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    Harlan Ellison's Watching

    Page 59
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      Movement continues in The Daisy as the nights grow inexorably toward their tomorrows. All the tomorrows in which careers will crumble like castles of spiderwebs and the owners of those careers—which are, in fact, their lives—will hesitate to come into The Daisy, for fear they will not be in the coterie, laughing and scratching in the proper corner.

      And Petula Clark sings "I Couldn't Live Without Your Love" on the Warner Bros. label making you suddenly aware that of all the words used about The Daisy and its customers, not once has anyone but the amplified singer mentioned the word love.

      Who, then, are the real Mrs. Stockmeiers?

      Los Angeles / September 1966

      THE END

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      Harlan Ellison's Watching

      Table of Contents

      PREFACE

      by Leonard Maltin

      FOREWORD

      by George Kirgo

      INTRODUCTION

      Crying "Water!" In A Crowded Theater

      DARKNESS IN MAGIC CAVERNS:

      A nostalgic appreciation of moviegoing

      CINEMA [1965–68]

      THE TRAIN

      VON RYAN'S EXPRESS

      MASQUERADE

      MICKEY ONE

      THE WAR LORD

      THE BATTLE OF THE BULGE

      JULIET OF THE SPIRITS

      YOU'RE A BIG BOY NOW!

      BEAU GESTE

      UP THE DOWN STAIRCASE

      ROSEMARY'S BABY

      LES CARABINIERS

      DIVERS PUBLICATIONS

      HARD CONTRACT

      HARLAN ELLISON'S HANDY GUIDE TO 2001: A SPACE ODYSSEY

      JOE

      SILENT RUNNING

      HARLAN ELLISON: SCREENING ROOM [1973]

      1st INSTALLMENT

      2nd INSTALLMENT

      A SORT OF AN INTERVIEW WITH PETER BOYLE

      3rd INSTALLMENT

      4th INSTALLMENT

      HARLAN ELLISON'S WATCHING [FIRST SERIES, 1977–'78]

      1st INSTALLMENT

      STAR TREK—THE MOTIONLESS PICTURE

      HARLAN ELLISON'S WATCHING [SECOND SERIES, 1984–]

      INSTALLMENT 1:

      In Which We Begin Our Journey

      INSTALLMENT 2:

      In Which Sublime And Ridiculous Pass Like Ships In The Night

      INSTALLMENT 3:

      In Which We Scuffle Through The Embers

      INSTALLMENT 4:

      In Which We Discover Why The Children Don't Look Like Their Parents

      INSTALLMENT 5:

      In Which The Left Hand Giveth Praise And The Right Hand Sprayeth For Worms Of Evil

      INSTALLMENT 6:

      In Which We Learn What Is Worse Than Finding A Worm of Evil In The Apple

      INSTALLMENT 7:

      In Which An Attempt Is Made To Have One's Cake And Eat It, Too

      INSTALLMENT 8:

      In Which Some Shrift Is Given Shortly, Some Longly, And The Critic's Laundry Is Reluctantly Aired

      INSTALLMENT 9:

      In Which The Fortunate Reader Gets To Peek Inside The Fabled Black Tower

      INSTALLMENT 10:

      In Which The Fabled Black Tower Meets Dune With As Much Affection As Godzilla Met Ghidrah

      INSTALLMENT 11:

      In Which Nothing Terribly Profound Occurs

      INSTALLMENT 12:

      In Which Several Things Are Held Up To The Light . . . Not A Brain In Sight

      INSTALLMENT 13:

      In Which Numerous Ends (Loose) Are Tied Up; Some In The Configuration Of A Noose (Hangman's)

      INSTALLMENT 14:

      In Which We Sail To The Edge Of The World And Confront The Abyss, Having Run Out Of Steam

      INSTALLMENT 14 ½:

      In Which The Unheard-Of Is Heard, Kind Of

      INSTALLMENT 15:

      In Which A Gourmet Feast Is Prepared Of Words A Mere Two Months Old

      INSTALLMENT 16:

      In Which A Forest Is Analyzed Without Recourse To Any Description Of A Tree

      INSTALLMENT 17:

      In Which We Unflinchingly Look A Gift Horse In The Choppers

      INSTALLMENT 18:

      In Which Youth Goeth Before A Fall

      INSTALLMENT 19:

      In Which We Long For The Stillness Of The Lake, The Smooth Swell Of The Lea

      INSTALLMENT 20:

      In Which Manifestations Of Arrested Adolescence Are Shown To Be Symptoms Of A Noncommunicable Dopiness, Thank Goodness

      INSTALLMENT 21:

      In Which You And A Large Group Of Total Strangers Are Flipped The Finger By The Mad Masters Of Anthropomorphism

      INSTALLMENT 22:

      In Which The Land Echoes To The Sound Of An Ox Of A Different Color Being Gored

      INSTALLMENT 23:

      In Which Premonitions Of The Future Lie In Wait To Swallow Shadows Of The Past

      INSTALLMENT 24:

      In Which Flora And Fauna Come To A Last Minute Rescue, Thereby Preventing The Forlorn From Handing It All Over To The Cockroaches

      INSTALLMENT 25:

      In Which The Specter At The Banquet Takes A Healthy Swig From The Flagon With The Dragon, Or Maybe The Chalice From The Palace

      INSTALLMENT 26:

      In Which A Good Time Was Had By All And An Irrelevant Name-Dropping Of Fritz Leiber Occurs For No Better Reason Than To Remind Him How Much We Love And Admire Him

      INSTALLMENT 27:

      In Which The Fur Is Picked Clean of Nits, Gnats, Nuts, Naggers And Nuhdzes

      INSTALLMENT 28:

      In Which, With Wiles And Winces, We Waft Words Warranting, To Wit, Wonderful Wit

      INSTALLMENT 29:

      In Which Li'l White Lies Are Revealed To Be At Least Tattletale Gray

      INSTALLMENT 30 ½:

      In Which 3 Cinematic Variations On "The Whimper of Whipped Dogs" Are Presented

      INSTALLMENT 30:

      In Which The LI'l White Lies Thesis (Part Two) Takes Us By The Snout And Drags Us Unwillingly Toward A Door We Fear To Open

      INSTALLMENT 31:

      In Which The LI'l White Lies Thesis (Part Three) Approaches A Nascent State, Approaches The Dreadful Door, And En Route Questions Meat Idolatry

      INSTALLMENT 32:

      In Which The Switch Is Thrown

      INSTALLMENT 33:

      In Which The Canine Of Vacuity Is Wagged By The Far More Interesting Tale Of O'Bannon

      INSTALLMENT 34:

      In Which We Praise Those Whose Pants're On Fire, Noses Long As A Telephone Wire

      APPENDIX A

      Twentieth Century Fox Film Has Science Fiction Theme

      APPENDIX B

      Nightmare Nights At The Daisy

      As referenced on page LII of the Introduction.

      Table of Contents

      PREFACE

      FOREWORD

      INTRODUCTION Crying "Water!" In A Crowded Theater

      DARKNESS IN MAGIC CAVERNS: A nostalgic appreciation of moviegoing

      CINEMA [1965–68]

      THE TRAIN

      VON RYAN'S EXPRESS

      MASQUERADE

      MICKEY ONE

      THE WAR LORD

      THE BATTLE OF THE BULGE

      JULIET OF THE SPIRITS

      YOU'RE A BIG BOY NOW!

      BEAU GESTE

      UP THE DOWN STAIRCASE

      ROSEMARY'S BABY

      LES CARABINIERS

      DIVERS PUBLICATIONS

      HARD CONTRACT

      HARLAN ELLISON'S HANDY GUIDE TO 2001: A SPACE ODYSSEY

      JOE

      SILENT RUNNING

      HARLAN ELLISON: SCREENING ROOM [1973]

      1st INSTALLMENT

      2nd INSTALLMENT

      A SORT OF AN INTERVIEW WITH PETER BOYLE

      3rd INSTALLMENT

      4th INSTALLMENT

      HARLAN ELLISON'S WATCHING [FIRST SERIES, 1977–'78]

      1st INSTALLMENT

      STAR TREK—THE MOTIONLESS PICTURE

      HARLAN ELLISON'S WATCHING [SECOND SERIES, 1984–]

      INSTALLMENT 1: In Which We Begin Our Journey

     
    ; INSTALLMENT 2: In Which Sublime And Ridiculous Pass Like Ships In The Night

      INSTALLMENT 3: In Which We Scuffle Through The Embers

      INSTALLMENT 4: In Which We Discover Why The Children Don't Look Like Their Parents

      INSTALLMENT 5: In Which The Left Hand Giveth Praise And The Right Hand Sprayeth For Worms Of Evil

      INSTALLMENT 6: In Which We Learn What Is Worse Than Finding A Worm of Evil In The Apple

      INSTALLMENT 7: In Which An Attempt Is Made To Have One's Cake And Eat It, Too

      INSTALLMENT 8: In Which Some Shrift Is Given Shortly, Some Longly, And The Critic's Laundry Is Reluctantly Aired

      INSTALLMENT 9: In Which The Fortunate Reader Gets To Peek Inside The Fabled Black Tower

      INSTALLMENT 10: In Which The Fabled Black Tower Meets Dune With As Much Affection As Godzilla Met Ghidrah

      INSTALLMENT 11: In Which Nothing Terribly Profound Occurs

      INSTALLMENT 12: In Which Several Things Are Held Up To The Light . . . Not A Brain In Sight

      INSTALLMENT 13: In Which Numerous Ends (Loose) Are Tied Up; Some In The Configuration Of A Noose (Hangman's)

      INSTALLMENT 14: In Which We Sail To The Edge Of The World And Confront The Abyss, Having Run Out Of Steam

      INSTALLMENT 14 ½: In Which The Unheard-Of Is Heard, Kind Of

      INSTALLMENT 15: In Which A Gourmet Feast Is Prepared Of Words A Mere Two Months Old

      INSTALLMENT 16: In Which A Forest Is Analyzed Without Recourse To Any Description Of A Tree

      INSTALLMENT 17: In Which We Unflinchingly Look A Gift Horse In The Choppers

      INSTALLMENT 18: In Which Youth Goeth Before A Fall

      INSTALLMENT 19: In Which We Long For The Stillness Of The Lake, The Smooth Swell Of The Lea

      INSTALLMENT 20: In Which Manifestations Of Arrested Adolescence Are Shown To Be Symptoms Of A Noncommunicable Dopiness, Thank Goodness

      INSTALLMENT 21: In Which You And A Large Group Of Total Strangers Are Flipped The Finger By The Mad Masters Of Anthropomorphism

      INSTALLMENT 22: In Which The Land Echoes To The Sound Of An Ox Of A Different Color Being Gored

      INSTALLMENT 23: In Which Premonitions Of The Future Lie In Wait To Swallow Shadows Of The Past

      INSTALLMENT 24: In Which Flora And Fauna Come To A Last Minute Rescue, Thereby Preventing The Forlorn From Handing It All Over To The Cockroaches

      INSTALLMENT 25: In Which The Specter At The Banquet Takes A Healthy Swig From The Flagon With The Dragon, Or Maybe The Chalice From The Palace

      INSTALLMENT 26: In Which A Good Time Was Had By All And An Irrelevant Name-Dropping Of Fritz Leiber Occurs For No Better Reason Than To Remind Him How Much We Love And Admire Him

      INSTALLMENT 27: In Which The Fur Is Picked Clean of Nits, Gnats, Nuts, Naggers And Nuhdzes

      INSTALLMENT 28: In Which, With Wiles And Winces, We Waft Words Warranting, To Wit, Wonderful Wit

      INSTALLMENT 29: In Which Li'l White Lies Are Revealed To Be At Least Tattletale Gray

      INSTALLMENT 30 ½: In Which 3 Cinematic Variations On "The Whimper of Whipped Dogs" Are Presented

      INSTALLMENT 30: In Which The LI'l White Lies Thesis (Part Two) Takes Us By The Snout And Drags Us Unwillingly Toward A Door We Fear To Open

      INSTALLMENT 31: In Which The LI'l White Lies Thesis (Part Three) Approaches A Nascent State, Approaches The Dreadful Door, And En Route Questions Meat Idolatry

      INSTALLMENT 32: In Which The Switch Is Thrown

      INSTALLMENT 33: In Which The Canine Of Vacuity Is Wagged By The Far More Interesting Tale Of O'Bannon

      INSTALLMENT 34: In Which We Praise Those Whose Pants're On Fire, Noses Long As A Telephone Wire

      APPENDIX A Twentieth Century Fox Film Has Science Fiction Theme

      APPENDIX B Nightmare Nights At The Daisy As referenced on page LII of the Introduction.

     

     

     



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