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    The Rescue Artist

    Page 28
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      Europol, 32

      Expressionism, 112

      Farr, Dennis, 142

      on observing Charley Hill

      working undercover, 181-84

      Federal Bureau of Investigation

      (FBI), U.S., 239, 240

      Feigen, Richard, 135

      Feliciano, Hector, 152n Fitzgerald, F. Scott, 105

      Fogelberg, Christer, 114-15

      Foley, Martin, 122

      Foster, Elizabeth, 150

      Francis I, King of France, 12n Freud, Sigmund, 81

      Frick, Henry, 135

      The Frieze of Life (Munch), 86

      Gainsborough, Thomas, 150

      Madam Baccelli: Dancer (Gainsborough), 69, 122, 126

      Gangsters involved in art crime, 139, 152-56

      Gardner, Isabella Stewart, 28

      Gardner Museum, Boston,

      USA, 14-15, 28, 240, 244

      Gates, Bill, 136n

      Gauguin, Paul, 18

      Georgiana, Duke of

      Devonshire, 150-51

      Getty, J. Paul, 50, 134

      Getty Museum, California, 50-51, 135

      Charley Hill’s cover as

      representative of, 51-54, 107, 111, 166

      Girl Before a Mirror (Picasso), 132

      Girl Reading a Letter at an Open Window (Vermeer), 61

      Girl with a Pearl Earring (Vermeer), 61

      Girl with a Red Hat (Vermeer), 61

      Gombrich, E. H., 60

      A Good Story (Walle), 8

      Goya, Francisco de, 18, 63, 77, 79, 136-37, 187

      Portrait of Dona AntoniaZarate, 76, 123, 126

      Portrait of the Duke of Wellington, 136-37, 187-88

      Grey, Charles, 210

      Grytdal (“Psycho”), role in theft of The Scream, 203-5, 217-19, 229-31, 234, 235

      Guardi, Francesco, 64, 77

      Guernica (Picasso), 132

      The Guitar Player (Vermeer), 12, theft of, 124-26

      Gutenberg Bibles, 134

      Harwood, Billy, 47-48, 91-92

      Hatred (Munch), 82

      Hawkwood, John, Sir, 37

      Head of a Girl (Vermeer), 62

      Hearst, William Randolph, 134

      Henry VIII, King of England, 144, 192

      Hill, Charley, 1, 34-42

      anti-gun bias of, 179-80

      close calls while doing

      undercover work, 210-13

      on corrupt cops, 104

      departure from police to become detective-for-hire, 235-40

      family of, 35, 38-40

      D. Farr on observing Hill working undercover, 181-84

      investigation of Parmigianino artwork by, 167-73

      as London police officer, 45

      his love of art, 41-42, 45

      mission and motives of, 214-16

      personality and character of, 36-38, 45-46, 71, 92, 99, 104-6, 175, 176

      his philosophical approach to

      lying, 115-16

      on police attitudes toward art crime, 26

      “prop traps” used by, 163-66

      recovery of Vermeer painting by, 65-77

      relationship of, with crooks and informants, 101-4, 185-96

      Scream recovery sting and role of, 32-33, 53-55, 78-88, 91-92, 107-12, 163-66, 197-200, 203-9, 217-32

      on speculation about art collectors who commission art thefts, 138

      spoken-language accent of, 23-25, 176

      undercover role as Getty

      Museum representative, 51-54, 107, 111, 166

      undercover work of, prior to Scream sting, 35, 65-77, 142, 167-84, 210-13

      uses of American and British

      mannerisms and vernacular

      language by, 54-55, 176-77, 184

      Vietnam military service, 40-41, 106, 170-71

      wife Caro, 104-5, 213

      Hill, Jim, 145-46

      Hill, Landon (Charley Hill’s father) 38, 39, 40

      Hiscox, Robert, 136

      Hitler, Adolf, 12n

      Holbein, Hans, 144

      Hopper, Edward, 80

      Hughes, Robert, 129, 135

      Hultgreen, Gunnar, 95-96

      Ill-Matched Lovers (Cranach), 155

      Ingres, Jean-Auguste-Dominique, 147

      Insurance on art, 27-29, 63

      Interpol, 11, 32

      Irises (van Gogh), 48

      Irish Republican Army (IRA), 123, 124

      Italy, 25

      extent of art theft in, 11-12

      gangsters involved in art

      crimes in, 152-54

      Japan, 25

      Japanese art buyers, 48, 129, 137

      Johnsen, Tor, role in theft and sting to recover The Scream, 94, 95, 98-99

      first meeting with Charley Hill, 107, 109-12

      C. Hill’s “prop trap” left for, 163-66

      meetings with Hill, Ulving, and “Psycho” Grytdal, 203-5, 217-19, 229-31

      money exchange and, 117-18

      Plaza Hotel meetings with E. Ulving and C. Hill, 113-20

      trial for theft of The Scream and death of, 234, 235

      Johnson, Paul, 61

      Keller, Steven, 15

      Kelly, Richard, 68

      Kenwood House, London, art theft at, 124

      King and Queen (Moore), 103

      Kittler, Czech thief, 155

      Knudsen, BØrre, 22-23

      Koplowitz, Esther, 237

      Krakatoa volcanic eruption, 84-85

      Kunsthistorisches Museum, Vienna, Austria, 12

      Lacemaker (Vermeer), 62

      Lady Playing a Guitar (Vermeer), 60

      Lady Writing a Letter with her Maid (Vermeer), 12, 126, 246n

      theft and recovery of, 59-60, 63-77, 122

      Larsen, Tulla, 82

      Lefevre Gallery, London, 31

      Leonardo da Vinci, 136n

      Madonna of the Rocks, 78

      Madonna of the Yamwinder, 12, 13, 29, 239

      Lier, Leif, 23, 94, 162, 210, 231, 235, 243

      Light and Colour (Turner), 155

      Lives of the Artists (Vasari), 168

      The Lost Museum: The Nazi Conspiracy to Steal the World’s Greatest Works of Art (Feliciano), 152n

      Louvre, Paris, France, 16

      Lying, C. Hill’s approach to undercover work and, 115-16

      Lying: Moral Choice in Public and Private Life (Bok), 115-16

      McGarrick, Gerry, 68, 69

      Macintyre, Ben, 137, 150

      Madam Baccelli: Dancer (Gainsborough), 69, 122, 126

      Madonna (Munch), 242, 244

      Madonna of the Pinks (Raphael), 135

      Madonna of the Rocks (Leonardo da Vinci), 78

      Madonna of the Yamwinder (Leonardo da Vinci), 12, 13, 29, 239

      Mafia, possible involvement in art crimes, 153, 154

      Manet, Edouard, 14, 240

      Bouquet of Peonies, 13

      Chez Tortoni, 14, 240

      Mannoia, Francesco Marino, 153-54

      Man Writing a Letter (Metsu), 77

      Massacre of the Innocents (Rubens), 129-30, 137

      Mellon, Andrew, 135

      Messina, Antonello da, 154

      Metropolitan Museum of Art, New York City, 131, 143

      Metsu, Gabriel, 69, 77, 244

      Man Writing a Letter, 77

      Woman Reading a Letter (Metsu), 69, 244

      Mona Lisa (Leonardo da Vinci), forgeries and claimed theft of, 146-49

      Moore, Henry, King and Queen (Moore), 103

      Morgan, J. E, 134, 135, 136, 150

      Morgan, Junius Spencer, 150

      Mulvihill, Niall, 72-77

      Munch, Edvard, 1, 6

      Anxiety by, 80

      By the Deathbed by, 80

      Death Struggle by, 80

      Despair by, 80, 86

      Frieze of Life by, 86

      Hatred by, 82

      C. Hill’s study of, 78-79, 82, 87-88

      life and work of, 79-82, 83-87

      Madonna by, 242, 244

      Portrait of the Painter Jensen-Hjell by, 83

      The Scream (see The Scream, Munch, theft of)

      The Sic
    k Child by, 80, 83

      Study for a Portrait (Munch), 19

      The Vampire by, 18-19, 160-61, 234

      Munch Museum, Oslo, Norway, art thefts from, 18-19, 160, 241-43

      Museum for Contemporary Art, Norway, 243

      Museum of the Missing (missing artwork), 13

      Napoleon of Crime (Macintyre), 150

      National Fine Arts Museum, Paraguay, 13

      National Gallery, Great Britain, 15, 27, 135n

      National Gallery, Oslo, Norway, 243

      art thefts from, 18, 19

      press conference announcing return of The Scream, 233

      security mistakes of, 9, 11

      theft of The Scream from. See The Scream (Munch), 1994 theft of

      National Gallery of Ireland, 60

      National Gallery of Modern Art, Rome, Italy, 13

      Nativity with St. Francis and St. Lawrence (Caravaggio), 153

      Nazis, art thefts perpetrated by, 12n, 152n

      Nessa, Ludvig, 22-23

      New Yorker (U.S. magazine), 149

      New York Times (U.S. newspaper), 131, 149

      Nicholas, Lynn, 152n

      Norway, criminal gangs in, 160-62

      Norwegian police investigation of The Scream theft, 19-20, 32, 94, 159-62, 198-99, 203-4, 210, 229-31

      presence of, at Plaza Hotel where C. Hill and thieves met, 113-15, 118-20, 164-65

      E. Ulving stopped by traffic police, 197-98

      Olson, Don, 85n

      Olson, Marilyn, 85n

      Olympic Winter Games (1994), Norway, 7-8, 18, 159

      Organized crime involved in art thefts, 152-56

      Oslo Accords, 119

      Oudry, Jean-Baptiste, 239

      White Duck, 239

      Parmigianino, C. Hill’s investigation of thefts of works by, 167-73

      Paradise Lost (John Milton), 134

      Pembroke, Earl of, 192, 193

      Perugia, Vincenzo, art theft

      perpetrated by, 146-49

      Picasso, Pablo, 31, 215

      Boy with a Pipe (The Young Apprentice), 132, 137

      Les Demoiselles d’Avignon, 132

      Girl Before a Mirror, 132

      Tête de Femme (Picasso), 215

      Plahter, Lief, 96, 233

      Poe, Edgar Allan, 46

      Police. See also Art Squad (Scotland Yard); Norwegian police

      disdainful attitude of, toward art crimes, 26-27, 29, 237

      C. Hill on corrupt, 104

      Portrait of a Dominican Monk (Rubens), 69, 127

      Portrait of Dr. Gachet (van Gogh), 48, 131, 137

      Portrait of Dona Antonia Zarate (Goya), 76, 123, 126

      Portrait of the Artist Without His Beard (van Gogh), 137

      Portrait of the Duke of Wellington (Goya), 136-37, 187-88

      Portrait of the Painter Jensen-Hjell (Munch), 83

      Price, Albert, 125

      Price, Dolours, 124, 125

      Price, Marion, 124, 125

      Priests, anti-abortion, suspected in art theft, 22-24

      The Procuress (Vermeer), 61

      Prop trap, Charley Hill’s undercover, 163-66

      Rabin, Yitzhak, 119

      Raging Hormones (Walle), 8

      Rape of Europa (book by Nicholas) 152n

      Rape of Europa (painting by Titian), 14

      Raphael (Sanzio), Madonna of the Pinks (Raphael), 135

      Regional Crime Squad, Great

      Britain, 211

      Reit, Seymour, 146-49

      Rembrandt van Ryn, 14, 18, 31, 78, 131, 240

      D. Duddin on stolen painting by, 192-96

      Sacrifice of Isaac, 78

      Storm on the Sea of Galilee, 240

      Renoir, Pierre Auguste, 131

      Ball at the Moulin de la Galette, 48, 137

      Rest on the Flight into Egypt (Titian), 236-37

      Reynolds, Joshua, 64

      Roberts, Christopher Charles (Hill alias), 53-54, 71, 72, 78, 91, 107, 117. See also

      Hill, Charley

      Rocky, undercover detective, 175-76

      Rubens, Peter Paul, 63, 69, 127

      Massacre of the Innocents, 129-30, 137

      Portrait of a Dominican Monk, 69, 127

      Russborough House, Ireland, art thefts from, 59-60, 63-69, 77, 121-27, 186

      M. Cahill’s theft and recovery of Lady ’Writing a Letter with her Maid from, 59-60, 63-77, 122

      Dugdale raid and theft at, 123-26 thefts between 1986 and 2002, 126-27

      Russell, Tom, 102-4

      Sack, Harold, 130

      Sacrifice of Isaac (Rembrandt), 78

      Saito, Ryoei, 137

      Sargent, John Singer, 28

      Sassoon, Donald, 149

      Sazonoff, Jonathan, 144n

      Scotland Yard detectives, 24. See also Art Squad (Scotland Yard)

      Scott, Peter, burglar, 215-16

      The Scream (Munch), 80, 82

      delicate condition of, 22

      determining authenticity of, 87-88, 223-24

      first exhibition of, 84

      Krakatoa eruption and, 84-85

      in popular culture, 85-86

      Spring Evening on Karl Johan Street by, 81

      Still Life by, 82

      theft of one of four versions of, in 2004, 241-44

      The Scream (Munch), 1994 theft and recovery of, 5-10, 17-20, 237

      Art Squad and C. Hill

      prepare sting to recover, 32-33, 48-49, 53-55, 78-88

      frame of, 95-96, 97

      C. Hill as undercover agent in, and interactions with thieves, 107-12, 163-66, 197-200, 203-9, 217-27

      luring thieves of, from hiding, 91-106

      Norwegian police investigation of, 19-20, 32, 94, 159-62, 198-99, 203-4, 210, 229-31

      public reaction to, 20, 21

      return of, to National Gallery, 233-34

      role of T. Johnsen in (see Johnsen, Tor)

      role of National Gallery’s J.K.

      Thune in recovery, 93-94, 107

      role of E. Ulving in (see Ulving, Einar-Tore)

      security problems leading to, 9, 11

      suspicions about P. Enger as thief of The Scream, 161-62

      taunting card left by thieves, 8, 17

      thieves’ fee for return of The Scream, 115

      timing of theft, coinciding

      with Olympics, 7-8, 17, 159

      tips to police about, 21-24, 91-92, 95-96

      S. Walker as undercover agent in, 108-11, 117-18, 165, 205, 217-19, 229-31

      Security mistakes and art theft, 9, 11, 15

      Serious and Organised Crime Unit (Scotland Yard), 26. See also Art Squad (Scotland Yard)

      Shade and Darkness (Turner), 155

      Shakespeare, William, 136

      The Sick Child (Munch), 80, 83

      The Silent Scream (anti-abortion film), 23

      Skater (Portrait of William Grant) (Stuart), 78

      Smith, Adam, 137

      Smith, John, 239

      Sorensen, Gunnar, 242-43

      Spiel, Robert, 149

      Spring Evening on Karl Johan Street (Munch), 81

      Still Life (Munch), 82

      Stolen art

      financial aspects of, 139-40

      insurance and, 27-29, 63

      organized crime and, 152-56

      ransom for, 32, 50

      recovery rate, 1, 13-14

      rewards offered for, 21-22

      speculation about thefts

      commissioned by art

      collectors, 72, 133-34, 143, 145-49, 189

      Storm on the Sea of Galilee (Rembrandt), 240

      Storr, Paul, 195

      Strictly Private (Marquess of Bath), 236

      Stuart, Gilbert, Skater (Portrait of William Grant), 78

      Study for a Portrait (Munch), 19

      Sunflowers (van Gogh), 129

      Sybille of Cleves (Cranach), 144-45

      Tate Gallery, London, 27, 155-56

      Tate Modern Museum, London, 15

      Tête de Femme (Picasso), 215

      Thieves. See Art thieves and crooks

      Thoré, Théophile, 61, 246n


      Thune, Jens Kristian, direction, Norway’s National Gallery, 93-94

      Titian (Tiziano Vecellio)

      Rape of Europa, 14

      Rest on the Flight into Egypt, 236-37

      Trace art recovery company, 237, 238

      Trump, Donald, 137

      Turner, Frederick Jackson

      Light and Colour, 155

      Shade and Darkness, 155

      Turow, Scott, 99

      Tveita Gang, Norway, 160-62

      Ulving, Einar-Tore, role in theft/recovery of The Scream, 94-95, 97-99

      C. Hills “prop trap” left for, 163-66

      C. Hill’s suspicions of, 98-99

      first meetings with C. Hill, 107-12

      leads C. Hill to The Scream, 220-26

      meetings with T. Johnsen, C. Hill and “Psycho,” 203-5, 217-19

      painting hidden in

      summerhouse of, 207-9

      Plaza hotel meetings with T. Johnsen and C. Hill, 113-20

      stopped by traffic police, 197-98

      trial for theft of The Scream and, 234, 235

      United States

      poor security at art museums in, 15

      theft insurance in, 27

      Valfierno, Eduardo de, 146-48

      The Vampire (Munch), 18-19

      theft of, 160-61, 234

      van Gogh, Vincent, 13, 48, 129

      Irises, 48

      Portrait of Dr. Gachet, 48, 131, 137

      Portrait of the Artist Without His Beard, 137

      Sunflowers, 129

      Van Ruysdael, Salomon, 64

      Velázquez, Diego, 63

      Verdens Gang (Norwegian newspaper), 10

      Vermeer, Johannes, 12

      The Astronomer, 12n

      The Concert, 12, 14, 62, 240

      Girl Reading a Letter at an Open Window, 61

      Girl with a Pearl Earring, 61

      Girl with a Red Hat, 61

      The Guitar Player 12, 124-26

      Head of a Girl, 62

      Lacemaker, 62

      Lady Playing a Guitar, 60

      Lady Writing a Letter with her Maid, 12, 59-60, 63-77, 122, 126, 246n

      life and art of, 60-63

      The Procuress, 61

      Woman with a Pearl Necklace, 62

      Young Woman Seated at a Virginal, 62

      Young Woman Standing at a Virginal, 62

      Vestier, Antoine, 77

      View of Florence (Bellotto), 126-27

      Violence associated with art crimes, 57-58, 123, 124, 154, 155

      Walker, Sid

      role in sting to recover The Scream, 108-11, 117-18, 165, 205, 217-19, 229-31

      undercover investigations by, 168, 169, 213

      Walle, Marit, 8

      Wallis, Henry, 140-41

      Death of Chatterton, 141

      Watson, Peter, The Caravaggio Conspiracy (Watson), 154n

      White Duck (Oudry), 239

      Widdrington Hill, Zita (Charley

      Hill’s mother), 38-39

     


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