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    Pictures From Italy

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      Visage Beaming.

      General Expression Extremely agreeable.

      CHAPTER I - GOING THROUGH FRANCE

      ON a fine Sunday morning in the Midsummer time and weather of

      eighteen hundred and forty-four, it was, my good friend, when -

      don't be alarmed; not when two travellers might have been observed

      slowly making their way over that picturesque and broken ground by

      which the first chapter of a Middle Aged novel is usually attained

      - but when an English travelling-carriage of considerable

      proportions, fresh from the shady halls of the Pantechnicon near

      Belgrave Square, London, was observed (by a very small French

      soldier; for I saw him look at it) to issue from the gate of the

      Hotel Meurice in the Rue Rivoli at Paris.

      I am no more bound to explain why the English family travelling by

      this carriage, inside and out, should be starting for Italy on a

      Sunday morning, of all good days in the week, than I am to assign a

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      Dickens, Charles - Pictures From Italy

      reason for all the little men in France being soldiers, and all the

      big men postilions; which is the invariable rule. But, they had

      some sort of reason for what they did, I have no doubt; and their

      reason for being there at all, was, as you know, that they were

      going to live in fair Genoa for a year; and that the head of the

      family purposed, in that space of time, to stroll about, wherever

      his restless humour carried him.

      And it would have been small comfort to me to have explained to the

      population of Paris generally, that I was that Head and Chief; and

      not the radiant embodiment of good humour who sat beside me in the

      person of a French Courier - best of servants and most beaming of

      men! Truth to say, he looked a great deal more patriarchal than I,

      who, in the shadow of his portly presence, dwindled down to no

      account at all.

      There was, of course, very little in the aspect of Paris - as we

      rattled near the dismal Morgue and over the Pont Neuf - to reproach

      us for our Sunday travelling. The wine-shops (every second house)

      were driving a roaring trade; awnings were spreading, and chairs

      and tables arranging, outside the cafes, preparatory to the eating

      of ices, and drinking of cool liquids, later in the day; shoeblacks

      were busy on the bridges; shops were open; carts and waggons

      clattered to and fro; the narrow, up-hill, funnel-like streets

      across the River, were so many dense perspectives of crowd and

      bustle, parti-coloured night-caps, tobacco-pipes, blouses, large

      boots, and shaggy heads of hair; nothing at that hour denoted a day

      of rest, unless it were the appearance, here and there, of a family

      pleasure-party, crammed into a bulky old lumbering cab; or of some

      contemplative holiday-maker in the freest and easiest dishabille,

      leaning out of a low garret window, watching the drying of his

      newly polished shoes on the little parapet outside (if a

      gentleman), or the airing of her stockings in the sun (if a lady),

      with calm anticipation.

      Once clear of the never-to-be-forgotten-or-forgiven pavement which

      surrounds Paris, the first three days of travelling towards

      Marseilles are quiet and monotonous enough. To Sens. To Avallon.

      To Chalons. A sketch of one day's proceedings is a sketch of all

      three; and here it is.

      We have four horses, and one postilion, who has a very long whip,

      and drives his team, something like the Courier of Saint

      Petersburgh in the circle at Astley's or Franconi's: only he sits

      his own horse instead of standing on him. The immense jack-boots

      worn by these postilions, are sometimes a century or two old; and

      are so ludicrously disproportionate to the wearer's foot, that the

      spur, which is put where his own heel comes, is generally halfway

      up the leg of the boots. The man often comes out of the stableyard,

      with his whip in his hand and his shoes on, and brings out,

      in both hands, one boot at a time, which he plants on the ground by

      the side of his horse, with great gravity, until everything is

      ready. When it is - and oh Heaven! the noise they make about it! -

      he gets into the boots, shoes and all, or is hoisted into them by a

      couple of friends; adjusts the rope harness, embossed by the

      labours of innumerable pigeons in the stables; makes all the horses

      kick and plunge; cracks his whip like a madman; shouts 'En route -

      Hi!' and away we go. He is sure to have a contest with his horse

      before we have gone very far; and then he calls him a Thief, and a

      Brigand, and a Pig, and what not; and beats him about the head as

      if he were made of wood.

      There is little more than one variety in the appearance of the

      country, for the first two days. From a dreary plain, to an

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      Dickens, Charles - Pictures From Italy

      interminable avenue, and from an interminable avenue to a dreary

      plain again. Plenty of vines there are in the open fields, but of

      a short low kind, and not trained in festoons, but about straight

      sticks. Beggars innumerable there are, everywhere; but an

      extraordinarily scanty population, and fewer children than I ever

      encountered. I don't believe we saw a hundred children between

      Paris and Chalons. Queer old towns, draw-bridged and walled: with

      odd little towers at the angles, like grotesque faces, as if the

      wall had put a mask on, and were staring down into the moat; other

      strange little towers, in gardens and fields, and down lanes, and

      in farm-yards: all alone, and always round, with a peaked roof,

      and never used for any purpose at all; ruinous buildings of all

      sorts; sometimes an hotel de ville, sometimes a guard-house,

      sometimes a dwelling-house, sometimes a chateau with a rank garden,

      prolific in dandelion, and watched over by extinguisher-topped

      turrets, and blink-eyed little casements; are the standard objects,

      repeated over and over again. Sometimes we pass a village inn,

      with a crumbling wall belonging to it, and a perfect town of outhouses;

      and painted over the gateway, 'Stabling for Sixty Horses;'

      as indeed there might be stabling for sixty score, were there any

      horses to be stabled there, or anybody resting there, or anything

      stirring about the place but a dangling bush, indicative of the

      wine inside: which flutters idly in the wind, in lazy keeping with

      everything else, and certainly is never in a green old age, though

      always so old as to be dropping to pieces. And all day long,

      strange little narrow waggons, in strings of six or eight, bringing

      cheese from Switzerland, and frequently in charge, the whole line,

      of one man, or even boy - and he very often asleep in the foremost

      cart - come jingling past: the horses drowsily ringing the bells

      upon their harness, and looking as if they thought (no doubt they

      do) their great blue woolly furniture, of immense weight and

      thickness, with a pair of grotesque horns growing out of the

      collar, very much too warm for the Midsummer weather.

      Then, there is the Diligence, twice or thrice a-day; with the dusty

    &n
    bsp; outsides in blue frocks, like butchers; and the insides in white

      nightcaps; and its cabriolet head on the roof, nodding and shaking,

      like an idiot's head; and its Young-France passengers staring out

      of window, with beards down to their waists, and blue spectacles

      awfully shading their warlike eyes, and very big sticks clenched in

      their National grasp. Also the Malle Poste, with only a couple of

      passengers, tearing along at a real good dare-devil pace, and out

      of sight in no time. Steady old Cures come jolting past, now and

      then, in such ramshackle, rusty, musty, clattering coaches as no

      Englishman would believe in; and bony women dawdle about in

      solitary places, holding cows by ropes while they feed, or digging

      and hoeing or doing field-work of a more laborious kind, or

      representing real shepherdesses with their flocks - to obtain an

      adequate idea of which pursuit and its followers, in any country,

      it is only necessary to take any pastoral poem, or picture, and

      imagine to yourself whatever is most exquisitely and widely unlike

      the descriptions therein contained.

      You have been travelling along, stupidly enough, as you generally

      do in the last stage of the day; and the ninety-six bells upon the

      horses - twenty-four apiece - have been ringing sleepily in your

      ears for half an hour or so; and it has become a very jog-trot,

      monotonous, tiresome sort of business; and you have been thinking

      deeply about the dinner you will have at the next stage; when, down

      at the end of the long avenue of trees through which you are

      travelling, the first indication of a town appears, in the shape of

      some straggling cottages: and the carriage begins to rattle and

      roll over a horribly uneven pavement. As if the equipage were a

      great firework, and the mere sight of a smoking cottage chimney had

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      Dickens, Charles - Pictures From Italy

      lighted it, instantly it begins to crack and splutter, as if the

      very devil were in it. Crack, crack, crack, crack. Crack-crackcrack.

      Crick-crack. Crick-crack. Helo! Hola! Vite! Voleur!

      Brigand! Hi hi hi! En r-r-r-r-r-route! Whip, wheels, driver,

      stones, beggars, children, crack, crack, crack; helo! hola! charite

      pour l'amour de Dieu! crick-crack-crick-crack; crick, crick, crick;

      bump, jolt, crack, bump, crick-crack; round the corner, up the

      narrow street, down the paved hill on the other side; in the

      gutter; bump, bump; jolt, jog, crick, crick, crick; crack, crack,

      crack; into the shop-windows on the left-hand side of the street,

      preliminary to a sweeping turn into the wooden archway on the

      right; rumble, rumble, rumble; clatter, clatter, clatter; crick,

      crick, crick; and here we are in the yard of the Hotel de l'Ecu

      d'Or; used up, gone out, smoking, spent, exhausted; but sometimes

      making a false start unexpectedly, with nothing coming of it - like

      a firework to the last!

      The landlady of the Hotel de l'Ecu d'Or is here; and the landlord

      of the Hotel de l'Ecu d'Or is here; and the femme de chambre of the

      Hotel de l'Ecu d'Or is here; and a gentleman in a glazed cap, with

      a red beard like a bosom friend, who is staying at the Hotel de

      l'Ecu d'Or, is here; and Monsieur le Cure is walking up and down in

      a corner of the yard by himself, with a shovel hat upon his head,

      and a black gown on his back, and a book in one hand, and an

      umbrella in the other; and everybody, except Monsieur le Cure, is

      open-mouthed and open-eyed, for the opening of the carriage-door.

      The landlord of the Hotel de l'Ecu d'Or, dotes to that extent upon

      the Courier, that he can hardly wait for his coming down from the

      box, but embraces his very legs and boot-heels as he descends. 'My

      Courier! My brave Courier! My friend! My brother!' The landlady

      loves him, the femme de chambre blesses him, the garcon worships

      him. The Courier asks if his letter has been received? It has, it

      has. Are the rooms prepared? They are, they are. The best rooms

      for my noble Courier. The rooms of state for my gallant Courier;

      the whole house is at the service of my best of friends! He keeps

      his hand upon the carriage-door, and asks some other question to

      enhance the expectation. He carries a green leathern purse outside

      his coat, suspended by a belt. The idlers look at it; one touches

      it. It is full of five-franc pieces. Murmurs of admiration are

      heard among the boys. The landlord falls upon the Courier's neck,

      and folds him to his breast. He is so much fatter than he was, he

      says! He looks so rosy and so well!

      The door is opened. Breathless expectation. The lady of the

      family gets out. Ah sweet lady! Beautiful lady! The sister of

      the lady of the family gets out. Great Heaven, Ma'amselle is

      charming! First little boy gets out. Ah, what a beautiful little

      boy! First little girl gets out. Oh, but this is an enchanting

      child! Second little girl gets out. The landlady, yielding to the

      finest impulse of our common nature, catches her up in her arms!

      Second little boy gets out. Oh, the sweet boy! Oh, the tender

      little family! The baby is handed out. Angelic baby! The baby

      has topped everything. All the rapture is expended on the baby!

      Then the two nurses tumble out; and the enthusiasm swelling into

      madness, the whole family are swept up-stairs as on a cloud; while

      the idlers press about the carriage, and look into it, and walk

      round it, and touch it. For it is something to touch a carriage

      that has held so many people. It is a legacy to leave one's

      children.

      The rooms are on the first floor, except the nursery for the night,

      which is a great rambling chamber, with four or five beds in it:

      through a dark passage, up two steps, down four, past a pump,

      across a balcony, and next door to the stable. The other sleeping

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      Dickens, Charles - Pictures From Italy

      apartments are large and lofty; each with two small bedsteads,

      tastefully hung, like the windows, with red and white drapery. The

      sitting-room is famous. Dinner is already laid in it for three;

      and the napkins are folded in cocked-hat fashion. The floors are

      of red tile. There are no carpets, and not much furniture to speak

      of; but there is abundance of looking-glass, and there are large

      vases under glass shades, filled with artificial flowers; and there

      are plenty of clocks. The whole party are in motion. The brave

      Courier, in particular, is everywhere: looking after the beds,

      having wine poured down his throat by his dear brother the

      landlord, and picking up green cucumbers - always cucumbers; Heaven

      knows where he gets them - with which he walks about, one in each

      hand, like truncheons.

      Dinner is announced. There is very thin soup; there are very large

      loaves - one apiece; a fish; four dishes afterwards; some poultry

      afterwards; a dessert afterwards; and no lack of wine. There is

      not much in the dishes; but they are very good, and always ready

      instantly. When it is nearly dark, the brave Courier, having eaten

      the two cucumbers, sliced up in the contents
    of a pretty large

      decanter of oil, and another of vinegar, emerges from his retreat

      below, and proposes a visit to the Cathedral, whose massive tower

      frowns down upon the court-yard of the inn. Off we go; and very

      solemn and grand it is, in the dim light: so dim at last, that the

      polite, old, lanthorn-jawed Sacristan has a feeble little bit of

      candle in his hand, to grope among the tombs with - and looks among

      the grim columns, very like a lost ghost who is searching for his

      own.

      Underneath the balcony, when we return, the inferior servants of

      the inn are supping in the open air, at a great table; the dish, a

      stew of meat and vegetables, smoking hot, and served in the iron

      cauldron it was boiled in. They have a pitcher of thin wine, and

      are very merry; merrier than the gentleman with the red beard, who

      is playing billiards in the light room on the left of the yard,

      where shadows, with cues in their hands, and cigars in their

      mouths, cross and recross the window, constantly. Still the thin

      Cure walks up and down alone, with his book and umbrella. And

      there he walks, and there the billiard-balls rattle, long after we

      are fast asleep.

      We are astir at six next morning. It is a delightful day, shaming

      yesterday's mud upon the carriage, if anything could shame a

      carriage, in a land where carriages are never cleaned. Everybody

      is brisk; and as we finish breakfast, the horses come jingling into

      the yard from the Post-house. Everything taken out of the carriage

      is put back again. The brave Courier announces that all is ready,

      after walking into every room, and looking all round it, to be

      certain that nothing is left behind. Everybody gets in. Everybody

      connected with the Hotel de l'Ecu d'Or is again enchanted. The

      brave Courier runs into the house for a parcel containing cold

      fowl, sliced ham, bread, and biscuits, for lunch; hands it into the

      coach; and runs back again.

      What has he got in his hand now? More cucumbers? No. A long

      strip of paper. It's the bill.

      The brave Courier has two belts on, this morning: one supporting

      the purse: another, a mighty good sort of leathern bottle, filled

      to the throat with the best light Bordeaux wine in the house. He

      never pays the bill till this bottle is full. Then he disputes it.

      He disputes it now, violently. He is still the landlord's brother,

      but by another father or mother. He is not so nearly related to

     


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