That’s about it, young people. Within hours the story of the assassination of the diva broke over New York. It was put down to a crazed fanatic, himself shot down at the scene of his infamy. It was a version that suited the Mayor and the city authorities. As for me, well, it was the one story in my whole career I never wrote up even though I would have been fired if that were known. Too late to write it now.
EPILOGUE
THE BODY OF CHRISTINE DE CHAGNY WAS LAID TO rest beside that of her father in the churchyard of a small village in Brittany from which they both came.
The vicomte, that good and kindly man, retired to his Normandy estates. He never married again and kept a picture of his much-loved wife beside him at all times. He died of natural causes in the spring of 1940 and never lived to see the invasion of his native land.
Oscar Hammerstein later lost control of the Manhattan Opera to the Met, which drove it out of business. His grandson, Oscar II, collaborated with Richard Rodgers to write musicals in the 1940s and 1950s.
Pierre de Chagny completed his schooling in New York, graduated from an Ivy League university and joined his father at the head of the enormous family corporation. During the First World War both men changed the family name from Muhlheim to another, still widely known and respected in America to this day.
The corporation became famous for its philanthropy across a wide range of social issues, founded a major institution for the correction of disfigurement and created many charitable foundations.
The son, Pierre, married once and died of old age in the year the first American landed on the moon. His four children live on.
THE END