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    Talking in the Dark

    Page 4
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      REX

      You never know. Take yours, for example.

      VICTOR

      You read it – personally?

      REX

      Duh. And guess what? It was the best.

      VICTOR

      (disbelieving) Sure.

      REX

      You think I’m lying? That’s one thing I never do. And neither do you. I could tell. Yours was the real deal. Straight

      REX (cont’d)

      from the heart. That’s why I put it at the top of the list.

      VICTOR

      The – list?

      REX

      For my research. They don’t get any better than that.

      VICTOR

      You didn’t have to come all this way.

      REX

      Of course I did. I had to see for myself.

      VICTOR

      See?

      REX

      What it’s like. Nothing beats the old one-on-one.

      VICTOR

      Afraid I’m pretty boring.

      REX

      Yeah, right. I know how to read between the lines. You laid it out right here in your letter.

      SOUND

      REX TAKES THE LETTER OUT OF HIS COAT POCKET AND UNFOLDS THE PAGES.

      VICTOR

      You carried it with you?

      REX

      Sure did.

      VICTOR

      I figured you’d just toss it.

      REX

      How could I? It’s part of my job.

      VICTOR

      I thought you’d be – a very private person. Being a celebrity and all.

      REX

      Oh, I am. Except when it comes to my fans. They’re the raw material. I like

      REX (cont’d)

      to go to the source of the Nile, if you know what I mean.

      VICTOR

      Even someplace like this?

      REX

      Especially someplace like this.

      VICTOR

      But it’s so far out of the way. . .

      REX

      It’s perfect.

      VICTOR

      (reasoning it out) So. . . you really do care. About the people who read your books.

      REX

      You don’t know the half of it.

      VICTOR

      That’s the reason you have so many fans. ’Cause you care. And because you always tell the truth.

      REX

      I do my best.

      VICTOR

      (enthusiasm growing) The real truth. What it’s like – at least the way it should be.

      REX

      Should?

      VICTOR

      I mean – in your stories, people get what they deserve. No matter what.

      REX

      You better believe it.

      VICTOR

      I do!

      REX

      Good, that’s good.

      VICTOR

      It’s what gives me hope. That there’s

      VICTOR (cont’d)

      gonna be justice, sooner or later. For the ones who have it coming.

      REX

      I couldn’t put it better myself. And what do you deserve, Vic?

      VICTOR

      Me?

      REX

      Who else are we talking about?

      VICTOR

      Hm. That’s a hard question.

      REX

      Why?

      VICTOR

      I don’t have much of a life now. In case you couldn’t tell.

      REX

      Don’t sell yourself short.

      VICTOR

      I didn’t used to be this way. I was a people-person. But that didn’t work out.

      REX

      Gotcha.

      VICTOR

      I’m gonna be more of a project-type person from now on.

      REX

      I think that’s great.

      VICTOR

      You do?

      REX

      Because it just so happens. . . there’s a little project you could help me with. That is, if you’re interested.

      VICTOR

      What is it? A new book?

      REX

      Bingo.

      VICTOR

      Oh, man, would I like to hear about that.

      VICTOR (cont’d)

      If you can talk about it, I mean.

      REX

      Of course I can – with you. In fact, I can’t think of anybody I’d rather work with.

      VICTOR

      What’s the plot?

      REX

      An epidemic. I’m still roughing it out, but I can see where it’s going.

      VICTOR

      What kind of epidemic?

      REX

      That’s where the research comes in.

      VICTOR

      (quickly) I’m good at research. Just tell me what you need. There’s a library in town. I can look things up, make copies –

      REX

      No good.

      VICTOR

      They even have a computer. I could go on the Internet –

      REX

      Too much trouble.

      VICTOR

      I’m a quick learner.

      REX

      I’m sure you are. But that’s the long way around.

      VICTOR

      You wouldn’t have to pay me or anything. It would be an honor.

      REX

      I want to make this as easy as possible for you, Vic.

      VICTOR

      Tell me what to do, and I’ll start tomorrow morning.

      REX

      I’m afraid that’s too late.

      VICTOR

      This is a holiday. Everything closed early. If you want to start right away. . .

      REX

      We’ve already started.

      VICTOR

      We have?

      REX

      You better believe it.

      VICTOR

      Well, then. . . what do you need?

      REX

      Your feelings.

      VICTOR

      My feelings?

      REX

      In your own words.

      VICTOR

      Who’d care about that?

      REX

      You’d be surprised. Here we go. Ready, set –

      VICTOR

      I don’t know how.

      REX

      Come on. You can do it.

      VICTOR

      What do you want me to say?

      REX

      The truth. That’s all.

      VICTOR

      I don’t even know what that is anymore.

      REX

      Sure, you do. I believe in you. And you can take that to the bank. Now go.

      MUSIC

      FADE IN EPISODE SCORE.

      VICTOR

      The truth? The real, honest-to-God truth?

      VICTOR (cont’d)

      Well, the truth. . . the truth is. . .

      REX

      Yes?

      VICTOR

      I’ve been kind of. . . mixed up lately.

      SOUND

      REX LEAFS THRU THE PAGES OF THE LETTER.

      REX

      Nothing to be ashamed of. You wrote about it in your letter. Let me see. Oh, yes. Here’s the page. (reading) “What I know isn’t enough. I thought it would be but it isn’t. Because all the things we learned, the really important things, when it came time to live them, they didn’t work. The system couldn’t help us. And we’re dying. But don’t worry, I’m a fighter. I know one thing that is true: never give up.” (putting the letter aside) Tell me something, Vic. Did you mean that?

      VICTOR

      Yeah, but. . . it’s hard.

      REX

      (compassionate) I know.

      VICTOR

      (emotions building) I try. I do. I get out of bed. But sometimes. . . I can’t. I just can’t.

      REX

      (gently) Because of the past?

      VICTOR

      (softly) Yes.

      Well, that’s your mistake.

      VICTOR

      It is?

      REX

      None of that matters now.

      VICTOR

     
    ; But I can’t get it out of my head. . .

      REX

      Forget it.

      VICTOR

      I wish I could. . .

      REX

      Listen to me, Vic. Let go.

      VICTOR

      I can’t just –

      REX

      Yes, you can. What’s holding you back?

      VICTOR

      I don’t know, I swear! I told you everything. . .

      SOUND

      REX UNFOLDS THE LETTER AGAIN.

      REX

      (sighing). . . in the letter. Let’s see. Yes. You said there’s something you want to ask me. Something very, very important. So – this is your chance.

      VICTOR

      You’ll think it’s stupid.

      REX

      No, I won’t. I give you my word.

      VICTOR

      Well. . .

      REX

      (calmly) I’m listening.

      VICTOR

      It’s just –

      REX

      Go on.

      VICTOR

      (with difficulty) Well. . . I decided I want to be – a writer.

      REX

      Did you.

      VICTOR

      I know I have a lot to learn before I’m ready. But the trouble is. . .

      REX

      Say it.

      VICTOR

      I – don’t know what to write about.

      REX

      Then why do you want to do it?

      VICTOR

      Because there’s nobody to talk to. Nobody who’d understand.

      REX

      Don’t be so sure about that. What would you tell them, if you could?

      VICTOR

      I don’t know.

      REX

      Tell me, Vic. I’ll put it down exactly the way you say it.

      VICTOR

      I’m afraid.

      REX

      Go ahead. Let it out. Do that and you’ll never be afraid, ever again.

      VICTOR

      I want to. . .

      REX

      Nobody’s listening, are they? We’re completely alone. How pefect is that? Like this house. A great setting. I could tell you were exactly what I need. Your kind always are. The ones who live in out-of-the-way places, the quiet ones, with no ties. That’s the way it has to be. Otherwise I couldn’t use you.

      VICTOR

      For what?

      REX

      I told you. Research.

      VICTOR

      But – why do you care what I feel?

      REX

      It makes my work different. Tell me what’s inside you – right now, this minute, this second. I don’t care what happened before.

      VICTOR

      If I wrote that, I couldn’t sell it to my grandmother – for a nickel.

      REX

      Maybe you couldn’t.

      VICTOR

      But the people you write about – they’re so real. . .

      REX

      I’ll let you in on a little secret. Books aren’t real. They’re make-believe – at least for other writers. But mine are different. That’s what turns my readers on. They’re looking for that extra edge. It gets inside their brains, till they think it’s happening to them. And in a sense it is. Because they’re experiencing it – creating it – right along with me.

      VICTOR

      But. . . where does it come from? How do you figure out what to say? I try, but what I know isn’t –

      REX

      (supressing a laugh) Wait a minute. You want to know where I get my ideas? (beat) Is that your big question?

      VICTOR

      Well, as a matter of fact. . .

      SOUND

      REX STANDS AND WALKS A FEW PACES.

      REX

      Open your eyes. It’s right in front of you.

      VICTOR

      What is?

      REX

      This rifle on the wall, for example. Or the Japanese sword next to it.

      SOUND

      A SLIGHT RATTLING AS REX TOUCHES THW SWORD.

      VICTOR

      I still don’t understand.

      REX

      Don’t you? Everybody – and every thing – has a story, waiting to come out. Sometimes it takes a little coaxing, that’s all. It’s my mission. You and I are two of a kind. We both have the same goal. To find the story that’s inside you.

      VICTOR

      What if there’s nothing there?

      REX

      Oh, there is, I promise. And you have the same right to share it with the world as anybody else. It’s your birthright. What you were put here for.

      VICTOR

      (with emotion) I – I want to believe that. . .

      REX

      You’re perfect, Vic. I can’t get that

      SOUND

      REX DRAWS THE SWORD OUT OF ITS SCABBARD.

      VICTOR

      Wait. What –?

      REX

      You want to know where I get my ideas? Well just where do you think? From this cesspool called life! And I’ll never run out, as long as I go directly to the source – because I’ll never, ever finish paying you all back!

      VICTOR

      No! My God, no! You’re wrong! It’s a lie! You’re –

      REX

      I want to know what you feel right now! Open up to me, Vic – all the way! It won’t hurt! I promise!

      VICTOR

      Get off me! Stop. . .!

      SOUND

      REX STABS VICTOR WITH THE SWORD. LIKE A KNIFE STRIKING A MELON.

      REX

      How does this feel, Vic? I have to know! Tell my readers! What about this? And this. . .?

      VICTOR

      MORE STABS AS THEY STRUGGLE.

      VICTOR

      (screaming) No. . .! No. . .!

      REX

      (all but shrieking) Tell me! I must find the pefect method! Tell me. . .!

      SOUND

      FADE DOWN.

      SOUND

      FADE DOWN.

      AFTER A PAUSE, SLOW FADE IN TO:

      EXT. – NIGHT – OUTSIDE VICTOR’S HOUSE. AS ANOTHER CAR APPROACHES OVER DIRT. THE CAR STOPS AND A BRAKE RATCHETS UP. THE DOOR OPENS AND CLOSES AS JOLENE CLIMBS OUT. WE FOLLOW HER FOOTSTEPS ACROSS THE DIRT TO THE STONE WALKWAY AND THEN TO VICTOR’S DOOR. SHE USES THE METAL DOOR KNOCKER.

      JOLENE

      (calling) Victor? Victor, it’s me!

      (to herself) Where is he. . .?

      SOUND

      (OFF) REX’S FOOTSTEPS APPROACHING OVER DIRT AND LEAVES.

      REX

      Can I help you?

      JOLENE

      Oh! I didn’t see you there.

      REX

      Sorry if I gave you a scare.

      JOLENE

      Is Victor home, do you know?

      REX

      Vic? I don’t think so.

      JOLENE

      Are you a friend of his?

      REX

      Just passing through. I was about ready to move on.

      JOLENE

      Well, have a good evening. And – happy holidays!

      REX

      (lingering) Thought I was lost. Then I saw the light. In the window. He was – very helpful.

      JOLENE

      He’s like that. Always thinking of others. . . Where could he be?

      SOUND

      SHE KNOCKS AGAIN.

      REX

      Is he expecting you?

      JOLENE

      Well, not exactly. I brought Christmas dinner. The whole works.

      REX

      Did you really.

      JOLENE

      He deserves it. All alone in this big old house. Maybe I there’s a door that’s open. . .

      REX

      I wouldn’t bother.

      JOLENE

      Why not?

      REX

      The last I saw of him, he was – down by the river.

      JOLENE

      What was he doing there?

      REX

      He wanted to show me everything. Very hospitable.

      JOLENE

      (warmly) That sounds like Victor.

      REX

    &
    nbsp; Would you like to join him?

      JOLENE

      Oh, no. I’ll wait. (reconsidering) ’Course the food’s getting cold. . .

      REX

      I can show you the way.

      JOLENE

      Well. . .

      REX

      It’s not far.

      JOLENE

      I hope he’s ready for a surprise.

      REX

      Oh, he is. I’m sure of it.

     


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