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    The Ellington Century

    Page 40
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      Ellington, Mercer

      Ellington, Ruth

      Ellington Orchestra, and Black, Brown and Beige, and melody, “rebirth” of, and religious music, and Such Sweet Thunder,. See also names of individual band members

      Ellison, Ralph

      Elman, Ziggy, “And the Angels Sing,”

      Emancipation Proclamation, centenary of

      Emerson, Ida, “Hello My Baby!”

      The Emperor Jones (O'Neill)

      England, Nicholas

      Ertegun, Nesuhi

      essentialism

      Europe, James Reese; Hell-fighters Band

      European culture/music, archives of, baroque music, and continuo, and harmony, and history, and jazz, and melody, Renaissance music, and rhythm, and rubato, and tone colors, and xylophone,. See also classical composers/music; names of individual European composers

      Evans, Bill, “Waltz for Debby,”

      Evans, Gil; Miles Ahead; Porgy and Bess, Sketches of Spain

      “The Evolution of the Negro in Picture, Song, and Story” (historical pageant)

      Evolution of the Negro in Picture, Song, and Story (musical)

      exoticism: and rhythm, and tone colors

      expressionism

      Faddis, Jon

      fascism, protofascism

      Fats Domino

      Feather, Leonard

      feminism

      Fibonacci series

      Fields, Dorothy

      Fifth Avenue Presbyterian Church (New York City)

      fin de siècle, and rhythm, and tone colors

      Finnegan, Bill

      Finnegans Wake (Joyce)

      First World War

      Fitzgerald, Ella

      Five Spot

      Flagello, Nicolas

      Fleming, Renée

      Fletcher Henderson Orchestra

      Flory, Med

      Floyd, Samuel

      folk music, and harmony, and history, and rhythm

      Fonaroff, Nina

      Fontages Legion of Free Haitians

      Forte, Allen

      Forward Day by Day (Episcopal church)

      Foster, Pops

      Foster, Stephen, “Beautiful Dreamer,” “Old Folks at Home,”

      fox-trot

      Franklin, Aretha

      freedom songs

      Freud, Sigmund

      Friars Society Orchestra

      Friedwald, Will

      Fuchs-Robettin, Hanna Werfel

      Fuchs-Robettin, Herbert

      Fuller, Loïe

      “Full Moon and Empty Arms,”

      Furia, Philip

      futurism

      Gaines, Lee: Just A-Sittin' and A-Rockin',”

      Garafola, Lynn

      Garden, Mary

      Garner, Errol

      Gazzelloni, Severino

      Gebrauchsmusik

      Der gelbe Klang (opera)

      gender: in Appalachian Spring, in Black, Brown and Beige, in Lyric Suite, in Rodeo, in Such Sweet Thunder, and tone colors, See also sexuality

      Gensel, John

      George, Nelson

      George, Stefan

      Gershwin, George, death of, and history, and love, and melody; and rhythm

      —music: An American in Paris, “Boy What Love Has Done to Me,” “Do It Again,” “Embraceable You,”, “Fascinating Rhythm,” Girl Crazy, “I Got Rhythm,”; “It Ain't Necessarily So,” “Liza,”, “Love Is Sweeping the Country,” “The Man I Love,” “Nice Work If You Can Get It,” Piano Concerto in F, Porgy and Bess, Preludes, Rhapsody in Blue; “Somebody Love Me,” “Someone to Watch Over Me,”; “Summertime,”

      Gerstl, Richard

      Gesamtkunstwerk

      Gezzelloni, Severino

      Giddins, Gary

      Gilbert and Sullivan

      Gill, Roscoe

      Gillespie, Dizzy, “Koko,” “Things to Come,”

      Giraud, Albert

      Gish, Lillian

      Giuffre, Jimmy

      Glinka, Ruslan and Lyudmila

      Globe Theatre (London)

      Gonsalves, Paul, and Such Sweet Thunder, and “wailing interval,”

      Goodman, Benny, “Bugle Call Rag,” “Solitude,” “Tiger Rag,”

      “Good News,”

      Gordon, Irving

      gospel music

      Gould, Glenn

      Grace Cathedral (San Francisco)

      Graettinger, Bob, “City of Glass,”, “Thermopylae,”

      Graham, Martha, Appalachian Spring, “Daughter of Colchis,”; Dream Ballet (Oklahoma!), “House of Victory,”

      Great American Songbook

      Great Depression

      Greenlee, George

      Green Pastures (film)

      Greer, Sonny

      Grieg, Edvard, Peer Gynt

      Griffith, D. W.

      Grofé, Ferde, Grand Canyon Suite

      Guthrie, Tyrone

      Guthrie, Woody

      Guy, Fred

      habanera

      Haden, Charlie

      Haile Selassie

      Hajdu, David

      Haley, Bill, Bill Haley and the Comets, “Rock Around the Clock,”

      Hall, Adelaide

      Hallock, Ted

      Hamilton, Chico

      Hamilton, Jimmy

      Hamlet (Shakespeare)

      Hamm, Charles

      Hammerstein, Oscar II, “Can't Help Lovin' That Man of Mine,” “Do-re-mi,” The King and I, Oklahoma! “Old Man River,”, Show Boat

      Hammond, John

      handbell, West African

      Handy, W. C., “Aunt Hagar's Blues,” “St. Louis Blues,”

      Hansel and Gretel

      Hardwick, Otto

      Harlem, and history, as “Mongrel Manhattan,” and religious music

      Harlem Renaissance

      “Harmonie du soir” (Baudelaire)

      Harmonielehre (Schoenberg)

      harmony, and atonality, and Bartók, and blues, in “Clothed Woman,”; and Debussy, in “Goodbye Pork Pie Hat,”, and jazz, and modes, and “monotonality,” “plagal cadence,” and Ravel, in “Satin Doll,”, and Schoenberg, and Shostakovich, tonal harmony

      Harney, Ben, “You've Been a Good Old Wagon But You Done Broke Down,”

      Harris, Charles K., “After the Ball,”

      Harris, Roy

      Harris, Will, “Sweet Sue Just You,”

      Harrison, Lou

      Hart, Lorenz, “The Girl Friend,”; “I Didn't Know What Time It Was,” Jumbo, “My Funny Valentine,” “My Heart Stood Still,” “My Romance,” “There's a Small Hotel,” “This Can't Be Love,”

      Hartleben, Otto Erich

      Hartmann, Thomas von

      Harvard Dictionary of Music

      Hauer, J. M.

      Hawkins, Coleman

      Hawkins, Erick

      Hawthorne, Nathaniel

      Haydn, The Creation

      Hegel, Georg Wilhelm Friedrich

      Hellfighters Band

      Henderson, Fletcher, “Casa Loma Stomp,” “Chinatown,” Fletcher Henderson Orchestra, “The Stampede,”, “Wrappin' It Up,”

      Henderson, Horace, “Hotter than ‘ell,”

      Henderson, Luther

      Hendricks, John

      Hendrix, Jimi

      Henry V (Shakespeare)

      Herald Tribune

      Herbert, Victor

      Herman, Woody, band of, “Goosey Gander,”

      Herman McCoy Choir

      heroism

      Heyward, DuBose and Dorothy, Porgy and Bess

      Hibbler, Al

      Hibbs, Leonard

      Higgins, Billy

      Higginson, Henry

      Hillyer, Lonnie

      Hindemith, Paul, and harmony, and history

      —music: Suite 1922, Symphonic Metamorphoses

      Hines, Earl

      Hinton, Matt

      history, and Appalachian Spring, and Black, Brown and Beige, and Harlem, and New World A-Comin,', and Second World War, written by music

      Hodeir, André

      Hodes, Art

      Hodges, Johnny, and Black, Brown and Beige, and con amore, and Concerts of Sacred Mu
    sic, death of, and His Orchestra, as “Johnny Lily Pons Hodges,”; and melody; and rhythm, “Squatty Roo,” and Such Sweet Thunder

      Holbein, Hans the Younger

      Holder, Geoffrey

      Holiday, Billie

      Holliger, Heinz

      Holly, Buddy

      Hollywood, and history, Hollywood Democratic Committee, See also movies/movie theaters

      “The Holy City,”

      Hopkins, Gerard Manley

      Horne, Lena

      Horowitz, Vladimir

      House Un-American Activities Committee (HUAC)

      Howard, John Tasker

      Howard, Joseph, “Hello! Ma Baby,” “Hello My Baby!”

      Howard Theatre (Washington, D.C.)

      Howland, John

      “How Long Has This Been Going On,”

      Hubbard, Freddie

      Hughes, Langston

      Hughes, Spike

      “Hunger Artist” (Kafka)

      Hurston, Zora Neale

      Hutcherson, Bobby

      Huysmans, J. K.

      I Ching

      “Impression III (concert)” (Kandinsky painting)

      impressionism

      Independent Citizen's Committee of the Arts, Sciences and Professions

      instinct

      “I Ride an Old Paint,”

      Irving Bunton Singers

      Ives, Charles, Central Park in the Dark, Unanswered Questions, Universe Symphony

      Jackson, Mahalia

      Jackson, Quentin “Butter,”

      “Jack the Bear,”

      Jacobs, Paul

      Jarrett, Keith

      Jazz: A History (Tirro)

      Jazz Harmony at the Piano (Mehegan)

      jazz/jazz musicians, and Appalachian Spring, and Black, Brown and Beige, and blues, and “Carolina Shout,”, and classical composers, and “Cotton Tail,”, free jazz, and harmony, and history, jazz ballad, jazz head, “jazzman as confessional poet,” jazz modernism, and “Madame Zajj,” and melody, modal jazz, “molecule of jazz,” and “My Romance,” and religious music, and rhythm; and “Run Old Jeremiah,”; and “Satin Doll,”, and sex/race, and Such Sweet Thunder, “sus” chord, symphonic jazz, and tone colors, “voicing,”

      Jazz on a Summer's Day (documentary film)

      Jeffries, Herb

      Jenkins, Freddy

      Les Jeunes Voix

      Jewish Americans

      jitterbug

      John Alldis Choir

      Johnson, James P., and history, and melody; and rhythm

      —music: “Carolina Shout,”, “Charleston,” “The Dream,” Harlem Symphony, Yamekraw, “You've Got to Be Modernistic,”

      Johnson, James Weldon

      Johnson, Lonnie

      Johnson, Manzie

      John Wesley A.M.E. Zion (Washington, D.C.)

      Jolson, Al, “Avalon,”

      Jones, A.M.

      Jones, James Earl

      Jones, LeRoi

      Jones, Wallace

      Jonny Spielt Auf

      Joplin, Scott; “Entertainer,” “Maple Leaf Rag,”

      Joyce, James

      Julius Caesar (Shakespeare)

      jungle music

      Kafka, Franz

      Kallman, Chester

      Kandinsky, Wassily, Der gelbe Klang

      Kárpáti, János

      Keats, John

      Keller, Ruby

      Kelly, Wynton

      Kenton, Stan, “Artistry in Rhythm,” band of

      Kentucky Club Orchestra

      Kern, Jerome, “Can't Help Lovin' That Man of Mine,” “Old Man River,”, Show Boat, “They Didn't Believe Me,”

      King, B. B.

      King, Martin Luther, “I have a dream” speech

      “King Porter Stomp,”

      Kirstein, Lincoln, Ballet Caravan

      klangfarbenmelodie

      Klein, Fritz Heinrich

      klezmer music; “Der Shtiler Bulgar,”

      Klimt, Gustave

      Kodály, Zoltán

      Koehler, Ted, “I Got a Right to Sing the Blues,”

      “Ko-Ko,”

      Kokoschka

      Kolodin, Irving

      Korean War

      Kosma, Joseph, “Autumn Leaves,”

      Kostal, Irwin

      Kott, Jan

      Koussevitzky

      Kronos Quartet

      Krupa, Gene

      Ku Klux Klan

      Ladzekpo, Alfred

      Lalo, Edouard, Le Roi d'Ys

      Lambert, Constant

      Lang, Pearl

      Lange, Arthur

      LaRocca, Nick

      La Touche, John, Ballad for Americans

      Laurents, Arthur

      Lawrence, Gertrude

      Layton, Turner Jr., “Way Down Yonder in New Orleans,”

      Lead Belly (Huddie William Ledbetter)

      Lew, Barzillai

      Lewis, David Levering

      Lewis, John

      Lewis, Morgan, “How High the Moon,”

      Library of Congress

      Liebich, Louise

      Lincoln Center

      Lindsay, Vachel

      Lisle, Leconte de

      Liszt; Années de pélerinage; “Orage,” Transcendental Etudes

      Little Richard, “Tutti Frutti,”

      Lock, Graham

      Locke, Alain

      Lockspeiser

      Loesser, Frank, “Spring Will Be a Little Late This Year,”

      Logan, Arthur

      Lomax, Alex

      Lomax, John

      Lombardo, Guy

      Long, Marguerite

      Longshaw, Fred

      Loring, Eugene

      Louvre

      Louÿs, Pierre, Chansons de Bilitis

      love, in “Black and Tan Fantasy,” in “Black Beauty,”, in “The Blue Belles of Harlem,” con amore, in Lyric Suite; in La Mer, and jazz, in Perfume Suite, and race relations, in “Reminiscing in Tempo,”; in Such Sweet Thunder, in “Warm Valley,”. See also sexuality

      Lowell, Robert

      Lunceford Band, “Swinging Uptown,” “White Heat,”

      Macbeth (Shakespeare)

      Macero, Ted

      Mack, Cecil, “Charleston,”

      Maeterlinck

      Mahler, Gustav, archives of, death of

      —music: Adagietto, Das Lied von der Erde, “Resurrection” Symphony, Second Symphony, Sixth Symphony, Third Symphony

      Malcolm X

      Mallarmé, Stéphane

      Mancini, Henry

      Marrow, Esther

      Marsalis, Wynton, Congo Square

      La Marseillaise

      Martin, George

      Marx, Chico

      Matisse, Henri

      May, Billy

      Mazia, Marjorie

      McCarthy, Joseph

      McCarty, Henry

      McEntree, Edgar

      McHugh, Jimmy

      McHugh, Mary

      McPartland, Marian

      McPhail, Jimmy

      “Meet the Flintstones,”

      Mehegan, John

      melody, in “Black Beauty,”; and blues, and classical composers, in “Day Dream,”, in “Freddie Freeloader,”; in “Mood Indigo,”, in “Koko,”, “melody gap,” in “Prelude to a Kiss,”; and sex/race, in “Sophisticated Lady,”; and “standards,”; in “St. Louis Blues,”, supermelody, in “U.M.M.G.,”

      Melody Maker

      Mendelssohn, Felix

      Mercer, Johnny

      Merman, Ethel

      Messiaen, Olivier, Et Exspecto Resurrectionem Mortuorum, “Louange à l'Immortalité de Jésus,” “Modes de valeurs et d'intensité,” Quartet for the End of Time, Vingt Regards

      Methodist Error (Watson)

      Metropolitan Opera House

      A Midsummer Night's Dream (Shakespeare)

      Miley, Bubber

      Milhaud, La création du monde

      Miller, Glenn, “Tiger Rag,”

      Mills, Belwin

      Mills, Florence

     


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