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    The Brothers Karamazov


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      The Project Gutenberg EBook of The Brothers Karamazov by Fyodor Dostoyevsky

      This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at https://www.gutenberg.org/license

      Title: The Brothers Karamazov Author: Fyodor Dostoyevsky Release Date: February 12, 2009 [Ebook #28054] Language: English Character set encoding: UTF-8 ***START OF THE PROJECT GUTENBERG EBOOK THE BROTHERS KARAMAZOV***

      * * *

      The Brothers Karamazov

      Translated from the Russian of

      Fyodor Dostoyevsky

      by Constance Garnett

      The Lowell Press

      New York

      * * *

      Contents

      Part I

      Book I. The History Of A Family

      Chapter I. Fyodor Pavlovitch Karamazov

      Chapter II. He Gets Rid Of His Eldest Son

      Chapter III. The Second Marriage And The Second Family

      Chapter IV. The Third Son, Alyosha

      Chapter V. Elders

      Book II. An Unfortunate Gathering

      Chapter I. They Arrive At The Monastery

      Chapter II. The Old Buffoon

      Chapter III. Peasant Women Who Have Faith

      Chapter IV. A Lady Of Little Faith

      Chapter V. So Be It! So Be It!

      Chapter VI. Why Is Such A Man Alive?

      Chapter VII. A Young Man Bent On A Career

      Chapter VIII. The Scandalous Scene

      Book III. The Sensualists

      Chapter I. In The Servants' Quarters

      Chapter II. Lizaveta

      Chapter III. The Confession Of A Passionate Heart--In Verse

      Chapter IV. The Confession Of A Passionate Heart--In Anecdote

      Chapter V. The Confession Of A Passionate Heart--"Heels Up"

      Chapter VI. Smerdyakov

      Chapter VII. The Controversy

      Chapter VIII. Over The Brandy

      Chapter IX. The Sensualists

      Chapter X. Both Together

      Chapter XI. Another Reputation Ruined

      Part II

      Book IV. Lacerations

      Chapter I. Father Ferapont

      Chapter II. At His Father's

      Chapter III. A Meeting With The Schoolboys

      Chapter IV. At The Hohlakovs'

      Chapter V. A Laceration In The Drawing-Room

      Chapter VI. A Laceration In The Cottage

      Chapter VII. And In The Open Air

      Book V. Pro And Contra

      Chapter I. The Engagement

      Chapter II. Smerdyakov With A Guitar

      Chapter III. The Brothers Make Friends

      Chapter IV. Rebellion

      Chapter V. The Grand Inquisitor

      Chapter VI. For Awhile A Very Obscure One

      Chapter VII. "It's Always Worth While Speaking To A Clever Man"

      Book VI. The Russian Monk

      Chapter I. Father Zossima And His Visitors

      Chapter II. The Duel

      Chapter III. Conversations And Exhortations Of Father Zossima

      Part III

      Book VII. Alyosha

      Chapter I. The Breath Of Corruption

      Chapter II. A Critical Moment

      Chapter III. An Onion

      Chapter IV. Cana Of Galilee

      Book VIII. Mitya

      Chapter I. Kuzma Samsonov

      Chapter II. Lyagavy

      Chapter III. Gold-Mines

      Chapter IV. In The Dark

      Chapter V. A Sudden Resolution

      Chapter VI. "I Am Coming, Too!"

      Chapter VII. The First And Rightful Lover

      Chapter VIII. Delirium

      Book IX. The Preliminary Investigation

      Chapter I. The Beginning Of Perhotin's Official Career

      Chapter II. The Alarm

      Chapter III. The Sufferings Of A Soul, The First Ordeal

      Chapter IV. The Second Ordeal

      Chapter V. The Third Ordeal

      Chapter VI. The Prosecutor Catches Mitya

      Chapter VII. Mitya's Great Secret. Received With Hisses

      Chapter VIII. The Evidence Of The Witnesses. The Babe

      Chapter IX. They Carry Mitya Away

      Part IV

      Book X. The Boys

      Chapter I. Kolya Krassotkin

      Chapter II. Children

      Chapter III. The Schoolboy

      Chapter IV. The Lost Dog

      Chapter V. By Ilusha's Bedside

      Chapter VI. Precocity

      Chapter VII. Ilusha

      Book XI. Ivan

      Chapter I. At Grushenka's

      Chapter II. The Injured Foot

      Chapter III. A Little Demon

      Chapter IV. A Hymn And A Secret

      Chapter V. Not You, Not You!

      Chapter VI. The First Interview With Smerdyakov

      Chapter VII. The Second Visit To Smerdyakov

      Chapter VIII. The Third And Last Interview With Smerdyakov

      Chapter IX. The Devil. Ivan's Nightmare

      Chapter X. "It Was He Who Said That"

      Book XII. A Judicial Error

      Chapter I. The Fatal Day

      Chapter II. Dangerous Witnesses

      Chapter III. The Medical Experts And A Pound Of Nuts

      Chapter IV. Fortune Smiles On Mitya

      Chapter V. A Sudden Catastrophe

      Chapter VI. The Prosecutor's Speech. Sketches Of Character

      Chapter VII. An Historical Survey

      Chapter VIII. A Treatise On Smerdyakov

      Chapter IX. The Galloping Troika. The End Of The Prosecutor's Speech.

      Chapter X. The Speech For The Defense. An Argument That Cuts Both Ways

      Chapter XI. There Was No Money. There Was No Robbery

      Chapter XII. And There Was No Murder Either

      Chapter XIII. A Corrupter Of Thought

      Chapter XIV. The Peasants Stand Firm

      Epilogue

      Chapter I. Plans For Mitya's Escape

      Chapter II. For A Moment The Lie Becomes Truth

      Chapter III. Ilusha's Funeral. The Speech At The Stone

      Footnotes

      [pg 001]

      * * *

      Part I

      Book I. The History Of A Family

      Chapter I. Fyodor Pavlovitch Karamazov

      Alexey Fyodorovitch Karamazov was the third son of Fyodor Pavlovitch Karamazov, a land owner well known in our district in his own day, and still remembered among us owing to his gloomy and tragic death, which happened thirteen years ago, and which I shall describe in its proper place. For the present I will only say that this "landowner"--for so we used to call him, although he hardly spent a day of his life on his own estate--was a strange type, yet one pretty frequently to be met with, a type abject and vicious and at the same time senseless. But he was one of those senseless persons who are very well capable of looking after their worldly affairs, and, apparently, after nothing else. Fyodor Pavlovitch, for instance, began with next to nothing; his estate was of the smallest; he ran to dine at other men's tables, and fastened on them as a toady, yet at his death it appeared that he had a hundred thousand roubles in hard cash. At the same time, he was all his life one of the most senseless, fantastical fellows in the whole district. I repeat, it was not stupidity--the majority of these fantastical fellows are shrewd and intelligent enough--but just senselessness, and a peculiar national form of it.

      He was married twice, and had three sons, the eldest, Dmitri, by his first wife, and two, Ivan and Alexey, by his second. Fyodor Pavlovitch's first wife, Adelaida Ivanovna, belonged to a fairly rich and distinguished noble family, also landowners in our district, the Miusov
    s. How it came to pass that an heiress, who was also a beauty, and moreover one of those vigorous, intelligent girls, so [pg 002] common in this generation, but sometimes also to be found in the last, could have married such a worthless, puny weakling, as we all called him, I won't attempt to explain. I knew a young lady of the last "romantic" generation who after some years of an enigmatic passion for a gentleman, whom she might quite easily have married at any moment, invented insuperable obstacles to their union, and ended by throwing herself one stormy night into a rather deep and rapid river from a high bank, almost a precipice, and so perished, entirely to satisfy her own caprice, and to be like Shakespeare's Ophelia. Indeed, if this precipice, a chosen and favorite spot of hers, had been less picturesque, if there had been a prosaic flat bank in its place, most likely the suicide would never have taken place. This is a fact, and probably there have been not a few similar instances in the last two or three generations. Adelaida Ivanovna Miusov's action was similarly, no doubt, an echo of other people's ideas, and was due to the irritation caused by lack of mental freedom. She wanted, perhaps, to show her feminine independence, to override class distinctions and the despotism of her family. And a pliable imagination persuaded her, we must suppose, for a brief moment, that Fyodor Pavlovitch, in spite of his parasitic position, was one of the bold and ironical spirits of that progressive epoch, though he was, in fact, an ill-natured buffoon and nothing more. What gave the marriage piquancy was that it was preceded by an elopement, and this greatly captivated Adelaida Ivanovna's fancy. Fyodor Pavlovitch's position at the time made him specially eager for any such enterprise, for he was passionately anxious to make a career in one way or another. To attach himself to a good family and obtain a dowry was an alluring prospect. As for mutual love it did not exist apparently, either in the bride or in him, in spite of Adelaida Ivanovna's beauty. This was, perhaps, a unique case of the kind in the life of Fyodor Pavlovitch, who was always of a voluptuous temper, and ready to run after any petticoat on the slightest encouragement. She seems to have been the only woman who made no particular appeal to his senses.

      Immediately after the elopement Adelaida Ivanovna discerned in a flash that she had no feeling for her husband but contempt. The marriage accordingly showed itself in its true colors with extraordinary rapidity. Although the family accepted the event [pg 003] pretty quickly and apportioned the runaway bride her dowry, the husband and wife began to lead a most disorderly life, and there were everlasting scenes between them. It was said that the young wife showed incomparably more generosity and dignity than Fyodor Pavlovitch, who, as is now known, got hold of all her money up to twenty-five thousand roubles as soon as she received it, so that those thousands were lost to her for ever. The little village and the rather fine town house which formed part of her dowry he did his utmost for a long time to transfer to his name, by means of some deed of conveyance. He would probably have succeeded, merely from her moral fatigue and desire to get rid of him, and from the contempt and loathing he aroused by his persistent and shameless importunity. But, fortunately, Adelaida Ivanovna's family intervened and circumvented his greediness. It is known for a fact that frequent fights took place between the husband and wife, but rumor had it that Fyodor Pavlovitch did not beat his wife but was beaten by her, for she was a hot-tempered, bold, dark-browed, impatient woman, possessed of remarkable physical strength. Finally, she left the house and ran away from Fyodor Pavlovitch with a destitute divinity student, leaving Mitya, a child of three years old, in her husband's hands. Immediately Fyodor Pavlovitch introduced a regular harem into the house, and abandoned himself to orgies of drunkenness. In the intervals he used to drive all over the province, complaining tearfully to each and all of Adelaida Ivanovna's having left him, going into details too disgraceful for a husband to mention in regard to his own married life. What seemed to gratify him and flatter his self-love most was to play the ridiculous part of the injured husband, and to parade his woes with embellishments.

      "One would think that you'd got a promotion, Fyodor Pavlovitch, you seem so pleased in spite of your sorrow," scoffers said to him. Many even added that he was glad of a new comic part in which to play the buffoon, and that it was simply to make it funnier that he pretended to be unaware of his ludicrous position. But, who knows, it may have been simplicity. At last he succeeded in getting on the track of his runaway wife. The poor woman turned out to be in Petersburg, where she had gone with her divinity student, and where she had thrown herself into a life of complete emancipation. Fyodor Pavlovitch at once began bustling about, [pg 004] making preparations to go to Petersburg, with what object he could not himself have said. He would perhaps have really gone; but having determined to do so he felt at once entitled to fortify himself for the journey by another bout of reckless drinking. And just at that time his wife's family received the news of her death in Petersburg. She had died quite suddenly in a garret, according to one story, of typhus, or as another version had it, of starvation. Fyodor Pavlovitch was drunk when he heard of his wife's death, and the story is that he ran out into the street and began shouting with joy, raising his hands to Heaven: "Lord, now lettest Thou Thy servant depart in peace," but others say he wept without restraint like a little child, so much so that people were sorry for him, in spite of the repulsion he inspired. It is quite possible that both versions were true, that he rejoiced at his release, and at the same time wept for her who released him. As a general rule, people, even the wicked, are much more naive and simple-hearted than we suppose. And we ourselves are, too.

      Chapter II. He Gets Rid Of His Eldest Son

      You can easily imagine what a father such a man could be and how he would bring up his children. His behavior as a father was exactly what might be expected. He completely abandoned the child of his marriage with Adelaida Ivanovna, not from malice, nor because of his matrimonial grievances, but simply because he forgot him. While he was wearying every one with his tears and complaints, and turning his house into a sink of debauchery, a faithful servant of the family, Grigory, took the three-year-old Mitya into his care. If he hadn't looked after him there would have been no one even to change the baby's little shirt.

      It happened moreover that the child's relations on his mother's side forgot him too at first. His grandfather was no longer living, his widow, Mitya's grandmother, had moved to Moscow, and was seriously ill, while his daughters were married, so that Mitya remained for almost a whole year in old Grigory's charge and lived [pg 005] with him in the servant's cottage. But if his father had remembered him (he could not, indeed, have been altogether unaware of his existence) he would have sent him back to the cottage, as the child would only have been in the way of his debaucheries. But a cousin of Mitya's mother, Pyotr Alexandrovitch Miusov, happened to return from Paris. He lived for many years afterwards abroad, but was at that time quite a young man, and distinguished among the Miusovs as a man of enlightened ideas and of European culture, who had been in the capitals and abroad. Towards the end of his life he became a Liberal of the type common in the forties and fifties. In the course of his career he had come into contact with many of the most Liberal men of his epoch, both in Russia and abroad. He had known Proudhon and Bakunin personally, and in his declining years was very fond of describing the three days of the Paris Revolution of February 1848, hinting that he himself had almost taken part in the fighting on the barricades. This was one of the most grateful recollections of his youth. He had an independent property of about a thousand souls, to reckon in the old style. His splendid estate lay on the outskirts of our little town and bordered on the lands of our famous monastery, with which Pyotr Alexandrovitch began an endless lawsuit, almost as soon as he came into the estate, concerning the rights of fishing in the river or wood-cutting in the forest, I don't know exactly which. He regarded it as his duty as a citizen and a man of culture to open an attack upon the "clericals." Hearing all about Adelaida Ivanovna, whom he, of course, remembered, and in whom he had at one time been interested, and learning of t
    he existence of Mitya, he intervened, in spite of all his youthful indignation and contempt for Fyodor Pavlovitch. He made the latter's acquaintance for the first time, and told him directly that he wished to undertake the child's education. He used long afterwards to tell as a characteristic touch, that when he began to speak of Mitya, Fyodor Pavlovitch looked for some time as though he did not understand what child he was talking about, and even as though he was surprised to hear that he had a little son in the house. The story may have been exaggerated, yet it must have been something like the truth.

      Fyodor Pavlovitch was all his life fond of acting, of suddenly playing an unexpected part, sometimes without any motive for doing [pg 006] so, and even to his own direct disadvantage, as, for instance, in the present case. This habit, however, is characteristic of a very great number of people, some of them very clever ones, not like Fyodor Pavlovitch. Pyotr Alexandrovitch carried the business through vigorously, and was appointed, with Fyodor Pavlovitch, joint guardian of the child, who had a small property, a house and land, left him by his mother. Mitya did, in fact, pass into this cousin's keeping, but as the latter had no family of his own, and after securing the revenues of his estates was in haste to return at once to Paris, he left the boy in charge of one of his cousins, a lady living in Moscow. It came to pass that, settling permanently in Paris he, too, forgot the child, especially when the Revolution of February broke out, making an impression on his mind that he remembered all the rest of his life. The Moscow lady died, and Mitya passed into the care of one of her married daughters. I believe he changed his home a fourth time later on. I won't enlarge upon that now, as I shall have much to tell later of Fyodor Pavlovitch's firstborn, and must confine myself now to the most essential facts about him, without which I could not begin my story.

      In the first place, this Mitya, or rather Dmitri Fyodorovitch, was the only one of Fyodor Pavlovitch's three sons who grew up in the belief that he had property, and that he would be independent on coming of age. He spent an irregular boyhood and youth. He did not finish his studies at the gymnasium, he got into a military school, then went to the Caucasus, was promoted, fought a duel, and was degraded to the ranks, earned promotion again, led a wild life, and spent a good deal of money. He did not begin to receive any income from Fyodor Pavlovitch until he came of age, and until then got into debt. He saw and knew his father, Fyodor Pavlovitch, for the first time on coming of age, when he visited our neighborhood on purpose to settle with him about his property. He seems not to have liked his father. He did not stay long with him, and made haste to get away, having only succeeded in obtaining a sum of money, and entering into an agreement for future payments from the estate, of the revenues and value of which he was unable (a fact worthy of note), upon this occasion, to get a statement from his father. Fyodor Pavlovitch remarked for the first time then (this, too, should be noted) that Mitya had a vague and exaggerated idea [pg 007] of his property. Fyodor Pavlovitch was very well satisfied with this, as it fell in with his own designs. He gathered only that the young man was frivolous, unruly, of violent passions, impatient, and dissipated, and that if he could only obtain ready money he would be satisfied, although only, of course, for a short time. So Fyodor Pavlovitch began to take advantage of this fact, sending him from time to time small doles, installments. In the end, when four years later, Mitya, losing patience, came a second time to our little town to settle up once for all with his father, it turned out to his amazement that he had nothing, that it was difficult to get an account even, that he had received the whole value of his property in sums of money from Fyodor Pavlovitch, and was perhaps even in debt to him, that by various agreements into which he had, of his own desire, entered at various previous dates, he had no right to expect anything more, and so on, and so on. The young man was overwhelmed, suspected deceit and cheating, and was almost beside himself. And, indeed, this circumstance led to the catastrophe, the account of which forms the subject of my first introductory story, or rather the external side of it. But before I pass to that story I must say a little of Fyodor Pavlovitch's other two sons, and of their origin.

     


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