The cat, the cat that singeth.
He lifteth up his innocent voice
He lifteth up, he singeth
And all the people warm themselves
In the love his beauty bringeth.
EDWIN MORGAN 1920–
* * *
STRAWBERRIES
There were never strawberries
like the ones we had
that sultry afternoon
sitting on the step
of the open french window
facing each other
your knees held in mine
the blue plates in our laps
the strawberries glistening
in the hot sunlight
we dipped them in sugar
looking at each other
not hurrying the feast
for one to come
the empty plates
laid on the stone together
with the two forks crossed
and I bent towards you
sweet in that air
in my arms
abandoned like a child
from your eager mouth
the taste of strawberries
in my memory
lean back again
let me love you
let the sun beat
on our forgetfulness
one hour of all
the heat intense
and summer lightning
on the Kilpatrick hills
let the storm wash the plates
ROGER McGOUGH 1937–
* * *
VINEGAR
sometimes
i feel like a priest
in a fish & chip queue
quietly thinking
as the vinegar runs through
how nice it would be
to buy supper for two
SIR JOHN BETJEMAN 1906–84
* * *
MYFANWY
Kind o’er the kinderbank leans my Myfanwy,
White o’er the play-pen the sheen of her dress,
Fresh from the bathroom and soft in the nursery
Soap-scented fingers I long to caress.
Were you a prefect and head of your dormit’ry?
Were you a hockey girl, tennis or gym?
Who was your favourite? Who had a crush on you?
Which were the baths where they taught you to swim?
Smooth down the Avenue glitters the bicycle,
Black-stockinged legs under navy-blue serge,
Home and Colonial, Star, International,
Balancing bicycle leant on the verge.
Trace me your wheel-tracks, you fortunate bicycle,
Out of the shopping and into the dark,
Back down the Avenue, back to the pottingshed,
Back to the house on the fringe of the park.
Golden the light on the locks of Myfanwy,
Golden the light on the book on her knee,
Finger-marked pages of Rackham’s Hans Andersen,
Time for the children to come down to tea.
Oh! Fuller’s angel-cake, Robertson’s marmalade,
Liberty lampshade, come, shine on us all,
My! what a spread for the friends of Myfanwy
Some in the alcove and some in the hall.
Then what sardines in the half-lighted passages!
Locking of fingers in long hide-and-seek.
You will protect me, my silken Myfanwy,
Ringleader, tom-boy, and chum to the weak.
W.B. YEATS 1865–1939
* * *
HE WISHES FOR THE CLOTHS OF HEAVEN
Had I the heavens’ embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half-light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.
‘… we have no hope of better
Happiness than this, …’
from ‘Modern Love’
HUGO WILLIAMS 1942–
* * *
TIDES
The evening advances, then withdraws again
Leaving our cups and books like islands on the floor.
We are drifting you and I,
As far from one another as the young heroes
For that is happiness: to wander alone
Surrounded by the same moon, whose tides remind us of ourselves,
Our distances, and what we leave behind.
The lamp left on, the curtains letting in the light.
These things were promises. No doubt we will come back to them.
WENDY COPE 1945–
* * *
LOSS
The day he moved out was terrible –
That evening she went through hell.
His absence wasn’t a problem
But the corkscrew had gone as well.
ROGER McGOUGH 1937–
* * *
COMECLOSE AND SLEEPNOW
it is afterwards
and you talk on tiptoe
happy to be part
of the darkness
lips becoming limp
a prelude to tiredness.
Comeclose and Sleepnow
for in the morning
when a policeman
disguised as the sun
creeps into the room
and your mother
disguised as birds
calls from the trees
you will put on a dress of guilt
and shoes with broken high ideals
and refusing coffee
run
alltheway
home.
BRIAN PATTEN 1946–
* * *
PORTRAIT OF A YOUNG GIRL RAPED AT A SUBURBAN PARTY
And after this quick bash in the dark
You will rise and go
Thinking of how empty you have grown
And of whether all the evening’s care in front of mirrors
And the younger boys disowned
Led simply to this.
Confined to what you are expected to be
By what you are
Out in this frozen garden
You shiver and vomit –
Frightened, drunk among trees,
You wonder at how those acts that called for tenderness
Were far from tender.
Now you have left your titterings about love
And your childishness behind you
Yet still far from being old
You spew up among flowers
And in the warm stale rooms
The party continues.
It seems you saw some use in moving away
From that group of drunken lives
Yet already ten minutes pregnant
In twenty thousand you might remember
This party
This dull Saturday evening
When planets rolled out of your eyes
And splashed down in suburban grasses.
DOUGLAS DUNN 1942–
* * *
MODERN LOVE
It is summer, and we are in a house
That is not ours, sitting at a table
Enjoying minutes of a rented silence,
The upstairs people gone. The pigeons lull
To sleep the under-tens and invalids,
The tree shakes out its shadows to the grass,
The roses rove through the wilds of my neglect.
Our lives flap, and we have no hope of better
Happiness than this, not much to show for love
But how we are, or how this evening is,
Unpeopled, silent, and where we are alive
In a domestic love, seemingly alone,
All other lives worn down to trees and sun
light,
Looking forward to a visit from the cat.
ALICE WALKER 1944–
* * *
DID THIS HAPPEN TO YOUR MOTHER?
DID YOUR SISTER THROW UP A LOT?
I love a man who is not worth
my love.
Did this happen to your mother?
Did your grandmother wake up
for no good reason
in the middle of the night?
I thought love could be controlled.
It cannot.
Only behavior can be controlled.
By biting your tongue purple
rather than speak.
Mauling your lips.
Obliterating his number
too thoroughly
to be able to phone.
Love has made me sick.
Did your sister throw up a lot?
Did your cousin complain
of a painful knot
in her back?
Did your aunt always
seem to have something else
troubling her mind?
I thought love would adapt itself
to my needs.
But needs grow too fast;
they come up like weeds.
Through cracks in the conversation.
Through silences in the dark.
Through everything you thought was concrete.
Such needful love has to be chopped out
or forced to wilt back,
poisoned by disapproval
from its own soil.
This is bad news, for the conservationist.
My hand shakes before this killing.
My stomach sits jumpy in my chest.
My chest is the Grand Canyon
sprawled empty
over the world.
Whoever he is, he is not worth all this.
And I will never
unclench my teeth long enough
to tell him so.
PHILIP LARKIN 1922–85
* * *
DECEPTIONS
‘Of course I was drugged, and so heavily I did not regain my consciousness till the next morning. I was horrified to discover that I had been ruined, and for some days I was inconsolable, and cried like a child to be killed or sent back to my aunt.’
Mayhew, London Labour and the London Poor.
Even so distant, I can taste the grief,
Bitter and sharp with stalks, he made you gulp.
The sun’s occasional print, the brisk brief
Worry of wheels along the street outside
Where bridal London bows the other way,
And light, unanswerable and tall and wide,
Forbids the scar to heal, and drives
Shame out of hiding. All the unhurried day
Your mind lay open like a drawer of knives.
Slums, years, have buried you. I would not dare
Console you if I could. What can be said,
Except that suffering is exact, but where
Desire takes charge, readings will grow erratic?
For you would hardly care
That you were less deceived, out on that bed,
Than he was, stumbling up the breathless stair
To burst into fulfilment’s desolate attic.
BRIAN PATTEN 1946–
* * *
A BLADE OF GRASS
You ask for a poem.
I offer you a blade of grass.
You say it is not good enough.
You ask for a poem.
I say this blade of grass will do.
It has dressed itself in frost,
It is more immediate
Than any image of my making.
You say it is not a poem,
It is a blade of grass and grass
Is not quite good enough.
I offer you a blade of grass.
You are indignant.
You say it is too easy to offer grass.
It is absurd.
Anyone can offer a blade of grass.
You ask for a poem.
And so I write you a tragedy about
How a blade of grass
Becomes more and more difficult to offer,
And about how as you grow older
A blade of grass
Becomes more difficult to accept.
WENDY COPE 1945–
* * *
A CHRISTMAS POEM
At Christmas little children sing and merry bells jingle,
The cold winter air makes our hands and faces tingle
And happy families go to church and cheerily they mingle
And the whole business is unbelievably dreadful, if you’re single.
‘In labour-saving homes, with care
Their wives frizz out peroxide hair’
from ‘Slough’
CRAIG RAINE 1944–
* * *
A MARTIAN SENDS A POSTCARD HOME
Caxtons are mechanical birds with many wings
and some are treasured for their markings –
they cause the eyes to melt
or the body to shriek without pain.
I have never seen one fly, but
sometimes they perch on the hand.
Mist is when the sky is tired of flight
and rests its soft machine on ground:
then the world is dim and bookish
like engravings under tissue paper.
Rain is when the earth is television.
It has the property of making colours darker.
Model T is a room with the lock inside –
a key is turned to free the world
for movement, so quick there is a film
to watch for anything missed.
But time is tied to the wrist
or kept in a box, ticking with impatience.
In homes, a haunted apparatus sleeps,
that snores when you pick it up.
If the ghost cries, they carry it
to their lips and soothe it to sleep
with sounds. And yet, they wake it up
deliberately, by tickling with a finger.
Only the young are allowed to suffer
openly. Adults go to a punishment room
with water but nothing to eat.
They lock the door and suffer the noises
alone. No one is exempt
and everyone’s pain has a different smell.
At night, when all the colours die,
they hide in pairs
and read about themselves –
in colour, with their eyelids shut.
PHILIP LARKIN 1922–85
* * *
TOADS
Why should I let the toad work
Squat on my life?
Can’t I use my wit as a pitchfork
And drive the brute off?
Six days of the week it soils
With its sickening poison –
Just for paying a few bills!
That’s out of proportion.
Lots of folk live on their wits:
Lecturers, lispers,
Losels, loblolly-men, louts –
They don’t end as paupers;
Lots of folk live up lanes
With fires in a bucket,
Eat windfalls and tinned sardines –
They seem to like it.
Their nippers have got bare feet,
Their unspeakable wives
Are skinny as whippets – and yet
No one actually starves.
Ah, were I courageous enough
To shout Stuff your pension!
But I know, all too well, that’s the stuff
That dreams are made on:
For something sufficiently toad-like
Squats in me, too;
Its hunkers are heavy as hard luck,
And cold as snow,
And will never allow me to blarney
My way to getting
The fame and the girl and the money
All at one sitting.
I don’t say, one bodies the other
One’s spiritual truth;
But I do say it’s hard to lose either,
When you have both.
W.H. AUDEN 1907–73
* * *
NIGHT MAIL
I
This is the Night Mail crossing the Border,
Bringing the cheque and the postal order,
Letters for the rich, letters for the poor,
The shop at the corner, the girl next door.
Pulling up Beattock, a steady climb:
The gradient’s against her, but she’s on time.
Past cotton-grass and moorland boulder,
Shovelling white steam over her shoulder,
Snorting noisily, she passes
Silent miles of wind-bent grasses.
Birds turn their heads as she approaches,
Stare from bushes at her blank-faced coaches.
Sheep-dogs cannot turn her course;
They slumber on with paws across.
In the farm she passes no one wakes,
But a jug in a bedroom gently shakes.
II
Dawn freshens. Her climb is done.
Down towards Glasgow she descends,
Towards the steam tugs yelping down a glade of cranes,
Towards the fields of apparatus, the furnaces
Set on the dark plain like gigantic chessmen.
All Scotland waits for her:
In dark glens, beside pale-green lochs,
Men long for news.
III
Letters of thanks, letters from banks,
Letters of joy from girl and boy,
Receipted bills and invitations
To inspect new stock or to visit relations,
And applications for situations,
And timid lovers’ declarations,
And gossip, gossip from all the nations,
News circumstantial, news financial,
Letters with holiday snaps to enlarge in,
Letters with faces scrawled on the margin,
Letters from uncles, cousins and aunts,