Online Read Free Novel
  • Home
  • Romance & Love
  • Fantasy
  • Science Fiction
  • Mystery & Detective
  • Thrillers & Crime
  • Actions & Adventure
  • History & Fiction
  • Horror
  • Western
  • Humor

    Pictures From Italy

    Prev Next


      (famous for its wine) and Viterbo (for its fountains): and after

      climbing up a long hill of eight or ten miles' extent, came

      suddenly upon the margin of a solitary lake: in one part very

      beautiful, with a luxuriant wood; in another, very barren, and shut

      in by bleak volcanic hills. Where this lake flows, there stood, of

      old, a city. It was swallowed up one day; and in its stead, this

      Page 71

      Dickens, Charles - Pictures From Italy

      water rose. There are ancient traditions (common to many parts of

      the world) of the ruined city having been seen below, when the

      water was clear; but however that may be, from this spot of earth

      it vanished. The ground came bubbling up above it; and the water

      too; and here they stand, like ghosts on whom the other world

      closed suddenly, and who have no means of getting back again. They

      seem to be waiting the course of ages, for the next earthquake in

      that place; when they will plunge below the ground, at its first

      yawning, and be seen no more. The unhappy city below, is not more

      lost and dreary, than these fire-charred hills and the stagnant

      water, above. The red sun looked strangely on them, as with the

      knowledge that they were made for caverns and darkness; and the

      melancholy water oozed and sucked the mud, and crept quietly among

      the marshy grass and reeds, as if the overthrow of all the ancient

      towers and house-tops, and the death of all the ancient people born

      and bred there, were yet heavy on its conscience.

      A short ride from this lake, brought us to Ronciglione; a little

      town like a large pig-sty, where we passed the night. Next morning

      at seven o'clock, we started for Rome.

      As soon as we were out of the pig-sty, we entered on the Campagna

      Romana; an undulating flat (as you know), where few people can

      live; and where, for miles and miles, there is nothing to relieve

      the terrible monotony and gloom. Of all kinds of country that

      could, by possibility, lie outside the gates of Rome, this is the

      aptest and fittest burial-ground for the Dead City. So sad, so

      quiet, so sullen; so secret in its covering up of great masses of

      ruin, and hiding them; so like the waste places into which the men

      possessed with devils used to go and howl, and rend themselves, in

      the old days of Jerusalem. We had to traverse thirty miles of this

      Campagna; and for two-and-twenty we went on and on, seeing nothing

      but now and then a lonely house, or a villainous-looking shepherd:

      with matted hair all over his face, and himself wrapped to the chin

      in a frowsy brown mantle, tending his sheep. At the end of that

      distance, we stopped to refresh the horses, and to get some lunch,

      in a common malaria-shaken, despondent little public-house, whose

      every inch of wall and beam, inside, was (according to custom)

      painted and decorated in a way so miserable that every room looked

      like the wrong side of another room, and, with its wretched

      imitation of drapery, and lop-sided little daubs of lyres, seemed

      to have been plundered from behind the scenes of some travelling

      circus.

      When we were fairly going off again, we began, in a perfect fever,

      to strain our eyes for Rome; and when, after another mile or two,

      the Eternal City appeared, at length, in the distance; it looked

      like - I am half afraid to write the word - like LONDON!!! There

      it lay, under a thick cloud, with innumerable towers, and steeples,

      and roofs of houses, rising up into the sky, and high above them

      all, one Dome. I swear, that keenly as I felt the seeming

      absurdity of the comparison, it was so like London, at that

      distance, that if you could have shown it me, in a glass, I should

      have taken it for nothing else.

      CHAPTER X - ROME

      WE entered the Eternal City, at about four o'clock in the

      afternoon, on the thirtieth of January, by the Porta del Popolo,

      and came immediately - it was a dark, muddy day, and there had been

      Page 72

      Dickens, Charles - Pictures From Italy

      heavy rain - on the skirts of the Carnival. We did not, then, know

      that we were only looking at the fag end of the masks, who were

      driving slowly round and round the Piazza until they could find a

      promising opportunity for falling into the stream of carriages, and

      getting, in good time, into the thick of the festivity; and coming

      among them so abruptly, all travel-stained and weary, was not

      coming very well prepared to enjoy the scene.

      We had crossed the Tiber by the Ponte Molle two or three miles

      before. It had looked as yellow as it ought to look, and hurrying

      on between its worn-away and miry banks, had a promising aspect of

      desolation and ruin. The masquerade dresses on the fringe of the

      Carnival, did great violence to this promise. There were no great

      ruins, no solemn tokens of antiquity, to be seen; - they all lie on

      the other side of the city. There seemed to be long streets of

      commonplace shops and houses, such as are to be found in any

      European town; there were busy people, equipages, ordinary walkers

      to and fro; a multitude of chattering strangers. It was no more MY

      Rome: the Rome of anybody's fancy, man or boy; degraded and fallen

      and lying asleep in the sun among a heap of ruins: than the Place

      de la Concorde in Paris is. A cloudy sky, a dull cold rain, and

      muddy streets, I was prepared for, but not for this: and I confess

      to having gone to bed, that night, in a very indifferent humour,

      and with a very considerably quenched enthusiasm.

      Immediately on going out next day, we hurried off to St. Peter's.

      It looked immense in the distance, but distinctly and decidedly

      small, by comparison, on a near approach. The beauty of the

      Piazza, on which it stands, with its clusters of exquisite columns,

      and its gushing fountains - so fresh, so broad, and free, and

      beautiful - nothing can exaggerate. The first burst of the

      interior, in all its expansive majesty and glory: and, most of

      all, the looking up into the Dome: is a sensation never to be

      forgotten. But, there were preparations for a Festa; the pillars

      of stately marble were swathed in some impertinent frippery of red

      and yellow; the altar, and entrance to the subterranean chapel:

      which is before it: in the centre of the church: were like a

      goldsmith's shop, or one of the opening scenes in a very lavish

      pantomime. And though I had as high a sense of the beauty of the

      building (I hope) as it is possible to entertain, I felt no very

      strong emotion. I have been infinitely more affected in many

      English cathedrals when the organ has been playing, and in many

      English country churches when the congregation have been singing.

      I had a much greater sense of mystery and wonder, in the Cathedral

      of San Mark at Venice.

      When we came out of the church again (we stood nearly an hour

      staring up into the dome: and would not have 'gone over' the

      Cathedral then, for any money), we said to the coachman, 'Go to the

      Coliseum.' In a quarter of an hour or so, he stopped at the gate,

      and
    we went in.

      It is no fiction, but plain, sober, honest Truth, to say: so

      suggestive and distinct is it at this hour: that, for a moment -

      actually in passing in - they who will, may have the whole great

      pile before them, as it used to be, with thousands of eager faces

      staring down into the arena, and such a whirl of strife, and blood,

      and dust going on there, as no language can describe. Its

      solitude, its awful beauty, and its utter desolation, strike upon

      the stranger the next moment, like a softened sorrow; and never in

      his life, perhaps, will he be so moved and overcome by any sight,

      not immediately connected with his own affections and afflictions.

      To see it crumbling there, an inch a year; its walls and arches

      Page 73

      Dickens, Charles - Pictures From Italy

      overgrown with green; its corridors open to the day; the long grass

      growing in its porches; young trees of yesterday, springing up on

      its ragged parapets, and bearing fruit: chance produce of the

      seeds dropped there by the birds who build their nests within its

      chinks and crannies; to see its Pit of Fight filled up with earth,

      and the peaceful Cross planted in the centre; to climb into its

      upper halls, and look down on ruin, ruin, ruin, all about it; the

      triumphal arches of Constantine, Septimus Severus, and Titus; the

      Roman Forum; the Palace of the Caesars; the temples of the old

      religion, fallen down and gone; is to see the ghost of old Rome,

      wicked, wonderful old city, haunting the very ground on which its

      people trod. It is the most impressive, the most stately, the most

      solemn, grand, majestic, mournful sight, conceivable. Never, in

      its bloodiest prime, can the sight of the gigantic Coliseum, full

      and running over with the lustiest life, have moved one's heart, as

      it must move all who look upon it now, a ruin. GOD be thanked: a

      ruin!

      As it tops the other ruins: standing there, a mountain among

      graves: so do its ancient influences outlive all other remnants of

      the old mythology and old butchery of Rome, in the nature of the

      fierce and cruel Roman people. The Italian face changes as the

      visitor approaches the city; its beauty becomes devilish; and there

      is scarcely one countenance in a hundred, among the common people

      in the streets, that would not be at home and happy in a renovated

      Coliseum to-morrow.

      Here was Rome indeed at last; and such a Rome as no one can imagine

      in its full and awful grandeur! We wandered out upon the Appian

      Way, and then went on, through miles of ruined tombs and broken

      walls, with here and there a desolate and uninhabited house: past

      the Circus of Romulus, where the course of the chariots, the

      stations of the judges, competitors, and spectators, are yet as

      plainly to be seen as in old time: past the tomb of Cecilia

      Metella: past all inclosure, hedge, or stake, wall or fence: away

      upon the open Campagna, where on that side of Rome, nothing is to

      be beheld but Ruin. Except where the distant Apennines bound the

      view upon the left, the whole wide prospect is one field of ruin.

      Broken aqueducts, left in the most picturesque and beautiful

      clusters of arches; broken temples; broken tombs. A desert of

      decay, sombre and desolate beyond all expression; and with a

      history in every stone that strews the ground.

      On Sunday, the Pope assisted in the performance of High Mass at St.

      Peter's. The effect of the Cathedral on my mind, on that second

      visit, was exactly what it was at first, and what it remains after

      many visits. It is not religiously impressive or affecting. It is

      an immense edifice, with no one point for the mind to rest upon;

      and it tires itself with wandering round and round. The very

      purpose of the place, is not expressed in anything you see there,

      unless you examine its details - and all examination of details is

      incompatible with the place itself. It might be a Pantheon, or a

      Senate House, or a great architectural trophy, having no other

      object than an architectural triumph. There is a black statue of

      St. Peter, to be sure, under a red canopy; which is larger than

      life and which is constantly having its great toe kissed by good

      Catholics. You cannot help seeing that: it is so very prominent

      and popular. But it does not heighten the effect of the temple, as

      a work of art; and it is not expressive - to me at least - of its

      high purpose.

      A large space behind the altar, was fitted up with boxes, shaped

      like those at the Italian Opera in England, but in their decoration

      Page 74

      Dickens, Charles - Pictures From Italy

      much more gaudy. In the centre of the kind of theatre thus railed

      off, was a canopied dais with the Pope's chair upon it. The

      pavement was covered with a carpet of the brightest green; and what

      with this green, and the intolerable reds and crimsons, and gold

      borders of the hangings, the whole concern looked like a stupendous

      Bonbon. On either side of the altar, was a large box for lady

      strangers. These were filled with ladies in black dresses and

      black veils. The gentlemen of the Pope's guard, in red coats,

      leather breeches, and jack-boots, guarded all this reserved space,

      with drawn swords that were very flashy in every sense; and from

      the altar all down the nave, a broad lane was kept clear by the

      Pope's Swiss guard, who wear a quaint striped surcoat, and striped

      tight legs, and carry halberds like those which are usually

      shouldered by those theatrical supernumeraries, who never CAN get

      off the stage fast enough, and who may be generally observed to

      linger in the enemy's camp after the open country, held by the

      opposite forces, has been split up the middle by a convulsion of

      Nature.

      I got upon the border of the green carpet, in company with a great

      many other gentlemen, attired in black (no other passport is

      necessary), and stood there at my ease, during the performance of

      Mass. The singers were in a crib of wirework (like a large meatsafe

      or bird-cage) in one corner; and sang most atrociously. All

      about the green carpet, there was a slowly moving crowd of people:

      talking to each other: staring at the Pope through eye-glasses;

      defrauding one another, in moments of partial curiosity, out of

      precarious seats on the bases of pillars: and grinning hideously

      at the ladies. Dotted here and there, were little knots of friars

      (Frances-cani, or Cappuccini, in their coarse brown dresses and

      peaked hoods) making a strange contrast to the gaudy ecclesiastics

      of higher degree, and having their humility gratified to the

      utmost, by being shouldered about, and elbowed right and left, on

      all sides. Some of these had muddy sandals and umbrellas, and

      stained garments: having trudged in from the country. The faces

      of the greater part were as coarse and heavy as their dress; their

      dogged, stupid, monotonous stare at all the glory and splendour,

      having something in it, half miserable, and half ridiculous.

      Upon the green carpet itself, and gathered round the altar, wa
    s a

      perfect army of cardinals and priests, in red, gold, purple,

      violet, white, and fine linen. Stragglers from these, went to and

      fro among the crowd, conversing two and two, or giving and

      receiving introductions, and exchanging salutations; other

      functionaries in black gowns, and other functionaries in courtdresses,

      were similarly engaged. In the midst of all these, and

      stealthy Jesuits creeping in and out, and the extreme restlessness

      of the Youth of England, who were perpetually wandering about, some

      few steady persons in black cassocks, who had knelt down with their

      faces to the wall, and were poring over their missals, became,

      unintentionally, a sort of humane man-traps, and with their own

      devout legs, tripped up other people's by the dozen.

      There was a great pile of candles lying down on the floor near me,

      which a very old man in a rusty black gown with an open-work

      tippet, like a summer ornament for a fireplace in tissue-paper,

      made himself very busy in dispensing to all the ecclesiastics: one

      a-piece. They loitered about with these for some time, under their

      arms like walking-sticks, or in their hands like truncheons. At a

      certain period of the ceremony, however, each carried his candle up

      to the Pope, laid it across his two knees to be blessed, took it

      back again, and filed off. This was done in a very attenuated

      procession, as you may suppose, and occupied a long time. Not

      because it takes long to bless a candle through and through, but

      Page 75

      Dickens, Charles - Pictures From Italy

      because there were so many candles to be blessed. At last they

      were all blessed: and then they were all lighted; and then the

      Pope was taken up, chair and all, and carried round the church.

      I must say, that I never saw anything, out of November, so like the

      popular English commemoration of the fifth of that month. A bundle

      of matches and a lantern, would have made it perfect. Nor did the

      Pope, himself, at all mar the resemblance, though he has a pleasant

      and venerable face; for, as this part of the ceremony makes him

      giddy and sick, he shuts his eyes when it is performed: and having

      his eyes shut and a great mitre on his head, and his head itself

      wagging to and fro as they shook him in carrying, he looked as if

      his mask were going to tumble off. The two immense fans which are

      always borne, one on either side of him, accompanied him, of

     


    Prev Next
Online Read Free Novel Copyright 2016 - 2026