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    The Big Pink


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    THE BIG PINK

      Erwan Atcheson

      Copyright 2012 Erwan Atcheson

      Thank you for downloading this free ebook. You are welcome to share it with your

      friends. This book may be reproduced, copied and distributed for non-commercial

      purposes, provided the book remains in its complete original form.

      To my parents: Kristiane and David

      ***

      PREFACE

      This book is FREE!

      No its not. Its partly free.

      If you like it, you must give what you like to charity.

      Not any charity. You must give to particular charities; wonderful, cost-effective, maximum-good-doing charities.

      Please see your way to the Giving What We Can website for details.

      It recommends really amazing charities and explains why they are amazing.

      I’d like you to give 10% of your income to those charities.

      Enjoy!

      E. A. 2012

      www.givingwhatwecan.org

      ***

      Table of Contents

      OVERTURE IN VERSE

      Canto One

      Canto Two

      Canto Three

      Canto Four

      Canto Five

      FIRST TEXT

      SECOND TEXT

      THE THIRD TEXT

      TEXT FOUR

      TEXT FIVE

      TEXT THE SIXTH

      BOOK SEVEN

      OVERTURE IN VERSE

      Canto One

      O Goddess sing of how the Pink House went

      From being fairly clean to state unkempt.

      The house was pink outside and clean within

      The dishes scrubbed, all rubbish in the bin

      The kitchen bright and countertops kept free

      All plates and cups were where they ought to be

      The livingroom was ordered nice and neat

      With walls as straight as right angles do meet.

      Both toilets freshly smelt like rose or vine

      The showers had not yet seen a spot of grime.

      Each room was as a God-writ harmony

      With spotless carpets perfect to a T.

      The Pink House first was occupied by eight

      Young men, one woman, paying average rate.

      The first was science-loving Neil who lived

      A year in there before the rest arrived.

      Then beer-delighting Barry moved in next

      When Neil informed him of the house by text.

      Young Mitchell brought along with him his mate

      A chap called Emmett seeking strong debate

      This problem-seeking Emmett brought with him

      A lazy-bones known by the name of Jim

      James Hendry of the Music School his name

      Debussy was the muse he did acclaim.

      Quick-tempered Levin, surname of MacHill

      Knew Neil and so he too entered the mill.

      Now long-haired Levin, different from the last

      Desired a home. 'But where?' he Emmett asked.

      Said Emmett: 'Move you two in here with us.

      Just jump aboard the next Dungiven bus.'

      He also meant his cousin Hamish, who

      To Gortenaghy village bade adieu.

      Such were the friends. Two empty rooms remained

      Which by two strangers were forthwith obtained.

      The ground floor room bean-eating Fallah took

      The latter pulse being what he liked to cook.

      And finally came Catherine, Belfast-bred

      Whose happiness at times seemed overspread.

      Before beginning properly this tale

      There are two other persons to unveil.

      An architect in training, Meabh comes in

      As Levin's lover. She had an exact twin.

      Philosophizing Erwan found the Pink

      By dint of going there one time to drink.

      Now with this soccer side O Muse begin

      To tell which side will lose and whose will win.

      Well firstly, who's the enemy they fight,

      Since in those terms you call me to recite?

      O Muse I wish I knew but you see I've

      Been wandering without knowing whence I drive.

      But don't you know that poetry's an art?

      You've got to know the end before you start.

      I'm sorry, Muse, I've not done this before.

      I'd always thought of poetry a bore.

      A bore? My goodness friend that's it we're through

      You called me here before your time was due.

      What meaning that? I thought your help was free

      To those who called upon you with their plea.

      Hello? O dear my reader now it looks

      Like you and I alone must cook these books

      Or rather I alone, since you must read.

      This will be poor. Well never mind. Proceed…

      We'll start with nine-eleven. That's the date

      When four planes hit America in hate.

      Three thousand died from burning tower's fall

      And all the world stood back and was appalled.

      The brave US was rocked, but swore to fight,

      'Defenders of democracy and right.'

      But was their fight correct? That is not cert-

      ain. They've caused more than their fair share of hurt.

      Who wants to say that their deaths matter more

      Than those they caused by coup-d’états and war?

      I speak of 'they.' I should say 'we;' the West

      Is we who've gained from others dispossessed.

      We loath dictators greedy with their oil

      But love those tyrants gen'rous with their spoils.

      But guilty though my conscience it may be

      The US makes its own foreign policy

      And that the West opposed, except our lead-

      ers, who to the 'lectorate paid no heed.

      The States invaded first Afghanistan

      To see if they could top the Taliban

      They claimed sweet victory after seven weeks

      Though ten years since the claim now seems quite weak.

      But ne'er mind that. To get out of a jam

      It did suffice to go and fight Saddam.

      The Iraq War began two thousand three

      Because we'd found his Double-U M D.

      Weapons of Mass Destruction. Evil swine,

      He could have launched in forty minutes time.

      Or forty-five. No matter which. You see,

      The number was complete imaginary.

      There were no weapons so he could not launch

      Within the hour or even in twelve-month.

      Some dodgy fellow by the name of Blair

      Had made the number up in a dossier

      To frighten Parliament into a War

      That may have been their stupidest since Boer.

      I still say 'they.' My words must be reweighed

      Since twas with taxes ours the war was paid

      I must review. 'Come on, Saddam was bad

      He terrorised the people of Baghdad

      And don't you know that he his enemies

      Did torture? Folk like that you don't appease.

      You BOMB 'em! To the Stone Age if you can

      And as for reconstruction, well, why plan?

      As long as we've demolished every hide

      Our need for vengeance will be satisfied.'

      In truth, our Western needs are never met …

      A little blood will but the appetite whet.

      About three thousand died in the twin towers

      Who knows the number dead by Western powers.

      But did you mention torture? There's a thought

      Although the Swiss convention says 'Do Not.'

      We'll call
    it something else. 'Alternative

      Set of Procedures.' How innovative

      Half-drown the bastards sixty times a day

      Until they say what we tell them to say

      And if they don't, we'll stop em sleeping nights

      Til they don't know what's black from what is white

      And if they still don't fess up; well, then we

      Must render them, to another country

      Where beatings and electrocutions start

      The soul from body, each link wrenched apart.

      That easy-going Texan Dubya Bush

      Made gold from oil and falsehood from the truth.

      But back to home. The heroes I described

      Did witness all the stuff above transcribed

      And more besides. They spent their form'tive years

      Surrounded by a surplus feed of fears.

      But did this get them down? Of course not son

      Our heroes were heroic types, bar none.

      Their mightiness was greater than the sea

      E'en stronger than my weak hyperbole

      And when they lay upon the sofas stoned

      They still were strong – their minds were all enthroned

      And though they might have seemed at times asleep

      Twas not so. They were down in caverns deep.

      Ok, we'll talk of cannabinoids then

      Since that's the thrust of this our present yen.

      Thrill-seeking Emmett brought the lordly vice

      Unto the Pink like flowers of paradise.

      They first were pleased, like sailors out to sea

      But then they were transported into glee

      When tea they brewed. The ocean sucked them out

      They ate what fish they could, and mostly trout

      For months on end. Twas all that one could do

      To stay afloat. They stuck to the canoe

      Though sea turned sky and blue became orange

      And all their thoughts began to rearrange

      In styles untested. Thus the drug did wear

      A hole in the unconscious inner layer

      Where strange things lurk. Not least our unknown selves

      Where Freudians venture; there a stoner delves

      Like dwarves a-mining in the crystal caves

      That Tolkien wrote about. It comes in waves

      – The tea I mean. When tea is first imbibed

      Th'effects initially are circumscribed

      Or rather, nothing happens for an hour

      You wait for it to push its latent power

      Into your mind. The first clue that you get

      Is a tingling; a sense of seen-it-yet

      Or déjà-vu. You think you've heard these words

      And then it fades. Its fleeting like those birds

      That hide in bushes. So you wait. And wait.

      Another wave begins to detonate

      In distant seas. You feel it push you like

      The far-away collapse of a klondike.

      Then in a thought you think you've heard these words

      They wander past like circulating herds

      And then it fades. But not entirely, for

      The tea has opened up some secret door

      That lets in sounds unlike the ones you know.

      You wonder if the drug begins to show

      And ask your friends. But speech seems rather strange

      The words are all caught up, the meaning's changed.

      Your tongue is tied. You wish to state yourself

      But that partic'lar book's not on the shelf.

      You giggle. Seems like that's all you can do

      To get you through this altered point of view

      And others do the same. The light turns dark

      And Steedzo starts the Hunting of the Snark

      And flippant James begins to make fake sounds

      To twist your head around til it rebounds.

      Presuming that you leap the deep confus-

      ion Mister Hendry's baby babble brews

      Then things get better. Though you must take care

      Some pathways of the mind lead none know where.

      But not today. Today you fly your kite

      In sparkling constellations' nighttime light.

      By choice, that is. For if you keep your wits

      The journey will be pleasant. Else the pits

      Will take you. The choice is up or else

      You'll know how solid ice feels when it melts

      Which might sound nice. But all your structure goes

      And ne'er returns. Your foot becomes your nose.

      To 'void this risk you could try chocolate

      A pleasant thing 'pon which to concentrate

      And other beastly pleasures. For in sooth

      Your mind reveals itself in lossless truth

      When tea is had. Each person that you are

      Fills up your mind like an eastern bazaar.

      The reptile's there with slidded eyes and scales

      And so are frogs and slowly-moving snails

      And even rocks. Your entire ancestry

      Comes out to join you in your cup of tea.

      You're them. They're you. And now you start to trace

      How thoughts arrive from that once hidden place

      Your mind. Thoughts branch and grow, they split and seed,

      They form the basis for each other. Heed

      How thoughts you thought an hour ago come back

      As if your mind's a circulating track

      But now they've grown. The thoughts you've handled since

      Are added to the first. It makes much sense.

      You wish to talk about your discovery,

      But all these thoughts – they simply o'erwhelm ye.

      Ye bumble like a fool: 'Our thoughts are spheres.'

      – Such are the problems facing pioneers.

      But you're surprised; it seems you're understood:

      James Hendry claims the notion's rather rude;

      Neil Steed believes that thoughts full circle come

      And Emmett says 'I've seen where thoughts are from.'

      And having scaled the tower of Babylon

      Puts 'Fear and Loathing in Las Vegas' on.

      The film is routinely played when tea

      Is taken. For it shores up the esprit

      To see a hero in a similar state

      As you are in to polychlorinate

      His liver. Thus, 'the bats' and 'Barstow' form

      Abiding memories. How they did swarm.

      And carpets turning weird we do recall

      And also how the ether made them drawl.

      The first half of the film one can grasp;

      The second part's more like a slinking asp

      That slips your grip. To date we are unsure

      What happens in that final half an 'oor.

      Such is how dope goes. First you grow quite high

      Then wisdom makes you match of the gadfly

      Of Athens. Finally your mind becomes

      Like scattered leaves or the remaining crumbs

      Of feasting's royal banquet. So to bed

      You drag yourself; face white and eyes quite red.

      Of dope I think enough has now been writ

      To give the right sense. Though I won't omit

      The tale of Erwan's troubles with the tea

      Which is to say, an inside enemy

      That spoke to him when he partook of smoke

      And gloated at him, saying 'I'm awoke!'

      And other ungrammatic things. Suffice

      To say that Erwan did not find this nice

      And spent six months trying to give it up

      Before succeeding. So that's the backdrop.

      We've covered nine-eleven and the War

      As well as drugs. You ask, 'Can there be more?'

      In fact there can. This epic holds a lot

      Besides two unjust wars and smoking pot.

      For instance, false imprisonment. And beer;

      And TV sets; and overcoming fear.


      That's all to come. Like pandas from bamboo

      This poem now crashes out to canto two.

      Canto Two

     


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