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    Christine Feehan 5 CARPATHIAN NOVELS

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      Note: As mentioned earlier, vowels often get inserted between the word and its suffix so as to prevent too many consonants from appearing in a row (which would produce unpronouncable words). For example, in the table above, all nouns that end in a consonant are followed by suffixes beginning with “a.”

      Verb conjugation. Like its modern descendents (such as Finnish and Hungarian), Carpathian has many verb tenses, far too many to describe here. We will just focus on the conjugation of the present tense. Again, we will place contemporary Hungarian side by side with the Carpathian, because of the marked similarity of the two.

      As with the possessive case for nouns, the conjugation of verbs is done by adding a suffix onto the verb stem:

      As with all languages, there are many “irregular verbs” in Carpathian that don’t exactly fit this pattern. But the above table is still a useful guideline for most verbs.

      3. Examples of the Carpathian language

      Here are some brief examples of conversational Carpathian, used in the Dark books. We include the literal translation in square brackets. It is interestingly different from the most appropriate English translation.

      Susu.

      I am home.

      [“home/birthplace.” “I am” is understood, as is often the case in Carpathian.]

      Möért?

      What for?

      csitri

      little one

      [“little slip of a thing”, “little slip of a girl”]

      ainaak enyém

      forever mine

      ainaak sívamet jutta

      forever mine (another form)

      [“forever to-my-heart connected/fixed”]

      sívamet

      my love

      [“of-my-heart,” “to-my-heart”]

      Sarna Rituaali (The Ritual Words) is a longer example, and an example of chanted rather than conversational Carpathian. Note the recurring use of “andam” (“I give”), to give the chant musicality and force through repetition.

      Sarna Rituaali (The Ritual Words)

      Te avio päläfertiilam.

      You are my lifemate.

      [You wedded wife-my. “Are” is understood, as is generally the case in Carpathian when one thing is equated with another: “You-my lifemate.”]

      Éntölam kuulua, avio päläfertiilam.

      I claim you as my lifemate.

      [To-me belong-you, wedded wife-my.]

      Ted kuuluak, kacad, kojed.

      I belong to you.

      [To-you belong-I, lover-your, man/husband/drone-your.]

      Élidamet andam.

      I offer my life for you.

      [Life-my give-I. “you” is understood.]

      Pesämet andam.

      I give you my protection.

      [Nest-my give-I]

      Uskolfertiilamet andam.

      I give you my allegiance.

      [Fidelity-my give-I.]

      Sívamet andam.

      I give you my heart.

      [Heart-my give-I.]

      Sielamet andam.

      I give you my soul.

      [Soul-my give-I.]

      Ainamet andam.

      I give you my body.

      [Body-my give-I.]

      Sívamet kuuluak kaik että a ted.

      I take into my keeping the same that is yours.

      [To-my-heart hold-I all that-is yours.]

      Ainaak olenszal sívambin.

      Your life will be cherished by me for all my time.

      [Forever will-be-you in-my-heart.]

      Te élidet ainaak pide minan.

      Your life will be placed above my own for all time.

      [Your life forever above mine.]

      Te avio päläfertiilam.

      You are my lifemate.

      [You wedded wife-my.]

      Ainaak sívamet jutta oleny.

      You are bound to me for all eternity.

      [Forever to-my-heart connected are-you.]

      Ainaak terád vigyázak.

      You are always in my care.

      [Forever you I-take-care-of.]

      See Appendix 1 for Carpathian healing chants, including both the Kepä Sarna Pus (“The Lesser Healing Chant”) and the En Sarna Pus (“The Great Healing Chant”).

      To hear these words pronounced (and for more about Carpathian pronunciation altogether), please visit: http://www.christinefeehan.com/members/

      4. A much abridged Carpathian dictionary

      This very much abridged Carpathian dictionary contains most of the Carpathian words used in these Dark books. Of course, a full Carpathian dictionary would be as large as the usual dictionary for an entire language.

      Note: The Carpathian nouns and verbs below are word stems. They generally do not appear in their isolated, “stem” form, as below. Instead, they usually appear with suffixes (e.g., “andam”—“I give,” rather than just the root, “and”).

      aina—body

      ainaak—forever

      akarat—mind; will

      ál—bless, attach to

      alatt—through

      ale—to lift; to raise

      and—to give

      avaa—to open

      avio—wedded

      avio päläfertiil—lifemate

      belso—within; inside

      ćaδa—to flee; to run; to escape

      ćoro—to flow; to run like rain

      csitri—little one (female)

      ekä—brother

      elä—to live

      elävä—alive

      elävä ainak majaknak—land of the living

      elid—life

      én—I

      en—great, many, big

      En Puwe—The Great Tree. Related to the legends of Ygddrasil, the axis mundi, Mount Meru, heaven and hell, etc.

      engem—me

      eći—to fall

      ek—suffix added after a noun ending in a consonant to make it plural

      és—and

      että—that

      fáz—to feel cold or chilly

      fertiil—fertile one

      fesztelen—airy

      fü—herbs; grass

      gond—care; worry (noun)

      hän—he; she; it

      hany—clod; lump of earth

      irgalom—compassion; pity; mercy

      jälleen—again.

      jama—to be sick, wounded, or dying; to be near death (verb)

      jelä—sunlight; day, sun; light

      joma—to be under way; to go

      jorem—to forget; to lose one’s way; to make a mistake

      juta—to go; to wander

      jüti—night; evening

      jutta—connected; fixed (adj.). to connect; to fix; to bind (verb)

      k—suffix added after a noun ending in a vowel to make it plural

      kaca—male lover

      kaik—all (noun)

      kana—to call; to invite; to request; to beg

      kank—windpipe; Adam’s apple; throat

      Karpatii—Carpathian

      käsi—hand

      kepä—lesser, small, easy, few

      kinn—out; outdoors; outside; without

      kinta—fog, mist, smoke

      koje—man; husband; drone

      kola—to die

      koma—empty hand; bare hand; palm of the hand; hollow of the hand.

      kont—warrior

      kule—hear

      kuly—intestinal worm; tapeworm; demon who possesses and devours souls

      kulke—to go or to travel (on land or water)

      kua—to lie as if asleep; to close or cover the eyes in a game of hide-and-seek; to die

      kunta—band, clan, tribe, family

      kuulua—to belong; to hold

      lamti—lowland; meadow

      lamti ból jüti, kinta, ja szelem—the nether world (literally: “the meadow of night, mists, and ghosts”)

      lejkka—crack, fissure, split (noun). To cut ø hit; to strike forcefully (verb).

      lewl—spirit

      lewl ma—the other world (literally: “spirit land”). Lewlma includes lamti ból jüti, kinta, ja szelem: the nether world, but also
    includes the worlds higher up En Puwe, the Great Tree

      löyly—breath; steam. (related to lewl: “spirit”)

      ma—land; forest

      mäne—rescue; save

      me—we

      meke—deed; work (noun). To do; to make; to work (verb)

      minan—mine

      minden—every, all (adj.).

      möért?—what for? (exclamation)

      molo—to crush; to break into bits

      molanâ—to crumble; to fall apart

      mozdul—to begin to move, to enter into movement

      nä—for

      naman—this; this one here

      nélkül—without

      nenä—anger

      nó—like; in the same way as; as

      numa—god; sky; top; upper part; highest (related to the English word: “numinous”)

      nyelv—tongue

      nyál—saliva; spit (noun). (related to nyelv: “tongue”)

      odam—dream; sleep (verb)

      oma—old; ancient

      omboće—other; second (adj.)

      o—the (used before a noun beginning with a consonant)

      ot—the (used before a noun beginning with a vowel)

      otti—to look; to see; to find

      owe—door

      pajna—to press

      pälä—half; side

      päläfertiil—mate or wife

      pél—to be afraid; to be scared of

      pesä—nest (literal); protection (figurative)

      pide—above

      pirä—circle; ring (noun). To surround; to enclose (verb).

      pitä—keep, hold

      piwtä—to follow; to follow the track of game

      pukta—to drive away; to persecute; to put to flight

      pusm—to be restored to health

      pus—healthy; healing

      puwe—tree; wood

      reka—ecstasy; trance

      rituaali—ritual

      saγe—to arrive; to come; to reach

      salama—lightning; lightning bolt

      sarna—words; speech; magic incantation (noun). To chant; to sing; to celebrate (verb)

      aro—frozen snow

      siel—soul

      sisar—sister

      sív—heart

      sívdobbanás—heartbeat

      sone—to enter; to penetrate; to compensate; to replace

      susu—home; birthplace (noun). at home (adv.)

      szabadon—freely

      szelem—ghost

      tappa—to dance; to stamp with the feet (verb)

      te—you

      ted—yours

      toja—to bend; to bow; to break

      toro—to fight; to quarrel

      tule—to meet; to come

      türe—full, satiated, accomplished

      tyvi—stem; base; trunk

      uskol—faithful

      uskolfertiil—allegiance

      veri—blood

      vigyáz—to care for; to take care of

      vii—last; at last; finally

      wäke—power

      wara—bird; crow

      weća—complete; whole

      wete—water

      This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s Imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events or locales is entirely coincidental.

      The Penguin Putnam Inc. World Wide Web site address is

      http://www.penguinputnam.com

      THE BERKLEY PUBLISHING GROUP

      Published by the Penguin Group

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      Penguin Books Ltd., 80 Strand, London WC2R 0RL, England

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      Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, En gland

      This book is an original publication of The Berkley Publishing Group.

      This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The recipes contained in this book are to be followed exactly as written. The publisher is not responsible for your specific health or allergy needs that may require medical supervision. The publisher is not responsible for any adverse reactions to the recipes contained in this book. Further, the publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

      Copyright © 2006 by Christine Feehan.

      All rights reserved.

      No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions.

      BERKLEY is a registered trademark of Penguin Group (USA) Inc.

      The “B” design is a trademark belonging to Penguin Group (USA) Inc.

      ISBN: 1-101-14699-0

      An application to register this book for cataloging has been submitted to the Library of Congress.

      For my beloved daughter, Cecilia, who has always

      given us reason for celebration!

      FOR MY READERS

      Be sure to write to Christine at Christine@christinefeehan.com to get a FREE exclusive screen saver and join the PRIVATE e-mail list to receive an announcement when Christine’s books are released.

      ACKNOWLEDGMENTS

      Many thanks to Diane Trudeau for her help with the recipes. Cheryl Wilson, you know you are invaluable. Denise, Manda and Brian, thank you for your unfailing support and all of the work you do to help me put these books together.

      Dear Readers,

      Over the past few years, I have received thousands of letters asking for a reunion of the Carpathian characters. I resisted the idea for a long time, uncertain how one could bring so many vivid and larger-than-life characters together in the same book. It seemed a daunting task. Then one evening, I was sitting around a fireplace talking with some author friends about the mess we’d made of the dinner that night. We’d rented a house together to work, and unfortunately, some of us were a little lax on the cooking skills. (I’m not mentioning names here or raising my hand, but a few of the disasters depicted in this book actually did happen, sadly enough to say.) We were laughing so hard, and the idea of a Christmas party where the Carpathians cooked for their friends was born.

      I pitched the idea to my editor as a special thank-you gift book at Christmas time for my readers. I was very excited to have a fun, lighthearted book to write. I was thrilled with the idea of adding in the Dark Desserts, and so many wonderful people from all over the world sent in the most scrumptious recipes. The concept was completely different than anything I’d ever conceived of writing, so it was going to be great fun! And then I sat down and started to write it…

      First of all, it hadn’t occurred to me that there was no hero and heroine, and that I would have to find a way to transition each chapter smoothly. And second, and more important, I don’t write fun and light hearted. My characters tend to take over the book and run away with it, and this book was no exception. No matter how hard I tried, the book turned—yes, you
    guessed it—dark !

      Once I called my editor and warned her that the book had taken on its own life and I wasn’t going to be delivering that light hearted book, I simply accepted it and allowed the characters free rein. They took over, and Dark Celebration became a huge part of the rich tapestry that makes up the Carpathian world. I had fun revisiting the characters and finding out how they were doing together and what their lives were like as couples as well as what the Carpathian society was like as a whole.

      The book turned into something very unexpected, but in all honesty, I thoroughly enjoyed myself writing it, and I certainly hope you have just as much fun reading it. When I write, the characters definitely dictate the story, so several were very forthcoming while others hung back a little more than I would have liked. All in all, in the end I think we caught a glimpse of old friends and what their lives are together. I found myself smiling a lot while writing it and hope you have the same reaction reading it!

      Warmest regards,

      Christine

      Contents

      ACKNOWLEDGMENTS

      Chapter 1

      Chapter 2

      Chapter 3

      Chapter 4

      Chapter 5

      Chapter 6

      Chapter 7

      Chapter 8

      Chapter 9

      Chapter 10

      Chapter 11

      Chapter 12

      Chapter 13

      Chapter 14

      Chapter 15

      Chapter 16

      Chapter 17

      Chapter 18

     


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