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    THE DARK KNIGHT TRILOGY: The Complete Screenplays with Storyboards

    Page 29
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      Wayne stares at Blake.

      BLAKE

      So they stopped understanding and sent the angry kid to a boys’ home – St. Swithin’s. Used to be funded by the Wayne Foundation. See, I figured it out too late. You have to hide the anger. Practice smiling in the mirror. Like putting on a mask. You showed up one day in a cool car, pretty girl on your arm. We were so excited – Bruce Wayne, billionaire orphan. We made up stories about you. Legends. The other boys’ stories were just that. But when I saw you I knew who you really were … (Beat.) I’d seen that look on your face. Same one I taught myself.

      Blake gets up to leave. Wayne is lost in thought.

      BLAKE

      I don’t know why you took the fall for Dent’s murder, but I’m still a believer in the Batman. Even if you’re not.

      WAYNE

      Why did you say your boys’ home used to be funded by the Wayne Foundation?

      BLAKE

      Because the money stopped. Might be time to get some fresh air and start paying attention to the details. Some of those details might need your help.

      INT. HALL, WAYNE MANOR – MOMENTS LATER 52

      Wayne and Alfred watch Blake drive away.

      WAYNE

      You checked that name? ‘Bane’ –

      ALFRED

      Ran it through some databases. He’s a mercenary. No other known name. Never been seen or photographed without a mask. He and his men were behind a coup in West Africa that secured mining operations for our friend John Daggett.

      WAYNE

      Now Daggett’s brought them here?

      ALFRED

      It would seem so. I’ll keep digging.

      Alfred turns to leave.

      WAYNE

      Why did the Wayne Foundation stop funding boys’ homes in the city?

      ALFRED

      The Foundation is funded from the profits of Wayne Enterprises … (Off look.) There have to be some.

      WAYNE

      Time to talk to Mr. Fox, I think.

      ALFRED

      I’ll get him on the phone –

      WAYNE

      No. Do we still have any cars around the place?

      ALFRED

      (lights up)

      One or two.

      WAYNE

      And I need an appointment at the hospital. About my leg.

      ALFRED

      Which hospital, sir?

      WAYNE

      Whichever one Jim Gordon’s in.

      Alfred is less excited by this part of the request.

      EXT. WAYNE ENTERPRISES – DAY 53

      Moving towards the tall skyscraper downtown.

      MIRANDA

      (voice-over)

      Mr. Fox, I believe in what Mr. Wayne was trying to do …

      INT. BOARDROOM, WAYNE ENTERPRISES – CONTINUOUS 54

      Miranda is talking to Lucius Fox at the table.

      MIRANDA

      I’m only asking for explanations because I think I can help.

      FOX

      I’ll pass along your request. Next time I see him.

      Miranda catches something in this.

      MIRANDA

      He doesn’t talk to you, either?

      FOX

      Let’s just say that Bruce Wayne has his … eccentricities.

      MIRANDA

      (rising)

      Mr. Fox, are you aware that John Daggett is trying to acquire shares in Wayne Enterprises?

      FOX

      I was not. But it wouldn’t do him any good – Mr. Wayne retains a clear majority.

      Miranda leaves. Fox moves into his office – stops.

      FOX

      Bruce Wayne. As I live and breathe.

      Wayne rises, pushing hard on his cane.

      FOX

      What brings you out of cryo-sleep, Mr. Wayne?

      WAYNE

      I see you haven’t lost your sense of humor … even if you have lost most of my money.

      FOX

      Actually, you did that yourself. See, if you funnel the entire R and D budget for five years into a fusion project that you then mothball, your company is unlikely to thrive.

      WAYNE

      Even with –

      FOX

      A wildly sophisticated CEO, yes. Wayne Enterprises is running out of time. And Daggett is moving in.

      WAYNE

      What’re my options?

      FOX

      If you’re not willing to turn your machine on –

      WAYNE

      I can’t, Lucius.

      FOX

      Then sit tight. Your majority keeps Daggett at arm’s length while we figure out a future for the energy program with Miranda Tate – she’s supported your project all the way. She’s smart, and quite lovely.

      WAYNE

      You too, Lucius?

      FOX

      We all just want what’s best for you, Bruce. Show her the machine.

      WAYNE

      I’ll think it over.

      FOX

      Anything else?

      WAYNE

      No, why?

      FOX

      These conversations used to end with some … unusual requests.

      WAYNE

      I retired.

      FOX

      Let me show you some stuff, anyway.

      Fox hits a button – the bookcase opens into a hidden elevator.

      INT. APPLIED SCIENCES – MOMENTS LATER 55

      Fox leads Wayne into the vast, gadget-filled space. They pass Tumblers with different weapons configurations …

      WAYNE

      I figured you’d have shut this place down.

      FOX

      It always was shut down, officially.

      WAYNE

      But all this new stuff?

      FOX

      After your father died, Wayne Enterprises set up fourteen different defense subsidiaries. I’ve spent years shuttering them and consolidating all the prototypes under one roof. My roof.

      WAYNE

      Why?

      FOX

      Stop them falling into the wrong hands. Besides, I thought someone might get some use out of them …

      Wayne shakes his head.

      FOX

      Sure I can’t tempt you to something? Pneumatic crampons? Infrared contact lenses? Least let me get you something for that leg.

      WAYNE

      It’s fine the use it gets these days.

      FOX

      Well, then I have just the thing for an eccentric billionaire who doesn’t like to walk …

      Fox opens a door – we glimpse a sleek vehicle. Wayne’s eyes light up.

      WAYNE

      Now you’re just showing off.

      FOX

      Defense Department project for tight-geometry urban pacification. Rotors configured for maneuvering between buildings without recirculation.

      WAYNE

      What’s it called?

      FOX

      It has a long and uninteresting Wayne Enterprises designation. So I took to calling it the Bat. And yes, Mr. Wayne, it does come in black.

      Wayne touches its sleek side. Marveling.

      FOX

      Works great except for the autopilot.

      WAYNE

      What’s wrong with that?

      FOX

      Software-based instability. Take a better mind than mine to fix it.

      WAYNE

      Better mind?

      FOX

      I was trying to be modest. A less busy mind. Yours, perhaps.

      Wayne looks wistfully at the machine. Turns away.

      WAYNE

      I told you. I retired, Lucius.

      INT. EXAMINATION ROOM, GOTHAM GENERAL HOSPITAL – NIGHT 56

      Wayne listens, distracted, while a Doctor examines an X-ray.

      DOCTOR

      I’ve seen worse cartilage in knees –

      WAYNE

      That’s good –

      DOCTOR

      No, that’s because there is no cartilage in your knee. And not much of any use in your elbows and shoulders. Between that and the scar tissue on your kidneys, residual concussive damage to your brain tissue and general sca
    rred-over quality of your body … (Takes a breath.) I cannot recommend that you go heli-skiing. About the only part of your body that looks healthy is your liver, so if you’re bored I recommend you take up drinking, Mr. Wayne.

      Wayne smiles. The Doctor leaves. Wayne pulls on a ski mask, steps to the window, hops up, pulls a wire from his cane, which he clips to his belt. He props his cane behind the frame – jumps out. The wire unspools from the cane as –

      EXT. TENTH FLOOR, GOTHAM GENERAL HOSPITAL – CONTINUOUS 57

      Wayne drops three floors …

      INT. PRIVATE ROOM, GOTHAM GENERAL – CONTINUOUS 58

      Gordon lies in bed, hooked up to machines. Wayne, in ski mask, stands over him. Gordon’s eyes flutter open. He tries to speak with a weak, hoarse voice …

      GORDON

      We were in this together. Then you were gone …

      WAYNE

      The Batman wasn’t needed any more. We won.

      GORDON

      Built on a lie. Our lie. Now there’s evil rising from where we tried to bury it. Nobody will listen … The Batman has to come back …

      WAYNE

      What if he doesn’t exist any more?

      GORDON

      He must. He must.

      INT./EXT. LAMBORGHINI ON GOTHAM STREETS – NIGHT 59

      Wayne pulls up in front of a row of shabby subdivided town houses. Checks a tracking device. Jen, provocatively dressed, leads a Yuppie Banker-type in through a front door.

      INT. SELINA’S APARTMENT – CONTINUOUS 60

      Selina sits in a small room getting ready to go out. She picks up the pearls – hears a disturbance in the hall.

      JEN

      (o.s.)

      I told you – money first –

      YUPPIE

      (o.s.)

      Goddammit, you took my wallet!

      INT. STAIRWELL OUTSIDE SELINA’S APARTMENT – CONTINUOUS 61

      The Yuppie has Jen against the wall – he reaches back to hit her with an expensive wristwatch-clad arm. But Selina has grabbed his wrist with a powerful grip.

      SELINA

      Get out.

      YUPPIE

      She took my wallet!

      Selina twists his arm around behind him in a blinding move.

      SELINA

      Now.

      She releases the Yuppie, who moves off down the stairs. Selina turns to Jen. Who is examining a wallet.

      SELINA

      I’ve told you not to try it with the assholes, Jen.

      JEN

      They’re all assholes.

      SELINA

      Okay, the assholes who hit.

      JEN

      I don’t know what he’s so upset about, he only had sixty bucks in here.

      SELINA

      Probably the watch.

      YOUNG WOMAN

      Watch?

      Selina opens her hand and gives Jen the Yuppie’s Rolex.

      EXT. SELINA’S BUILDING, OLD TOWN, GOTHAM – LATER 62

      Selina exits and hails a cab. Wayne watches her go. Then pulls out. Checking his tracker.

      EXT. MUSEUM, GOTHAM – LATER 63

      Town cars dispense Gotham society in tasteful masquerade. Wayne pulls up to the Valet. Paparazzi line the entrance. Wayne uses his cane to get out of his Lamborghini …

      PAPARAZZI

      Another stiff too old to climb out of his sports car.

      PAPARAZZI 2

      No, that’s Bruce Wayne! Hey, Wayne, where you been hiding?!

      Lenses swing onto Wayne, who pushes a button on his key fob – a pulse. The cameras die. Wayne heads to the door.

      WAYNE

      I’m not sure if my assistant put me on the guest list –

      GREETER

      Right through here, Mr. Wayne …

      INT. MUSEUM – CONTINUOUS 64

      A lavish ball – the expensively attired dance under falling confetti … Even Bruce Wayne is struck by the ostentation. He spots Selina dancing with a deeply smitten Rich Twit. She wears a small, velvet pair of cat ears. And the pearls.

      MIRANDA

      (o.s.)

      Bruce Wayne at a charity ball?

      Wayne turns to find Miranda Tate, amazed, a small mask her only concession to fancy dress.

      WAYNE

      Miss Tate, isn’t it?

      MIRANDA

      Even before you became a recluse, you never came to these things …

      WAYNE

      True. Proceeds go to the big fat spread, not the cause. It’s not about charity, it’s about feeding the ego of whichever society hag laid it on.

      MIRANDA

      Actually, this is my party, Mr. Wayne.

      WAYNE

      Oh.

      MIRANDA

      And the proceeds will go where they should, because I paid for the big fat spread myself.

      WAYNE

      That’s very generous of you.

      MIRANDA

      You have to invest if you want to restore balance to the world. Take our clean-energy project …

      WAYNE

      Sometimes the investment doesn’t pay off. Sorry.

      MIRANDA

      You have a practiced apathy, Mr. Wayne. But a man who doesn’t care about the world doesn’t spend half his fortune on a plan to save it … (Gentle.) And isn’t so wounded when it fails that he goes into hiding.

      Wayne looks at Miranda. Intrigued.

      MIRANDA

      Have a good evening, Mr. Wayne.

      Wayne watches Miranda glide away. Then turns to Selina.

      WAYNE

      Mind if I cut in?

      Rich Twit turns, annoyed – Wayne hands him his cane. Takes Selina by the waist. She glares at him.

      WAYNE

      You don’t seem very happy to see me.

      SELINA

      You were supposed to be a shut-in.

      WAYNE

      Felt like some fresh air.

      SELINA

      Why didn’t you call the police?

      WAYNE

      I have a powerful friend who deals with this kind of thing. (Admires her cat ears.) Brazen costume for a cat burglar.

      SELINA

      Yeah? Who are you pretending to be?

      WAYNE

      Bruce Wayne, eccentric billionaire. Who’s your date?

      SELINA

      is wife’s in Ibiza. She left her diamonds behind, though. Worried they’d get stolen.

      WAYNE

      It’s pronounced ‘Ibeetha’. You wouldn’t want these folks realizing you’re a crook not a social climber.

      selina

      (flash of anger)

      You think I care what anyone in this room thinks about me?

      WAYNE

      I doubt you care what anyone in any room thinks about you.

      SELINA

      Don’t condescend, Mr. Wayne. You don’t know a thing about me.

      WAYNE

      Well, Selina Kyle, I know you came here from your walk-up in Old Town – modest place for a master jewel thief. Which means either you’re saving for your retirement – or you’re in deep with the wrong people.

      SELINA

      You don’t get to judge me because you were born in the master bedroom of Wayne Manor.

      WAYNE

      Actually, I was born in the Regency Room.

      SELINA

      I started off doing what I had to. Once you’ve done what you had to they’ll never let you do what you want to.

      WAYNE

      Start fresh.

      SELINA

      There’s no fresh start in today’s world. Any twelve-year-old with a cell phone could find out what you did. Everything we do is collated and quantified. Everything sticks. We are the sum of our mistakes.

      WAYNE

      Or our achievements.

      SELINA

      The mistakes stick better. Trust me.

      WAYNE

      You think that justifies stealing?

      SELINA

      I take what I need from those who have more than enough.

      I don’t stand on the shoulders of people with less.

      WAYNE

      Robin
    Hood?

      SELINA

      I’d do more to help someone than most of the people in this room. Than you.

      WAYNE

      Maybe you’re assuming too much.

      SELINA

      Or maybe you’re being unrealistic about what’s really in your pants other than your wallet.

      WAYNE

      Ouch.

      SELINA

      You think all this can last?

      Wayne glances around at the sumptuous party.

      SELINA

      There’s a storm coming, Mr. Wayne. You and your friends better batten down the hatches, because when it hits you’re all going to wonder how you ever thought you could live so large and leave so little for the rest of us.

      WAYNE

      Sounds like you’re looking forward to it.

      SELINA

      I’m adaptable.

      WAYNE

      Those pearls do look better on you than they did in my safe …

      Wayne rolls her into his shoulder – reaches up to the back of her neck, unclasps the necklace.

      But I still can’t let you keep them.

      The pearls slide off her neck into his other hand. Selina looks at him. Angry. Then kisses him, hard, and disappears into the crowd. Wayne’s cane appears.

      RICH TWIT

      (annoyed)

      You scared her off.

      WAYNE

      Not likely.

      EXT. MUSEUM – MOMENTS LATER 65

      Wayne approaches the Valet. Pats down his pockets.

      WAYNE

      I must have lost my ticket –

      VALET

      Your wife said you were taking a cab home, sir.

      WAYNE

      My wife?

      INT./EXT. LAMBORGHINI RACING DOWN STREETS – CONTINUOUS 66

      Selina permits herself a little smile as she guns the engine.

      INT. ROLLS ROYCE – LATER 67

      Alfred watches in the mirror as Wayne climbs into the back.

      ALFRED

      Just you, sir?

      Wayne gives him a withering stare.

      Don’t worry, Master Wayne. Takes a little time to get back into the swing of things.

     


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