block wall on the far side of that twenty-foot-wide chamber.
She was drawn to it because it appeared to have been boarded over at one
time, not solidly but with enough planks to prevent anyone entering the
forbidden space beyond without effort. Some of the nails still prickled
the block walls on both sides of the opening, but all of the planks had
been torn away and shoved to one side on the floor.
Although Hatch whispered her name, warning her to hold back, she stepped
straight to the brink of that room, shone her light into it, and
discovered it was not a room at all but an elevator shaft. The doors,
cab, cables, and mechanism had been salvaged, leaving a hole in the
building as sure as an extracted tooth left a hole in the jaw.
She pointed her light up. The shaft rose three stories, having once
conveyed mechanics and other repairmen to the top of the funhouse. She
swung the beam slowly down the concrete wall from above, noticing the
ice chest, several empty cans of root beer, and a plastic garbage bag
nearly full of trash, all arranged around a stained and battered
mattress.
On the mattress, huddled in a corner of the shaft, was Jeremy Nyebern.
Regina was in his lap, held against his chest, so she could shield him
against gunfire. He was holding a pistol, and he squeezed off two shots
even as Lindsey spotted him down there.
The first slug missed both her and Hatch, but the second round tore
through her shoulder. She was knocked against the door frame. On the
rebound, she bent forward involuntarily, lost her balance, and fell into
the shaft, following her flashlight, which she had already dropped.
Going down, she didn't believe it was happening. Even when she hit
bottom, landing on her left side, the whole thing seemed , maybe because
she was still too numb from the impact of the bullet to feel the damage
it had done, and maybe because she fell mostly on the mattress, at the
far end of it from Nyebern, knocking out what wind the slug had left in
her but breaking no bones.
Her flashlight had also landed on the mattress, unharmed. It lit one
gray wall.
As if in a dream, and though unable to get her breath quite yet, Lindsey
brought her right hand slowly around to point her gun at him.
But she had no gun. The Browning had spun from her grip in the fall.
During Lindsey's drop, Nyebern must have tracked her with his own
weapon, for she was looking into it. The barrel was impossibly long,
measuring exactly one eternity from firing chamber to muzzle.
Beyond the gun she saw Regina's face, which was as slack as her gray
eyes were empty, and beyond that beloved countenance was the hateful
one, pale as milk. His eyes, unshielded by glasses, were fierce and
strange.
She could see them even though the glow of the flashlight forced him to
squint. Meeting his gaze she felt that she was face-to-face with
something alien that was only passing as human, and not well.
Oh, wow, surreal, she thought, and knew that she was on the verge of
passing out.
She hoped to faint before he squeezed the trigger. Though it didn't
matter, really. She was so close to the gun that she wouldn't live to
hear the shot that blew her face off.
iron rungs of the service ladder.
Hatch stepped in beside her as the light found its way to the bottom of
the shaft, just two floors below, where it revealed some litter, a
Styrofoam Hatch's horror, as he watched Lindsey fall into the shaft, was
exceeded by his surprise at what he did next.
When he saw Jeremy track her with the pistol until she hit the mattress
the muzzle three feet from her face, Hatch tossed his own Browning away;
onto the pile of planks that once boarded off the shaft. He figured he
wouldn't be able to get off a clear shot with Regina in the way. And he
knew that no gun would properly dispatch the thing that Jeremy had
become. He had no time to wonder at that curious thought, for as soon
as he pitched away the Browning, he shifted the flashlight from his left
hand to his right, and leaped into the elevator shaft without any
expectation that he was about to do so.
After that, everything got weird.
It seemed to him that he didn't crash down the shaft as he should have
done, but glided in slow motion, as if he were only slightly heavier
than air, taking as much as half a minute to reach bottom.
Perhaps his sense of time had merely been distorted by the profundity of
his terror.
Jeremy saw him coming, shifted the pistol from Lindsey to Hatch, and
fired all eight remaining rounds. Hatch was certain that he was hit at
least three or four times, though he sustained no wounds. It seemed
impossible that the killer could miss so often in such a confined space.
Perhaps the sloppy marksmanship was attributable to the gunman's panic
and to the fact that Hatch was a moving target.
While he was still floating down like dandelion fluff, he experienced a
reconnection of the peculiar bond between him and Nyebern, and for a
moment he saw himself descending from the young killer's point of view.
What he glimpse
d, however, was not only himself but the image of some
one-or something-superimposed over him, as if he shared his body with
another entity. He thought he saw white wings folded close against his
sides. Under his own face was that of a stranger-the visage of a
warrior if ever there had been one, yet not a face that frightened him.
Perhaps by then Nyebern was hallucinating, and what Hatch was receiving
from him was not actually what he saw but only what he imagined that he
saw. Perhaps.
Then Hatch was gazing down from his own eyes again, still in that slow
glide, and he was sure that he saw something superimposed over Jeremy
Nyebern, too, a form and face that were part reptilian and part
insectile.
Perhaps it was a trick of light, the confusion of shadows and
conflicting flashlight beams.
He could not explain away their final exchange, however, and he dwelt
upon it often in the days that followed: "Who are you?" Nyebern asked as
Hatch landed catlike in spite of a thirty-foot descent.
"Uriel," Hatch replied, though that was not a name he had heard before.
"I am Vassago," Nyebern said.
"I know," Hatch said, though he was hearing that name for the first
time, as well.
"Only you can send me back."
"and when you get sent back by such as me," Hatch said, wondering where
the words came from, "you don't go back a prince. You'll be a slave
below, just like the heartless and stupid boy with whom you hitched a