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    Jane's Fame

    Page 33
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      26. Quoted in Parrill, p. 3

      27. Thompson, p. 210.

      28. Julian Barnes, Observer, 13 November 1983.

      29. Laurie Rigler, interviewed on a publisher’s website: http://us.penguingroup.com/static/html/romance/janeaustenaddict. html.

      30. Thread on The Archers Message Board, September 2006, www.bbc.co.uk/dna/marchers.

      31. ‘Balancing the Courtship Hero: Masculine Emotional Display in Film Adaptations of Austen’s Novels’, in Troost and Greenfield, p. 24.

      32. ibid., p. 6.

      33. Todd (2005), p. 117.

      34. Cossy, p. 17.

      35. At the ‘Austen and Contemporary Literature and Culture’ conference, Chawton House, June 2007.

      36. ‘Revved-up Austen’, Radio Times, 17–23 March 2007.

      37. ‘Austen’s Power: Jane addiction sweeps theaters, bookstores’, USA Today, 2 August 2007.

      38. Mary Ann O’Farrell, ‘Austen and Contemporary Literature and Culture’ conference, Chawton House, June 2007.

      39. Quoted by Garber, p. 205.

      40. Andrew Norfolk, The Times, 17 March 2007, http://www.timesonline.co.uk/tol/news/uk/article1527806.ece.

      41. ibid.

      42. http://blog/wired.com/tableofmalcontents/2007/03/jane_austens_em. html.

      43. CH, vol. 2, p. 67.

      44. Record, pp. 232, 231 and 220.

      45. Todd (2005), p. 87.

      46. Memoir, pp. 188–9.

      47. Letters, p. 202.

      48. ibid., p. 268.

      49. CR, vol. 1, p. 258.

      50. April 1811, Letters, p. 182.

      51. CH, vol. 1, p. 242.

      52. Todd (2005), p. 290.

      53. Letters, p. 275.

      54. Todd (2005), p. 118.

      55. Harriet Martineau’s diary, October 1837, quoted in CH, vol. 2, p. 136.

      56. Hill, p. viii.

      57. CH, vol. 2, p. 168.

      58. http://austenprose.wordpress.com/2008/05/30/my-personal-austen-does-reading-austen-make-me-a-better-person/.

      59. Braudy, p. 15

      60. Trilling, p. 44.

      61. Memoir, p. 162.

      62.14–15 January 1796, Letters, p. 3.

      63. Forster, p. 153.

      64. CH, vol.2, p.41.

      Index

      Adams, Oscar Fay 156, 162–3

      Agnes Grey (Brontë, A.) 125

      Alton, Hampshire 34, 76, 118, 221

      Andrews, James 145–6, 147, 178, 209–10, 253

      The Archers (BBC Radio) 262–3

      Arlington (Lister, T.) 94

      Arnold, Matthew 226

      Arthur Fitz-Albini (Brydges, S.E.) 30

      Ashe, Hampshire 16, 30, 306n53, 306n55

      Ashford, Daisy 194

      Asquith, Lady Cynthia 232

      Atlantic Monthly 166

      Auden, W.H. 226–7

      Augustan Review 270

      Austen, Anna see Lefroy, Jane Anna Elizabeth

      Austen, Caroline Mary Craven (JA’s niece) 14, 17, 65, 115–16

      on Andrews’ portrait of JA 147

      death of 151

      invaluable biographical assistant 133–5, 140

      and literary reputation of JA 128–30, 131, 132, 149

      manuscript items in possession of 122

      on publication of Austen-Leigh’s biography 148

      Austen, Cassandra (JA’s mother) 9, 11, 14, 16, 43, 59, 100, 114, 116 agitation about Leigh Perrot money 55

      death of 114

      family finances, difficulties with 48–9, 102–3

      Jane first child to die 81

      Mansfield Park, opinion on 64

      view of Jane’s literary gifts 85–6

      Austen, Cassandra Elizabeth (JA’s sister) 9, 13, 18, 44, 103–4, 105–6, 179, 223 annuity from Tom Fowle 49

      collaboration with JA on Mansfield Park 64

      correspondence from JA 61–2, 63

      death of 124

      early years with JA 11–12

      on ‘Elinor and Marianne’ 31

      engagement and tragedy for 35–6

      Fanny Knight and 46

      inheritance from JA 86–7

      JA’s last writing 79–80

      memo on timescale of JA’s compositions 41–2

      pious commemoration of JA 134

      posterity of JA, control over 111–19

      praises passed on by 59

      manuscripts left by 122, 137

      Pride and Prejudice, on publication of 57

      publishing losses, burden of 100

      Sense and Sensibility, on publication of 51–2

      sketches of JA 145, 146–7, 208, 210, 211–12, 253

      watercolour vignettes for JA’s ‘History of England’ 14, 194

      Austen, Cassandra (Cassy) Esten (JA’s niece) 128–9, 145, 146, 210

      Austen, Charles John (JA’s brother) 11, 13, 14, 49, 101 active and successful life at sea 55

      death of 124

      executor for Cassandra 115, 116

      naval career 179

      Pride and Prejudice, surprise at success of 62

      salary, lowish nature of 102

      treasures descended through 208, 223

      Austen, Colonel Thomas 152

      Austen, Edward see Knight, Edward (JA’s brother)

      Austen, Fanny Sophia (Frank’s daughter) 134

      Austen, Francis (Frank) William (JA’s brother) 11, 13, 14, 45, 54, 118, 179 attendance at JA’s funeral 81

      collaboration with JA on Mansfield Park 64

      death of 124–5, 132

      generosity with memorabilia of JA 124

      knighthood for 114

      marriage to Martha Lloyd 103, 114

      reports from JA to 58, 62

      resourcefulness of 123

      settlement for 102

      Austen, George (JA’s brother) 11, 44, 102–3, 124

      Austen, Revd George (JA’s father) 11, 13, 14–15, 19, 30–1, 49–50, 81 death of 44–5, 48–9

      encouragement for JA from 32–3, 42–3

      letter to publisher Cadell 133

      Austen, Henry Thomas (JA’s brother) 1, 19, 40, 48, 69, 72, 111, 115, 279 agent for JA 50–51, 57–8

      attendance at Jane’s funeral 81

      and Bentley, negotiations for JA’s copyrights 103–5, 114

      Biographical Notice (1818) 106–7, 108, 129, 138, 142, 149, 212

      business slump 75–6, 100–102

      collaboration with JA on Mansfield Park 64

      death of 124

      graduate of Oxford 11, 20

      and identification of JA’s authorship 59, 62 illness 67–8

      inheritance from JA 86–9, 115

      intimately knowledgable 132

      JA’s closeness to 13

      marriage to Eliza de Feuillide 35

      maximisation of Jane’s celebrity, efforts in 65–6

      Austen, Revd James (JA’s brother) 11, 13, 14, 24, 100, 102, 106, 279 ambition and talent of 17–18

      JA’s identity guarded by 59

      literary accomplishments and The Loiterer 19–23

      marriages of 34–5

      memorial poem for JA 82–3, 88

      middle-aged melancholy and stasis 54–5

      morbid sensibility, plagued by 138

      poem in celebration of publication of Sense and Sensibility 52

      Austen, Jane academic study of 156, 166–7, 201–3, 235–6, 240–42, 263–6

      accidental artist, promotion as 200–201

      American collections of memorabilia 223–5

      anonymity 52, 53–4, 59–60, 62

      appeal of, aspects of 4–6, 169–70, 246

      appropriation of ‘Austenlike’ qualities by other writers 93–5

      assertiveness 47–8

      audience, prose affected by consciousness of 46

      audience widening for novels of 155

      ‘Austen mania,’ surges in 6–7, 257

      as biographical subject 137–45

      biographies 155–6, 230–31, 233, 225–6, 232, 272

      birth and early life 11–12

      booksellers
    and publishers, access to 42–3

      Brydges reminiscence of 108–9

      businesswoman 67–9

      Cassandra’s sketches of 145, 146–7, 208, 210, 211–12, 253

      centenary of death 187–9

      Chapman and works of 181–2, 191–4, 195–8, 201–2, 206–11, 232, 249, 271

      Charlotte Brontë’s criticism of 126–7

      charm of, reflected in characters 139, 161, 218–19

      ‘chick-lit’ appeal of writing 7, 248–9, 252–4

      Churchill and 217–18

      collaborative composition 64

      composition, timescales for 41–2

      confidence in works 34–5

      copyright concerns 47, 54, 56, 57–8, 63, 68–9, 99–100, 103–4, 114, 120

      criticisms of early reviewers 95–6

      ‘critic’s novelist – highly spoken of and little read’ 120

      cult status 162–4, 243

      death of 80, 81–2

      death of, 150th anniversary

      commemoration 232

      deference towards Cassandra 112–13

      Dictionary of National Biography (DNB) 157, 171, 205

      domestic humour 206

      drafting habit 50

      Emma, theatrical presentation of 219–20

      Englishness of 174, 180–81, 189–90, 230–31

      ephemera of, public interest in 149–50

      estate, dispersal of 86–7

      estate of 122–5, 127–8, 128–37

      experimentalism 37–9

      fame, effects of 66–7,

      elements of 10–11,

      temporary and localised 85–6

      family finances, difficulties with 48–9

      fans of 60, 113, 277–8

      fashionable interest in Sense and Sensibility 53

      father, death of 44–5

      feminism and 170, 234, 243, 253

      Fénéon and French appreciation 175–8

      film treatments of novels 189, 214–17, 251–2, 257–8, 260, 264–5

      funeral 81

      global phenomenon (and global brand) 1–4, 245

      Great War and popularity of writing 180–86

      half-forgotten niche writer 120

      Harding on 227–8, 233, 277, 278–9

      Hartley’s negativity on 186–7

      Henry James on 166–8, 200–201, 279–80

      ‘heteronormativity’ in works of 236–8, 250–51

      ‘husband-hunting butterfly’ 145 identity as author, revelation of 62–3

      ideologies and disciplines, alternative approaches to work of 227–9, 235

      illness 78–9

      illustrations in works of 159–60, 196–7, 214, 264

      images of 105–6, 209–14, 254, 257

      influence in America, Precaution and 97–9

      inspiration, doubts on 67

      internet and mass intimacy 276–7

      juvenilia 13–15, 20, 23–5, 45, 124, 132, 134, 193, 195, 238, 242, 272

      last writing 79, 149

      literary reputation, defences of 125–30

      love stories and mass appeal 246–52

      manuscripts, control over 76–7, 271–2

      manuscripts, publishing frustrations 37–8

      market worth, fall in 104–5

      marriage proposal from Harris Bigg-Wither 43–4

      mass market for 159, 243–5

      memorabilia 208–9, 222–3

      memorial poems for 82–3, 84–5

      memorial tablet in Winchester Cathedral 153–4

      modernity of 110, 205

      mother of romance 247–8

      ‘New Woman’ and writing of 170–71

      obscurity, period of 99–100, 120–21

      ‘overwriting,’ fear of 75–6

      perseverance of 41–2

      physical description of 88–9

      ‘Plan of a Novel’ 71

      popularity with Romantic contemporaries 110–11

      Portraits of, 152–3, 177, 209, 313n69

      posterity of, Cassandra’s control over 111–12, 113–16

      praise and appreciation from Sir Walter Scott for 73–4, 109–10

      Pride and Prejudice, triumph in publication of 57–9, 61–2

      Prince Regent ‘a great admirer’ 69, 74–5

      profession, attitude to 40–41

      public acknowledgement of authorship 81

      publication of work, early solicitation 32–3, 42

      readership, small expansion of 46, 93

      reading and early writing 12–13, 33–4

      Regency revival and 204–5

      republication by Bentley of novels 104–7

      reviews of Pride and Prejudice 61

      revision, method of 50

      revisionism on 226–9

      Russian success of novels of 96–7

      sales of Sense and Sensibility 54

      scale and boundaries in works of 142–3, 143–4, 199–200

      secrecy, myth of 9–10

      self-regulation as writer 46–7, 75, 83, 142–3

      Sense and Sensibility, publication of 51

      sex and romance, criticism of treatment of 249–50

      television treatments of works 252, 254–6, 258–60, 261–3, 265–6

      Tennyson’s admiration for 121–2

      therapeutic potential of writing 182–5

      timelessness of work 272–5

      vigilance over traits of others 83

      wasting of titles by 99–100

      working milieu, home context and 9–11, 142, 270–71

      worldliness of 234–5

      writing, early encouragement in 14–15

      writing circles, access to 42–3

      YouTube compilations 251–2

      Zeitgeist thing of 172, 263, 266

      Austen, Mary (Lloyd, wife of Frank) 35, 45, 132

      Austen-Leigh, Revd James Edward (JA’s nephew) 7–8, 35, 63, 157–8, 169, 178, 180, 195, 203

      attendance at JA’s funeral 81, 119

      biography of JA 130–31, 131–5, 136–8, 141–2, 144–5, 147–8;

      second edition 148, 150

      on boundaries and scale 143–4

      on character of JA 139

      criticism of biographical portrait 150–51

      death of 151

      draughtsmanship of 106

      on James Austen and The Loiterer 20–21

      on JA’s ‘parental’ interest in characters 271

      and literary reputation of JA 128–30

      memorial tablet to Jane, erection of 153–4

      memories of youth 57

      on scale and Jane’s ‘little bit of Ivory’ 142–3

      writing and corresponding with JA 65

      Austen-Leigh, L.A. 194

      Austen Leigh, Lois 210

      Austen-Leigh, Mary Augusta 76, 121, 125, 130, 179–80

      Austen-Leigh, Richard Arthur 180, 209

      Austen-Leigh, William 180, 194

      Austen Papers (Austen-Leigh, R.A.) 180

      Austenolatry 279

      Austin, Alfred 182

      Bailey, John 204

      Baillie, Isobel 232

      Barnes, Julian 259–60

      Barron, Stephanie 266

      Basingstoke 34, 43–4

      Bath, Somerset 36–7 family move to 42–3

      Battleridge: An Historical Tale (Cooke, C.) 26, 28–9, 274

      Beckinsale, Kate 258, 259

      Becoming Jane Austen (Spence, J.) 261

      Becoming Jane (Julian Jarrold film) 261–2

      Belinda (Edgeworth, M.) 274

      Benn, Mary 58–9

      Bennett, Arnold 203

      Bentley, Richard 98–9, 103–5, 106–8, 114, 120, 149, 150, 151, 174

      Beresford, Charles 254

      Bessborough, Henrietta Spencer, Countess of 53

      Bibliography of Jane Austen (Chapman, R.W.) 196

      Bibliography of Samuel Johnson (Courtney, W.P. and Smith, D.N.) 181

      Bigg, Catherine and Althea 43, 111

      Bigg, Elizabeth 181

      Bigg-Wither, Harris 43–4, 111, 135, 181

     
    Birrell, Augustine 194

      Birtwistle, Sue 254, 260–61

      Blackall, Revd Dr Samuel 35

      Blackwoods Magazine 92, 270

      Blessington, Marguerite, Countess of 93

      Bloomberg, Michael 268

      Blunden, Edmund 180–81

      Bonneville, Hugh 259

      Booth, Wayne 250

      Boringdon, Lady Frances see Morley, Frances, Countess of

      Boswell, James 181–2

      Brabourne, Lord see Knatchbull- Hugessen

      Bradley, A.C. 162, 180, 201, 202

      Bramstone, Mrs Augusta 64

      Braudy, Leo 10–11, 278

      Brett-Smith, H.F. 183, 185

      Bride and Prejudice (Gurinder Chadha film) 257

      Bridges, Elizabeth (Mrs Edward Austen) 35

      Bridget Jones’s Diary (Fielding, H.) 2, 252

      Bridget Jones’s Diary (Sharon Maguire film) 252–3, 259, 320n18

      Brinton, Sybil G. 266

      British Critic 52–3, 61, 72, 92

      Brock, C.E. and H.M. 159

      Brontë, Charlotte 6, 125, 126–8, 129, 139, 144–5, 166, 226, 260

      Brontë sisters 125, 128, 167, 188, 189, 214, 250

      Brown, John 121

      Brownlee, John 269

      Brownstein, Rachel 264

      Brunton, Mary 52

      Brydges, Charlotte 16

      Brydges, Mrs Elizabeth 16

      Brydges, Samuel Egerton 16–17, 29–31, 56, 77, 109, 111

      Bulwer-Lytton, Edward G.E.L. 94, 108, 109

      Burke, Henry Gershon and Alberta Hirsheimer 223–4

      Burney, Fanny (later Madame d’Arblay) 12, 26–9, 32, 54, 71, 98, 108, 129, 173, 201

      Burney, Sarah Harriet 110

      Burns, Robert 127

      Bury, Lady Charlotte 93

      Butler, Marilyn 233–4

      By a Lady (Elyot, A.) 266–7

      Byron, George Gordon, Lord 54, 61, 68, 73, 85, 87, 92, 93

      Bywater, Ingram 195

      Cadell, Thomas (publisher) 27, 32–3, 36, 37, 42, 57, 133

      Camilla (Burney, F.) 26, 27, 28, 32, 108

      Campbell, Thomas 104

      Carlisle, George Howard, Earl of 114

      Carlyle, Thomas 6, 200

      Carpenter, Lieutenant John Philip 222

      Carpenter, T. Edward 221–2, 223–4, 225

      Carrington, Dora 205

      Cartland, Barbara 247

      Castle, Terry 236–8

     


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