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    Koontz, Dean R. - Hideaway

    Page 29
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      His dark desire became an urgent need.

      He prowled the park, seeking satisfaction.

      He was a little surprised that Fantasy World continued to turn as if

      nothing had happened in the Millipede. He had expected the whole

      operation to close down, not just that one ride. Now he realized money

      was more important than mourning one dead customer. And if those who'd

      seen Tod's battered body had spread the story to others, it was probably

      discounted as a rehash of the legend. The level of frivolity in the

      park had not noticeably declined.

      Once he dared to pass the Millipede, although he stayed at a distance

      because he still did not trust himself to be able to conceal his

      excitement over his achievement and his delight in the new status that

      he had attained.

      Master of the Game. Chains were looped from stanchion to stanchion in

      front of the pavilion, to block anyone attempting to gain access. A

      closed for repairs sign was on the entrance door. Not for repairs to

      old Tod. The rocket jockey was beyond repair. No ambulance was in

      sight, which they might have thought they needed, and no hearse was

      anywhere to be seen.

      No police, either. Weird.

      Then he remembered a TV story about the world under Fantasy World:

      catacombs of service tunnels, storage rooms, security and ride computer

      control centers, just like at Disneyland. To avoid disturbing the

      paying customers and drawing the attention of the morbidly curious, they

      were probably using the tunnels now to bring in the cops and

      corpse-pokers from the coroner's office.

      The shivers within Jeremy increased. The desire. The need.

      He was a Master of the Game. No one could touch him.

      Might as well give the cops and corpse-pokers more to do, keep them

      entertained.

      He kept moving, seeking, alert for opportunity. He found it where he

      least expected it, when he stopped at a men's restroom to take a leak.

      A guy, about thirty, was at one of the sinks, checking himself out in

      the mirror, combing his thick blond hair, which glistened with Vitalis.

      He had arranged an array of personal objects on the ledge under the

      mirror: wallet, car keys, a tiny aerosol bottle of Binaca breath

      freshener, a half-empty pack of Dentyne (this guy had a bad-breath

      fixation), and a cigarette lighter.

      The lighter was what immediately caught Jeremy's attention. It was not

      just a plastic Bic butane disposable, but one of those steel models,

      shaped like a miniature slice of bread, with a hinged top that flipped

      back to reveal a striker wheel and a wick. The way the overhead

      fluorescent gleamed on the smooth curves of that lighter, it seemed to

      be a supernatural object, full of its own eerie radiance, a beacon for

      Jeremy's eyes alone.

      He hesitated a moment, then went to one of the urinals. When he

      finished and zipped up, the blond guy was still at the sink, primping

      himself.

      Jeremy always washed his hands after using a bathroom because that was

      what polite people did. It was one of the rules that a good player

      followed.

      He went to the sink beside the primper. As he lathered his hands with

      liquid soap from the pump dispenser, he could not take his eyes off the

      lighter on the shelf inches away. He told himself he should avert his

      gaze.

      The guy would realize he was thinking about snatching the damn thing.

      But its sleek silvery contours held him rapt. Staring at it as he the

      lather from his hands, he imagined that he could hear the crisp crackle

      of all-consuming flames.

      Return nag his wallet to his hip pocket but leaving the other objects on

      the ledge, the guy turned away from the sink and went to one of the

      urinals. As Jeremy was about to reach for the lighter, a father and his

      teenage son entered. They could have screwed everything up, but they

      went into two of the stalls and closed the doors. Jeremy knew that was

      a sign. Do it, the sign said. Take it, go, do it, do it.

      Jeremy glanced at the man at the urinal, plucked the lighter off the

      shelf, turned and walked out without drying his hands. No one ran after

      him.

      Clutching the lighter tightly in his right hand, he prowled the park,

      searching for the perfect kindling. The desire in him was so intense

      that his shivers spread outward from his crotch and belly and spine,

      appearing once more in his hands, and in his legs, too, which sometimes

      were rubbery with excitement.

      Need...

      Finishing the last of the Reese's Pieces, Vassago neatly rolled the

      empty bag into a tight tube, tied the tube in a knot to make the

      smallest possible object of it, and dropped it into a plastic garbage

      bag that was just to the left of the iceless Styrofoam cooler.

      Neatness was one of the rules in the world of the living.

      He enjoyed losing himself in the memory of that special night, eight

      years ago, when he had been twelve and had changed forever, but he was

      tired now and wanted to sleep. Maybe he would dream of the woman named

      Lindsey. Maybe he would have another vision that would lead him to

      someone connected with her, for somehow she seemed to be part of his

      destiny; he was being drawn toward her by forces he could not entirely

      understand but which he respected. Next time, he would not make the

      mistake he had made with Cooper. He would not let the need overwhelm

      him. He would ask questions first. When he had received all the

      answers, and only then, he would free the beautiful blood and, with it,

      another soul to join the inanimate throngs beyond this hateful world.

      4

      Tuesday morning, Lindsey stayed home to get some work done in her studio

      while Hatch took Regina to school on his way to a meeting with an

      executor of an estate in North Tustin who was seeking bids on a

      collection of antique Wedgwood urns and vases. After lunch he had an

      appointment with Dr. Nyebern to learn the results of the tests he had

      undergone on Saturday. By the time he picked up Regina and returned

      home late in the afternoon, Lindsey figured to have finished the canvas

      she had been working on for the past month.

      That was the plan, anyway, but all the fates and evil elves-and her own

      psychology conspired to prevent the fulfillment of it. First of all the

      coffee maker went on the fritz. Lindsey had to tinker with the machine

      for an hour to find and fix the problem. She was a good tinkerer, and

      fortunately the brewer was fixable. She could not face the day without

      a blast of caffeine to jump-start her heart. She knew coffee was bad

      for her, but so was battery acid and cyanide, and she didn't drink

      either one of those, which showed she had more than her share of

      self-control when it came to destructive dietary habits; hell, she was

      an absolute rock!

      By the time she got up to her second-floor studio with a mug and a full

      thermos besides, the light coming through the north facing windows was

      perfect for her purposes. She had everything she needed. She had her

      paints, brushes, and palette knives. She had her supply cabinet She had

    &nbs
    p; her adjustable stool and her easel and her stereo system with stacks of

      Garth Brooks, Glenn Miller, and Van Halen CDs, which somehow seemed the

      right mix of background music for a painter whose style was a

      combination of neoclassicism and surrealism The only things she didn't

      have were an interest in the work at hand and the ability to

      concentrate.

      She was repeatedly diverted by a glossy black spider that was exploring

      the upper right-hand corner of the window nearest to her. She didn't

      like spiders, but she was loath to kill them anyway. Later, she would

      have to capture it in a jar to release it outside. It crept upside down

      across the window header to the left-hand corner, immediately lost

      interest in that territory, and returned to the right-hand corner, where

      it quivered and flexed its long legs and seemed to be taking pleasure

      from some quality of that particular niche that was apprehensible only

      to spiders.

      Lindsey turned to her painting again. Nearly complete, it was one of

      her best, lacking only a few finishing touches.

      But she hesitated to open paints and pick up a brush because she was

      every bit as devoted a worrier as she was an artist. She was anxious

      about Hatch's health, of course-both his physical and mental health.

      She was apprehensive, too, about the strange man who had killed the

      blonde, and about the eerie connection between that savage predator and

      her Hatch.

      The spider crept down the side of the window frame to the right-hand

      corner of the sill. After using whatever arachnid senses it possessed,

      it rejected that nook, as well, and returned once more to the upper

      right hand corner.

      Like most people Lindsey considered psychics to be good subjects for

      spooky movies but charlatans in real life. Yet she had been quick to

      suggest clairvoyance as an explanation for what had been happening to

      Hatch. She had pressed the theory more insistently when he had declared

      that he was not psychic.

      Now, turning away from the spider and staring frustratedly at the

      unfinished canvas before her, she realized why she had become such an

      earnest advocate of the reality of psychic power in the car on Friday,

      when they had followed the killer's trail to the head of Laguna Canyon

      Road.

      If Hatch had become psychic, eventually he would begin to receive

      impressions from all sorts of people, and his link to this murderer

      would not be unique. But if he was not psychic, if the bond between him

      and this monster was more profound and infinitely stranger than random

      clairvoyant reception, as he insisted that it was, then they were

      hip-deep into the unknown. And the unknown was a hell of a lot scarier

      than something you could describe and define.

      Besides, if the link between them was more mysterious and intimate than

      psychic reception, the consequences for Hatch might be psychologically

      disastrous. What mental trauma might result from being even briefly

      inside the mind of a ruthless killer? Was the link between them a

      source of contamination, as any such intimate biological link would have

      been?

      If so, perhaps the virus of madness could creep across the ether and

      infect Hatch.

      No. Ridiculous. Not her husband. He was reliable, levelheaded,

      mellow, as sane a human being as any who walked the earth.

      The spider had taken possession of the upper right-hand corner of the

      window. It began to spin a web.

      Lindsey remembered Hatch's anger last night when he had seen the story

      about Cooper in the newspaper. The hardness of rage in his face. The

      unsettling fevered look in his eyes. She had never seen Hatch like

      that. His father, yes, but never him. Though she knew he worried that

      he might have some of his father in him she had never seen evidence of

      it before. And maybe she had not seen evidence of it last night,

      either. What she had seen might be some of the rage of the killer

      leaking back into Hatch along the link that existed between them No.

      She had nothing to fear from Hatch. He was a good man, the best she had

      ever met. He was such a deep well of goodness that all the madness of

      the blond girls killer could be dropped into him, and he would dilute it

      until it was without effect.

      A glistening, silky filament spewed from the spider's abdomen as the

      arachnid industriously claimed the corner of the window for its lair.

      Lindsey opened a drawer in her equipment cabinet and took out a small

      magnifying glass, which she used to observe the spinner more closely.

      Its spindly legs were prickled with hundreds of fine hairs that could

      not be seen without the assistance of the lens. Its horrid,

      multifaceted eyes looked everywhere at once, and its ragged maw worked

      continuously as if in anticipation of the first living fly to become

      stuck in the trap that it was weaving.

      Although she understood that it was a part of nature as surely as she

      was, and therefore not evil, the thing nevertheless revolted Lindsey.

      It was a part of nature that she preferred not to dwell upon: the part

      that had to do with hunting and killing, with things that fed eagerly on

      the living. She put the magnifying glass on the windowsill and went

      downstairs to get a jar from the kitchen pantry. She wanted to capture

      the spider and get it out of her house before it was any more securely

      settled.

      Reaching the foot of the stairs, she glanced at the window beside the

      front door and saw the postman's car. She collected the mail from the

      box at the curb: a few bills, the usual minimum of two mailer

      catalogues, and the latest issue of Arts America She was in the mood to

      seize any excuse nottowork, which was unusual for her, because she loved

      her work. Quite forgetting that she had come downstairs in the first

      place for a jar in which to transport the spider, she took the mail back

      up to her studio and settled down in the old armchair in the corner with

      a fresh mug of coffee and Arts American.

      She spotted the article about herself as soon as she glanced at the

      table of contents. She was surprised. The magazine had covered her

      work before, but she had always known in advance that articles were

      forthcoming. Usually the writer had at least a few questions for her,

      even if he was not doing a straight interview.

      Then she saw the byline and winced. S. Steven Honell. She knee before

      reading the first word that she was the target of a hatchet job.

      Honell was a well-reviewed writer of fiction who, from time to time,

      also wrote about art. He was in his sixties and had never married. A

      phlegmatic fellow, he had decided as a young man to forego the comforts

      of a wife and family in the interest of his writing. To write well, he

      said, one ought to possess a monk's preference for solitude. In

      isolation, one was forced to confront oneself more directly and honestly

      than possible in the hustle bustle of the peopled world, and through

      oneself also confront the nature of every human heart. He had lived in

      splendid isolation first in northern California, then in New Mexico.

     
    ; Most recently he had settled at the eastern edge of the developed part

      of Orange County at the end of Silverado Canyon, which was part of a

      series of brush-covered hills and ravines spotted with numerous

      California live oaks and less numerous rustic cabins.

      In September of the previous year, Lindsey and Hatch had gone to a

      restaurant at the civilized end of Silverado Canyon, which served strong

      drinks and good steaks. They had eaten at one of the tables in the

      taproom, which was paneled in knotty pine with limestone columns

      supporting the roof. An inebriated white-haired man, sitting at the

      bar, was holding forth on literature, art, and politics. His opinions

      were strongly held and expressed in caustic language. From the

      affectionate tolerance the curmudgeon received from the bartender and

      patrons on the other bar stools, Lindsey guessed he was a regular

      customer and a local character who told only half as many tales as were

      told about him.

      Then Lindsey recognized him. 5. Steven Honell. She had read and liked

      some of his writing. She'd admired his selfless devotion to his art;

      for she could not have sacrificed love, marriage, and children for her

      painting, even though the exploration of her creative talent was as

      important to her as having enough look to eat and water to drink.

      Listening to HoneIl, she wished that she and Hatch had gone somewhere

      else for dinner because she would never again be able to read the

      author's work without remembering some of the vicious statements he made

      about the writings and personalities of his contemporaries in letters.

      With each drink, he grew more bitter, more scathing, more indulgent of

     


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