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    The End of the Day


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      Copyright

      This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.

      Copyright © 2017 by Claire North

      Cover design by Duncan Spilling—LBBG

      Cover photo by Ayal Ardon/Arcangel Images

      Cover copyright © 2017 by Hachette Book Group, Inc.

      Hachette Book Group supports the right to free expression and the value of copyright.

      The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

      The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com.

      Thank you for your support of the author’s rights.

      Redhook Books/Orbit

      Hachette Book Group

      1290 Avenue of the Americas

      New York, NY 10104

      hachettebookgroup.com

      Simultaneously published in Great Britain and in the U.S. by Orbit in 2017

      First Edition: April 2017

      Redhook is an imprint of Orbit, a division of Hachette Book Group.

      The Redhook name and logo are trademarks of Hachette Book Group, Inc.

      The publisher is not responsible for websites (or their content) that are not owned by the publisher.

      The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591.

      Additional copyright information is here.

      ISBNs: 978-0-316-31674-3 (hardcover), 978-0-316-31676-7 (ebook)

      E3-20170215-JV-PC

      Contents

      COVER

      TITLE PAGE

      COPYRIGHT

      PART 1: LANGUAGE CHAPTER 1

      CHAPTER 2

      CHAPTER 3

      CHAPTER 4

      CHAPTER 5

      PART 2: ICE CHAPTER 6

      CHAPTER 7

      CHAPTER 8

      CHAPTER 9

      CHAPTER 10

      CHAPTER 11

      CHAPTER 12

      CHAPTER 13

      CHAPTER 14

      CHAPTER 15

      CHAPTER 16

      CHAPTER 17

      CHAPTER 18

      CHAPTER 19

      CHAPTER 20

      CHAPTER 21

      CHAPTER 22

      CHAPTER 23

      CHAPTER 24

      CHAPTER 25

      CHAPTER 26

      PART 3: CHAMPAGNE CHAPTER 27

      CHAPTER 28

      CHAPTER 29

      CHAPTER 30

      CHAPTER 31

      CHAPTER 32

      CHAPTER 33

      CHAPTER 34

      CHAPTER 35

      CHAPTER 36

      CHAPTER 37

      CHAPTER 38

      CHAPTER 39

      PART 4: RATS CHAPTER 40

      CHAPTER 41

      CHAPTER 42

      CHAPTER 43

      CHAPTER 44

      CHAPTER 45

      CHAPTER 46

      CHAPTER 47

      CHAPTER 48

      CHAPTER 49

      CHAPTER 50

      CHAPTER 51

      CHAPTER 52

      CHAPTER 53

      PART 5: CLOTTED CREAM CHAPTER 54

      CHAPTER 55

      CHAPTER 56

      CHAPTER 57

      CHAPTER 58

      CHAPTER 59

      CHAPTER 60

      CHAPTER 61

      PART 6: LAUGHTER CHAPTER 62

      CHAPTER 63

      CHAPTER 64

      CHAPTER 65

      CHAPTER 66

      CHAPTER 67

      CHAPTER 68

      CHAPTER 69

      CHAPTER 70

      CHAPTER 71

      CHAPTER 72

      CHAPTER 73

      PART 7: SCUBA CHAPTER 74

      CHAPTER 75

      CHAPTER 76

      CHAPTER 77

      PART 8: ROAD CHAPTER 78

      CHAPTER 79

      CHAPTER 80

      CHAPTER 81

      CHAPTER 82

      CHAPTER 83

      CHAPTER 84

      CHAPTER 85

      CHAPTER 86

      CHAPTER 87

      CHAPTER 88

      CHAPTER 89

      CHAPTER 90

      CHAPTER 91

      CHAPTER 92

      CHAPTER 93

      CHAPTER 94

      CHAPTER 95

      CHAPTER 96

      CHAPTER 97

      CHAPTER 98

      CHAPTER 99

      CHAPTER 100

      CHAPTER 101

      CHAPTER 102

      CHAPTER 103

      CHAPTER 104

      PART 9: MUSIC CHAPTER 105

      CHAPTER 106

      CHAPTER 107

      CHAPTER 108

      CHAPTER 109

      CHAPTER 110

      BY CLAIRE NORTH

      COPYRIGHTS

      NEWSLETTERS

      Part 1

      LANGUAGE

      Chapter 1

      At the end, he sat in the hotel room and counted out the pills.

      He did not do this with words, nor mathematics, nor did his hands move, nor could he especially blame anyone else.

      It didn’t occur to him that Death would come; not in the conscious way of things. Death was, Death is, Death shall be, Death is not, and all this was the truth, and he understood it perfectly, and for all those reasons, this ending was fine.

      Tick tick tick.

      The world turned and the clock ticked

      tick tick tick

      and as it ticked, he heard the countdown to Armageddon, and that was okay too. No point fighting it. The fight was what made everything worse.

      He was fine.

      He picked up the first pill, and felt a lot better about his career choices.

      Chapter 2

      At the beginning …

      The Harbinger of Death poured another shot of whiskey into the glass, lifted the old lady’s head from the dark blue wall of pillows on which she lay, put the drink to her lips and said, “Best I ever heard was in Colorado.”

      The woman drank, the sky rushed overhead, dragged towards another storm, another thrashing of the sea on basalt rock, another ripping-up of tree and bending of corrugated rooftop, the third of this month, unseasonal it was; unseasonal, but weren’t all things these days?

      She blinked when she had drunk enough, and the Harbinger returned the glass to the bedside table. “Colorado?” she wheezed at last. “I didn’t think there was anything in Colorado.”

      “Very big. Very empty. Very beautiful.”

      “But they have music?”

      “She was travelling.”

      “Get an audience?”

      “No. But I stopped to listen. This was student days, there was this girl who … People won’t be booking her for a high school prom any time soon, but I thought … it was something very special.”

      “All the old songs are dying out.”

      “Not all of them.”

      The woman smiled, the expression turning into a grimace of pain, words unspoken: just you look at me, sonny, just you think about what you said. “A girl who?”

      “What? Oh, yes, I was, um … well, I hoped there’d be a relationship, and you know how these things sort of blur, and she thought it was one thing and I never really did say and then she was going out with someone else, but by then we’d booked the plane tickets and … look, I don’t know if I should … I’m not sure I should talk about me.”

      “Why not?”

      “Well, this is …” An awkward shrug,
    taking in the room.

      “You think that because I’m dying, I should talk and you should listen?”

      “If you want.”

      “You talk. I’m tired.”

      The Harbinger of Death hesitated, then tapped the edge of the whiskey glass, held it to her lips again, let her drink, put it down. “Sorry,” he murmured, when she’d swallowed, licked her lips dry. “I’m new to this.”

      “You’re doing fine.”

      “Thank you. I was worried that it would be … What would you like to hear about? I’m interested in music. I thought maybe that when I travelled, I mean, for the work, I’d try and collect music, but not just CDs, I mean, all the music of all the places. I was told that was okay, that I was allowed to preserve … not preserve, that’s not … Are you sure you wouldn’t rather talk? When … when my boss comes …” Again his voice trailed off. He fumbled with the whiskey bottle, was surprised at how much had already been drunk.

      “I know songs,” she mused, as he struggled with the top. “But I don’t think they’re for you to sing. A woman once tried to preserve these things, said it would be a disaster if they died. I thought she was right. I thought that it mattered. Now … it’s only a song. Only that.”

      He looked away, not exactly rebuked, but nonplussed by the moment, and her resolve. To cover the silence, he refilled her glass. The tumbler was thick, clean crystal, with a clouded band at the bottom where the base was ridged like a deadly flower—one of a set. He’d carried all four up the ancient flagstone road from Cusco, even though only two would ever be used, not knowing what he’d do with the remainder but feeling it was somehow wrong to part one from the other. He’d also carried the whiskey, stowed in the side of his pack, and the mule driver who’d showed him the way across the treeless road where sometimes still the pilgrims came dressed in Inca robes and carrying a blackened cross had said, “In these parts, we just make our own,” and looked hungrily at the bottle.

      The Harbinger of Death had answered, “It’s for an old woman who is dying,” and the mule driver had replied, ah, Old Mother Sakinai, yes yes, it was another thirty miles though, and you had to be careful not to miss the turning; it didn’t look like a split in the path, but it was, no help if you get lost. The mule driver did not look at the bottle again.

      They had camped in a stone hut shaped like a beehive, no mortar between the slabs of slate, a hole in the roof for the smoke from the fire to escape, and in the morning the Harbinger of Death had watched the sun burn away the mist from the valley and seen, very faintly in the dry stone-splotched grass, the tracings of shapes and forms where once patterns miles wide had been carved to honour the sun, the moon, the river and the sky. Sometimes, the man with the three surprisingly docile mules said, helicopters came up here, for medical emergencies or filming or something like that, but no cars, not in these parts. And why was the foreigner visiting Mama Sakinai, so far from the tarmacked road?

      “I’m the Harbinger of Death,” he replied. “I’m sort of like the one who goes before.”

      At this the mule driver frowned and sucked on his bottom lip and at last replied, “Surely you should be travelling on a feathered serpent, or at the very least in a four-by-four?”

      “Apparently my employer likes to travel the way the living do. He says it’s good manners to understand what comes before the end.” Having said these words, he played them back in his mind and found they sounded a bit ridiculous. Unable to stop himself, he added, “To be honest, I’ve been doing the job for a week. But … that’s what I was told. That’s what the last Harbinger said.”

      The mule driver found he had very little to give in reply to this, and so on they walked, until the path divided—or rather, until a little spur of dark brown soil peeled away from the stones laid so many centuries ago by the dead peoples of the mountains, and the Harbinger of Death followed it, not quite certain if this was indeed a path used by people or merely the track of a wide and possibly hungry animal, down and down again into a valley where a tiny stream ran between white stones, and where a single house had been built the colour of the dry river bed, timber roof and straw on the porch, a black-eyed dog barking at him as he approached.

      The Harbinger of Death stopped some ten feet from the dog, crouched on his haunches, let it bark and dart around him, demanding who, what, why, another human, here, where no people came except once every two weeks Mama Sakinai’s nephew, and once every three months the travelling district nurse with her heavy bags not heavy enough to cure its mistress.

      “You’ll want to learn how to deal with dogs,” the last Harbinger had said as he shadowed her on her final trips. “Ask any postman.”

      Charlie had nodded earnestly, but in all honesty he wasn’t bothered by dogs anyway. He liked most animals, and found that if he didn’t make a fuss, most animals didn’t seem to mind him. So finally, having grown bored of barking, the dog settled down, its chin on its paws, and the Harbinger waited a little while longer, and when all was settled save the whispering of the wind over the treeless ground and the trickling of the stream, he went to Mama Sakinai’s door, knocked thrice and said, “Mama Sakinai? My name is Charlie, I’m the Harbinger of Death. I’ve brought some whiskey.”

      Chapter 3

      In a land of forests …

      … in a land of rain …

      There had been an aptitude test.

      Reading, writing, general knowledge.

      Q1 Rank these countries in order of population, from most populated to least.

      Q2 Who is the director of the United Nations?

      Q3 Name five countries that were previously British colonies in the period 1890–1945.

      Q4 “Man is no more than the sum of his experience and his capacity to express these experiences to fellow man.” Discuss. (500 words.)

      And so on.

      Charlie did better at it than he’d expected, not knowing what he should have studied in advance.

      There weren’t any other candidates in the room as he answered the questions. Most of the time it was a classroom for students learning to teach English as a foreign language. On one wall was a cartoon poster explaining how adverbs worked. An overhead projector had been left on, and whined irritatingly. He finished with twenty minutes to spare, and wondered if it would be rude to just walk out before the time was done.

      There weren’t any other candidates in the reception room for the psychiatrist either, as he sat, toes together, heels sticking out a little to the sides, waiting for his interview.

      “Associations. I say a word, you say the first thing that comes to your mind.”

      “Really? Isn’t that a little—”

      “Home.”

      “Family?”

      “Child.”

      “Happy.”

      “Sky.”

      “Blue.”

      “Sea.”

      “Blue.”

      “Travel.”

      “Adventure.”

      “Work.”

      “Interesting.”

      “Rest.”

      “Sleep.”

      “Dreams.”

      “Flying.”

      “Nightmares.”

      “Falling.”

      “Love.”

      “Music.”

      “People.”

      “… People. Sorry, that’s just the first thing that …”

      “Death.”

      “Life.”

      “Life.”

      “Living.”

      When he got the job, the first thing he did was phone his mum, who was very proud. It wasn’t what she’d ever imagined him doing, of course, not really, but it came with a pension and a good starting salary, and if it made him happy …

      The second thing he did was try and find his Unique Taxpayer Reference, as without it the office in Milton Keynes said they couldn’t register him for PAYE at the appropriate tax level.

      Chapter 4

      And the world had turned.

      … in a land of mountains …

      … in the land of the vulture and
    the soaring eagle …

      … the Harbinger of Death ordered another coffee from the café across the street from his Cusco hotel, and looked down at the black-eyed, black-eared dog that had followed him out of the mountains, and sighed and said, “It’s not about what I want, honestly, but there’s no way you’re getting through customs.”

      The dog stared up at him, sitting stiff and patient on its haunches, no collar round its neck, ungroomed but well fed. It had followed him from Mama Sakinai’s cabin without a sound, waited in the pouring rain outside the stone hut where he slept, until at last, guilt at its condition had made Charlie push open the wooden door to let it inside, where it had sat a few feet off from him without a whimper, to follow after him as he walked back down the ancient way to the city.

      “Look,” he had said, first in English, then in cautious Spanish, not knowing Mama Sakinai’s favoured tongue. “Your mistress isn’t dead.” He’d stopped himself before adding “yet.” Somehow the word felt unclean.

      The dog had kept on following, and the next night, as they lay together by the ancient path, Charlie thought he heard a figure pass in the dark, bone feet on ancient stone, heading deeper into the mountains, following the paths carved by the dead, walked by the living. And he had shuddered, and rolled over tight, and the dog had pressed its warm body against his, and neither had slept until the moon was below the horizon.

      The next day he’d come to Cusco, and wasted the best part of a day when he should have been sorting transportation trying to find a home for the persistent animal. He finally succeeded by chance, bequeathing it to a car repairman and his teenage daughter, she already dressed in mechanic’s blues over her football shirt, face coated in grease, who at one look at the dog had exclaimed, “I got your ear!” and grabbed its ear, and it had pulled free, to which she had laughed, “I got your tail!” and grabbed its tail, and it had pulled that away, at which point she got its ear again, then tail, then ear, then tail, then …

      … until the pair of them were rolling on the ground, panting with delight.

      “Who did the animal belong to?” asked her somewhat more circumspect father, as he and the Harbinger of Death watched them play.

     


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