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    Peer Gynt and Brand

    Page 4
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      to that poor Holy One

      sweating blood to atone,

      your dear Christ hurt with thorns,

      the saviour of your dance.

      Dance on, dance to the end,

      dance yourselves deaf and blind!

      EINAR: You’re good at breathing fire,

      a real hot-gospeller;

      that fear-and-trembling school

      has taught you very well!

      BRAND: Einar, I leave the new

      fashions in faith to you.

      I’ve not come here to preach

      for any sect or church.

      Not as a formal Christian

      even, but as my own man,

      I tell you this: I know

      the nature of the flaw

      that has so thinned and drained

      the spirit of our land.

      EINAR [smiling]:

      We’re not the kind to drink

      deep of life’s cup, you think?

      BRAND: No. If only you would,

      high-stepping meek-and-mild!

      Sin if you dare, but have the grace,

      at least, to be fulfilled in vice.

      At least live up to what you claim;

      don’t water your good wine with shame!

      Among our people I observe

      such littleness and loss of nerve.

      A little show of holiness

      strictly reserved for Sunday use;

      little charity, but much talk

      of simple, plain, God-fearing folk.

      A middling this, a middling that,

      never humble, never great.

      Above the worst, beneath the best,

      each virtue vicious to the rest.

      EINAR: Bravo, Brand! Have your say,

      just as you will. I’ll play

      ‘Amen’ in the right place:

      I’m quite ready to please.

      I’m wholly unperturbed;

      my God is still my God.

      BRAND: Indeed He’s yours! You’ve even

      been favoured by heaven

      with that vision of Him –

      it brought you some small fame –

      the picture that you did

      of your old, pampered God:

      white-haired, moist-eyed with age,

      his comic turns of rage

      send children off to bed

      giggling and half-afraid.

      EINAR [angry]:

      This is …

      BRAND:    ‘No joke’, you’d say?

      Do you want sympathy?

      You trim off life from faith,

      haver from birth to death,

      self-seekers who refuse

      man’s true way-of-the-Cross,

      which is: wholly to be

      the all-enduring ‘I’.

      My God is the great god of storm,

      absolute arbiter of doom,

      imperious in His love!

      He is the voice that Moses heard,

      He is the pillar of the cloud,

      He is the hand that stayed the sun

      for Joshua in Gibeon.

      Your God can hardly move;

      he’s weak of mind and heart,

      easy to push about.

      But mine is young: a Hercules,3

      not fourscore of infirmities.

      Though you may smile and preen,

      Einar; though you bow down

      to your own brazenness,

      I shall heal this disease

      that withers heart and brain,

      and make you all new men!

      EINAR: [shakes his head]:

      You’ll blow the old lamps out

      before new lamps are lit;

      abandon the known word

      for speech as yet unheard.

      BRAND: Why must you misconstrue

      so much? I seek for nothing new.

      I know my mission: to uphold

      truths long forgotten by the world;

      eternal truths. I have not come

      to preach dogmatics or proclaim

      the right of some exclusive sect

      to rule through pain of interdict.

      For every church and creed

      is something that this world has made;

      and everything that’s made must end.

      I speak of what endures,

      of what is lost and found

      eternally. Faith did not climb

      slowly from the primeval slime,

      nor burst from the volcanic fires.

      It is incarnate through recourse

      of spirit to our spirit’s source.

      Though hucksters in and out of church

      make tawdry everything they touch,

      hawking the relics of their trade,

      their bits of dogma, parts

      of broken creeds and hearts,

      that spirit shines amid the void,

      amid the travesties

      of things that are, the truth that is.

      And truth-begotten, God’s true heir,

      the new Adam …

      EINAR:     We should part here,

      I think. It’s for the best.

      BRAND: Here are two paths: the west

      for you; for me the north.

      Different ways, yet both

      end at the fjord. Farewell,

      butterflies!

      [Turning as he starts the descent]

            Learn to tell

      true from false. Don’t forget

      life’s the real work of art!

      EINAR: [waving him away]:

      Though you may shake my world

      my God stands firm!

      BRAND:      He’s old,

      Einar; don’t worry Him.

      Leave me to bury Him!

      He goes down the path. EINAR walks silently across and looks down after BRAND. AGNES stands for a moment as if lost in thought; then she starts, looks about her uneasily.

      AGNES: It’s all so gloomy. Where’s the sun?

      EINAR: Behind that cloud, there. Things will soon

      look bright again.

      AGNES:     And there’s a fierce

      wind out of nowhere. It’s like ice.

      EINAR: Some freak gust hurtling through the pass,

      I’d say. It’s much too cold for us

      to linger here. Come on!

      AGNES:       How black

      and forbidding that great south peak

      seems now. It wasn’t always so,

      surely?

      EINAR: You’ve let Brand frighten you

      with his dour face and talk of doom.

      Look here, I’ll race you! You’ll get warm!

      AGNES: I can’t. I’m tired.

      EINAR:       To tell the truth,

      love, so am I. This downhill path

      is tricky too. But we’ll be safe

      on terra firma soon enough.

      And, Agnes, now the sun’s come back

      the world no longer looks so bleak.

      What a picture! Such harmony

      of sky with sea and sea with sky;

      deep azure lit by silver streaks,

      suffused with golden lights and darks,

      out to the far horizon’s edge,

      the boundless main! And, look, that smudge

      of smoke – the steamer coming in,

      the very ship we go to join.

      By early evening we shall be

      clear of this place, well out to sea.

      We’ll dance on deck and sing; our games

      will make Brand giddy if he comes.

      AGNES: [without looking at him and in a hushed voice]:

      Tell me, are we awake,

      Einar? When that man spoke

      he burned! It seemed each feature

      changed! He grew in stature!

      She goes down the path. EINAR follows.

      SCENE 2

      A path along the mountain wall with a wild valley on the right-hand side. Above and behind the mountain one can see glimpses of great heights with
    peaks and snow. BRAND appears high up on the path, starts to descend, stops midway on a rock which juts out, and looks down into the valley.

      BRAND: Now I see where I am:

      strangely close to home.

      Everything I recall

      from childhood here still

      but smaller now and much

      shabbier; and the church

      looks in need of repair.

      The cliffs loom; the glacier

      juts and hangs: it is an

      ice wall concealing the sun.

      And for all their rough gleam

      the fjord waters look grim

      and menacing. A small

      boat pitches in a squall.

      Down there’s the timber wharf

      and nearby – iron-red roof,

      red-flaking walls – the house

      to which I would refuse

      the name ‘home’ if I could;

      the place where I endured

      harsh kinship, an alien

      life that was called mine.

      Solitude and desire

      magnified what was there.

      As though in recompense

      to my own soul, a sense

      of greatness visited me,

      made even a poverty-

      stricken smallholding shine,

      a visionary demesne.

      All that has faded. Now

      there is nothing to show

      what my child-soul once made

      out of such solitude.

      Returning, I am shorn

      of all strength: Samson

      in the harlot’s lap.4

      [Looks again down into the abyss.]

      It seems they have woken up.

      Men, women, children come

      from the cottages, climb

      slowly among the outcrops

      of rock, the lowest slopes;

      now lost from sight and now

      seen again, on the brow

      by the church. Slaves to both

      day labour and the sloth

      of their own souls; their need

      crawls and is not heard

      in the courts of heaven;

      and their prayers are craven:

      ‘Give us bread! give us bread!’

      So they still eat their God.

      Nothing else matters

      to them: tossed on storm waters

      of the age, the merest flotsam,

      or rotting in a foul calm.

      BRAND is about to go; a stone is thrown from above and rolls down the slope just missing him. GERD, a fifteen-year-old girl, runs along the ridge with stones in her apron.

      GERD: Hey! Now he’s really wild!

      BRAND: Who’s there? Ah – stupid child!

      GERD: Look, he’s not a bit hurt,

      though I’m sure he was hit.

      [Throws more stones and cries out.]

      Oh … he’s back … swooping down …

      his claws … I’m all torn!

      BRAND: Tell me, in God’s name, what …

      GERD: Stay there and keep quiet

      if you want to be safe.

      It’s all right, he’s flown off.

      BRAND: Who has flown off?

      GERD:         You

      didn’t see the hawk?

      BRAND:      No.

      GERD: Not that great ugly thing

      with some sort of red ring

      round his eye?

      BRAND:     I did not.

      GERD: And with his crest all flat

      against his head?

      BRAND:      No. Which

      way are you going?

      GERD:      To church.

      BRAND: But the church is down there.

      GERD: [looking at him with a scornful smile and pointing downwards]:

      Not that one. That’s a poor

      tumbledown little place.

      BRAND: You know a better?

      GERD:        Yes,

      yes, yes! Follow me up

      these mountains, to the top.

      That’s where my own church is,

      in the heart of the ice.

      BRAND: Ah, now I understand.

      I’d forgotten that legend

      of the Ice Church: a great cleft

      in the rock, where the drift-

      ing snow and ice have built

      the roof of a huge vault.

      The church floor is a lake

      frozen as hard as rock,

      so all the stories say.

      GERD: Well, they’re true!

      BRAND:       Stay away

      from there. It’s sure to fall.

      A gust of wind, a call,

      or a gunshot, could bring

      the end of everything.

      GERD [not listening]:

      I’ll show you where a herd

      of dead reindeer appeared

      out of the glacier last

      spring, when it thawed.

      BRAND:       You must

      never go there. I’ve told

      you why.

      GERD [pointing downwards]:

          That musty old

      church of yours! Stay away

      from it. I’ve told you why.

      BRAND: God bless you. Go in peace.

      GERD: Oh, do come! Hear the ice

      sing mass, and the wind make

      sermons over the rock.

      Oh, how you’ll burn and freeze!

      It’s safe from the hawk’s eyes.

      He settles on Black Peak

      just like a weathercock.

      BRAND [aside]:

      Her spirit struggles to be heard;

      flawed music from a broken reed.

      God in His judgement sometimes draws

      evil to good. Not from these thraws.

      GERD: O the hawk, O the whirr

      of his wings! Help me, sir!

      I must hide. In my church

      it’s safe. Hey! hey! can’t catch

      me! O but he’s angry. Now

      what shall I do? I’ll throw

      things. Ugh! keep off me, keep

      off me with those great sharp

      claws! Strike me, I’ll strike you!

      She runs off up the mountain.

      BRAND: So that’s churchgoing too;

      those howls are hymns of praise.

      But is she worse than those

      who seek God in the valley?

      And is her church less holy?

      Who sees? And who is blind?

      Who wanders? Who is found?

      Feckless, with his garlands on,

      dances till he plunges down

      into the terrible abyss.

      Dullness mutters ‘thus and thus’,

      his catechism’s sleepy rote,

      and treads the old, deep-trodden rut.

      Madness wanders from itself,

      half shadowing the other half;

      immortal longings gone astray,

      confusing darkness with the day.

      My way is clear, now. Heaven calls.

      I know my task. When those three trolls

      are dead, mankind shall breathe again,

      freed from old pestilence and pain.

      Arm, arm, my soul! Take up your sword!

      Fight now for every child of God!

      He descends into the populated valley.

      Act Two

      SCENE 1

      Down by the fjord with sheer mountains rising on three sides. The old dilapidated church stands on a small knoll nearby. A storm is gathering. The PEASANTS, men, women and children, are gathered in groups, some on the shore, some on the slopes. The MAYOR is sitting in the midst of them on a stone; a SCRIVENER is helping him; grain and other provisions are being distributed. EINAR and AGNES are standing surrounded by a group of people, farther towards the background. A few boats are lying off the shore. BRAND appears on the slope by the church without being noticed by the crowd.

      A MAN [bursting through the crowd]:

      Let me pa
    st! Let me past!

      A WOMAN: Hey you, we was first!

      MAN [pushing her aside]:

      Get out of the way, or …

      See to me first, mayor!

      MAYOR: Give me time, give me time …

      MAN: I must have my share;

      I’ve bairns back at home,

      starving, all four, five …

      MAYOR: [jokingly]:

      You don’t sound too sure.

      MAN: One was barely alive

      when I left.

      MAYOR:    Here, hold on,

      have I got your name down?

      [Leafs through his papers.]

      H’m … h’m … you’re in luck.

      Twenty-nine … in the sack.

      [To the SCRIVENER]

      Whoa there, whoa there,

      that’s enough, that’s his lot.

      Nils Snemyr?

      SNEMYR:    I’m here.

      MAYOR: Your ration’s been cut.

      Well, you’ve one less to feed.

      SNEMYR: My wife, ay, she’s dead;

      passed on yesterday.

      MAYOR: It’s an ill wind they say …

      she’ll need no more porridge.

      [To SNEMYR, who is leaving]

      Forget about marriage;

      just give it a rest.

      SCRIVENER: Hee, hee!

      MAYOR:      What’s the joke?

      SCRIVENER: Just hearing you talk,

      Mr Mayor, it’s a treat.

      MAYOR: Hold your jaw shut!

      I don’t find this funny.

      But ‘laugh or you’ll cry’,

      it’s the only way.

      EINAR [coming out of the crowd with AGNES]:

      They’ve had my last crust,

      and all my money.

      Never mind, I can pawn

      my watch, or my stick

      and my haversack.

      I’ll rake up the fare

      for the boat, never fear!

      MAYOR: My word, you arrived

      not a moment too soon.

      These folk are half-starved.

      And they’re plump and thriving

      compared to the starving!

      [Catches sight of BRAND and points upwards.]

      Bravo! Welcome, friend!

      You’ve heard, too, no doubt,

      of our deluge and drought.

      We’ll be glad to receive

      any gift you can give,

      in cash or in kind.

      I tell you this parish is

      chewing on air.

      ‘We need miracles, mayor!’

      A fat lot of help,

      five loaves and three fishes!5

      They’d go at one gulp!

      BRAND: Feed the five thousand in the name

      of Mammon and you’d famish them.

      MAYOR: Spare us your homilies.

      Fine words fill no bellies.

      EINAR: Brand, Brand, use your eyes!

      Look, famine and disease

      all around us. They’re

      dying by the score.

      BRAND: Yes, I can recognize

      all the dread signs.

      I know the lord who reigns

      here, and his tyrannies.

     


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