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    160 The Clue On The Crystal Dove

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      your pipe.”

      “I'm so sorry.” The man's gruff voice cut through the

      darkness, which seemed to envelop everyone like a

      stiflingly hot blanket. “I always smoke when I'm

      nervous,” he continued apologetically.

      Several taps sounded from nearby, and Nancy

      guessed the man was extinguishing his pipe. “There,

      that's done,” he said.

      “Even if there is no fire,” Bess said quietly, “we're

      still stuck here in the dark. And the air is really hot.

      How long do you guys think oxygen lasts in a situation

      like this?”

      “Don't worry, Bess,” Nancy said, placing a com-

      forting arm around her friend's shoulder. “The train

      crew will fix the problem, or if worse comes to worst,

      they'll evacuate the train through the tunnel. But I

      doubt it will come to that. In any case, we definitely

      won't suffocate.”

      Bess took a deep breath. “Thanks for the reassur-

      ance, Nan. I mean, I wouldn't want to miss out on

      wearing my hot new dress to Dell's party,” she added

      wryly.

      After a tense ten minutes, light flooded back into the

      car. The passengers jumped in their seats, some closing

      their eyes from the sudden brightness. Nancy, George,

      and Bess blinked at one another in surprise, then

      squinted to see what was happening.

      A door opened at the far end of the car, and two

      conductors hurried through it. An anxious silence fell

      over the passengers as they waited to hear what the

      train officials would say.

      “Please don't worry, ladies and gentlemen,” the first

      conductor called out. “Some circuit breakers tripped,

      but we've fixed 'em and now this train is back in the

      running.” As if to illustrate his words, the train began to

      lurch forward.

      “We're running a half hour behind schedule,” the

      second conductor announced, “but we'll try to make it

      up by putting on a little extra steam.”

      The moment the conductors moved into the next

      car, the dining car erupted into mixed comments of

      relief and annoyance.

      “Thanks heavens the problem was only a circuit

      breaker, and we'll only be a half hour late,” said a

      woman.

      “Don't believe it for a moment,” said the pipe

      smoker. “They're just feeding us a line so we won't

      panic—or sue.”

      “Well, ladies,” the maître d' said, approaching

      Nancy, Bess, and George. “What do you say to some

      dinner? You must be starving after our little adventure.

      Why don't I send over a waiter to take your order?”

      Bess smiled at him as she took a menu. “Thanks.

      There's nothing more soothing than a good dinner and

      a piece of chocolate cake to finish it off,” she said

      brightly.

      “Aha! I will reserve a piece of our double chocolate

      walnut cake especially for you,” the maître d' promised.

      The door to the dining car was suddenly opened. A

      tall brown-haired young man with light hazel eyes

      stepped through it and approached the maître d'.

      Dressed in a white tie, black tails, and a top hat, he

      looked both elegant and strange.

      “I can't figure out whether he looks handsome or

      dorky,” Bess whispered to Nancy and George. “I mean,

      why is he dressed up like that just to have dinner on a

      train?”

      “He looks like one of those symphony orchestra

      musicians,” George said, staring at him as if he were a

      creature from another planet.

      “Or like an ad for men's clothes from a hundred

      years ago,” Nancy remarked.

      Before they could say another word, the man and

      the maître d' approached them.

      “I would like to introduce Mr. Alden Guest,” the

      maître d' said. “He's the gentleman I mentioned who

      gives tours of the Van Hoogstraten railway car. Since

      the rest of my dining car is full, would you mind if Mr.

      Guest dines with you? He has to eat now because later

      he'll be conducting tours.”

      “Have a seat,” Nancy said, smiling at Alden as she

      made room for him on her side of the table.

      The girls introduced themselves, and then the waiter

      took everyone's order.

      “We were wondering why you're dressed like that,”

      George said to Alden after the maître d' had left. “Is it

      because you're a tour guide?”

      Alden grinned, showing a set of brilliant white teeth.

      “You guessed correctly, George. I'm really a New York

      banker, but I've volunteered some vacation time over

      the next couple of weeks to publicize the opening of

      the Van Hoogstraten museum. Right now I'm in charge

      of the Van Hoogstraten railroad car. It's been attached

      to certain trains to promote the museum, which opens

      in five days.”

      “Wow!” Bess said. “So Dell is moving out of her

      house in five days?”

      The expression on Alden's handsome face was one

      of surprise. “Dell?” he said. “How do you know my

      cousin Dell?”

      Nancy quickly explained about her aunt Eloise's

      friendship with Delphinia Van Hoogstraten. “Aunt

      Eloise also told me about Dell's great-grandfather's

      mansion and his collection of glass birds,” she finished.

      “Julius Van Hoogstraten was my great-grandfather,

      too,” Alden said. “Dell's father and my mother were

      brother and sister, though many years apart in age.

      Dell is in her early forties, while I'm twenty years

      younger.”

      Bess smiled shyly at Alden. “It's too bad that you

      have to slave away all evening giving people tours of

      your great-grandfather's car. Otherwise you could have

      hung out with us.”

      “Some other time,” Alden promised, fixing Bess with

      a dazzling smile. “But why don't I take you on your

      own personal tour of the car before I get busy with the

      tour groups at eight? We've got plenty of time—it's

      only six now.”

      “That would be great,” Bess gushed, and Nancy and

      George nodded in agreement.

      The waiter brought their dinners, along with their

      soft drinks. As Nancy dug into her lasagna, Alden

      turned to the girls and asked, “How long are you going

      to be in New York?”

      “A week,” Nancy said. “We'll be able to see the

      museum after it opens. But if Dell invites us to see it

      earlier, we'll jump at the chance.”

      “You don't need her to invite you,” Alden said

      dismissively. “I'd be happy to let you into the museum

      any time. And by the way, how much has your aunt told

      you about Julius's collection?”

      “Not a whole lot,” Nancy said. “Just that he kept his

      glass birds in a room that looks like a greenhouse.”

      Alden nodded. “Julius called it the aviary, and he

      divided it into a bunch of different regions of the

      world, like a tropical rain forest or a northern wood. He

      gave each bird its own habitat using silk trees and

    &nbs
    p; flowers.”

      “It sounds really cool,” Bess said, her blue eyes

      shining. “How did Julius get to be so talented? It's

      amazing that a rich businessman would also be an artist

      type.”

      “Julius loved ornithology, which is the study of

      birds,” Alden replied. “After he became rich, he would

      travel all over the world to exotic places to birdwatch.

      He'd record each new species he saw in his diary.

      Some of his rich friends only cared about money, but

      birdwatching was Julius's passion.”

      “How did he learn to blow glass?” George asked.

      “That sounds like a really hard skill.”

      “When my great-grandfather was a young man in

      Holland, he served as an apprentice to a famous

      glassblower named Gustav Kinderhook,” Alden said,

      spearing a piece of lettuce with his fork. “He learned

      his craft from Gustav. But after Julius brought his birds

      to America, he no longer had time to make new ones.

      He had to be satisfied with displaying the ones he'd

      already made in Holland.”

      “He must have been so proud of them,” Bess said.

      Alden finished his salad and said, “He was extremely

      proud of them—more than he was of his huge railroad

      empire. In one of his letters, he said that anyone could

      get rich with a little luck and hard work, but very few

      people can be artists, no matter how hard they try.”

      “So was he famous for his collection when he was

      alive?” Nancy asked.

      “He didn't allow the public to see it,” Alden an-

      swered. “After all, he kept the birds in his private

      house. But the few glass experts who saw his collection

      considered it to be extraordinary. They wrote books on

      the subject and raved about the Van Hoogstraten

      Collection—which is what we're calling our museum.”

      After dessert was served, Bess asked, “How do you

      have time to know about banking and glass birds? You

      must be a chip off the old block. I mean, you're exactly

      like Julius—multitalented.”

      “Give me a break, Bess,” George said, rolling her

      eyes. “Or rather, give poor Alden a break.”

      “No, it's okay,” Alden said, squaring his shoulders

      proudly. “I'm flattered to be compared to my great-

      grandfather. Of course, I don't deserve it.”

      “Now you're fishing,” Bess teased, pushing aside the

      remains of her chocolate cake. “But speaking of your

      great-grandfather, why don't you show us his railway

      coach? I'm dying to see for myself how he lived.”

      After signing their checks, Alden, Bess, George, and

      Nancy headed for the end of the train. They passed

      through another sleeping car before walking inside

      Julius's coach—the last car on the train.

      Nancy looked around, awestruck. She felt as if she

      had entered another world. The mahogany paneling of

      the walls was a rich burnished red-brown. The maroon

      velvet upholstery on the sofa and armchairs looked as

      soft as a cat's fur. The crystal chandelier and wall

      sconces imparted a golden glow. And the framed sepia

      photographs of Victorian men and women adorning the

      walls spoke hauntingly of people who had lived long

      ago.

      Nancy traded glances with Bess and George. She

      could tell they all agreed that Julius's coach was a sight

      to behold.

      “I thought our train compartment was pretty cushy,”

      George said, shooting a grin at Alden. “But now you've

      totally spoiled me.”

      “It is incredible, isn't it?” Alden said. “Look at this.”

      He pulled a wooden handle that stuck out of a nearby

      wall, and a bed eased itself down on top of the sofa.

      With its antique wooden headboard, puffy mattress,

      and lace bedspread, it reminded Nancy of an

      illustration she'd once seen of the bed in “The Princess

      and the Pea.”

      “Look at this headboard,” Nancy breathed, fingering

      the carved wood. Eight squares, each filled with a

      different kind of carved bird, decorated it.

      “Try it out,” Alden offered, gesturing grandly at the

      bed. “The mattress is made of pure goosedown—

      awesomely comfortable.”

      “Is this guy Julius?” Bess broke in from across the

      room. As Alden and George moved to a portrait in the

      opposite corner, Nancy sank down on the bed. Without

      meaning to touch the headboard, she tapped her head

      lightly against one of the middle squares.

      Was she dreaming—or was the square giving way?

      Maybe the wood is rotten, she thought, as she

      straightened up and turned around to look.

      Nancy blinked. The square was sliding open!

      3. Mystery Lady

      “Look, guys!” Nancy exclaimed. “A secret compart-

      ment.”

      Peering inside, Nancy saw some yellowing en-

      velopes. Addresses had been scrawled on them in ink,

      now faded with age. Old letters, she concluded—

      probably Julius's.

      Bess, George, and Alden moved quickly to her side.

      Reaching over her head, Alden shut the panel.

      “Very interesting, Nancy,” he pronounced. “I'll have

      to check that out later. Now, where was I? Talking

      about Julius, I think.”

      As he returned to the portrait with Bess and George,

      Nancy thought about his response to her discovery. He

      doesn't seem surprised by the panel, she thought.

      Maybe he already knows about it.

      Nancy stole a look behind her. Alden, Bess, and

      George were busy studying a portrait of a gray-haired

      man in his sixties with an aquiline nose, steely blue

      eyes, and a stern expression. Bushy mutton-chop

      whiskers on the sides of his cheeks and a starched col-

      lar marked him as being from a totally different era. On

      the tip of his forefinger perched a crystal dove.

      He must be Julius, Nancy reasoned. But despite his

      grim expression and old-fashioned hair, Nancy could

      tell that Julius must have been quite handsome in his

      youth, with his strong jaw, piercing eyes, and chiseled

      features.

      She glanced back at the secret panel, feeling sud-

      denly intrigued by Julius's Gilded Age world. It would

      take only a few seconds to skim through one of the

      letters, she thought, but Alden had clearly put them off

      limits.

      Fighting her curiosity, Nancy memorized which bird

      decorated the secret panel—an eagle, she observed.

      Climbing off the bed, Nancy walked over to join

      Bess and George as Alden pointed out a print of the

      Van Hoogstraten mansion in New York. But her

      thoughts were wandering far from what he was saying.

      Maybe I'll sneak back here later tonight and take a

      look at those letters when no one's around, Nancy

      mused, her mind clicking away as Alden spoke. Julius

      seems like such a complicated guy, she thought. From

      everything Alden had said and from what she knew of

      his life, Julius was a tough businessman as well as a

      sensitive artist. How c
    ould such opposite types exist in

      one person? she wondered.

      Even though he'd been dead for several generations,

      Nancy couldn't help but be curious about such a

      contradictory and powerful character. In trying to

      figure out Julius, she almost felt as if she had stumbled

      across a type of mystery.

      Nancy glanced again at the portrait. She could easily

      trace the Gilded Age tycoon in Julius's haughty

      features, but nowhere in his bold face could she detect

      any hint of the nature-loving artist.

      There's only one real way to get a sense of this guy,

      she concluded—by studying his letters and diaries.

      Alden's gaze suddenly flew to his watch. “It's almost

      eight,” he announced. “I'm due to give a tour now. I'd

      much rather hang out with you guys, of course, but

      you're welcome to stay while the tour comes in.”

      “Thanks, Alden,” Nancy said, “but I'm pretty tired.

      Maybe Bess and George will take you up on your

      offer.”

      Bess stifled a yawn. “I'd love to stay, but you gave us

      such a great private tour, Alden, that it wouldn't be the

      same with a crowd.”

      “Exactly my thoughts,” George said. “Thank you so

      much, Alden. Will we see you at Dell's dinner party

      tomorrow night?”

      Alden flashed his brilliant smile. “You can count on

      it. But only if all three of you promise to dance at least

      once with me.”

      Nancy gave him the thumbs-up sign. Then they all

      thanked him again and moved toward the car door

      while an elderly couple, two young women, and the

      man with the pipe streamed into the car. Once the girls

      reached their compartment, they found the beds

      pulled down for them.

      “Perfect!” Bess said. “I can get my beauty sleep be-

      fore hitting the dance floor at Dell's tomorrow night.”

      Nancy curled up on her bed with a book. “You know

      what, guys?” she said. “I'd love to read those letters in

      the secret compartment. I'm really curious to know

      more about Julius.”

      “But what if Alden catches you?” Bess asked. “While

      you were busy with the secret panel, he mentioned to

      me and George that his compartment is in the coach

      next to Julius's. He might hear you open Julius's door.”

      “I'll be careful, Bess,” Nancy promised. “I've got a

      flashlight, so I won't need to turn on any lights. And I'll

      wait till it looks like everyone's asleep.”

      A few hours later Nancy woke up from a doze, still

     


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