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    Slant

    Page 3
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      until his fingers rub her ribs, just above the threshold of a tickle. Tongues

      plunge. For a moment this is too much and she breaks the kiss and noses the

      hollow of his neck, shuddering.

      Minstrel is not the most lovely and stimulating she has ever had, but she

      is so astonishingly consistent with him. Surprise, warmth, expectancy, and

      then the final salt: Minstrel prefers men. Alice has a special command, a leave

      he gives few other women, if any. She specks him with his male lovers, wonders

      whether she would have the same effect on them; likely not, doesn't matter,

      the warm fantasy is well away now, sailing with courses full.

      They clasp tight from breasts to knees. He intrudes between her thighs and

      friction again becomes oily smoothness, but he does not press or angle. Minstrel

      knows her times and frequencies. He is an instinctive lover. She might shiver

      a muscle here, under his palm, and he adjusts the momentary mix of pressings

      and withdrawals to suit her as a horseman adjusts to his mount.

      The comparisons are becoming more and more basic, the sweetest and deep-es{

      of cliches. She will ride, float, flow, sit in the waves, feel the high warm

      sun; all images in her mind, most from past joins, some never real, all falling

      like drowsy rivers of fine hot sand down her spine.

      "Why, Cuntia," he murmurs. "So long lacking?"

      "Shh," she says into his ear. Their motion more pronounced. Francis forgotten,

      hooks ignored, though she makes sure not to rub the transponders

      loose as she brushes her temples against his chest. She disengages, though she

      20 GREG BEAR

      by withholding. She rubs him down his stomach with her cheeks, lips, high

      sensual definition against the tight skin.

      "Good," Francis says.

      Close-up, curls and the sweetly ugly rise, more beautiful than kittens; she

      adores him. Minstrel is all-valuable, all-honored; she suffers no disgrace by

      doing anything for him. She does not know what willingness he will take

      advantage of. Sometimes he assumes brusque anger, a delicate but dominant

      brutishness that toes a thin thread yet never goes beyond earnest play. But

      today Minstrel is infinitely gentle and this also falls within her range of surprise

      and expectancy.

      "Wicked as Lucrezia," he says.

      His languor is reward enough for the minute she thinks she has. Sure

      enough, at the end of a minute, he takes her head between his palms and

      removes her, and she leans back on the stiff pallet, knowing she need do

      nothing but react, and that none too vigorously. Among the men she has had,

      the many hundreds of encounters long and short, professional and personal,

      Minstrel needs the least indication of her fulfilled desire. He already feels what

      she feels from the shivers and twitches of her knees and the texture of the skin

      of her hips and ribs and the muscles beneath.

      "Good," Francis says.

      "Under Labia's disguise, Glans finds shy Clitoris," Minstrel whispers into

      her ear. His weight is a surge of southern air; his breath and sweat musk. She

      can smell his body, a whiff of zoo, nervous but not weak; this is the part she

      savors most, reaching a man's deep concerns. After all their years, Minstrel

      wonders whether she will approve. Since she knows she will approve, his concern

      is a delight. Poor good men, all the good lovers, always this stretch of

      nerves before the partaking. A laugh even of delight might be misunderstood.

      Seconds pass before she shows anything other than complete and unquestioning

      acceptance.

      "Good," Francis says. "And..."

      She clutches Minstrel, presses his butt down with her nails, feels the slipping

      entrance, sucks in him and an uneven breath, simultaneously.

      Francis quotes again:

      "With sword in hand, and with the old man went;/Who soon him brought

      unto a secret part,/Where that false couple were full closely ment/In wanton

      lust and lewd embracement;/Which when he saw, he burnt with gealous fire,/

      The eye of reason was with rage yblent,/And would have slaine them in his

      furious ire,/But hardly was restrained of that aged sire..."

      Minstrel shudders.

      "Enough. Cut."

      He holds, withdraws. Alice's eyes dart around the stage. "What?" she says.

      "Focus," Francis commands. "Disappointment. You cannot have the Red

      Cross Knight. You are a Spright, a Succubus, not a true female. Everything

      /

      SLANT 21

      Minstrel lies back, flushed. Alice wants to climb onto him but that would

      not be professional. Of all things in her life that would keep her from him, it

      is this isinglass membrane of her working self-respect.

      Francis monitors Leni, his eyes glazing over. Alice looks on the camera as a

      kind of dragon, a ravenous audience suspended in a line through all future

      time behind the camera's many senses.

      "Perfect, both of you," Francis says, returning and smiling. "Good enough

      to earn a credit. Your followers will love this."

      Minstrel smiles back wearily. The muscles of his jaw tighten. The spell is

      broken and he is thinking of the sooty world.

      Minstrel leans over her. "Glans would ask dear Cuntia to marry him," he

      says, "but the pressures of royal life.., you know how it is."

      "Cuntia would accept," Alice replies.

      "We shouldn't leave this unfinished," Minstrel says.

      Alice is puzzled. "No."

      Francis shouts for the stage to be cleared.

      "But we have to." Minstrel smiles. "Better for the next time."

      This is their third dry embrace in the past six months. They are nearly

      always in shadow, backmind layering now, never up front in the fulfilled

      lUX.

      "I'll be waiting," Alice says, and Minstrel strokes her cheek before climbing

      the stairs to get dressed.

      Ahmed stares at her, flushed and awed.

      "You're new, aren't you?" Alice asks too sweetly. She puts on her robe and

      climbs the stairs after. At the top, she hears her pad chime in a loop of her

      street clothes. Minstrel is half-dressed. Times past, they might have finished

      their business up here, neither of them believing pent-up passion to be healthy,

      but she can see Minstrel's heart and mind are elsewhere.

      The courtesies have fled. They've peaked and both know it.

      She pulls the small pad from her purse and takes the call. "Alice here."

      "I couldn't leave a message or let our homes talk to each other. This is

      Twist."

      Twist is younger than Alice by six years but already a veteran. They met

      two years ago and took a quick liking to each other. Twist--if she calls at

      all--treats Alice as a kind of mother.

      "Hello, Twist. I'm just getting off a plug for Francis."

      "Something's queer, Alice."

      "What?"

      "I'm acting really queer. I need to see somebody."

      "How queer?"

      "I'm obsessing all over the place, about David."

      Fuck artists, like most sex care workers, take on so many partners, Alice

      can not immediately remember just who David is. She thinks they might have

      22

      GREG BEAR

      "I'm not a therapist, Twist."

      "I called my mother, Alice," Twist says. "Before I called you. You know what


      that cost me?"

      Twist often hints at the monstrosity of her mother. Alice has taken it all

      with a few grains; even therapied, Twist never flows the straight pipe.

      Alice sits on a bench and crosses her legs. Minstrel gives her an exaggerated

      grimace and twinkle-wave with his fingers, picks up his bag. Alice watches

      him go with a small sharp sadness.

      "All right, why not go straight to a therapist?"

      "Because David took me out of the agency," Twist says. "I'm out of the

      payment grid. He was getting me jobs. He has connections."

      "Ah," Alice says, suddenly remembering David. The David, Twist called

      him: a small, thin man with dark hair. Alice had instantly specked him as a

      scheming litter scrawn desperately trying to make up for being born a runt,

      always sure he had the answers. Twist adores him, hangs on his every reedy

      word.

      "Well, I'm sure the agency--" Alice begins.

      "David won't let me. He's gone aggly, too."

      "What do you mean?"

      "I feel like I felt when I began therapy. I was thirteen, Alice. I was a bad

      case, a real mess. It's all back now, only worse." She gives a painful, nervous

      giggle. "David says it must have never really took."

      "Why don't you come to my apt and let's talk," Alice suggests. "I can be

      there in half an hour--"

      "I don't know that David will let me."

      Alice takes a deep breath. Some new fluffers are coming up the stairs. Francis

      is working overtime.

      "I do need to talk, Alice. Going to be home tomorrow?"

      "Morning, yes."

      "I'll be there at ten. I'll set up David with somebody. Cardy's fuckish for

      him. Then I can get free for a couple of hours."

      Alice cringes. That word--Minstrel's tetragrammaton--sounds too hard on

      Twist's lips. Twist is like a little girl in so many ways. Alice realizes this is

      uncharacteristic; sex words hard or soft generally do not bother her, whatever

      her private opinions. She is darked by the scrim of others. "I'll see you in the morning," Alice says.

      "Yeah. Love you, Alice."

      "You too." She closes the link and stands among the four new fluffers, none

      of whom she knows. They all wear butterfly colors; they come from Sextras,

      now the top Yox temp agency for fuck artists. They smile at her; they know

      who she is. She used to be heat made flesh.

      She smiles back, polite and a little condescending, shakes a few hands,

      tongue-kisses one of the bold males, and then is down the stairs, where Ahmed

      / SLANT 23

      The monstrosity of this technological era is indescribable. A man can

      carry armies of progeny within his testicles, none of them his own...

      some perhaps not purely human. A woman can bear within her unnatural

      "artworks" quickened by science and surely as soulless as stones. We sicken

      and despair. There is nothing of God in these machines and machine-men.

      The Mother Church has nothing to offer the time into which we have been born but a

      warning that sounds like a curse: As you sow, so shall you reap!

      mPope Alexander VII, 2043

      From: Anonymous Remailer

      To: Pope Alexander VII

      Date: December 24 2043

      "You're just a Catholic Dickhead, you know that? Come to my town (wouldn't

      you like to know you shit) sometime and I'll show you a GOOD TIME. Let your

      bodiguards know I'm about seven feet tall and dresed like the Demans in NUKEY

      NOOKY which I bet youve plaid too you asswipe hippocrit!!!!! Have a nice

      day!!!!!"

      EMAIL Archive (ref Security Inv, Re: Thread: Encyclical 2043, Vatican Library

      Cultural Tracking STAFF/INDA 332; reverse track through Finland> ANONYM

      REMAIL Code REROUTE> SWITZERLAND/ZIMBABWE> ACCT HDFinster >

      Harrison D. Finster ADDRESS 245 W. Blessoe Street Apt 3-H Greensboro, NC,

      USA. PROFILE> 27 years of age at time of message, >CONCLUSION: FLAME

      PROFILE No action necessary, ref Vatican Internal Investigator comments:

      "Young, shit for brains.")

      3 ALLOSTASIS

      For Martin Burke, life has become anaspace, all motion but no engagement,

      no interaction, no sense of progress. And yet he is not unsuccessful.

      He moved from the combs of Southcoast two years ago. He had set himself

      up as a design consultant for miniature therapy monitors, microscopic implants

      that roamed freely in the body and brain, regulating balances and adjusting

      natural neurochemical concentrations. All of the delayed but no less painful

      publicity about his involvement with the mass-murderer and poet Emanuel

      Goldsmith had put an end to this new career; no corporation wanted to be

      associated with him after that, though they still license and manufacture from

      24 GREG BEAR

      Since moving to Seattle, he has worked in special mental therapy, out of

      the third floor of an old, dignified building off Pioneer Square.

      Outside it is a rare cloudless winter morning, though at eight o'clock still

      dark. On the Southcoast of California, at the end of his last career, the sun had

      seemed inhumanly probing and constant. Martin had yearned for change,

      weather, clouds to hide under...

      Now he yearns for sun again.

      Strangely, away from California, the publicity has actually brought in new

      clients; but in balance, it also ended the love of his life. He has not seen or

      heard from Carol in a year, though he keeps in touch with his young daughter,

      Steplanie.

      Martin enters the round lobby and pushes open the door to his office, slinging

      his personal pad and purse onto their hooks on an antique coat rack. He

      has resisted the expense of installing a dattoo or skin pad, with circuitry and

      touches routed through mildly electrified skin, preferring instead a more old-fashioned

      implement, and keeping his body natural and inviolate into his forty-eighth

      year.

      His receptionist, Arnold, and assistant, Kim, greet him from their half-glass

      cubicle at the center of the lobby. Arnold is large and well-trained in both

      public relations and physical restraint. Kim, small and seemingly shy, is a

      powerhouse therapeutic psychology student with a minor in business relations.

      He hopes he can keep them working for him for at least the next year, before

      their agency fields better offers.

      Tucked out of sight, a year-old INDA sits quietly on a shelf overlooking

      the reception area, monitoring all that happens in the office's five rooms.

      He prepares for the long day with a ten-minute staff meeting. He goes over

      patient requests for unscheduled visits. "Tell Mrs. Danner I'll see her at noon

      Friday," he instructs Arnold.

      "I'm off that day," Arnold says. "She's a five-timer." Martin looks over Mrs.

      Danner's record. She's a five-time CTR--core therapy reject--with a long

      criminal record. "Want me to be here?"

      "She's not violent," Martin says. "Klepto mostly, inclined to hurt herself

      and not others. Enjoy your day off."

      Martin has expanded his business by taking referrals from therapists who

      can't handle their patients. After relieving himself of his own demon, he has

      a special touch with people who are still ridden.

      "And Mr. Perkins--?" Arnold asks.

      Martin makes a wry face. Kim smiles. Mr. Perkins is much l
    ess difficult

      than Mrs. Danner, but less pleasant to deal with. He is unable to establish

      lasting relations with people and relies on human-shaped arbeiters for company.

      Three previous therapists have been unsuccessful treating him, even with

      the most modern nano monitors and neuronal enhancement.

      "Third request in a week," Martin says. "I suppose he's still having trouble

      /

      SLANT 25

      The patient log floats before Arnold's face like a small swarm of green insects. "His wife, he calls her."

      "He can't bear to deactivate the old personality. That passes for kindness in

      him, I suppose." Martin smirks. "I'll see him Monday. So who's up for this

      morning?"

      "You have Joseph Breedlove at nine and Avril de Johns at ten."

      Martin wrinkles his forehead in speculation. Neither Breedlove nor de Johns

      are difficult patients; they fall into that category of unhappy people who regard

      therapy as a replacement for real accomplishment. Therapy to date can only

      make the best of what is already available. "I have an hour free at eleven?"

      "Of course."

      "Then all is in order. It's eight-thirty now. I have a half-hour until Mr.

      Breedlove. No touches until nine."

      "Right," Arnold says.

      Martin takes his pouch and walks down the narrow hallway to the back

      office. Sa,ctz/m Sa,ctorm. Sometimes he sleeps here, since there is little to go

      back to at home. He missed the chance for the island sharehold on Vashon--damnable

      Northwest offishness, thirty-year residents and born-here's discriminating

      shamelessly against the fresh arrivals--and so Martin's home is a condo

     


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