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    Stancliffe's Hotel

    Page 7
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      He drew aside the crimson curtain and let the evening sun shine upon her. He walked softly to and fro in the saloon, and every time he passed her couch turned on her his ardent gaze. That man has now loved Mary Percy longer than he ever loved any woman before, and I daresay her face has by this time become to him a familiar and household face. It may be told, by the way in which his eye seeks the delicate and pallid features and rests on their lines, that he finds settled pleasure in the contemplation. In all moods, at all times, he likes them. Her temper is changeful; she is not continual sunshine; she weeps sometimes, and frets and teazes him not unfrequently with womanish jealousies. I don't think another woman lives on earth in whom he would bear these changes for a moment. From her, they almost please him. He finds an amusement in playing with her fears - piquing or soothing them as caprice directs.

      She slept still, but now he stoops to wake her. He separated her clasped hands and took one in his own. Disturbed by the movement, she drew that hand hastily and petulantly away, and turned on her couch with a murmur. He laughed, and the laugh woke her. Rising, she looked at him and smiled. Still she seemed weary, and when he placed himself beside her she dropped her head on his shoulder and would have slept again. But the Duke would not permit this: he was come for his evening's amusement, and his evening's amusement he would have, whether she was fit to yield it or not. In answer to his prohibitory and disturbing movements she said,

      'Adrian, I am tired.'

      'Too tired to talk to me?' he asked.

      'No, Adrian, but let me lean against you.'

      Still he held her off.

      'Come,' said he. 'Open your eyes and fasten your hair up; it is hanging on your neck like a mermaid's.' The Duchess raised her hand to her hair; it was indeed all loose and dishevelled over her shoulders. She got up to arrange it, and the occupation roused her. Having smoothed the auburn braids before a mirror, and touched and retouched her loosened dress till it resumed its usual aspect of fastidious neatness, she walked to the window.

      'The sun is gone,' said she. 'I am too late to see it set.' And she pensively smiled as her eye lingered on the soft glory which the sun, just departed, had left in its track. 'That is the West!' she exclaimed; and, turning to Zamorna, added quickly, 'What if you had been born a great imaginative Angrian?'

      'Well, I should have played the fool as I have done by marrying a little imaginative Senegambian.'

      'And,' she continued, talking half to herself and half to him, 'I should have had a very different feeling towards you then to what I have now. I should have fancied you cared nothing about my country so far off, with its wide wild woodlands. I should have thought all your heart was wrapt in this land, so fair and rich, teeming with energy and life, but still, Adrian, not with the romance of the West.'

      'And what do you think now, my Sappho?'

      'That you are not a grand awful foreigner absorbed in your kingdom as the grandest land of the earth, looking at me as an exotic, listening to my patriotic rhapsodies as sentimental dreams, but a son of Senegambia as I am a daughter - a thousand times more glorious to me, because you are the most glorious thing my own land ever flung from her fire-fertilized soil! I looked at you when those Angrians were howling round you today, and remembered that you were my countryman, not theirs - and all at once their alien senses, their foreign hearts, seemed to have discerned something uncongenial in you, the great stranger, and they rose under your control, yelling rebelliously.'

      'Mary!' exclaimed the Duke, laughingly approaching her. 'Mary, what ails you this evening? Let me look - is it the same quiet little winsome face I am accustomed to see?' He raised her face and gazed but she turned with a quick movement away.

      'Don't, Adrian. I have been dreaming about Percy Hall. When will you let me go there?'

      'Any time. Set off tonight if you please.'

      'That is nonsense, and I am serious. I must go sometime - but you never let [me] do anything I wish.'

      'Indeed! You dared not say so, if you were not far too much indulged.'

      'Let me go, and come with me in about a month when you have settled matters at Adrianopolis - promise, Adrian.'

      'I'll let you go willingly enough,' returned Zamorna, sitting down and beginning to look vexatious. 'But as for asking me to leave Angria again for at least a year and a day - none but an over-fondled wife would think of preferring an unreasonable request.'

      'It is not unreasonable, and I suppose you want me to leave you? I'd never allow you to go fifteen hundred miles if I could help it.'

      'No,' returned His Grace. 'Nor fifteen hundred yards either. You'd keep me like a china ornament in your drawing-room. Come, dismiss that pet! What is it all about?'

      'Adrian, you look so scornful.'

      He took up a book which lay in the window-seat, and began to read. The Duchess stood a while looking at him, and knitting her arched and even brows. He turned over page after page, and by the composure of his brow expressed interest in what he was reading and an intention to proceed. Her Grace is by no means the victim of caprice, though now and then she seems daringly to play with weapons few besides would venture to handle. On this occasion her tact, so nice as to be infallible, informed her that the pet was carried far enough. She sat down, then, by Zamorna's side; leant over and looked at the book; it was poetry - a volume of Byron. Her attention, likewise, was arrested; and she continued to read, turning the page with her slender [finger], after looking into the Duke's face at the conclusion of each leaf to see if he was ready to proceed. She was so quiet, her hair so softly fanned his cheek as she leaned her head towards him, the contact of her gentle hand now and then touching his, of her smooth and silken dress, was so endearing, that it quickly appeased the incipient ire her whim of perverseness had raised; and when, in about half an hour, she ventured to close the obnoxious volume and take it from his hand, the action met with no resistance - nothing but a shake of the head, half-reproving, half-indulgent.

      Little more was said by either Duke or Duchess, or at least their further conversation was audible to no mortal ear. The shades of dusk were gathering in the room; the very latest beam of sunset was passing from its gilded walls. They sat in the deep recess of the window side by side, a cloudless moon looking down from the sky upon them and lighting their faces with her smile. Mary leant her happy head on a breast she thought she might trust - happy in that belief, even though it were a delusion. Zamorna had been kind, even fond, and, for aught she knew, faithful, ever since their last blissful meeting at Adrianopolis, and she had learnt how to rest in his arms with a feeling of security, not trembling lest when she most needed the support it might all at once be torn away. During their late visit to Northangerland he had shewn her marked attention, conscious that tenderness bestowed on her was the surest method of soothing her father's heart, and words could not express half the rapture of her feelings when, more than once, seated between the Earl and Duke on such an evening as this, she had perceived that both regarded her as the light and hope of their lives. Language had not revealed this to her. Her father is a man of few words on sentimental matters; her husband, of none at all, though very vigorous in his actions; but Northangerland cheered in her presence, and Zamorna watched her from morning till night, following all her movements with a keen and searching glance.

      Is that Hannah Rowley tapping at the door? She says tea is [ready], and Mr Surena impatient to get into the shop again. Goodbye, reader.

      June 28th 1838

      BOCCACCIO * Mrs Rosie and the Priest

      GERARD MANLEY HOPKINS * As kingfishers catch fire

      The Saga of Gunnlaug Serpent-tongue

      THOMAS DE QUINCEY * On Murder Considered as One of the Fine Arts

      FRIEDRICH NIETZSCHE * Aphorisms on Love and Hate

      JOHN RUSKIN * Traffic

      PU SONGLING * Wailing Ghosts

      JONATHAN SWIFT * A Modest Proposal

      Three Tang Dynasty Poets

      WALT WHITMAN * On the Beach at Night Alone

      KENKO * A
    Cup of Sake Beneath the Cherry Trees

      BALTASAR GRACIAN * How to Use Your Enemies

      JOHN KEATS * The Eve of St Agnes

      THOMAS HARDY * Woman much missed

      GUY DE MAUPASSANT * Femme Fatale

      MARCO POLO * Travels in the Land of Serpents and Pearls

      SUETONIUS * Caligula

      APOLLONIUS OF RHODES * Jason and Medea

      ROBERT LOUIS STEVENSON * Olalla

      KARL MARX AND FRIEDRICH ENGELS * The Communist Manifesto

      PETRONIUS * Trimalchio's Feast

      JOHANN PETER HEBEL * How a Ghastly Story Was Brought to Light by a Common or Garden Butcher's Dog

      HANS CHRISTIAN ANDERSEN * The Tinder Box

      RUDYARD KIPLING * The Gate of the Hundred Sorrows

      DANTE * Circles of Hell

      HENRY MAYHEW * Of Street Piemen

      HAFEZ * The nightingales are drunk

      GEOFFREY CHAUCER * The Wife of Bath

      MICHEL DE MONTAIGNE * How We Weep and Laugh at the Same Thing

      THOMAS NASHE * The Terrors of the Night

      EDGAR ALLAN POE * The Tell-Tale Heart

      MARY KINGSLEY * A Hippo Banquet

      JANE AUSTEN * The Beautifull Cassandra

      ANTON CHEKHOV * Gooseberries

      SAMUEL TAYLOR COLERIDGE * Well, they are gone, and here must I remain

      JOHANN WOLFGANG VON GOETHE * Sketchy, Doubtful, Incomplete Jottings

      CHARLES DICKENS * The Great Winglebury Duel

      HERMAN MELVILLE * The Maldive Shark

      ELIZABETH GASKELL * The Old Nurse's Story

      NIKOLAY LESKOV * The Steel Flea

      HONORE DE BALZAC * The Atheist's Mass

      CHARLOTTE PERKINS GILMAN * The Yellow Wall-Paper

      C. P. CAVAFY * Remember, Body ...

      FYODOR DOSTOEVSKY * The Meek One

      GUSTAVE FLAUBERT * A Simple Heart

      NIKOLAI GOGOL * The Nose

      SAMUEL PEPYS * The Great Fire of London

      EDITH WHARTON * The Reckoning

      HENRY JAMES * The Figure in the Carpet

      WILFRED OWEN * Anthem For Doomed Youth

      WOLFGANG AMADEUS MOZART * My Dearest Father

      PLATO * Socrates' Defence

      CHRISTINA ROSSETTI * Goblin Market

      Sindbad the Sailor

      SOPHOCLES * Antigone

      RYUNOSUKE AKUTAGAWA * The Life of a Stupid Man

      LEO TOLSTOY * How Much Land Does A Man Need?

      GIORGIO VASARI * Leonardo da Vinci

      OSCAR WILDE * Lord Arthur Savile's Crime

      SHEN FU * The Old Man of the Moon

      AESOP * The Dolphins, the Whales and the Gudgeon

      MATSUO BASHO * Lips too Chilled

      EMILY BRONTE * The Night is Darkening Round Me

      JOSEPH CONRAD * To-morrow

      RICHARD HAKLUYT * The Voyage of Sir Francis Drake Around the Whole Globe

      KATE CHOPIN * A Pair of Silk Stockings

      CHARLES DARWIN * It was snowing butterflies

      BROTHERS GRIMM * The Robber Bridegroom

      CATULLUS * I Hate and I Love

      HOMER * Circe and the Cyclops

      D. H. LAWRENCE * Il Duro

      KATHERINE MANSFIELD * Miss Brill

      OVID * The Fall of Icarus

      SAPPHO * Come Close

      IVAN TURGENEV * Kasyan from the Beautiful Lands

      VIRGIL * O Cruel Alexis

      H. G. WELLS * A Slip under the Microscope

      HERODOTUS * The Madness of Cambyses

      Speaking of Siva

      The Dhammapada

      JANE AUSTEN * Lady Susan

      JEAN-JACQUES ROSSEAU * The Body Politic

      JEAN DE LA FONTAINE * The World is Full of Foolish Men

      H. G. WELLS * The Sea Raiders

      LIVY * Hannibal

      CHARLES DICKENS * To Be Read at Dusk

      LEO TOLSTOY * The Death of Ivan Ilyich

      MARK TWAIN * The Stolen White Elephant

      WILLIAM BLAKE * Tyger, Tyger

      SHERIDAN LE FANU * Green Tea

      The Yellow Book

      OLAUDAH EQUIANO * Kidnapped

      EDGAR ALLAN POE * A Modern Detective

      The Suffragettes

      MARGERY KEMPE * How To Be a Medieval Woman

      JOSEPH CONRAD * Typhoon

      GIACOMO CASANOVA * The Nun of Murano

      W. B. YEATS * A terrible beauty is born

      THOMAS HARDY * The Withered Arm

      EDWARD LEAR * Nonsense

      ARISTOPHANES * The Frogs

      FRIEDRICH NIETZSCHE * Why I Am so Clever

      RAINER MARIA RILKE * Letters to a Young Poet

      LEONID ANDREYEV * Seven Hanged

      APHRA BEHN * Oroonoko

      LEWIS CARROLL * O frabjous day!

      JOHN GAY * Trivia: or, the Art of Walking the Streets of London

      E. T. A. HOFFMANN * The Sandman

      DANTE * Love that moves the sun and other stars

      ALEXANDER PUSHKIN * The Queen of Spades

      ANTON CHEKHOV * A Nervous Breakdown

      KAKUZO OKAKURA * The Book of Tea

      WILLIAM SHAKESPEARE * Is this a dagger which I see before me?

      EMILY DICKINSON * My life had stood a loaded gun

      LONGUS * Daphnis and Chloe

      MARY SHELLEY * Matilda

      GEORGE ELIOT * The Lifted Veil

      FYODOR DOSTOYEVSKY * White Nights

      OSCAR WILDE * Only Dull People Are Brilliant at Breakfast

      VIRGINIA WOOLF * Flush

      ARTHUR CONAN DOYLE * Lot No. 249

      The Rule of Benedict

      WASHINGTON IRVING * Rip Van Winkle

      Anecdotes of the Cynics

      VICTOR HUGO * Waterloo

      CHARLOTTE BRONTE * Stancliffe's Hotel

      littleblackclassics.com

      THE BEGINNING

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      This edition published in Penguin Classics 2016

      Editorial matter copyright (c) Heather Glen, 2006

      The moral right of the editor has been asserted Text reproduced courtesy of The Bronte Parsonage Museum ISBN: 978-0-241-25171-3

     

     

     



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