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      SARAH

      Well?

      LESLIE

      Well … they don’t look very … formidable—in the sense of prepossessing. Not young. They’ve got their teeth bared, but they don’t look as though they’re going to bite. Their hide is funny—feels soft.

      SARAH

      How do they smell?

      LESLIE

      Strange.

      SARAH

      Well, I should suppose so.

      LESLIE (Not too sure)

      I guess it’s safe.

      SARAH

      Are you sure?

      LESLIE (Laughs a little)

      No; of course not.

      (Scratches his head)

      NANCY (Sotto voce)

      What are they doing?

      CHARLIE

      It poked me; one of them poked me; I thought it was all over.

      NANCY (Not to be left out)

      Well, it poked me, too.

      CHARLIE

      It sniffed at me.

      NANCY

      Yes. Keep where you are, Charlie; don’t move. It sniffed at me, too.

      CHARLIE

      Did you smell it?

      NANCY

      Yes; fishy. And beautiful!

      CHARLIE

      Terrifying!

      NANCY (Agreeing)

      Yes; beautiful.

      LESLIE

      Well, I suppose I’d better go over and …

      (Sort of shrugs)

      SARAH (Immediately)

      I’ll come with you.

      LESLIE

      No; you stay here.

      SARAH (Determined)

      I said I’ll come with you.

      LESLIE (Weary)

      Yes, Sarah.

      SARAH

      There’s no telling what kind of trouble you’ll get yourself into.

      LESLIE

      Yes, Sarah.

      SARAH

      If you’re going to take that attitude, we might as well …

      LESLIE (Rather abrupt)

      All right, Sarah!

      SARAH (Feminine, submissive)

      All right, Leslie.

      CHARLIE

      What’s happening?

      NANCY

      I think they’re having a discussion.

      LESLIE

      Are you ready?

      SARAH (Sweet)

      Yes, dear.

      LESLIE

      All right?

      (SARAH nods)

      All right.

      (They slowly advance toward CHARLIE and NANCY)

      CHARLIE

      Here they come!

      NANCY

      We’re making history, Charlie!

      CHARLIE (Snorts; fear and trembling)

      The sound of one hand clapping, hunh?

      (LESLIE and SARAH are before them. LESLIE raises paw to strike CHARLIE)

      SARAH

      Don’t hurt them.

      (LESLIE gives SARAH a disapproving look, pokes CHARLIE)

      CHARLIE

      OW!

      NANCY (Chiding)

      Charlie! Please!

      CHARLIE

      It poked me!

      LESLIE

      (To CHARLIE and NANCY; clears his throat)

      Pardon me.

      CHARLIE (To NANCY)

      What am I supposed to do if it pokes me?

      LESLIE (Louder)

      Pardon me.

      NANCY (Indicating LESLIE)

      Speak to it, Charlie; answer it.

      CHARLIE

      Hm?

      NANCY

      Speak to it, Charlie!

      CHARLIE

      “Don’t just lie there,” you mean?

      NANCY

      I guess.

      (Sits up and waves at SARAH, tentatively)

      Hello.

      SARAH (To NANCY)

      Hello.

      (To LESLIE)

      It said hello. Did you hear it?

      LESLIE

      (His attention still on CHARLIE)

      Um-hum.

      NANCY

      Go on, Charlie.

      SARAH

      Speak to the other one.

      LESLIE

      I’ve spoken to it twice; maybe it’s deaf.

      NANCY

      Go on.

      CHARLIE

      No; then I’d have to accept it.

      SARAH

      Maybe it’s shy—or frightened. Try once again.

      LESLIE (Sighs)

      All right.

      (Prods CHARLIE; says, rather too loudly and distinctly)

      Pardon me!

      NANCY (Stage whisper)

      Go on, Charlie.

      CHARLIE (Pause; then, very direct)

      Hello.

      (Turns to NANCY)

      All right?

      (Back to LESLIE)

      Hello!

      (Brief silence)

      SARAH

      (Overlapping with NANCY’s following)

      There! You see, Leslie, everything’s going to be …

      NANCY

      Good for you, Charlie! Now, that wasn’t so …

      (A raised paw and a growl from LESLIE silences them both in mid-sentence)

      LESLIE

      (Moves a step toward CHARLIE, eyes him)

      Are you unfriendly?

      (SARAH and NANCY look to CHARLIE. CHARLIE lowers his legs and comes up on one elbow)

      CHARLIE

      Well …

      NANCY

      Tell him, Charlie!

      CHARLIE

      (To NANCY, through clenched teeth)

      I’m thinking of what to say.

      (To LESLIE)

      Unfriendly? Well, no, not by nature. I’m certainly on my guard, though.

      LESLIE

      Yes, well, so are we.

      SARAH

      Indeed we are!

      CHARLIE

      I mean, if you’re going to kill us and eat us … then we’re unfriendly: we’ll … resist.

      LESLIE

      (Looks to SARAH for confirmation)

      Well, I certainly don’t think we were planning to do that. Were we?

      SARAH (None too sure)

      Well … no; at least, I don’t think so.

      NANCY

      Of course you weren’t! The very idea! Charlie, let’s introduce ourselves.

      LESLIE

      After all, you’re rather large … and quite unusual.

      (Afterthought)

      Were you thinking of eating us?

      NANCY (Almost laughs)

      Good heavens, no!

      SARAH

      Well, we don’t know your habits.

      NANCY

      I’m Nancy, and this is Charlie.

      CHARLIE

      How do. We don’t know your habits, either. It’d be perfectly normal to assume you ate whatever … you ran into … you know, whatever you ran into.

      LESLIE (Cool)

      No; I don’t know.

      SARAH (To NANCY)

      I’m Sarah.

      NANCY

      Hello, Sarah.

      CHARLIE

      (Somewhat on the defensive)

      It’s perfectly simple: we don’t eat … we’re not cannibals.

      LESLIE

      What is this?

      CHARLIE

      Hm? We do eat other flesh … you know, cow, and pigs, and chickens, and all …

      LESLIE (To SARAH, very confused)

      What are they?

      (SARAH shrugs)

      CHARLIE

      I guess you could put it down as a rule that we don’t eat anything that … well, anything that talks; you know, English, and …

      NANCY (To CHARLIE)

      Parrots talk; some people eat parrots.

      CHARLIE

      Parrots don’t talk; parrots imitate. Who eats parrots?

      NANCY

      In the Amazon; I’m sure people eat parrots there; they’re very poor, and …

      LESLIE

      What are you saying?!

      CHARLIE (Frustrated)

      I’m trying to tell you … we don’t eat our own kind.

      SARAH

      (After a brief pause;
    flat)

      Oh.

      LESLIE (Rather offended)

      Well, we don’t eat our own kind, either. Most of us. Some.

      NANCY (Cheerful)

      Well. You see?

      LESLIE (Dubious)

      Well …

      (To make the point)

      You see … you’re not our kind, so you can understand the apprehension.

      NANCY

      Besides, we cook everything.

      SARAH

      Pardon?

      NANCY

      We cook everything. Well, most things; you know … no, you don’t, do you?

      SARAH

      This is Leslie.

      NANCY (Extending her hand)

      How do you do, Leslie?

      LESLIE (Regards her gesture)

      What is that?

      NANCY

      Oh; we … well, we shake hands … flippers, uh … Charlie?

      CHARLIE

      When we meet we … take each other’s hands, or whatever, and we … touch.

      SARAH (Pleased)

      Oh, that’s nice.

      LESLIE (Not convinced)

      What for?

      SARAH (Chiding)

      Oh, Leslie!

      LESLIE (To SARAH, a bit piqued)

      I want to know what for.

      CHARLIE

      Well, it used to be, since most people are right-handed, it used to be to prove nobody had a weapon, to prove they were friendly.

      LESLIE (After a bit)

      We’re ambidextrous.

      CHARLIE (Rather miffed)

      Well, that’s nice for you. Very nice.

      NANCY

      And some people used to hold on to their sex parts, didn’t you tell me that, Charlie? That in olden times people used to hold on to their sex parts when they said hello … their own?

      CHARLIE

      I don’t think I told you quite that. Each other’s, maybe.

      NANCY

      Well, no matter.

      (To LESLIE)

      Let’s greet each other properly, all right?

      (Extends her hand again)

      I give you my hand, and you give me your … what is that? What is that called?

      LESLIE

      What?

      NANCY

      (Indicating LESLIE’s right arm)

      That there.

      LESLIE

      It’s called a leg, of course.

      NANCY

      Oh. Well, we call this an arm.

      LESLIE

      You have four arms, I see.

      CHARLIE

      No; she has two arms.

      (Tiny pause)

      And two legs.

      SARAH

      (Moves closer to examine NANCY with LESLIE)

      And which are the legs?

      NANCY

      These here. And these are the arms.

      LESLIE (A little on his guard)

      Why do you differentiate?

      NANCY

      Why do we differentiate, Charlie?

      CHARLIE (Quietly hysterical)

      Because they’re the ones with the hands on the ends of them.

      NANCY (To LESLIE)

      Yes.

      SARAH

      (As LESLIE glances suspiciously at CHARLIE)

      Go on, Leslie; do what Nancy wants you to.

      (To NANCY)

      What is it called?

      NANCY

      Shaking hands.

      CHARLIE

      Or legs.

      LESLIE (Glowers at CHARLIE)

      Quiet.

      CHARLIE (Quickly)

      Yes, sir.

      LESLIE (To NANCY)

      Now; what is it you want to do?

      NANCY

      Well …

      (A glance at CHARLIE, both reassuring and imploring)

      … you give me your … that leg there, that one, and I’ll give you my … leg, or arm, or whatever, and we’ll come together by our fingers … these are your fingers …

      LESLIE

      Toes.

      NANCY

      Oh, all right; toes.

      (Shakes hands with LESLIE)

      And we come together like this, and we do this.

      (They continue a slow, broad handshake)

      LESLIE

      Yes?

      NANCY

      And now we let go.

      (They do)

      There! You see?

      LESLIE

      (Somewhat puzzled about it)

      Well, that’s certainly an unusual thing to want to do.

      SARAH

      Let me! I want to!

      (SARAH shakes hands with NANCY, seems happy about doing it)

      Oh, my; that’s very interesting.

      (To LESLIE)

      Why haven’t we ever done anything like that?

      LESLIE (Shrugs)

      Damned if I know.

      SARAH

      (To LESLIE, referring to CHARLIE)

      You do it with him, now.

      (CHARLIE smiles tentatively, holds his hand out a little; LESLIE moves over to him)

      LESLIE

      Are you sure you’re friendly?

      CHARLIE (Nervous, but serious)

      I told you: you’ll never meet a more peaceful man. Though of course if I thought you were going to go at me, or Nancy here, I’d probably defend myself … I mean, I would.

      LESLIE

      The danger, as I see it, is if one of us panics.

      (CHARLIE gives a hollow laugh)

      I think I’d like to know what frightens you.

      (CHARLIE laughs again)

      Please?

      NANCY (Nicely)

      Tell him, Charlie.

      SARAH

      Please?

      CHARLIE

      (A pause, while the nature of his questioner sinks in)

      What frightens me? Oh … deep space? Mortality? Nancy … not being with me?

      (Chuckles ruefully)

      Great … green … creatures coming up from the sea.

      LESLIE

      Well, that’s it, you see: what we don’t know. Great green creatures, and all, indeed! You’re pretty odd yourselves, though you’ve probably never looked at it that way.

      CHARLIE

      Probably not.

      LESLIE

      You’re not the sort of thing we run into every day.

      CHARLIE

      Well, no …

      LESLIE (Points at CHARLIE)

      What’s all that?

      CHARLIE (Looks at himself)

      What?

      LESLIE

      (Touches CHARLIE’s shirt; says it with some distaste)

      All that.

      CHARLIE

      This? My shirt.

      (“Naturally” implicit)

      LESLIE

      What is it?

      NANCY

      Clothes; they’re called clothes; we put them on; we … well, we cover our skins with them.

      LESLIE

      What for?

      NANCY

      Well … to keep warm; to look pretty; to be decent.

      LESLIE

      What is that?

      NANCY

      Which?

      LESLIE

      Decent.

      NANCY

      Oh. Well … uh, not to expose our sexual parts. My breasts, for example.

      (Touches them)

      CHARLIE

      Say “mammaries.”

      NANCY

      What?

      SARAH (Fascinated)

      What are they?

      NANCY

      Well, they … no, you don’t seem to have them, do you? They’re … secondary sex organs.

      (Realizes it’s hopeless as she says it)

      No? well …

      (Beckons SARAH, begins to unbutton her blouse)

      Come here, Sarah.

      CHARLIE

      Nancy!

      NANCY

      It’s all right, Charlie. Come look, Sarah.

      SARAH

      (Puts one paw on NANCY’s blouse, peers in)

      My gracious! Leslie, come see!

      CHARLIE

      Now just a minute!


      NANCY (Laughs)

      Charlie! Don’t be silly!

      LESLIE (To CHARLIE; ingenuous)

      What’s the matter?

      CHARLIE

      I don’t want you looking at my wife’s breasts, that’s all.

      LESLIE

      I don’t even know what they are.

      NANCY (Buoyant)

      Of course not! Are you jealous, Charlie?

      CHARLIE

      Of course not! How could I be jealous of …

      (Indicates LESLIE with some distaste)

      … how could I be?

      NANCY (Agreeing with him)

      No.

      CHARLIE (Reassuring himself)

      I’m not.

      SARAH (No overtones)

      I think Leslie should see them.

      NANCY

      Yes.

      LESLIE (To CHARLIE; shrugs)

      It’s up to you; I mean, if they’re something you hide, then maybe they’re embarrassing, or sad, and I shouldn’t want to see them, and …

      CHARLIE (More flustered than angry)

      They’re not embarrassing; or sad; They’re lovely! Some women … some women Nancy’s age, they’re … some women …

      (To NANCY, almost spontaneously bursting into tears)

      I love your breasts.

      NANCY (Gentle)

      Yes; yes. Thank you.

      (More expansive)

      I’m not an exhibitionist, dear, as you very well know …

      CHARLIE

      … except that time you answered the door stark naked …

      NANCY (An old story)

      We’ll not discuss that now.

      (To LESLIE and SARAH)

      It was nothing.

      CHARLIE (By rote)

      So she says.

      NANCY (To the others)

      It was nothing. Really.

      (To CHARLIE)

      What I was trying to say, Charlie, was—and prefacing it with that I’m not an exhibitionist, as you very well know—that if someone …

      CHARLIE (To NANCY)

      Stark naked.

      NANCY

      … has not … has gone through life and not seen a woman’s breasts … why, it’s like Sarah never having seen … the sky. Think of the wonder of that, and think of the wonder of the other.

      CHARLIE (Rather hurt)

      One of the wonders, hunh?

      NANCY

      I didn’t mean it that way!

      (Shakes her head; buttons up)

      Well … no matter.

      LESLIE (Shrugs)

      It’s up to you.

      SARAH

      They’re really very interesting, Leslie; I’m sorry you didn’t see them.

      LESLIE

      Well, another time, maybe.

      SARAH (Delighted and excited)

      I suddenly remember something! Leslie, do you remember when we went way north, and it was very cold, and the scenery changed, and we came to the edge of a deep ravine, and all at once we heard those strange and terrible sounds …

      LESLIE

      (Disturbed at the memory)

      Yes; I remember.

      SARAH

      Oh, it was a frightening set of sounds, echoing … all around us; and then we saw them … swimming by.

      LESLIE

      Enormous …

      SARAH

      Huge! Huge creatures; ten of them, maybe more. I’d never seen the size. They were of great girth.

      CHARLIE

      They were whales; I’m sure they were whales.

     


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