“Knowing he’d be lost, and possibly never found?”
“Honey, I’ve got to look out for myself.”
“If you leave him or harm him in any way,” Martha said quietly, “my husband will kill you.”
“If he finds me he’ll try.”
“He gave you his word,” Martha said. “If you release us, he’ll let you go.”
“But will Vern?”
“At least talk to him again,” Martha urged. “Tell him where you’ll leave our boy.”
“That would be like giving myself up.”
They spoke only occasionally after that. Now the room was silent but for Davis’s restless movement. Martha watched Janroe, seeing his heavy-boned profile against the dull gray light behind him.
She thought of Clare and Sandy upstairs and of Davis, not looking at him, but feeling his small body pressed close to her side. If Janroe left with him she might never see her son again. Janroe would sacrifice Davis, admitting it with an offhand shrug, to save his own life. Could that happen? Would God let something like that happen?
No, she thought, don’t blame God.
Cabe had an idea about that. People, he said, blamed God for bad luck because they had to blame somebody. Some things you can do something about, and with God’s help you can do it even better. But others you can’t do anything about, so you wait and try not to worry or feel sorry for yourself.
Which was this?
You can do something, Martha thought. Because you have to do something.
Her eyes went to the shotgun. A dull, thin line of light extended from the breech to the blunt end of the barrel. Two steps to the counter, Martha thought. Her right hand would go to the trigger, raising the gun, swinging it on Janroe at the same time. Three seconds to do that. Four at the most. But it would take him only one.
Janroe turned from the window. “All right. Tell him he’s going with me.”
“You won’t talk to my husband again? To Vern?”
“Tell him!”
She saw Janroe turn to the window again and call out, “Cable—send Luz over here with the horse!” He waited. “You hear me? Just Luz. If anybody else comes I’ll kill your boy.” His voice rose to a shout. “I mean it!”
Then it’s now, Martha thought. She could feel her heart beating as she bent close to Davis and whispered to him. The boy started to speak, but she touched his mouth with the tips of her fingers, her own lips still close to his ear, telling him calmly, carefully, what he would have to do. The boy nodded and Martha kissed his cheek.
Janroe was looking at her again. “Is he ready?”
Martha nodded.
“As soon as she starts over with the horse, we go out to the platform.”
Janroe’s elbow rested on the window sill, his right shoulder against the side frame. The Colt in his hand was close to his body and pointed to just below the top of the counter.
When he moves it, Martha thought. The moment he turns.
Janroe looked out, but the Colt remained in the same position. Martha’s gaze held on it. She heard him call out again, “Luz, bring the horse! You hear me? Luz—”
Janroe wheeled, seeing Martha already at the counter. She was less than four feet from him, raising the shotgun, turning it on him. He slashed out with the Colt, knocking the barrel aside as Martha’s finger closed on one trigger. The blast was almost in his face and he struck the barrel again, lunging against the counter and turning Martha with the force of the blow.
“Janroe?”
Martha heard it—Cable’s voice—and in the same moment saw Janroe’s Colt swing toward the sound of it. Cable was in the doorway to the sitting room. He fired and Janroe stumbled against the wall. Cable fired again, but this shot smashed into the window frame. Janroe was already moving. He had been hit in the body, but he reached the doorway and lunged out to the platform.
Vern stepped away from the corner of the building. He fired three times, deliberately, taking his time, each shot finding Janroe, the last one toppling him from the edge of the platform.
Martha felt Cable move past her, past Davis, moving, quickly but making almost no sound in his stockinged feet. She thought of the children upstairs.
“Davis, get Clare and Sandy.”
She heard the boy run into the darkness of the next room before she turned and walked out to the platform to where Cable stood at the edge. Martha looked down, not seeing Janroe on the ground, but thinking of her children and her husband and wanting to be held.
About the Author
ELMORE LEONARD has written more than three dozen books during his highly successful writing career, including the bestsellers Mr. Paradise, Tishomingo Blues, Be Cool, Get Shorty, and Rum Punch. Many of his books have been made into movies, including Get Shorty and Out of Sight. He is the recipient of the Grand Master Award of the Mystery Writers of America. He lives with his wife, Christine, in Bloomfield Village, Michigan.
Don’t miss the next book by your favorite author. Sign up now for AuthorTracker by visiting www.AuthorTracker.com.
Praise for
Last Stand at Saber River
“WELL-DEVELOPED CHARACTERS AND DIALOGUE WITH A PERFECT PITCH…THIS IS ELMORE LEONARD TERRITORY.”
Chicago Tribune
and the Western Fiction of
Elmore Leonard
“AS WELCOME AS A THUNDERSTORM IN A DRY SPELL.”
Dallas Morning News
“LEONARD KNOWS HIS WAY ONTO A HORSE AND OUT OF A GUNFIGHT AS WELL AS HE KNOWS THE SPECIAL KING’S ENGLISH SPOKEN BY HIS PATENTED, NOT-SO-LOVABLE URBAN LOWLIFES.”
Milwaukee Journal-Sentinel
“CLASSIC WESTERN FARE.”
San Francisco Chronicle
“LEONARD WROTE WESTERNS, VERY GOOD WESTERNS…THE WAY HE IMAGINED HEMINGWAY, HIS MENTOR, MIGHT WRITE WESTERNS.”
Baton Rouge Sunday Advocate
“LEONARD HAS PENNED SOME OF THE BEST WESTERN FICTION EVER.”
USA Today
Credits
Front Cover art by Tim Cox (www.TimCox.com)
Books by Elmore Leonard
Tishomingo Blues
Pagan Babies
Be Cool
The Tonto Woman & Other Western Stories
Cuba Libre
Out of Sight
Riding the Rap
Pronto
Rum Punch
Maximum Bob
Killshot
Freaky Deaky
Touch
Bandits
Glitz
LaBrava
Stick
Cat Chaser
Split Images
City Primeval
Gold Coast
Gunsights
The Switch
The Hunted
Unknown Man No. 89
Swag
Fifty-two Pickup
Mr. Majestyk
Forty Lashes Less One
Valdez Is Coming
The Moonshine War
The Big Bounce
Hombre
Last Stand at Saber River
Escape from Five Shadows
The Law at Randado
The Bounty Hunters
A Coyote’s in the House
Copyright
This is a work of fiction. Names, characters, places, and incidents are products of the author’s imagination or are used fictitiously and are not to be construed as real. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental.
LAST STAND AT SABER RIVER. Copyright © 1959, 1980 by Elmore Leonard, Inc. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-lo
aded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
EPub Edition © SEPTEMBER 2004 ISBN: 9780061840920
First HarperTorch paperback printing: December 2002
10 9 8 7 6 5 4 3 2 1
About the Publisher
Australia
HarperCollins Publishers (Australia) Pty. Ltd.
25 Ryde Road (PO Box 321)
Pymble, NSW 2073, Australia
http://www.harpercollinsebooks.com.au
Canada
HarperCollins Publishers Ltd.
55 Avenue Road, Suite 2900
Toronto, ON, M5R, 3L2, Canada
http://www.harpercollinsebooks.ca
New Zealand
HarperCollins Publishers (New Zealand) Limited
P.O. Box 1
Auckland, New Zealand
http://www.harpercollinsebooks.co.nz
United Kingdom
HarperCollins Publishers Ltd.
77-85 Fulham Palace Road
London, W6 8JB, UK
http://www.harpercollinsebooks.co.uk
United States
HarperCollins Publishers Inc.
10 East 53rd Street
New York, NY 10022
http://www.harpercollinsebooks.com