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    Sweet Harmony

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      That night, I stood in the garden beneath the great-leafed fig tree as the rains came. The cannon were a half-hearted rumble, grunting without order or meaning. The rain, when it burst, pushed all other sound away, filling the night with water on stone, water on soil, water on furry leaf, water dripping off needle and spine, on metal pipe and tapping on dirty glass. I put my hands out beneath the reach of the tree and listened to water on skin, and wondered who I would be when I went home.

      I don’t know how long he’d been there, or if he’d even arrived before me and I hadn’t seen him in the shadows, but I heard his feet on wet leaves and thick black soil, and jumped, pulling my shawl around me to see him half caught against the light of far-off cannon and slithered moon.

      “Apologies, Sister,” he mumbled. “I didn’t mean to intrude.”

      “No.” A half-mutter, pulling my shawl so tight it bent my shoulders forward, stepping a little further from him, back to the house, head brushing a low-hanging leaf. “Of course.”

      By now, I was almost used to his strangeness. We had kept vigil over Charlwood, and he had watched as we prepared the body of Fairchild for the undertaker’s cart, saying nothing. I felt no need to show him the usual deference due a doctor. Now, we were two people watching the rain.

      When I spoke, therefore, I were surprised to hear myself, and even more at how clearly my voice pushed through the gloom. “Fairchild wasn’t phosgene.”

      “No. If it was the gas, he would have been hit sooner. It was a pulmonary embolism. There was nothing to be done.” Then, an afterthought, a flicker of something human through the doctor’s mask: “It wasn’t anyone’s fault.”

      “It was the enemy’s fault,” I replied flatly. “It was the war.”

      We watched the rain.

      His eyes were somewhere else, his voice talking to a different place. “The woman I love is alive and well. The children lived. The shadow will not come.” These words sounded almost like prayer, a ritual of speech. Being spoken, he shook his head, as if working out a fuzzy notion, and declared a little louder, “Sister Ellis. You know that she is waiting for you, that she forgives you. But in its way, her forgiveness makes it harder for you to go home.”

      My heart is marble in my chest. My skin is stone, cleansed with rain. The cannon are thundering at the skies but haven’t made a dent yet.

      Abbey nodded once, satisfied with his pronouncement, and walked into the house, and didn’t look back.

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