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    Fingerprints of the Gods

    Page 57
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      had once been roofed over with a series of even larger monolithic slabs.17

      14 Ibid.

      15 Ibid.

      16 Traveller’s Key to Ancient Egypt, p. 391.

      17 The Cenotaph of Seti I at Abydos, p. 18.

      387

      Graham Hancock – FINGERPRINTS OF THE GODS

      Plan of the Osireion.

      To get a proper understanding of the structure of the Osireion, I found

      it helpful to raise myself directly above it in my mind’s eye, so that I

      could look down on it. This exercise was assisted by the absence of the

      original roof which made it easier to envisage the whole edifice in plan.

      Also helpful was the fact that water had now seeped up to fill all of the

      building’s pools, cells and channels to a depth of a few inches below the

      lip of the central plinth, as the original designers had apparently intended

      388

      Graham Hancock – FINGERPRINTS OF THE GODS

      it should.18

      Looking down in this manner, it was immediately apparent that the

      plinth formed a rectangular island, surrounded on all four sides by a

      water-filled moat about 10 feet wide. The moat was contained by an

      immense, rectangular enclosure wall, no less than 20 feet thick,19 made of

      very large blocks of red sandstone disposed in polygonal jigsaw-puzzle

      patterns. Into the huge thickness of this wall were set the 17 cells

      mentioned in Naville’s report. Six lay to the east, six to the west, two to

      the south and three to the north. Off the central of the three northern

      cells lay a long transverse chamber, roofed with and composed of

      limestone. A similar transverse chamber, also of limestone but no longer

      with an intact roof, lay immediately south of the great gateway. Finally,

      the whole structure was enclosed within an outer wall of limestone, thus

      completing a sequence of inter-nested rectangles, i.e., from the outside

      in, wall, wall, moat, plinth.

      Another notable and outstandingly unusual feature of the Osireion was

      that it was not even approximately aligned to the cardinal points. Instead,

      like the Way of the Dead at Teotihuacan in Mexico, it was oriented to the

      east of due north. Since Ancient Egypt had been a civilization that could

      and normally did achieve precise alignments for its buildings, it seemed

      to me improbable that this apparently skewed orientation was accidental.

      Moreover, although 50 feet higher, the Seti I Temple was oriented along

      exactly the same axis—and again not by accident. The question was:

      which was the older building? Had the axis of the Osireion been

      predetermined by the axis of the Temple or vice versa? This, it turned

      out, was an issue over which considerable controversy, now long

      forgotten, had once raged. In a debate which had many connections with

      that surrounding the Sphinx and the Valley Temple at Giza, eminent

      archaeologists had initially argued that the Osireion was a building of

      truly immense antiquity, a view expressed by Professor Naville in the

      London Times of 17 March 1914:

      This monument raises several important questions. As to its date, its great

      similarity with the Temple of the Sphinx [as the Valley Temple was then known]

      shows it to be of the same epoch when building was made with enormous stones

      without any ornament. This is characteristic of the oldest architecture in Egypt. I

      should even say that we may call it the most ancient stone building in Egypt.20

      18 Ibid., p. 28-9.

      19 E. Naville, ‘Excavations at Abydos: The Great Pool and the Tomb of Osiris’, Journal of

      Egyptian Archaeology, volume I, 1914, p. 160.

      20 The Times, London, 17 March 1914.

      389

      Graham Hancock – FINGERPRINTS OF THE GODS

      Reconstruction of the Osireion.

      Describing himself as overawed by the ‘grandeur and stern simplicity’ of

      the monument’s central hall, with its remarkable granite monoliths, and

      by ‘the power of those ancients who could bring from a distance and

      move such gigantic blocks’, Naville made a suggestion concerning the

      function the Osireion might originally have been intended to serve:

      ‘Evidently this huge construction was a large reservoir where water was

      stored during the high Nile ... It is curious that what we may consider as a

      beginning in architecture is neither a temple nor a tomb, but a gigantic

      pool, a waterwork ...21

      Curious indeed, and well worth investigating further; something Naville

      hoped to do the following season. Unfortunately, the First World War

      intervened and no archaeology could be undertaken in Egypt for several

      years. As a result, it was not until 1925 that the Egypt Exploration Fund

      was able to send out another mission, which was led not by Naville but by

      a young Egyptologist named Henry Frankfort.

      21 Ibid.

      390

      Graham Hancock – FINGERPRINTS OF THE GODS

      Frankfort’s facts

      Later to enjoy great prestige and influence as professor of Pre-Classical

      Antiquity at the University of London, Frankfort spent several consecutive

      digging seasons re-clearing and thoroughly excavating the Osireion

      between 1925 and 1930. During the course of this work he made

      discoveries which, so far as he was concerned, ‘settled the date of the

      building’:

      1 A granite dovetail in position at the top of the southern side of the

      main entrance to the central hall, which was inscribed with the

      cartouche of Seti I.

      2 A similar dovetail in position inside the eastern wall of the central hall.

      3 Astronomical scenes and inscriptions by Seti I carved in relief on the

      ceiling of the northern transverse chamber.

      4 The remains of similar scenes in the southern transverse chamber.

      5 An ostracon (piece of broken potsherd) found in the entrance passage

      and bearing the legend ‘Seti is serviceable to Osiris’.22

      The reader will recall the lemming behaviour which led to a dramatic

      change of scholarly opinion about the antiquity of the Sphinx and the

      Valley Temple (due to the discovery of a few statues and a single

      cartouche which seemed to imply some sort of connection with Khafre).

      Frankfort’s finds at Abydos caused a similar volte-face over the antiquity

      of the Osireion. In 1914 it was ‘the most ancient stone building in Egypt’.

      By 1933, it had been beamed forward in time to the reign of Seti I—

      around 1300 BC—whose cenotaph it was now believed to be.23

      Within a decade, the standard Egyptological texts began to print the

      attribution to Seti I as though it were a fact, verifiable by experience or

      observation. It is not a fact, however, merely Frankfort’s interpretation of

      the evidence he had found.

      The only facts are that certain inscriptions and decorations left by Seti

      appear in an otherwise completely anonymous structure. One plausible

      explanation is that the structure must have been built by Seti, as

      Frankfort proposed. The other possibility is that the half-hearted and

      scanty decorations, cartouches and inscriptions found by Frankfort could

      have been placed in the Osireion as part of a renovation and repair

      operation undertaken in Seti’s time (implying that th
    e structure was by

      then ancient, as Naville and others had proposed).

      What are the merits of these mutually contradictory propositions which

      22 The Cenotaph of Seti I at Abydos, pp. 4, 25, 68-80.

      23 Ibid., in general.

      391

      Graham Hancock – FINGERPRINTS OF THE GODS

      identify the Osireion as (a) the oldest building in Egypt, and (b) a

      relatively late New Kingdom structure?

      Proposition (b)—that it is the cenotaph of Seti I—is the only attribution

      accepted by Egyptologists. On close inspection, however, it rests on the

      circumstantial evidence of the cartouches and inscriptions which prove

      nothing. Indeed part of this evidence appears to contradict Frankfort’s

      case. The ostracon bearing the legend ‘Seti is serviceable to Osiris’

      sounds less like praise for the works of an original builder than praise for

      a restorer who had renovated, and perhaps added to, an ancient structure

      identified with the First Time god Osiris. And another awkward little

      matter has also been overlooked. The south and north ‘transverse

      chambers’, which contain Seti I’s detailed decorations and inscriptions, lie

      outside the twenty-foot-thick enclosure wall which so adamantly defines

      the huge, undecorated megalithic core of the building. This had raised

      the reasonable suspicion in Naville’s mind (though Frankfort chose to

      ignore it) that the two chambers concerned were ‘not contemporaneous

      with the rest of the building’ but had been added much later during the

      reign of Seti I, ‘probably when he built his own temple’.24

      To cut a long story short, therefore, everything about proposition (b) is

      based in one way or another on Frankfort’s not necessarily infallible

      interpretation of various bits and pieces of possibly intrusive evidence.

      Proposition (a)—that the core edifice of the Osireion had been built

      millennia before Seti’s time—rests on the nature of the architecture itself.

      As Naville observed, the Osireion’s similarity to the Valley Temple at Giza

      ‘showed it to be of the same epoch when building was made with

      enormous stones’. Likewise, until the end of her life, Margaret Murray

      remained convinced that the Osireion was not a cenotaph at all (least of

      all Seti’s). She said,

      It was made for the celebration of the mysteries of Osiris, and so far is unique

      among all the surviving buildings of Egypt. It is clearly early, for the great blocks

      of which it is built are of the style of the Old Kingdom; the simplicity of the actual

      building also points to it being of that early date. The decoration was added by

      Seti I, who in that way laid claim to the building, but seeing how often a Pharaoh

      claimed the work of his predecessors by putting his name on it, this fact does not

      carry much weight. It is the style of the building, the type of the masonry, the

      tooling of the stone, and not the name of a king, which date a building in Egypt.25

      This was an admonition Frankfort might well have paid more attention to,

      for as he bemusedly observed of his ‘cenotaph’, ‘It has to be admitted

      that no similar building is known from the Nineteenth Dynasty.’26

      Indeed it is not just a matter of the Nineteenth Dynasty. Apart from the

      Valley Temple and other Cyclopean edifices on the Giza plateau, no other

      building remotely resembling the Osireion is known from any other

      24 ‘Excavations at Abydos’, pp. 164-5.

      25 The Splendour that was Egypt, pp. 160-1.

      26 The Cenotaph of Seti I at Abydos, p. 23.

      392

      Graham Hancock – FINGERPRINTS OF THE GODS

      epoch of Egypt’s long history. This handful of supposedly Old Kingdom

      structures, built out of giant megaliths, seems to belong in a unique

      category. They resemble one another much more than they resemble any

      other known style of architecture and in all cases there are questionmarks over their identity.

      Isn’t this precisely what one would expect of buildings not erected by

      any historical pharaoh but dating back to prehistoric times? Doesn’t it

      make sense of the mysterious way in which the Sphinx and the Valley

      Temple, and now the Osireion as well, seem to have become vaguely

      connected with the names of particular pharaohs (Khafre and Seti I),

      without ever yielding a single piece of evidence that clearly and

      unequivocally proves those pharaohs built the structures concerned?

      Aren’t the tenuous links much more indicative of the work of restorers

      seeking to attach themselves to ancient and venerable monuments than

      of the original architects of those monuments—whoever they might have

      been and in whatever epoch they might have lived?

      Setting sail across seas of sand and time

      Before leaving Abydos, there was one other puzzle that I wanted to

      remind myself of. It lay buried in the desert, about a kilometre north-west

      of the Osireion, across sands littered with the rolling, cluttered tumuli of

      ancient graveyards.

      Out among these cemeteries, many of which dated back to early

      dynastic and pre-dynastic times, the jackal gods Anubis and Upuaut had

      traditionally reigned supreme. Openers of the way, guardians of the

      spirits of the dead, I knew that they had played a central role in the

      mysteries of Osiris that had been enacted each year at Abydos—

      apparently throughout the span of Ancient Egyptian history.

      It seemed to me that there was a sense in which they guarded the

      mysteries still. For what was the Osireion if was not a huge, unsolved

      mystery that deserved closer scrutiny than it has received from the

      scholars whose job it is to look into these matters? And what was the

      burial in the desert of twelve high-prowed, seagoing ships if not also a

      mystery that cried out, loudly, for solution?

      It was the burial place of those ships I was now crossing the cemeteries

      of the jackal gods to see:

      The Guardian, London, 21 December 1991: A fleet of 5000-year-old royal ships

      has been found buried eight miles from the Nile. American and Egyptian

      archaeologists discovered the 12 large wooden boats at Abydos ... Experts said

      the boats—which are 50 to 60 feet long—are about 5000 years old, making them

      Egypt’s earliest royal ships and among the earliest boats found anywhere ... The

      experts say the ships, discovered in September, were probably meant for burial so

      the souls of the pharaohs could be transported on them. ‘We never expected to

      find such a fleet, especially so far from the Nile,’ said David O’Connor, the

      expedition leader and curator of the Egyptian Section of the University Museum of

      393

      Graham Hancock – FINGERPRINTS OF THE GODS

      the University of Pennsylvania ...27

      The boats were buried in the shadow of a gigantic mud-brick enclosure,

      thought to have been the mortuary temple of a Second Dynasty pharaoh

      named Khasekhemwy, who had ruled Egypt in the twenty-seventh century

      BC.28 O’Connor, however, was certain that they were not associated

      directly with Khasekhemwy but rather with the nearby (and largely ruined)

      ‘funerary-cult enclosure built for Pharaoh Djer early in Dynasty I. The boat

      graves are not likely to be e
    arlier than this and may in fact have been

      built for Djer, but this remains to be proven.’29

      A sudden strong gust of wind blew across the desert, scattering sheets

      of sand. I took refuge for a while in the lee of the looming walls of the

      Khasekhemwy enclosure, close to the point where the University of

      Pennsylvania archaeologists had, for legitimate security reasons, reburied

      the twelve mysterious boats they had stumbled on in 1991. They had

      hoped to return in 1992 to continue the excavations, but there had been

      various hitches and, in 1993, the dig was still being postponed.

      In the course of my research O’Connor had sent me the official report

      of the 1991 season,30 mentioning in passing that some of the boats might

      have been as much as 72 feet in length.31 He also noted that the boatshaped brick graves in which they were enclosed, which would have risen

      well above the level of the surrounding desert in early dynastic times,

      must have produced quite an extraordinary effect when they were new:

      Each grave had originally been thickly coated with mud plaster and whitewash so

      the impression would have been of twelve (or more) huge ‘boats’ moored out in

      the desert, gleaming brilliantly in the Egyptian sun. The notion of their being

      moored was taken so seriously that an irregularly shaped small boulder was found

      placed near the ‘prow’ or ‘stern’ of several boat graves. These boulders could not

      have been there naturally or by accident; their placement seems deliberate, not

      random. We can think of them as ‘anchors’ intended to help ‘moor’ the boats.32

      Like the 140-foot ocean-going vessel found buried beside the Great

      Pyramid at Giza (see Chapter Thirty-three), one thing was immediately

      clear about the Abydos boats—they were of an advanced design capable

      of riding out the most powerful waves and the worst weather of the open

      seas. According to Cheryl Haldane, a nautical archaeologist at Texas Aand-M University, they showed ‘a high degree of technology combined

      with grace’.33 Exactly as was the case with the Pyramid boat, therefore

      (but at least 500 years earlier) the Abydos fleet seemed to indicate that a

      people able to draw upon the accumulated experiences of a long tradition

      27 Guardian, London, 21 December 1991.

      28 David O’Connor, ‘Boat Graves and Pyramid Origins’, in Expedition, volume 33, No. 3,

     


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