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    The Lost Art of Handwriting

    Page 9
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      Shepherd, Margaret. The Art of the Handwritten Note: A Guide to Reclaiming Civilized Communication. MJF Books, 2010.

      “Teresa R. Funke.” Teresa Funke & Company, www.teresafunke.com.

      Walker’s Chapters. “Why Leonardo da Vinci Wrote Backwards.” Medium, 25 Sept. 2016, https://medium.com/@walkerschapters/why-leonardo-da-vinci-wrote-backwards-76187255d4ba.

      “What Is the Origin of the Ampersand (&)?” Oxford Dictionaries | English, en.oxforddictionaries.com/explore/origin-of-ampersand/.

      “Which Letters in the Alphabet Are Used Most Often?” Oxford Dictionaries | English, en.oxforddictionaries.com/explore/which-letters-are-used-most/.

      “Why Is Handwriting Still Important in the Digital Age? Pen Heaven, www.penheaven.co.uk/blog/handwriting-still-important-digital-age/.

      Wild Thyme Creative, www.wildthymecreative.com.

      Wilt, Abigail. “Just Like a Southerner, Meghan Markle Appreciates a Handwritten Note.” Southern Living, www.southernliving.com/culture/celebrities/meghan-markle-handwriting.

      Winters, Eleanor. Mastering Copperplate Calligraphy: A Step-by-Step Manual. Dover Publications, 2014.

      Index

      A note about the index: The pages referenced in this index refer to the page numbers in the print edition. Clicking on a page number will take you to the ebook location that corresponds to the beginning of that page in the print edition. For a comprehensive list of locations of any word or phrase, use your reading system’s search function.

      Ampersands, 165–66

      Ascender line, 19, 40, 47, 87

      Ascenders, 19–22, 29, 40–42, 47, 87–89, 95, 107–9

      Base line, 19, 40, 94–95

      Basics, 15–26

      Bullet journals, 171–72

      Calligrams, 177–81

      Calligraphy, 181–83

      Capital letters. See also Uppercase letters

      connecting to lowercase, 91–93

      Copperplate style, 66, 68–69, 181

      printing, 119–38

      Roman capitals, 119–38

      Spencerian style, 17, 32, 67–70, 181

      variations of, 66–76

      Copy work, 173–75

      Counters, 20, 29, 40, 94–99

      Creative endeavors

      ampersands, 165–66

      connecting letters, 78–93

      cursive, 77–118

      double letters, 100–105

      flourishes, 20, 106–16, 157, 160, 178–79, 182–83

      gifts, 173

      ideas for, 168–77

      journals, 168, 170–72

      mixing print and script, 160

      numbers, 161–64

      printing, 153–60

      punctuation, 161–65

      signatures, 116–18

      Cross bars, 19, 20, 92, 94–96, 108, 116, 122–23

      Cursive

      creative endeavors with, 77–118

      double letters, 100–105

      flourishes, 20, 106–16, 157, 160, 178–79, 182–83

      joining letters, 78–93

      lowercase letters, 39–54, 91–93

      pitfalls with, 94–99

      printing and, 160

      signatures in, 116–18

      uppercase letters, 55–76, 91–93

      Descenders, 19–22, 29, 40–42, 87–89, 95, 107–9

      Double letters, 100–105

      Downstrokes, 17, 20, 29, 96, 146, 157, 181

      Ductus, 20, 92

      Flourishes, 20, 106–16, 157, 160, 178–79, 182–83

      Gifts, creating, 173

      Gratitude journals, 170–71

      Guidelines, 18–19, 22, 29, 94–95

      Handwriting

      art of, 7–8, 27–38

      basics of, 15–26

      benefits of, 7–8, 12–13, 185

      calligrams, 177–81

      calligraphy, 181–83

      consistency in, 28–32

      digital world and, 11–14, 165, 175–77

      flourishes, 20, 106–16, 157, 160, 178–79, 182–83

      getting started with, 11–38

      history of, 16–18

      ideas for, 168–77

      joining letters, 78–93

      margins of paper, 31, 38

      paper position for, 25

      personality of, 7, 12, 96, 116, 168, 183

      posture for, 24–25

      practicing, 33–38

      pressure of, 31

      signatures, 116–18

      size of, 28–29, 34

      slant of, 29–30, 35

      spacing letters, 30, 35, 131, 134–38

      speed of, 31, 37

      style of, 30–31, 36, 167–85

      terms for, 18–20

      tools for, 20–24

      Italic print

      alphabet, 151

      lowercase letters, 140–46

      uppercase letters, 147–50

      Joining letters, 78–93

      Journal writing, 14, 168, 170–72

      Left-handed writers, 25–26

      Letters

      3/4-square letters, 122–23, 127–29

      capital letters, 66–76, 91–93, 119–38, 181

      cursive letters, 39–54, 91–93

      double letters, 100–105

      families of, 43–49, 56–64, 122–30

      flourishes, 20, 106–16, 157, 160, 178–79, 182–83

      half-square letters, 122–23, 125–26

      italic print, 139–52

      joining, 78–93

      lowercase letters, 39–54, 68–70, 91–93, 140–46, 181

      narrow letters, 123, 130

      overhand letters, 50–54

      printing, 119–38

      Roman capitals, 119–38

      size of, 28–29, 34

      slant of, 29–30, 35

      spacing, 30, 35, 131, 134–38

      style of, 30–31, 36, 154–60, 167–85

      underhand letters, 50–54

      uppercase letters, 55–76, 91–93, 147–50

      whole-square letters, 122, 124

      wide letters, 123, 130

      Letter-writing, 172–73

      Lists, writing, 169

      Lowercase letters

      connecting to capitals, 91–93

      cursive letters, 39–54, 91–93

      families of, 43–49

      italic letters, 140–46

      overhand letters, 50–54

      Spencerian letters, 68–70, 181

      underhand letters, 50–54

      Majuscule, 19, 64–65. See also Uppercase letters

      Margins, 31–32, 38

      Minuscule, 19. See also Lowercase letters

      Notes, writing, 172

      Numbers, 161–64

      Pangrams, 50, 53

      Paper position, 25

      Pen grasps, 23–24

      Penmanship. See also Handwriting

      art of, 7–8, 27–38

      basics of, 15–26

      consistency in, 28–32

      personality of, 7, 12, 96, 116, 168, 183

      terms for, 18–20

      tools for, 20–24

      Pitfalls, 94–99

      Posture, 24–25

      Pressure/touch, 31

      Printing

      creative endeavors with, 153–60

      italic print, 139–52

      Roman capitals, 119–38

      style of, 154–60

      variations for, 154–60

      Punctuation, 161–65

      Roman capitals

      alphabet, 131–32

      copying, 133–38

      families of, 122–30

      history of, 120

      mastering, 120–21

      spacing, 131, 134–38

      Sans serif, 154–55, 178

      Serifs, 121, 154–55, 178, 183

      Signatures, 116–18

      Size of letters, 28–29, 34

      Slant of letters, 29–30, 35

      Social media, 165, 175–77

      Spacing letters, 30, 35, 131, 134–38

      Speed of writing, 31, 37

      Style of writing, 30–31, 36, 154–60, 167–85

      Terminology,
    18–20

      Troubleshooting tips, 94–99

      Uppercase letters. See also Capital letters

      connecting to lowercase, 91–93

      cursive letters, 55–76, 91–93

      families of, 56–64

      italic letters, 147–50

      Upstrokes, 40, 146, 181

      Waist line, 19, 40, 47, 87, 143

      Warm-ups

      italic warm-ups, 140

      lowercase warm-ups, 40–43, 140

      practice warm-ups, 33

      uppercase warm-ups, 56–57

      Writing tools, 20–24

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      Interior design by Colleen Cunningham

      Handwriting samples by Brenna Jordan

      Grip illustrations in Chapter 2 by Kathy Konkle

      Cover design by Colleen Cunningham

      Library of Congress Cataloging-in-Publication Data has been applied for.

      ISBN 978-1-5072-0936-3

      ISBN 978-1-5072-0937-0 (ebook)

      Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book and Simon & Schuster, Inc., was aware of a trademark claim, the designations have been printed with initial capital letters.

     

     

     



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