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    Civil Elegies: And Other Poems

    Page 4
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    and it is a rash passer who does not see himself on the go half out of his

      mind with the need to fail and be hurt,

      for these were brave men and subtle women, spritely lovers

      who could not love themselves and it is

      hard that we have only

      one life for mostly we cannot command the courage outright to exist

      and the months slip by and still we have not started,

      and every year attaches itself behind and we have more to drag.

      Faced with the onus of living our civilisation, here, in this time,

      do we also single out leaders because they will

      dishonour us, because they will diminish us?

      And they act our hearts’ desire for always they are

      bulldozed by yankees, menaced by slant-eyed gooks and happily there is

      no hope that we might come to our own

      and live, with our claimed selves, at home in the difficult world.

      8

      I come to the square each time there is nothing and once, made calm again

      by the spare vertical glory of right proportions,

      watching the wind cut loose as it riffled the clouds on the skyline, framing

      the towers at noon,

      catching the newsboys’ raucous cry of race in the streets and the war and

      Confederation going,

      smelling the air, the interminable stink of production and transport and

      caught once more in the square’s great hush with the shoppers, hippies,

      brokers, children, old men dozing alone by the pool and waiting,

      feeling the pulse in the bodies jostling past me driving to climax and

      dollars and blood,

      making my cry here quick and obscure among many in transit — not as a

      lyric self in a skin but divided, spinning off many selves to attend each

      lethal yen as it passed me — thinking of

      death in the city, of others’ and also my own and of many born afterwards,

      I saw that we are to live in the calamitous division of the world

      with singleness of eye and there is

      nothing I would not give to be made whole.

      Hector de Saint-Denys-Garneau

      you came this way and made poems out of your body,

      out of the palpable void that opened

      between the bones of your spine — if you weren’t just

      making it up, you thought,

      and humbled yourself again.

      But your friends could only see that you were a genius,

      and humiliated by their nonchalance as they strolled through space, as if

      they belonged, as if their tickets had been accepted,

      you turned back and fingered the precious emptiness, feeling inside you

      the small incessant gush of the cardiac lesion.

      And often you left the room when the party was

      reaching its climax, and you had been foremost in repartee, Garneau

      and fell crouching upstairs in a sweat by the bed, sick with repentance and

      stammered out holy names,

      destroyed by what was quick and sexual in Montreal.

      But you lasted ten years more, in a suave vertigo

      assaying the void with your nerve-ends, watching your

      friendships go numb, your poems, nursing

      the adorable death of the Son in your own imperious cells, a man made

      empty for love of God, straining to be only

      an upright will in the desert, until at last the world’s hypnotic

      glitter was made single in the grace of renunciation.

      But the kids, and the calm, and the endless parade of lethal desirable things

      divide us as they pass by with clowns, the tawdry

      yammering goes on inside and it yanks us here and every

      whichway, we are on all fronts and forming

      new precious attachments and

      often they stun us till what is authentic is obliterated and heeding it or

      even locating it becomes one more hangup, all that great

      longing keeps banging back against the miscellaneous clobber of day to day.

      And by these distractions we are saved, for there is a barren route that the

      blood knows,

      and the obscure inklings of the implacable imagination declare it,

      lonely among bedclothes before the light on Tuesdays;

      and though I will not speak of where I have not been it is

      the graveyard of many for want of the lore of emptiness,

      which once was a sane thing, but now of those who begin

      their lonely inward procession I

      do not know a chastened handful who survive.

      Catatonic exemplar,

      cardiac, scrupulous, hagridden — you, Hector,

      our one patrician maker, mangled spirit,

      you went all out for fame and when you knew you would not survive in the

      world you turned to sainthood,

      and you beat down the thought for the pride and retreated to

      Sainte-Catherine, you watched your blood lap wide on the lake at sunset,

      thinking of John of the Cross, patron of void, thinking of Jesus,

      and you watched the ferns come shouldering up through your body, the

      brutal ferns in spring, it was all

      detachment you hoped, it was

      exquisite penetration, it was

      fear of life, the mark of Canada.

      And now across

      two decades and two nations de Saint-Denys-Garneau, my blessed stricken

      original, still haunted by the

      space between your ribs, maker and friend and comfortless, my

      lone heroic starter, out of my own wrong start I

      keep my distance and praise.

      The crowds gust through the square, the crowds and the refuse.

      The luminous towers preside.

      Of high detachment there are many counterfeits;

      the world is itself, though sundry.

      And I will not enter void till I come to myself

      nor silence the world till I learn its lovely syllables,

      the brimful square and the dusk and the war and the crowds in motion at

      evening, waiting to be construed

      for they are fragile, and the tongue must be sure.

      9

      Here, as I sit and watch, the rusty leaves hang taut with departure.

      The last few tourists pose by the Moore and snap their proof that they

      were also alive.

      And what if there is no regenerative absence?

      What if the void that compels us is only

      a mood gone absolute?

      We would have to live in the world.

      What if the dreary high-rise is nothing but

      banks of dreary high-rise, it does not

      release the spirit by fraying its attachment,

      for the excellent reason that there is no place else to go?

      We would have to live in it, making our lives on earth.

      Or else a man might go on day by day

      in love with emptiness, dismayed each time he meets

      good friends, fine buildings and grass in the acres of concrete, feeling the

      city’s erotic tug begin once more, perpetually

      splayed alive by the play of his bungled desires,

      though some do not salute the death of the body

      before they have tested its life, but crippled they summon together

      the fury from within, they tilt at

      empire, empire, lethal adversary;

      but I am one who came to

      idolatry, as in a season of God,

      taking my right to be from nothingness.

      Across the square the crisp leaves blow in gusts, tracing

      the wind’s indignant lift in corners,

      filling the empty pool.

      People plod past through the raw air, lost in the
    ir overcoats.

      I hunch down close to my chest and eat smoke.

      But when the void became void I did

      let go, though derelict for months

      and I was easy, no longer held by its negative presence

      as I was earlier disabused of many things in the world

      including Canada, and came to know I still had access to them,

      and I promised to honour each one of my country’s failures of nerve and its

      sellouts.

      To rail and flail at a dying civilisation,

      to rage in imperial space, condemning

      soviet bombers, american bombers — to go on saying

      no to history is good.

      And yet a man does well to leave that game behind, and go and find

      some saner version of integrity,

      although he will not reach it where he longs to, in the

      vacant spaces of his mind — they are so

      occupied. Better however to try.

      But we are not allowed to enter God’s heaven, where it is all a

      drowsy beatitude, nor is God, the realm above our heads but

      must grow up on earth.

      Nor do we have recourse to void.

      For void is not a place, nor

      negation of a place.

      Void is not the high cessation of the lone self’s burden,

      crowned with the early nostalgias;

      nor is it rampant around the corner, endlessly possible.

      We enter void when void no longer exists.

      And best of all is finding a place to be

      in the early years of a better civilisation.

      For we are a conquered nation: sea to sea we bartered

      everything that counts, till we have

      nothing to lose but our forebears’ will to lose.

      Beautiful riddance!

      And some will make their choice and eat imperial meat.

      But many will come to themselves, for there is

      no third way at last and these will

      spend their lives at war, though not with

      guns, not yet — with motherwit and guts, sustained

      by bloody-minded reverence among the things which are,

      and the long will to be in Canada.

      The leaves, although they cling against the

      wind do not resist their time of dying.

      And I must learn to live it all again, depart again —

      the storm-wracked crossing, the nervous descent, the barren wintry land,

      and clearing a life in the place where I belong, re-entry

      to bare familiar streets, first sight of coffee mugs,

      reconnaissance of trees, of jobs done well or badly,

      flashes of workday people abusing their power,

      abusing their lives, hung up, sold out and

      feeling their lives wrenched out of whack

      by the steady brunt of the continental breakdown;

      finding a place among the ones who live

      on earth somehow, sustained in fits and starts

      by the deep ache and presence and sometimes the joy of what is.

      Freely out of its dignity the void must

      supplant itself. Like God like the soul it must

      surrender its ownness, like eternity it must

      re-instil itself in the texture of our being here.

      And though we have seen our most precious words

      Withdraw, like smudges of wind from a widening water-calm,

      though they will not be charged with presence again in our lifetime that is

      well, for now we have access to new nouns —

      as water, copout, tower, body, land.

      Earth, you nearest, allow me.

      Green of the earth and civil grey:

      within me, without me and moment by

      moment allow me for to

      be here is enough and earth you

      stranges, you nearest, be home.

      Notes

      Some of the references in Civil Elegies are highly local. The following notes should clarify them.

      1. — The Square: Nathan Phillips Square, a large plaza in front of Toronto’s New City Hall, at the junction of Queen and Bay Streets.

      — The Moore, the Archer: the abstract sculpture which Henry Moore created for the Square.

      — Revell: the Finnish architect who designed the New City Hall.

      — Chartier: in 1966 Paul Chartier tried to blow up the House of Commons in Ottawa.

      4. — Hector de Saint-Denys-Garneau (1912-1943): Quebec’s first modernist poet. There are phrases from his Journal in the fourth and eighth elegies.

      5. — The Golden Horseshoe: a name given to the megalopolis at the western end of Lake Ontario.

      — Paul Martin: the Secretary of External Affairs under Lester Pearson.

     

     

     



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