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    Fingerprints of the Gods

    Page 38
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    360 mortal years.27

      The Kali Yuga, therefore, at 1200 years of the gods, turns out to have a

      duration of 432,000 mortal years.28 One Mahayuga, or Great Age (made

      up of the 12,000 divine years contained in the four lesser Yugas) is

      equivalent to 4,320,000 years of mortals. A thousand such Mahayugas

      (which constitute a Kalpa, or Day of Brahma) extend over 4,320,000,000

      24 For fuller details see The Hung League and J. S. M. Ward, The Hung Society, Baskerville

      Press, London, 1925 (in three volumes).

      25 W. J. Wilkins, Hindu Mythology: Vedic and Puranic, Heritage Publishers, New Delhi,

      1991, p. 353.

      26 Ibid.

      27 Ibid.

      28 Ibid.

      257

      Graham Hancock – FINGERPRINTS OF THE GODS

      ordinary years,29 again supplying the digits for basic precessional

      calculations. Separately there are Manvantaras (periods of Manu) of which

      we are told in the scriptures that ‘about 71 systems of four Yugas elapse

      during each Manvantara.’30 The reader will recall that one degree of

      precessional motion along the ecliptic requires 71.6 years to complete, a

      number that can be rounded down to ‘about 71’ in India just as easily as

      it was rounded up to 72 in Ancient Egypt.

      The Kali Yuga, with a duration of 432,000 mortal years, is, by the way,

      our own. ‘In the Kali Age,’ the scriptures say, ‘shall decay flourish, until

      the human race approaches annihilation.’31

      Dogs, uncles and revenge

      It was a dog that brought us to these decaying times.

      We came here by way of Sirius, the Dog Star, who stands at the heel of

      the giant constellation of Orion where it towers in the sky above Egypt. In

      that land, as we have seen, Orion is Osiris, the god of death and

      resurrection, whose numbers—perhaps by chance—are 12, 30, 72, and

      360. But can chance account for the fact that these and other prime

      integers of precession keep cropping up in supposedly unrelated

      mythologies from all over the world, and in such stolid but enduring

      vehicles as calendar systems and works of architecture?

      Santillana and von Dechend, Jane Sellers and a growing body of other

      scholars rule out chance, arguing that the persistence of detail is

      indicative of a guiding hand.

      If they are wrong, we need to find some other explanation for how such

      specific and inter-related numbers (the only obvious function of which is

      to calculate precession) could by accident have got themselves so widely

      imprinted on human culture.

      But suppose they are not wrong? Suppose that a guiding hand really

      was at work behind the scenes?

      Sometimes, when you slip into Santillana’s and von Dechend’s world of

      myth and mystery, you can almost feel the influence of that hand ... Take

      the business of the dog ... or jackal, or wolf, or fox. The subtle way this

      shadowy canine slinks from myth to myth is peculiar—stimulating, then

      baffling you, always luring you onwards.

      Indeed, it was this lure we followed from the Mill of Amlodhi to the

      myth of Osiris in Egypt. Along the way, according to the design of the

      ancient sages (if Sellers, Santillana and von Dechend are right) we were

      first encouraged to build a clear mental picture of the celestial sphere.

      Second, we were provided with a mechanistic model so that we could

      29 Ibid., pp. 353-4.

      30 Ibid., p. 354.

      31 Ibid., p. 247.

      258

      Graham Hancock – FINGERPRINTS OF THE GODS

      visualize the great changes precession of the equinoxes periodically

      effects in all the coordinates of the sphere. Finally, after allowing the dog

      Sirius to open the way for us, we were given the figures to calculate

      precession more or less exactly.

      Nor is Sirius, in his eternal station at Orion’s heel, the only doggish

      character around Osiris. We saw in Chapter Eleven how Isis (who was both

      the wife and sister of Osiris32) searched for her dead husband’s body after

      he had been murdered by Set (who, incidentally, was also her brother,

      and the brother of Osiris). In this search, according to ancient tradition,

      she was assisted by dogs (jackals in some versions).33 Likewise,

      mythological and religious texts from all periods of Egyptian history

      assert that the jackal-god Anubis ministered to the spirit of Osiris after

      his death and acted as his guide through the underworld.34 (Surviving

      vignettes depict Anubis as virtually identical in appearance to Upuaut, the

      Opener of the Ways.)

      Last but not least, Osiris himself was believed to have taken the form of

      a wolf when he returned from the underworld to assist his son Horus in

      the final battle against Set.35

      Investigating this kind of material, one sometimes has the spooky sense

      of being manipulated by an ancient intelligence which has found a way to

      reach out to us across vast epochs of time, and for some reason has set

      us a puzzle to solve in the language of myth.

      If it were just dogs that kept cropping up again and again, it would be

      easy to brush off such weird intuitions. The dog phenomenon seems

      more likely to be coincidence than anything else. But it isn’t just dogs.

      The ways between the two very different myths of Osiris and Amlodhi’s

      Mill (which nonetheless both seem to contain accurate scientific data

      about precession of the equinoxes) are kept open by another strange

      common factor. Family relationships are involved.

      Amlodhi/Amleth/Hamlet is always a son who revenges the murder of his

      father by entrapping and killing the murderer. The murderer,

      furthermore, is always the father’s own brother, i.e., Hamlet’s uncle.36

      This is precisely the scenario of the Osiris myth. Osiris and Seth are

      brothers.37 Seth murders Osiris. Horus, the son of Osiris, then takes

      revenge upon his uncle.38

      Another twist is that the Hamlet character often has some sort of

      incestuous relationship with his sister.39 In the case of Kullervo, the

      32 For details of these complicated family relationships, see Egyptian Book of the Dead,

      Introduction, p. XLVIIIff.

      33 The Gods of the Egyptians, volume II, p. 366.

      34 The Traveller’s Key to Ancient Egypt, p. 71.

      35 Gods of the Egyptians, II, p. 367.

      36 Hamlet’s Mill, p. 2.

      37 Egyptian Book of the Dead, Introduction, p. XLIX-LI.

      38 Ibid.

      39 Hamlet’s Mill, pp. 32-4.

      259

      Graham Hancock – FINGERPRINTS OF THE GODS

      Finnish Hamlet, there is a poignant scene in which the hero, returning

      home after a long absence, meets a maiden in the woods, gathering

      berries. They lie together. Only later do they discover that they are

      brother and sister. The maiden drowns herself at once. Later, with ‘the

      black dog Musti’ padding along at his heels, Kullervo wanders into the

      forest and throws himself upon his sword.40

      There are no suicides in the Egyptian myth of Osiris, but there is the

      incest of Osiris and his sister Isis. Out of their union is born Horus the

      avenger.

      So once again it seems reasonable to ask: what is going on? Why are

      there all these apparent l
    inks and connections? Why do we have these

      ‘strings’ of myths, ostensibly about different subjects, all of which prove

      capable in their own ways of shedding light on the phenomenon of

      precession of the equinoxes? And why do all these myths have dogs

      running through them, and characters who seem unusually inclined to

      incest, fratricide and revenge? It surely drives scepticism beyond its limits

      to suggest that so many identical literary devices could keep on turning

      up purely by chance in so many different contexts.

      If not by chance, however, then who exactly was responsible for

      creating this intricate and clever connecting pattern? Who were the

      authors and designers of the puzzle and what motives might they have

      had?

      Scientists with something to say

      Whoever it was, they must have been smart—smart enough to have

      observed the infinitesimal creep of precessional motion along the ecliptic

      and to have calculated its rate at a value uncannily close to that obtained

      by today’s advanced technology.

      It therefore follows that we are talking about highly civilized people.

      Indeed, we are talking about people who deserve to be called scientists.

      They must, moreover, have lived in extremely remote antiquity because

      we can be certain that the creation and dissemination of the common

      heritage of precessional myths on both sides of the Atlantic did not take

      place in historic times. On the contrary the evidence suggests that all

      these myths were ‘tottering with age’ when what we call history began

      about 5000 years ago.41

      The great strength of the ancient stories was this: as well as being for

      ever available for use and adaptation free of copyright, like intellectual

      chameleons, subtle and ambiguous, they had the capacity to change their

      colour according to their surroundings. At different times, in different

      continents, the ancient tales could be retold in a variety of ways, but

      40 Ibid., p. 33.

      41 Ibid., p. 119.

      260

      Graham Hancock – FINGERPRINTS OF THE GODS

      would always retain their essential symbolism and always continue to

      transmit the coded precessional data they had been programmed with at

      the outset.

      But to what end?

      As we see in the next chapter, the long slow cycles of precession are

      not limited in their consequences to a changing view of the sky. This

      celestial phenomenon, born of the earth’s axial wobble, has direct effects

      on the earth itself. In fact, it appears to be one of the principal correlates

      of the sudden onset of ice ages and their equally sudden and catastrophic

      decay.

      261

      Graham Hancock – FINGERPRINTS OF THE GODS

      Chapter 32

      Speaking to the Unborn

      It is understandable that a huge range of myths from all over the ancient

      world should describe geological catastrophes in graphic detail. Mankind

      survived the horror of the last Ice Age, and the most plausible source for

      our enduring traditions of flooding and freezing, massive volcanism and

      devastating earthquakes is in the tumultuous upheavals unleashed during

      the great meltdown of 15,000 to 8000 BC. The final retreat of the ice

      sheets, and the consequent 300-400 foot rise in global sea levels, took

      place only a few thousand years before the beginning of the historical

      period. It is therefore not surprising that all our early civilizations should

      have retained vivid memories of the vast cataclysms that had terrified

      their forefathers.

      Much harder to explain is the peculiar but distinctive way the myths of

      cataclysm seem to bear the intelligent imprint of a guiding hand.1 Indeed

      the degree of convergence between such ancient stories is frequently

      remarkable enough to raise the suspicion that they must all have been

      ‘written’ by the same ‘author’.

      Could that author have had anything to do with the wondrous deity, or

      superhuman, spoken of in so many of the myths we have reviewed, who

      appears immediately after the world has been shattered by a horrifying

      geological catastrophe and brings comfort and the gifts of civilization to

      the shocked and demoralized survivors?

      White and bearded, Osiris is the Egyptian manifestation of this universal

      figure, and it may not be an accident that one of the first acts he is

      remembered for in myth is the abolition of cannibalism among the

      primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was

      said to have begun his civilizing mission immediately after a great flood;

      Quetzalcoatl, the discoverer of maize, brought the benefits of crops,

      mathematics, astronomy and a refined culture to Mexico after the Fourth

      Sun had been overwhelmed by a destroying deluge.

      Could these strange myths contain a record of encounters between

      scattered palaeolithic tribes which survived the last Ice Age and an as yet

      1 See Chapter Twenty-four for details of flood myths. The same kind of convergence

      among supposedly unconnected myths also occurs with regard to precession of the

      equinoxes. The mills, the characters who work and own and eventually break them, the

      brothers and nephews and uncles, the theme of revenge, the theme of incest, the dogs

      that flit silently from story to story, and the exact numbers needed to calculate

      precessional motion—all crop up everywhere, from culture to culture and from age to

      age, propagating themselves effortlessly along the jet-stream of time.

      2 Diodorus Siculus, Book I, 14:1-15, translated by C. H. Oldfather, Loeb Classical Library,

      London, 1989, pp. 47-9.

      262

      Graham Hancock – FINGERPRINTS OF THE GODS

      unidentified high civilization which passed through the same epoch?

      And could the myths be attempts to communicate?

      A message in the bottle of time

      ‘Of all the other stupendous inventions,’ Galileo once remarked,

      what sublimity of mind must have been his who conceived how to communicate

      his most secret thoughts to any other person, though very distant either in time or

      place, speaking with those who are in the Indies, speaking to those who are not

      yet born, nor shall be this thousand or ten thousand years? And with no greater

      difficulty than the various arrangements of two dozen little signs on paper? Let

      this be the seal of all the admirable inventions of men.3

      If the ‘precessional message’ identified by scholars like Santillana, von

      Dechend and Jane Sellers is indeed a deliberate attempt at

      communication by some lost civilization of antiquity, how come it wasn’t

      just written down and left for us to find? Wouldn’t that have been easier

      than encoding it in myths? Perhaps.

      Nevertheless, suppose that whatever the message was written on got

      destroyed or worn away after many thousands of years? Or suppose that

      the language in which it was inscribed was later forgotten utterly (like the

      enigmatic Indus Valley script, which has been studied closely for more

      than half a century but has so far resisted all attempts at decoding)? It

      must be obvious that in such circumstances a written legacy to the future

      would be of no valu
    e at all, because nobody would be able to make sense

      of it.

      What one would look for, therefore, would be a universal language, the

      kind of language that would be comprehensible to any technologically

      advanced society in any epoch, even a thousand or ten thousand years

      into the future. Such languages are few and far between, but mathematics

      is one of them—and the city of Teotihuacan may be the calling-card of a

      lost civilization written in the eternal language of mathematics.

      Geodetic data, related to the exact positioning of fixed geographical

      points and to the shape and size of the earth, would also remain valid

      and recognizable for tens of thousands of years, and might be most

      conveniently expressed by means of cartography (or in the construction

      of giant geodetic monuments like the Great Pyramid of Egypt, as we shall

      see).

      Another ‘constant’ in our solar system is the language of time: the

      great but regular intervals of time calibrated by the inch-worm creep of

      precessional motion. Now, or ten thousand years in the future, a message

      that prints out numbers like 72 or 2160 or 4320 or 25,920 should be

      instantly intelligible to any civilization that has evolved a modest talent

      for mathematics and the ability to detect and measure the almost

      3 Galileo, cited in Hamlet’s Mill, p. 10.

      263

      Graham Hancock – FINGERPRINTS OF THE GODS

      imperceptible reverse motion that the sun appears to make along the

      ecliptic against the background of the fixed stars (one degree in 71.6

      years, 30 degrees in 2148 years, and so on).

      The sense that a correlation exists is strengthened by something else. It

      is neither as firm nor as definite as the number of syllables in the

      Rigveda; nevertheless, it feels relevant. Through powerful stylistic links

      and shared symbolism, myths to do with global cataclysms and with

      precession of the equinoxes quite frequently intermesh. A detailed

      interconnectedness exists between these two categories of tradition, both

      of which additionally bear what appear to be the recognizable

      fingerprints of a conscious design. Quite naturally, therefore, one is

      prompted to discover whether there might not be an important

      connection between precession of the equinoxes and global

      catastrophes.

      Mill of pain

      Although several different mechanisms of an astronomical and geological

     


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