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    Parnassus on Wheels

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      “Surely there is!” I said. “I am the prisoner’s next of kin.”

      “What do you mean?” he said. “In what relationship do you stand to this Roger Mifflin?”

      “I intend to marry him just as soon as I can get him away from here.”

      He burst into a roar of laughter. “I guess there’s no stopping you,” he said. He pinned the Governor’s card to a blue paper on the desk, and began filling in some blanks.

      “Well, Miss McGill,” he went on, “don’t take away more than one of my prisoners or I’ll lose my job. The turnkey will take you up to the cell. I’m exceedingly sorry: you can see that the mistake was none of our fault. Tell the Governor that, will you, when you see him?”

      I followed the attendant up two flights of bare, stone stairs, and down a long, whitewashed corridor. It was a gruesome place; rows and rows of heavy doors with little, barred windows. I noticed that each door had a combination knob, like a safe. My knees felt awfully shaky.

      But it wasn’t really so heart-throbby as I had expected. The jailer stopped at the end of a long passageway. He spun the clicking dial, while I waited in a kind of horror. I think I expected to see the Professor with shaved head (they couldn’t shave much off his head, poor lamb!) and striped canvas suit, and a ball and chain on his ankle.

      The door swung open heavily. There was a narrow, clean little room with a low camp bed, and under the barred window a table strewn with sheets of paper. It was the Professor in his own clothes, writing busily, with his back toward me. Perhaps he thought it was only an attendant with food, or perhaps he didn’t even hear the interruption. I could hear his pen running busily. I might have known you never would get any heroics out of that man! Trust him to make the best of it!

      “Lemon sole and a glass of sherry, please, James,” said the Professor over his shoulder, and the warder, who evidently had joked with him before, broke into a cackle of laughter.

      “A lady to see yer Lordship,” he said.

      The Professor turned round. His face went quite white. For the first time in my experience of him he seemed to be at a loss for speech.

      “Miss—Miss McGill,” he stammered. “You are the good Samaritan. I’m doing the John Bunyan act, see? Writing in prison. I’ve really started my book at last. And I find the fellows here know nothing whatever about literature. There isn’t even a library in the place.”

      For the life of me, I couldn’t utter the tenderness in my heart with that gorilla of a jailer standing behind us.

      Somehow we made our way downstairs, after the Professor had gathered together the sheets of his manuscript. It had already reached formidable proportions, as he had written fifty pages in the thirty-six hours he had been in prison. In the office we had to sign some papers. The sheriff was very apologetic to Mifflin, and offered to take him back to town in his car, but I explained that Parnassus was waiting at the gate. The Professor’s eyes brightened when he heard that, but I had to hurry him away from an argument about putting good books in prisons. The sheriff walked with us to the gate and there shook hands again.

      Peg whickered as we came up to her, and the Professor patted her soft nose. Bock tugged at his chain in a frenzy of joy. At last we were alone.

      XV

      I never knew just how it happened. Instead of driving back through Port Vigor, we turned into a side road leading up over the hill and across the heath where the air came fresh and sweet from the sea. The Professor sat very silent, looking about him. There was a grove of birches on the hill, and the sunlight played upon their satin boles.

      “It feels good to be out again,” he said calmly. “The Sage cannot be so keen a lover of open air as his books would indicate, or he wouldn’t be so ready to clap a man into quod. Perhaps I owe him another punch on the nose for that.”

      “Oh, Roger,” I said—and I’m afraid my voice was trembly—“I’m sorry. I’m sorry.”

      Not very eloquent, was it? And then, somehow or other, his arm was around me.

      “Helen,” he said. “Will you marry me? I’m not rich, but I’ve saved up enough to live on. We’ll always have Parnassus, and this winter we’ll go and live in Brooklyn and write the book. And we’ll travel around with Peg, and preach the love of books and the love of human beings. Helen—you’re just what I need, God bless you. Will you come with me and make me the happiest bookseller in the world?”

      Peg must have been astonished at the length of time she had for cropping the grass, undisturbed. I know that Roger and I sat careless of time. And when he told me that ever since our first afternoon together he had determined to have me, sooner or later, I was the proudest woman in New England. I told Roger about the ghastly wreck, and my agony of apprehension. I think it was the wreck that made us both feel inclined to forgive Andrew.

      We had a light luncheon together there on the dunes above the Sound. By taking a short cut over the ridge we struck into the Shelby road without going down into Port Vigor again. Peg pulled us along toward Greenbriar, and we talked as we went.

      Perhaps the best of it was that a cold drizzle of rain began to fall as we moved along the hill road. The Professor—as I still call him, by force of habit—curtained in the front of the van with a rubber sheet. Bock hopped up and curled himself aginst his master’s leg. Roger got out his corncob pipe, and I sat close to him. In the gathering gloom we plodded along, as happy a trio—or quartet, if you include fat, cheery old Peg—as any on this planet. Summer was over, and we were no longer young, but there were great things before us. I listened to the drip of the rain, and the steady creak of Parnassus on her axles. I thought of my “anthology” of loaves of bread and vowed to bake a million more if Roger wanted me to. It was after supper time when we got to Greenbriar. Roger had suggested that we take a shorter road that would have brought us through to Redfield sooner, but I begged him to go by way of Shelby and Greenbriar, just as we had come before. I did not tell him why I wanted this. And when finally we came to a halt in front of Kirby’s store at the crossroads it was raining heavily and we were ready for a rest.

      “Well, sweetheart,” said Roger, “shall we go and see what sort of rooms the hotel has?”

      “I can think of something better than that,” said I. “Let’s go up to Mr. Kane and have him marry us. Then we can get back to Sabine Farm afterward, and give Andrew a surprise.”

      “By the bones of Hymen!” said Roger. “You’re right!”

      It must have been ten o’clock when we turned in at the red gate of Sabine Farm. The rain had stopped, but the wheels sloshed through mud and water at every turn. The light was burning in the sitting-room, and through the window I could see Andrew bent over his work table. We climbed out, stiff and sore from the long ride. I saw Roger’s face set in a comical blend of sternness and humour.

      “Well, here goes to surprise the Sage!” he whispered.

      We picked our way between puddles and rapped on the door. Andrew appeared, carrying the lamp in one hand. When he saw us he grunted.

      “Let me introduce my wife,” said Roger.

      “Well, I’ll be damned,” said Andrew.

      But Andrew isn’t quite so black as I’ve painted him. When he’s once convinced of the error of his ways, he is almost pathetically eager to make up. I remember only one remark in the subsequent conversation, because I was so appalled by the state of everything at Sabine Farm that I immediately set about putting the house to rights. The two men, however, as soon as Parnassus was housed in the barn and the animals under cover, sat down by the stove to talk things over.

      “I tell you what,” said Andrew—“do whatever you like with your wife; she’s too much for me. But I’d like to buy that Parnassus.”

      “Not on your life!” said the Professor.

      OTHER TITLES IN THE ART OF THE NOVELLA SERIES

      BARTLEBY THE SCRIVENER

      HERMAN MELVILLE

      THE LESSON OF THE MASTER

      HENRY JAMES

      MY LIFE

      ANTON CHEKHOV

      THE
    DEVIL

      LEO TOLSTOY

      THE TOUCHSTONE

      EDITH WHARTON

      THE HOUND OF THE

      BASKERVILLES

      ARTHUR CONAN DOYLE

      THE DEAD

      JAMES JOYCE

      FIRST LOVE

      IVAN TURGENEV

      A SIMPLE HEART

      GUSTAVE FLAUBERT

      THE MAN WHO WOULD BE KING

      RUDYARD KIPLING

      MICHAEL KOHLHAAS

      HEINRICH VON KLEIST

      THE BEACH OF FALESÁ

      ROBERT LOUIS STEVENSON

      THE HORLA

      GUY DE MAUPASSANT

      THE ETERNAL HUSBAND

      FYODOR DOSTOEVSKY

      THE MAN THAT CORRUPTED

      HADLEYBURG

      MARK TWAIN

      THE LIFTED VEIL

      GEORGE ELIOT

      THE GIRL WITH THE

      GOLDEN EYES

      HONORÉ DE BALZAC

      A SLEEP AND A FORGETTING

      WILLIAM DEAN HOWELLS

      BENITO CERENO

      HERMAN MELVILLE

      MATHILDA

      MARY SHELLEY

      STEMPENYU: A JEWISH ROMANCE

      SHOLEM ALEICHEM

      FREYA OF THE SEVEN ISLES

      JOSEPH CONRAD

      HOW THE TWO IVANS

      QUARRELLED

      NIKOLAI GOGOL

      MAY DAY

      F. SCOTT FITZGERALD

      RASSELAS, PRINCE ABYSSINIA

      SAMUEL JOHNSON

      THE DIALOGUE OF THE DOGS

      MIGUEL DE CERVANTES

      THE LEMOINE AFFAIR

      MARCEL PROUST

      THE COXON FUND

      HENRY JAMES

      THE DEATH OF IVAN ILYICH

      LEO TOLSTOY

      TALES OF BELKIN

      ALEXANDER PUSHKIN

      THE AWAKENING

      KATE CHOPIN

      ADOLPHE

      BENJAMIN CONSTANT

      THE COUNTRY OF

      THE POINTED FIRS

      SARAH ORNE JEWETT

      PARNASSUS ON WHEELS

      CHRISTOPHER MORLEY

      THE NICE OLD MAN

      AND THE PRETTY GIRL

      ITALO SVEVO

      LADY SUSAN

      JANE AUSTEN

      JACOB’S ROOM

      VIRGINIA WOOLF

      THE DUEL

      GIACOMO CASANOVA

      THE DUEL

      ANTON CHEKHOV

      THE DUEL

      JOSEPH CONRAD

      THE DUEL

      HEINRICH VON KLEIST

      THE DUEL

      ALEXANDER KUPRIN

      THE ALIENIST

      MACHADO DE ASSIS

      ALEXANDER’S BRIDGE

      WILLA CATHER

      FANFARLO

      CHARLES BAUDELAIRE

      THE DISTRACTED PREACHER

      THOMAS HARDY

      THE ENCHANTED WANDERER

      NIKOLAI LESKOV

     

     

     



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