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    Fingerprints of the Gods

    Page 48
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      statues of Khafre had been found in the Valley Temple therefore the

      Valley Temple had been built by Khafre. The normally sensible Flinders

      1 Measurements from The Pyramids of Egypt, p. 106.

      2 W. B. Yeats, ‘The Second Coming’.

      3 The Pyramids and Temples of Gizeh, p. 48.

      328

      Graham Hancock – FINGERPRINTS OF THE GODS

      Petrie summed up: ‘The fact that the only dateable remains found in the

      Temple were statues of Khafre shows that it is of his period; since the

      idea of his appropriating an earlier building is very unlikely.’4

      But why was the idea so unlikely?

      Throughout the history of Dynastic Egypt many pharaohs appropriated

      the buildings of their predecessors, sometimes deliberately striking out

      the cartouches of the original builders and replacing them with their

      own.5 There was no good reason to assume that Khafre would have been

      deterred from linking himself to the Valley Temple, particularly if it had

      not been associated in his mind with any previous historical ruler but with

      the great ‘gods’ said by the Ancient Egyptians to have brought civilization

      to the Nile Valley in the distant and mythical epoch they spoke of as the

      First Time.6 In such a place of archaic and mysterious power, which he

      does not appear to have interfered with in any other way, Khafre might

      have thought that the setting up of beautiful and lifelike statues of

      himself could bring eternal benefits. And if, among the gods, the Valley

      Temple had been associated with Osiris (whom it was every pharaoh’s

      objective to join in the afterlife),7 Khafre’s use of statues to forge a strong

      symbolic link would be even more understandable.

      Temple of the giants

      After crossing the causeway, the route I had chosen to reach the Valley

      Temple took me through the rubble of a ‘mastaba’ field, where lesser

      notables of the Fourth Dynasty had been buried in subterranean tombs

      under bench-shaped platforms of stone ( mastaba is a modern Arabic

      word meaning bench, hence the name given to these tombs). I walked

      along the southern wall of the Temple itself, recalling that this ancient

      building was almost as perfectly oriented north to south as was the Great

      Pyramid (with an error of just 12 arc minutes).8

      The Temple was square in plan, 147 feet along each side. It was built in

      to the slope of the plateau, which was higher in the west than in the east.

      In consequence, while its western wall stood only a little over 20 feet tall,

      its eastern wall exceeded 40 feet.9

      Viewed from the south, the impression was of a wedge-shaped

      structure, squat and powerful, resting firmly on bedrock. A closer

      4 Ibid., p. 50.

      5 Margaret A. Murray, The Splendour that was Egypt, Sidgwick & Jackson, London, 1987,

      pp. 160-1.

      6 See Part VII, for a full discussion of the ‘First Time’.

      7 Discussed in Part VII; see also Part III for a comparison of the Osirian rebirth cult and of

      the rebirth beliefs of Ancient Mexico.

      8 The Pyramids and Temples of Gizeh, p. 47.

      9 Measurements from The Pyramids and Temples of Egypt, p. 48, and The Pyramids of

      Egypt, p. 108.

      329

      Graham Hancock – FINGERPRINTS OF THE GODS

      examination revealed that it incorporated several characteristics quite

      alien and inexplicable to the modern eye, which that must have seemed

      almost as alien and inexplicable to the Ancient Egyptians. For a start,

      there was the stark absence, both inside and out, of inscriptions and

      other identifying marks. In this respect, as the reader will appreciate, the

      Valley Temple could be compared with a few of the other anonymous and

      frankly undatable monuments on the Giza plateau, including the great

      pyramids (and also with a mysterious structure at Abydos known as the

      Osireion, which we consider in detail in a later chapter) but otherwise

      bore no resemblance to the typical and well-known products of Ancient

      Egyptian art and architecture—all copiously decorated, embellished and

      inscribed.10

      Another important and unusual feature of the Valley Temple was that

      its core structure was built entirely, entirely, of gigantic limestone

      megaliths. The majority of these measured about 18 feet long x 10 feet

      wide x 8 feet high and some were as large as 30 feet long x 12 feet wide

      x 10 feet high.11 Routinely exceeding 200 tons in weight, each was

      heavier than a modern diesel locomotive—and there were hundreds of

      blocks.12

      Was this in any way mysterious?

      Egyptologists did not seem to think so; indeed few of them had

      bothered to comment, except in the most superficial manner—either on

      the staggering size of these blocks or the mind-bending logistics of how

      they might have been put in place. As we have seen, monoliths of up to

      70 tons, each about as heavy as 100 family-sized cars, had been lifted to

      the level of the King’s Chamber in the Great Pyramid—again without

      provoking much comment from the Egyptological fraternity—so the lack

      of curiosity about the Valley Temple was perhaps no surprise.

      Nevertheless, the block size was truly extraordinary, seeming to belong

      not just to another epoch but to another ethic altogether—one that

      reflected incomprehensible aesthetic and structural concerns and

      suggested a scale of priorities utterly different from our own. Why, for

      example, insist on using these cumbersome 200-ton monoliths when you

      could simply slice each of them up into 10 or 20 or 40 or 80 smaller and

      more manoeuvrable blocks? Why make things so difficult for yourself

      when you could achieve much the same visual effect with much less

      effort?

      And how had the builders of the Valley Temple lifted these colossal

      megaliths to heights of more than 40 feet?

      10 In addition to the three Giza pyramids, the Mortuary Temples of Khafre and Menkaure

      can be compared with the Valley Temple in terms of their absence of adornment and use

      of megaliths weighing 200 tons or more.

      11 Serpent in the Sky, p. 211; also Mystery of the Sphinx, NBC-TV, 1993.

      12 For block weights see The Pyramids of Egypt, p. 215; Serpent in the Sky, p. 242; The

      Traveller’s Key to Ancient Egypt, p. 144; The Pyramids: An Enigma Solved, p. 51;

      Mystery of the Sphinx, NBC-TV, 1993.

      330

      Graham Hancock – FINGERPRINTS OF THE GODS

      At present there are only two land-based cranes in the world that could

      lift weights of this magnitude. At the very frontiers of construction

      technology, these are both vast, industrialized machines, with booms

      reaching more than 220 feet into the air, which require on-board

      counterweights of 160 tons to prevent them from tipping over. The

      preparation-time for a single lift is around six weeks and calls for the

      skills of specialized teams of up to 20 men.13

      In other words, modern builders with all the advantages of high-tech

      engineering at their disposal, can barely hoist weights of 200 tons. Was it

      not, therefore, somewhat surprising that the builders at Giza had hoisted

      such weights on an almost routine basis?

      Moving closer to the T
    emple’s looming southern wall I observed

      something else about the huge limestone blocks: not only were they

      ridiculously large but, as though to complicate still further an almost

      impossible task, they had been cut and fitted into multi-angled jigsawpuzzle patterns similar to those employed in the cyclopean stone

      structures at Sacsayhuaman and Machu Picchu in Peru (see Part II).

      Another point I noticed was that the Temple walls appeared to have

      been constructed in two stages. The first stage, most of which was intact

      (though deeply eroded), consisted of the strong and heavy core of 200ton limestone blocks. On to both sides of these had been grafted a

      façade of dressed granite which (as we shall see) was largely intact in the

      interior of the building but had mainly fallen away on the outside. A

      closer look at some of the remaining exterior facing blocks where they

      had become detached from the core revealed a curious fact. When they

      had been placed here in antiquity the backs of these blocks had been cut

      to fit into and around the deep coves and scallops of existing weathering

      patterns on the limestone core. The presence of those patterns seemed

      to imply that the core blocks must have stood here, exposed to the

      elements, for an immense span of time before they had been faced with

      granite.

      13 Personal communication from John Anthony West. See also Mystery of the Sphinx,

      NBC-TV.

      331

      Graham Hancock – FINGERPRINTS OF THE GODS

      The Sphinx and the Sphinx Temple with the Valley Temple of Khafre.

      Lord of Rostau

      I now moved around to the entrance of the Valley Temple, located near

      the northern end of the 43-foot high eastern wall. Here I saw that the

      granite facing was still in perfect condition, consisting of huge slabs

      weighing between 70 and 80 tons apiece which protected the underlying

      limestone core blocks like a suit of armour. Incorporating a tall, narrow,

      roofless corridor, this dark and imposing portal ran east to west at first,

      then made a right-angle turn to the south, leading me into a spacious

      antechamber. It was here that the life-size diorite statue of Khafre had

      been found, upside down and apparently ritually buried, at the bottom of

      a deep pit.

      Lining the entire interior of the antechamber was a majestic jigsaw

      puzzle of smoothly polished granite facing blocks (which continued

      through the whole building). Exactly like the blocks on some of the

      bigger and more bizarre pre-Inca monuments in Peru, these incorporated

      multiple, finely chiselled angles in the joints and presented a complex

      overall pattern. Of particular note was the way certain blocks wrapped

      around corners and were received by re-entering angles cut into other

      blocks.

      From the antechamber I passed through an elegant corridor which led

      west into a spacious T-shaped hall. I found myself standing at the head of

      the T looking further westwards along an imposing avenue of monolithic

      columns. Reaching almost 15 feet in height and measuring 41 inches on

      each side, all these columns supported granite beams, which were again

      332

      Graham Hancock – FINGERPRINTS OF THE GODS

      41 inches square. A row of six further columns, also supporting beams,

      ran along the north-south axis of the T; the overall effect was of massive

      but refined simplicity.

      What was this building for? According to the Egyptologists who

      attributed it to Khafre its purpose was obvious. It had been designed,

      they said, as a venue for certain of the purification and rebirth rituals

      required for the funeral of the pharaoh. The Ancient Egyptians

      themselves, however, had left no inscriptions confirming this. On the

      contrary, the only written evidence that has come down to us indicated

      that the Valley Temple could not (originally at any rate) have had anything

      to do with Khafre, for the simple reason that it was built before his reign.

      This written evidence is the Inventory Stela, (referred to in Chapter Thirtyfive), which also indicated a much greater age for the Great Pyramid and

      the Sphinx.

      What the Inventory Stela had to say about the Valley Temple was that it

      had been standing during the reign of Khafre’s predecessor Khufu, when

      it had been regarded not as a recent but as a remotely ancient building.

      Moreover, it was clear from the context that it was not thought to have

      been the work of any earlier pharaoh. Instead, it was believed to have

      come down from the ‘First Time’ and to have been built by the ‘gods’

      who had settled in the Nile Valley in that remote epoch. It was referred to

      quite explicitly as the ‘House of Osiris, Lord of Rostau14 (Rostau being an

      archaic name for the Giza necropolis).15

      As we shall see in Part VII, Osiris was in many respects the Egyptian

      counterpart of Viracocha and Quetzalcoatl, the civilizing deities of the

      Andes and of Central America. With them he shared not only a common

      mission but a vast heritage of common symbolism. It seemed

      appropriate, therefore, that the ‘House’ (or sanctuary, or temple) of such

      a wise teacher and lawgiver should have been established at Giza within

      sight of the Great Pyramid and in the immediate vicinity of the Great

      Sphinx.

      Vastly, remotely, fabulously ancient

      Following the directions given in the Inventory Stela—which stated that

      the Sphinx lay ‘on the north-west of the House of Osiris’16—I made my

      way to the north end of the western wall that enclosed the Valley

      Temple’s T-shaped hall. I passed through a monolithic doorway and

      entered a long, sloping, alabaster floored corridor (also oriented northwest) which eventually opened out on to the lower end of the causeway

      14 Ancient Records of Egypt, volume I, p. 85.

      15 See, for example, Miriam Lichtheim, Ancient Egyptian Literature, University of

      California Press, 1976, volume II, pp. 85-6.

      16 Ancient Records of Egypt, volume I, p. 85.

      333

      Graham Hancock – FINGERPRINTS OF THE GODS

      that led up to the Second Pyramid.

      From the edge of the causeway I had an unimpeded view of the Sphinx

      immediately to my north. As long as a city block, as high as a six-storey

      building it was perfectly oriented due east and thus faced the rising sun

      on the two equinoctial days of the year. Man-headed, lion-bodied,

      crouched as though ready at last to move its slow thighs after millennia

      of stony sleep, it had been carved in one piece out of a single ridge of

      limestone on a site that must have been meticulously preselected. The

      exceptional characteristic of this site, as well as overlooking the Valley of

      the Nile, was that its geological make-up incorporated a knoll of hard

      rock jutting at least 30 feet above the general level of the limestone

      ridge. From this knoll the head and neck of the Sphinx had been carved,

      while beneath it the vast rectangle of limestone that would be shaped

      into the body had been isolated from the surrounding bedrock. The

      builders had done this by excavating an 18-foot wide, 25-foot deep

      trench all around it, creating a free-standing monolith.

      The first and lasting impression
    of the Sphinx, and of its enclosure, is

      that it is very, very old—not a mere handful of thousands of years, like

      the Fourth Dynasty of Egyptian pharaohs, but vastly, remotely, fabulously

      old. This was how the Ancient Egyptians in all periods of their history

      regarded the monument, which they believed guarded the ‘Splendid Place

      of The Beginning of all Time’ and which they revered as the focus of ‘a

      great magical power extending over the whole region’.17

      This, as we have already seen, is the general message of the Inventory

      Stela. More specifically, it is also the message of the ‘Sphinx Stela’

      erected here in around 1400 BC by Thutmosis IV, an Eighteenth Dynasty

      pharaoh. Still standing between the paws of the Sphinx, this granite

      tablet records that prior to Thutmosis’s rule the monument had been

      covered up to its neck in sand. Thutmosis liberated it by clearing all the

      sand, and erected the stela to commemorate his work.18

      There have been no significant changes in the climate of the Giza

      plateau over the last 5000 years.19 It therefore follows that throughout

      this entire period the Sphinx enclosure must have been as susceptible to

      sand encroachment as when Thutmosis cleared it—and, indeed, as it still

      is today. Recent history proves that the enclosure can fill up rapidly if left

      unattended. In 1818 Captain Caviglia had it cleared of sand for the

      purposes of his excavations, and in 1886, when Gaston Maspero came to

      re-excavate the site, he was obliged to have it cleared of sand once again.

      Thirty-nine years later, in 1925, the sands had returned in full force and

      the Sphinx was buried to its neck when the Egyptian Service des

      17 A History of Egypt, 1902, volume 4, p. 80ff, ‘Stela of the Sphinx’.

      18 Ibid.

      19 Karl W. Butzer, Early Hydraulic Civilization in Egypt: A Study in Cultural Ecology,

      University of Chicago Press, 1976.

      334

      Graham Hancock – FINGERPRINTS OF THE GODS

      Antiquités undertook its clearance and restoration once more.20

      Does this not suggest that the climate could have been very different

      when the Sphinx enclosure was carved out? What would have been the

      sense of creating this immense statue if its destiny were merely to be

      engulfed by the shifting sands of the eastern Sahara? However, since the

     


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