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    New Poems Book Three

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      to most folks

      but which is good enough

      especially when you can

      watch someone like Morry

      walk away with the seat of his pants

      jammed up in the crack of his

      ass.

      APPARITIONS

      I thought I saw the one with long

      brown hair standing by the coffee stand.

      she had on dark shades.

      I ducked and got on the escalator

      and went down to the first

      floor and mingled with the

      crowd.

      a few days later

      I thought I saw the redhead.

      it looked like her ass from behind

      and when her head turned I’m

      almost sure it was her

      face.

      I quickly changed floors,

      went all the way over to the

      clubhouse.

      it might all be my imagination

      that I saw 2 of the women

      that I once thought I couldn’t

      live

      without.

      but

      at least

      I haven’t run into

      the other

      5.

      SPEED

      every day on the freeway I get into a race with some

      fool.

      I win most of them.

      but now and then I hook up with some fellow who is

      totally insane

      and then I

      lose.

      each day as I drive the freeway I think, not today, today

      I am going to have an

      easy pleasant

      ride.

      but somehow it happens and it’s always on the

      Pasadena Freeway

      with its snake-like curves which enhance the

      danger and exhilaration.

      these same curves make it almost impossible for the

      police to

      check your rate of speed

      so they seldom cruise the

      Pasadena Freeway.

      here I am 65 years old

      dueling with young boys

      making reckless lane changes

      charging into the tiniest gaps between moving

      steel

      the landscape roaring past in the

      rain

      sun

      fog.

      it takes an eye for split-second

      timing

      but there’s only so far

      any of us

      can go.

      IT’S DIFFICULT TO SEE YOUR OWN DEATH APPROACHING

      saw two writers sitting at a table in a café

      the other day—not bad fellows really, either with

      the word or the way.

      it had been several years since I had last

      seen them and as I walked over I noticed that they both

      looked old—their faces sagged and one’s

      hair was white:

      it would appear that the gentle art of poetry

      had not treated them any better than working the

      tomato fields, and oddly, when I greeted them,

      they stammered and could barely respond,

      they just sat there at the table like a

      pair of old coots on a hot summer

      afternoon.

      I took my leave, went back to my table,

      smiled at my wife, pleased that I hadn’t

      grown old like that, no,

      not at all.

      I enjoyed the view of the harbor as I looked out at the

      brightly painted ships docked there, rising and falling

      gently with the tide

      and as I raised my glass to toast my eternal

      youth

      the voice across from me said, “Hank, you

      better take it easy, in just another week

      you’re going to be

      65.”

      MADE IN THE SHADE (HAPPY NEW YEAR)

      Popcorn Man, he don’t give a damn,

      hates his brother, beats his mother,

      he don’t give a damn,

      Popcorn Man.

      Popcorn Man, he don’t have a

      conscience, he don’t wear a rubber,

      hates his mother, beats his brother,

      Popcorn Man.

      Popcorn Man,

      he’ll wipe your ass with a frying pan,

      Popcorn Man,

      he’ll steal your arms, burn your

      meat, suck out your eyeballs as a

      Popcorn treat,

      Popcorn Man.

      he don’t give a damn,

      he don’t give a damn,

      that Popcorn Man,

      he really don’t give a damn,

      that Popcorn Man.

      ONE FOR WOLFGANG

      today was Mozart’s 237th birthday

      as tonight the sounds from the harbor

      drift in over my little

      balcony.

      I suck the world in through this cigar,

      then blow it out.

      I’m calm, I’m tired, I’m calm and

      tired.

      Mozart, what do you think?

      why do the gods tease us as

      we approach the final

      darkness?

      yet, who’d want to stay here

      FOREVER?

      a day at a time is difficult

      enough.

      so I guess everything is all right.

      anyway, happy

      237th birthday.

      and many more.

      I’d like to treat you to

      a fine dinner tonight

      but the other people

      at all the other tables

      wouldn’t

      understand.

      they never

      have.

      NIGHT UNTO NIGHT

      Barney, you knew right away

      when they halved the

      apple

      that your part would contain the

      worm.

      you knew you’d never dream of conquistadors or

      swans.

      each man has his designated place and yours is at

      the end of the line,

      a long long line,

      an almost endless line

      in the worst possible weather.

      you’ll never be embraced by a lovely lady

      and your place in the scheme of things

      will go unrecorded.

      there are men put on earth not to live but to die

      slowly and badly or

      quickly and

      uselessly.

      the latter are the lucky ones.

      Barney, I don’t know what to say.

      it’s the way

      things work.

      it’s pure chance.

      you were born unlucky and unloved,

      tossed into a boiling cauldron.

      you will be as soon

      forgotten as last week’s dream.

      Barney, fair doesn’t matter.

      every heroic effort fails.

      Barney, you have a billion names

      and as many faces.

      you’re not alone.

      just look

      around.

      NOTES ON SOME POETRY

      to feign real emotion, yours or the world’s,

      is, of course, unforgivable

      yet many poets

      past and present

      are adept at

      this.

      these are poets

      who write what I call the

      “comfortable, clever poem.”

      these poems are sometimes written by professors

      of literature who have been on the job for too

      long,

      by the overly ambitious,

      by young students of the game

      or the like.

      but I too am guilty:

      last night I wrote 5 comfortable, clever

      poems.

      and if you aren’t a professor of literature,

      overly ambitious,

      a you
    ng student of the game

      or the like,

      this can also be caused by too much

      success with your writing,

      or even be the result of a life gone

      cozy.

      to make matters worse, I mailed out

      those 5 comfortable, clever poems

      and I wouldn’t be surprised if

      3 or 4 of them were accepted for

      publication.

      none of this has anything to do with

      real emotion and guts,

      it’s just word-slinging for the sake of

      it

      and it’s done almost everywhere by

      almost

      everybody

      we forget what we are really about

      and the more we forget this

      the less we are able to write a

      poem that

      stands and screams and laughs on

      the page.

      we just become like the many writers who make

      poetry magazines so dull and

      unreadable and

      pretentious.

      we might just as well not write at all

      because we’ve become

      fakes, cheaters, poem-hustlers.

      so look for us in the next issue of

      Poetry: A Magazine of Verse,

      look for us in the table of contents,

      turn to any of our precious poems

      and yawn your life

      away.

      THE BUZZ

      very few go there every day,

      it’s hard to beat the 18% take here in California.

      I’ve not only been there every day, I’ve been

      there every day for decades.

      I’ve been there for so long that I know

      many jocks’ agents and trainers.

      we talk

      at the track or on the phone.

      and they’ve been over to my place.

      none of them are very good horseplayers

      compared to me.

      there are some other sad players out there.

      they come day after day and lose and lose.

      where they get their money, I don’t know.

      their clothing is old, dirty, ill-fitting, their shoes

      run down.

      they lose and lose and lose

      and finally vanish

      to be replaced by a host of new losers.

      but I am a fixture.

      I will come in the worst weather, the rain

      falling in one gray sheet of water,

      I will pull into the parking lot, my wipers working hard.

      the attendants know me.

      “another lousy fucking day, huh Hank?”

      it’s a bore between races, they

      make you wait too long, they suck the life

      out of you.

      you lose 25 or 30 minutes between

      races, time you’ll never get back,

      it’s gone, it’s gone, it’s gone.

      most races are 6 furlongs, which means

      the real action lasts somewhere between

      a minute and 9 or ten seconds.

      but when your horse is closing on the

      wire, that’s a feeling hard to

      compare.

      people need a continual war of sorts, some action, the

      buzz.

      that’s when

      you come alive for a moment!

      some get it at the track.

      some get it in other ways.

      many others seldom get it.

      you’ve got to have it now and then,

      you’ve got to.

      a shot of fire!

      an explosion!

      after a photo finish

      your horse’s number going up

      first

      on the tote board!

      it’s the roar of the impossible.

      it’s as stunning as the opening of a flower.

      and you standing there, feeling

      that.

      A SIMPLE KINDNESS

      every now and then

      towards 3 a.m.

      and well into the second

      bottle

      a poem will arrive

      and I’ll read it

      and immediately attach to it

      that dirty word—

      immortal.

      well, we all know that

      in this world now

      that

      immortality can be a very

      brief experience

      or

      in the long run:

      non-existent.

      still, it’s nice to play with

      dreams of

      immortality

      and I set the poem aside in a

      special place

      and

      go on with the

      others

      —to find that poem again

      in the morning

      read it

      and

      without hesitation

      tear it

      up.

      it

      was nowhere near

      immortal

      then

      or

      now

      —just a drunken piece

      of

      sentimental

      trash.

      the best thing about self-rejection

      is that it

      saves that obnoxious duty

      from being

      somebody else’s

      problem.

      GOOD TRY, ALL

      did I fail those fragile tulips?

      I think back over my checkered past

      remembering all the ladies I’ve known who

      at the beginning of the affair

      were already discouraged and unhappy

      because of their miserable

      previous experiences with other

      men.

      I was considered just another

      stop along the way

      and maybe I

      was and maybe I wasn’t.

      the ladies had long been used and misused

      while undoubtedly adding their share of

      abuse to the

      mix.

      they were always

      chary at first

      and the affairs were much like reading an

      old newspaper over and over

      again (the obituary or help-wanted

      sections)

      or it was like listening to a familiar

      song

      too often recalled and sung again

      until the melody and words became

      blurred.

      their real needs were obscured by their

      fears

      and I always arrived too late with too

      little.

      yet sometimes there were moments

      however brief

      when kindness and laughter

      came breaking

      through

      only to quickly dissolve into the

      same inevitable dark

      despair.

      did I fail those fragile tulips?

      I can’t think of any one of those ladies

      I’d rather not have known

      no matter what stories they tell of me

      now

      as they edge again into

      the lives of new-found

      lovers.

      PROPER CREDENTIALS ARE NEEDED TO JOIN

      I keep meeting people, I am introduced to

      them at various gatherings

      and

      either sooner or later

      I am told smugly that

      this lady or

      that gentleman

      (all of them young and fresh of face,

      essentially untouched by life)

      has given up drinking;

      that

      they all have

      had a very difficult time

      of late

      but

      NOW

      (and

      the NOW

      is what irritates me)

      all of them are pleased and proud


      to have finally

      overcome all that alcoholic

      nonsense.

      I could puke on their feeble

      victory. I started drinking at the age of

      eleven

      after I discovered a wine cellar

      in the basement of a boyhood

      friend

      and

      since then

      I have done jail time on 15 or

      20 occasions,

      had 4 D.U.I.’s,

      have lost 20 or 30 terrible

      jobs,

      have been battered and left for

      dead in several skid row

      alleys, have been twice

      hospitalized and

      have experienced numberless wild and

      suicidal

      adventures.

      I have been drinking, with

      gusto, for 54 years and intend to

      continue to

      do so.

      and now I am introduced

      to these young,

      blithe, slender, unscathed,

      delicate creatures

      who

      claim to have vanquished the

      dreaded evil of

      drink!

      what is true, of course, is

      that they have never really experienced

      anything—they have just

      dabbled and they have just

      dipped in a toe, they have only

      pretended to really drink.

      with them, it’s like saying that

      they have escaped hell-fire by blowing out

      a candle.

      it takes real effort

      and many years to get damn good

      at anything

      even being a drunk,

      and once more

      I’ve never met one of these reformed young drunks

      yet

      who was any better for being

      sober.

      SILLY DAMNED THING ANYHOW

      we tried to hide it in the house so that the

      neighbors wouldn’t see.

      it was difficult, sometimes we both had to

      be gone at once and when we returned

      there would be excreta and urine all

      about.

      it wouldn’t toilet train

      but it had the bluest eyes you ever

      saw

      and it ate everything we did

      and we often watched tv together.

      one evening we came home and it was

      gone.

      there was blood on the floor,

      there was a trail of blood.

      I followed it outside and into the garden

      and there in the brush it was,

      mutilated.

      there was a sign hung about its severed

      throat:

      “we don’t want things like this in our

      neighborhood.”

      I walked to the garage for the shovel.

      I told my wife, “don’t come out here.”

      then I walked back with the shovel and

      began digging.

      I sensed

      the faces watching me from behind

      drawn blinds.

      they had their neighborhood back,

     


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