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    The Pedestrian and Other Poems

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      and the laptop computer I saved

      three paychecks for, filled with poems

      and stories I wrote in my spare time

      from slaving at that menial job I have

      that barely pays the bills

      and keeps food in my refrigerator.

      I would've loved to read him

      a few of my poems. They would've

      really knocked his socks off.

      And I would've told him

      of my dream of being a famous poet,

      like my idols, Allen Ginsberg, Charles Bukowski,

      Amiri Baraka, T. S. Eliot, Billy Collins,

      of being published,

      of Garrison Keillor reading

      one of my poems on his radio show,

      and of one day

      not-so-many years in the future,

      sitting on a stage in an auditorium

      of an Ivy-league university,

      one that working class parents

      dream of sending their kids to

      if they could afford it,

      next to all my poetry idols

      reading their work,

      and of Billy Collins patting me

      on the shoulder like a baseball coach

      before a player goes up to bat,

      saying to me, smiling,

      "You're up, kid."

      No, this man on the podium

      in his cheap suit and tie

      doesn't know me. He doesn't

      know me at all.

      He doesn't speak for me.

      He speaks for the people who are

      so used to hearing people like him speak

      that they forgot how to speak for themselves,

      or how to think,

      or the most important trait

      of human existence,

      how to dream.

      THE LITTLE ONE

      The little one and I

      sit together on the couch,

      engrossed in the pages

      of the latest Thomas the Train

      adventure thriller.

      At the precise moment

      where our hero must latch onto

      Percy's derailed car

      in a blinding storm, ready to

      risk it all to rescue his dear friend

      from a sinking demise

      in the mud,

      the little one rips the book

      from my hands, throws it on the floor,

      squats and begins turning

      the pages himself.

      And I can't help but wonder,

      could he be an impatient learner,

      or a newborn seeker

      of a truth not yet realized.

      Only time will tell.

      ELEGY FOR A STAR

      for Heath Ledger

      I saw a star go out last night.

      It used to be one of the brightest

      in the heavens. But it's brilliant light

      grew dimmer with each passing night

      until it was no more.

      I wonder what made that star

      go out. They're supposed to last longer

      than the people who gaze upon them.

      But not this star.

      Maybe it was sad.

      Maybe it was lonely.

      Maybe we didn't give it enough love.

      Maybe stars are like flowers

      in the sun, their very lives

      dependent upon the love and care

      we give them.

      I feel responsible.

      ANOTHER SATURDAY NIGHT

      Another Saturday night alone

      in my apartment,

      dressed in my after-shower costume

      of T-shirt and sweat pants,

      sitting on my couch

      pigging out on triscuits,

      another classic movie on PBS,

      pad and pen on my coffee table

      with scribblings leading my thoughts

      to another new poem,

      next to the latest rejection slip

      from Poetry magazine

      telling me in the kindest language

      not to give up my day job,

      while out there

      in the bars and clubs of

      the world, my friends

      are having the time of their lives,

      drinking, listening to music,

      enjoying each other's

      good company.

      "You're gonna die alone,"

      they warn me.

      "A miserable old bard

      with no one to bury you."

      "Maybe so," I reply.

      "But what have you written lately?"

      FEARING TOMORROW

      Tomorrow is

      just around the corner.

      And for the first time in my life

      I'm afraid of what's coming.

      I'm afraid like the ordinary man

      in old Israel was afraid

      when a young rabbi named Jesus

      came along starting all that trouble.

      I'm afraid like the ordinary man

      in South Carolina was afraid

      when it seceded from the Union

      and kindled the fires

      of the Civil War.

      I'm afraid like the ordinary men

      in old Russia, old China and old Cuba

      were afraid when their neighbors

      chose communism to be their savior.

      I'm afraid like the ordinary man

      was afraid forty years ago,

      when a black minister named Martin

      and a white yankee named Bobby

      knocked down the walls between us

      with a sledgehammer, preaching

      justice and equality for all.

      I'm the next ordinary man

      who's afraid.

      I'm afraid of the hopes and dreams

      of so many becoming

      a nightmare for us all.

      I'm afraid of my brothers, my sisters

      and my friends becoming my enemies

      for having a different point of view.

      I'm afraid of having the change

      force-fed down my throat

      when I need time to swallow it.

      I don't think people are ready

      for tomorrow yet.

      Least of all me.

      ACKNOWLEDGEMENTS

      Some of these poems appeared in the following magazines: Ceremony, A Journal of Poetry and Other Arts, Pablo Lennis, and WritingRaw.com.

      ABOUT THE AUTHOR

      George I. Anderson lives in southern New Jersey. The Pedestrian is his first book of poems.

     



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