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    Dancing by the Light of the Moon

    Page 22
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      She only had one tiny vice –

      She thought an earwig wasn’t nice.

      Now earwigs are the nicest things;

      They have no bites, they have no stings.

      That nipper at the other end

      Is never used to nip a friend.

      I keep an earwig for a pet,

      And he has never nipped me yet.

      And so, Miranda, when you meet

      An earwig walking down the street,

      Don’t start to scream and run away –

      Just stop and pass the time of day.

      And he will smile and raise his hat;

      His nippers are just right for that!

      Disobedience

      by A. A. Milne

      (1882–1956)

      James James

      Morrison Morrison

      Weatherby George Dupree

      Took great

      Care of his Mother,

      Though he was only three.

      James James

      Said to his Mother,

      ‘Mother,’ he said, said he;

      ‘You must never go down to the end of the town, if you don’t go down with me.’

      James James

      Morrison’s Mother

      Put on a golden gown.

      James James

      Morrison’s Mother

      Drove to the end of the town.

      James James

      Morrison’s Mother

      Said to herself, said she:

      ‘I can get right down to the end of the town and be back in time for tea.’

      King John

      Put up a notice,

      ‘LOST or STOLEN or STRAYED!

      JAMES JAMES

      MORRISON’S MOTHER

      SEEMS TO HAVE BEEN MISLAID.

      LAST SEEN

      WANDERING VAGUELY:

      QUITE OF HER OWN ACCORD,

      SHE TRIED TO GET DOWN TO THE END OF THE TOWN – FORTY SHILLINGS REWARD!’

      James James

      Morrison Morrison

      (Commonly known as Jim)

      Told his

      Other relations

      Not to go blaming him.

      James James

      Said to his Mother,

      ‘Mother,’ he said, said he:

      ‘You must never go down to the end of the town without consulting me.’

      James James

      Morrison’s mother

      Hasn’t been heard of since.

      King John said he was sorry,

      So did the Queen and Prince.

      King John

      (Somebody told me)

      Said to a man he knew:

      ‘If people go down to the end of the town, well, what can anyone do?’

      (Now then, very softly)

      J. J.

      M. M.

      W. G. Du P.

      Took great

      C/o his M*****

      Though he was only 3.

      J. J. said to his M*****

      ‘M*****,’ he said, said he:

      ‘You-must-never-go-down-to-the-end-of-the-town-if-you-don’t-go-down-with-ME!’

      The Tale of Custard the Dragon

      by Ogden Nash

      (1902–71)

      Belinda lived in a little white house,

      With a little black kitten and a little gray mouse,

      And a little yellow dog and a little red wagon,

      And a realio, trulio, little pet dragon.

      Now the name of the little black kitten was Ink,

      And the little gray mouse, she called her Blink,

      And the little yellow dog was sharp as Mustard,

      But the dragon was a coward, and she called him Custard.

      Custard the dragon had big sharp teeth,

      And spikes on top of him and scales underneath,

      Mouth like a fireplace, chimney for a nose,

      And realio, trulio daggers on his toes.

      Belinda was as brave as a barrelful of bears,

      And Ink and Blink chased lions down the stairs,

      Mustard was as brave as a tiger in a rage,

      But Custard cried for a nice safe cage.

      Belinda tickled him, she tickled him unmerciful,

      Ink, Blink and Mustard, they rudely called him Percival,

      They all sat laughing in the little red wagon

      At the realio, trulio, cowardly dragon.

      Belinda giggled till she shook the house,

      And Blink said ‘Weeck!’ which is giggling for a mouse,

      Ink and Mustard rudely asked his age,

      When Custard cried for a nice safe cage.

      Suddenly, suddenly they heard a nasty sound,

      And Mustard growled, and they all looked around.

      ‘Meowch!’ cried Ink, and ‘Ooh!’ cried Belinda,

      For there was a pirate, climbing in the winda.

      Pistol in his left hand, pistol in his right,

      And he held in his teeth a cutlass bright,

      His beard was black, one leg was wood;

      It was clear that the pirate meant no good.

      Belinda paled, and she cried, ‘Help! Help!’

      But Mustard fled with a terrified yelp,

      Ink trickled down to the bottom of the household,

      And little mouse Blink strategically mouseholed.

      But up jumped Custard, snorting like an engine,

      Clashed his tail like irons in a dungeon,

      With a clatter and a clank and a jangling squirm

      He went at the pirate like a robin at a worm.

      The pirate gaped at Belinda’s dragon,

      And gulped some grog from his pocket flagon,

      He fired two bullets, but they didn’t hit,

      And Custard gobbled him, every bit.

      Belinda embraced him, Mustard licked him,

      No one mourned for his pirate victim.

      Ink and Blink in glee did gyrate

      Around the dragon that ate the pyrate.

      But presently up spoke little dog Mustard,

      ‘I’d have been twice as brave if I hadn’t been flustered.’

      And up spoke Ink and up spoke Blink,

      ‘We’d have been three times as brave, we think.’

      And Custard said, ‘I quite agree

      That everybody is braver than me.’

      Belinda still lives in her little white house,

      With her little black kitten and her little gray mouse,

      And her little yellow dog and her little red wagon,

      And her realio, trulio, little pet dragon.

      Belinda is as brave as a barrelful of bears,

      And Ink and Blink chase lions down the stairs,

      Mustard is as brave as a tiger in a rage,

      But Custard keeps crying for a nice safe cage.

      Earl’s Court Road Pub

      by Diana Morgan

      (1908–96)fn8

      She’s here at Opening Time each day

      On the dot. Her name is Gray;

      She’s quite the lady, forty-something, fair,

      Must have been pretty once – nice reddish hair;

      She lives in Colehern Court across the way.

      Well, as I said, she comes in every day.

      Sits in her corner with a gin and ton.

      Each time I look – ‘I’ll have another, Ron.’

      By three she’s pretty tight, the last to go.

      I see her ’cross the street – you never know.

      At half past five as I unlock the door

      She’s on the step. So it begins once more.

      She’s very chatty with the wife and I;

      She’s keen on racing; even when she’s high

      She’s never awkward, just gets white and sad.

      We often wonder of the life she’s had.

      She never mentions husband, kiddies, friends.

      She must have pots of money, for she spends

      At least two quid a session here each day.

      She never ever seems to go away –

      Even in summer when the sun is high

      And L
    ondon dead and dusty. One night I

      Said, ‘Why don’t you take a trip to Gay Paree?’

      She only smiled and said, ‘This one’s on me.’

      She’s very generous we have always found –

      Standing drinks and paying round on round.

      The regulars like her: ‘Morning, Mrs Gray!’

      ‘Good morning, Frank – what’s it to be today?’

      The lads all know that she’s an easy touch.

      But she don’t take ’em back with – not much:

      Say once or twice a year. We always know,

      ‘Cos she don’t make the morning session. Oh

      It’s not she minds us knowing she’s been stung,

      It’s just the fact the bastards are so young!

      But she’ll be back at night: ‘Good evening, Ron!’

      ‘Evening, Madam’ – ‘The usual – gin and ton.’

      Sonia Snell

      by Cyril Fletcher

      (1913–2005)fn9

      This is the tale of Sonia Snell,

      To whom an accident befell.

      An accident which may well seem

      Embarrassing in the extreme.

      It happened, as it does to many,

      That Sonia had to spend a penny.

      She entered in with modest grace

      The properly appointed place

      Provided at the railway station,

      And there she sat in meditation,

      Unfortunately unacquainted

      The woodwork had been newly painted

      Which made poor Sonia realise

      Her inability to rise.

      And though she struggled, pulled and yelled

      She found that she was firmly held.

      She raised her voice in mournful shout

      ‘Please someone come and help me out.’

      Her cries for help then quickly brought

      A crowd of every kind and sort.

      They stood around and feebly sniggered

      And all they said was ‘I’ll be jiggered.’

      ‘Gor blimey’ said the ancient porter

      ‘We ought to soak her off with water.’

      The Station Master and the staff

      Were most perverse and did not laugh

      But lugged at Sonia’s hands and feet

      But could not get her off the seat.

      The carpenter arrived at last

      And, finding Sonia still stuck fast

      Remarked, ‘I know what I can do’,

      And neatly sawed the seat right through.

      Sonia arose, only to find

      A wooden halo on behind.

      An ambulance came down the street

      And bore her off, complete with seat

      To take the wooden bustled gal

      Off quickly to the hospital.

      They hurried Sonia off inside

      After a short but painful ride

      And seizing her by heels and head

      Laid her face down on the bed.

      The doctors all came on parade

      To render her immediate aid.

      A surgeon said, ‘Upon my word

      Could anything be more absurd,

      Have any of you, I implore,

      Seen anything like this before?’

      ‘Yes’ said a student, unashamed,

      ‘Frequently … but never framed.’

      A Hand in the Bird

      by Roald Dahl

      (1916–90)

      I’m a maiden who is forty,

      And a maiden I shall stay.

      There are some who call me haughty,

      But I care not what they say.

      I was running the tombola

      At our church bazaar today,

      And doing it with gusto

      In my usual jolly way …

      When suddenly, I knew not why,

      There came a funny feeling

      Of something crawling up my thigh!

      I nearly hit the ceiling!

      A mouse! I thought. How foul! How mean!

      How exquisitely tickly!

      Quite soon I know I’m going to scream.

      I’ve got to catch it quickly.

      I made a grab. I caught the mouse,

      Now right inside my knickers.

      A mouse my foot! It was a HAND!

      Great Scott! It was the vicar’s!

      Timothy Winters

      by Charles Causley

      (1917–2003)fn10

      Timothy Winters comes to school

      With eyes as wide as a football-pool,

      Ears like bombs and teeth like splinters:

      A blitz of a boy is Timothy Winters.

      His belly is white, his neck is dark,

      And his hair is an exclamation-mark.

      His clothes are enough to scare a crow

      And through his britches the blue winds blow.

      When teacher talks he won’t hear a word

      And he shoots down dead the arithmetic-bird,

      He licks the pattern off his plate

      And he’s not even heard of the Welfare State.

      Timothy Winters has bloody feet

      And he lives in a house on Suez Street,

      He sleeps in a sack on the kitchen floor

      And they say there aren’t boys like him anymore.

      Old Man Winters likes his beer

      And his missus ran off with a bombardier,

      Grandma sits in the grate with a gin

      And Timothy’s dosed with an aspirin.

      The Welfare Worker lies awake

      But the law’s as tricky as a ten-foot snake,

      So Timothy Winters drinks his cup

      And slowly goes on growing up.

      At Morning Prayers the Master helves

      for children less fortunate than ourselves,

      And the loudest response in the room is when

      Timothy Winters roars ‘Amen!’

      So come one angel, come on ten:

      Timothy Winters says ‘Amen

      Amen amen amen amen.’

      Timothy Winters, Lord.

      Amen.

      Poem

      by Frank O’Hara

      (1926–66)fn11

      Lana Turner has collapsed!

      I was trotting along and suddenly

      it started raining and snowing

      and you said it was hailing

      but hailing hits you on the head

      hard so it was really snowing and

      raining and I was in such a hurry

      to meet you but the traffic

      was acting exactly like the sky

      and suddenly I see a headline

      LANA TURNER HAS COLLAPSED!

      there is no snow in Hollywood

      there is no rain in California

      I have been to lots of parties

      and acted perfectly disgraceful

      but I never actually collapsed

      oh Lana Turner we love you get up

      The Phantom Lollipop Lady

      by Adrian Henri

      (1932–2000)fn12

      The phantom lollipop lady

      haunts the crossroads

      where the old school used to be;

      they closed it down in 1973.

      The old lollipop lady

      loved her job, and stood there

      for seven years altogether,

      no matter how bad the weather.

      When they pulled the old school down

      she still stood there every day:

      a pocketful of sweets for the little ones,

      smiles and a joke for the big ones.

      One day the lollipop lady

      was taken away to hospital.

      Without her standing there

      the corner looked, somehow, bare.

      After a month and two operations

      the lollipop lady died;

      the children felt something missing:

      she had made her final crossing.

      Now if you go down alone at dusk

      just before the streetlights go on,

      look closely at the corner
    over there:

      in the shadows by the lamp-post you’ll see her.

      Helping phantom children across the street,

      holding up the traffic with a ghostly hand;

      at the twilight crossing where four roads meet

      the phantom lollipop lady stands.

      Vincent Malloy

      by Tim Burton

      (born 1958)fn13

      Vincent Malloy is seven years old

      He’s always polite and does what he’s told

      For a boy his age, he’s considerate and nice

      But he wants to be just like Vincent Price

      He doesn’t mind living with his sister, dog and cats

      Though he’d rather share a home with spiders and bats

      There he could reflect on the horrors he’s invented

      And wander dark hallways, alone and tormented

      Vincent is nice when his aunt comes to see him

      But imagines dipping her in wax for his wax museum

      He likes to experiment on his dog Abercrombie

      In the hopes of creating a horrible zombie

      So he and his horrible zombie dog

      Could go searching for victims in the London fog

      His thoughts, though, aren’t only of ghoulish crimes

      He likes to paint and read to pass some of the times

      While other kids read books like Go, Jane, Go!

      Vincent’s favourite author is Edgar Allan Poe

      One night, while reading a gruesome tale

      He read a passage that made him turn pale

      Such horrible news he could not survive

      For his beautiful wife had been buried alive!

      He dug out her grave to make sure she was dead

      Unaware that her grave was his mother’s flower bed

      His mother sent Vincent off to his room

      He knew he’d been banished to the tower of doom

      Where he was sentenced to spend the rest of his life

      Alone with the portrait of his beautiful wife

      While alone and insane encased in his tomb

      Vincent’s mother burst suddenly into the room

      She said: ‘If you want to, you can go out and play

      It’s sunny outside, and a beautiful day.’

      Vincent tried to talk, but he just couldn’t speak

      The years of isolation had made him quite weak

      So he took out some paper and scrawled with a pen:

      ‘I am possessed by this house, and can never leave it again.’

      His mother said: ‘You’re not possessed, and you’re not almost dead

      These games that you play are all in your head

      You’re not Vincent Price, you’re Vincent Malloy

      You’re not tormented or insane, you’re just a young boy

      You’re seven years old and you are my son

     


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