By and by the moon rose and lightened the hills so that they glowed softly; and the Kid, looking sleepily around him, saw a coyote slinking along a barren slope. He was going to shout at it and see it run, but he thought of the man who was looking for him and glanced fearfully over his shoulder. The moon shone full in his face and showed the tear-streaks and the tired droop to his lips.
The Kid thought he must be going wrong, because at the ranch the moon came up in another place altogether. He knew about the moon. Doctor Dell had explained to him how it just kept going round and round the world and you saw it when it came up over the edge. That was how Santa Claus found out if kids were good; he lived in the moon, and it went round and round so he could look down and see if you were bad. The Kid rubbed the tears off his cheeks with his palm, so that Santa Claus could not see that he had been crying. After that he rode bravely, with a consciously straight spine, because Santa Claus was looking at him all the time and he must be a rell ole cowpuncher.
After a long while the way grew less rough, and Silver trotted down the easier slopes. The Kid was pretty tired now. He held on by the horn of his saddle so Silver would not jolt him so much. He was terribly hungry, too, and his eyes kept going shut. But Santa Claus kept looking at him to see if he were a dead game sport, so he did not cry any more. He wished he had some grub in a sack, but he thought he must be nearly home now. He had come a terribly far ways since he ran away from that pilgrim who was going to cut off his ears.
The Kid was so sleepy, and so tired that he almost fell out of the saddle once when Silver, who had been loping easily across a fairly level stretch of ground, slowed abruptly to negotiate a washout crossing. He had been thinking about those baby bear cubs digging ants and eating them. He had almost seen them doing it; but he remembered now that he was going home to tell the bunch how the man had lied to him and tried to make him stay down here. The bunch would sure fix him when they heard about that.
He was still thinking vengefully of the punishment which the Happy Family would surely mete out to H. J. Owens when Silver lifted his head, looked off to the right and gave a shrill whinny. Somebody shouted, and immediately a couple of horsemen emerged from the shadow of a hill and galloped toward him.
The Kid gave a cry and then laughed. It was his Daddy Chip and somebody. He thought the other was Andy Green. He was too tired to kick Silver in the ribs and race toward them. He waited until they came up, their horses pounding over the uneven sod urged by the jubilance of their riders.
Chip rode up and lifted the Kid bodily from the saddle and held him so tight in his arms that the Kid kicked half-heartedly with both feet, to free himself. But he had a message for his Daddy Chip, and as soon as he could get his breath he delivered it.
"Daddy Chip, I just want you to kill that damn' pilgrim!" he commanded. "There wasn't any baby bear cubs at all. He was just a-stringin' me. And he was going to cut off my ears. He said it wasn't a far ways to where the baby bear cubs lived with the old mother bear, and it was. I wish you'd lick the stuffin' outa him. I'm awful hungry, Daddy Chip."
"We'll be home pretty quick," Chip said in a queer, choked voice. "Who was the man, Buck? Where is he now?"
The Kid lifted his head sleepily from his Daddy Chip's shoulder and pointed vaguely toward the moon. "He's the man that jumped Andy's ranch right on the edge of One Man," he explained. "He's back there ridin' the rim-rocks a lookin' for me. I'd a come home before, only he wouldn't let me come. He said he'd cut my ears off. I runned away from him, Daddy Chip. And I cussed him a plenty for lying to me—but you needn't tell Doctor Dell."
"I won't, Buck." Chip lifted him into a more comfortable position and held him so. While the Kid slept he talked with Andy about getting the Happy Family on the trail of H. J. Owens. Then he rode thankfully home with the Kid in his arms and Silver following docilely after.
CHAPTER 28. AS IT TURNED OUT
They found H. J. Owens the next forenoon wandering hopelessly lost in the hills. Since killing him was barred, they tied his arms behind him and turned him toward the Flying U. He was sullen, like an animal that is trapped and will do nothing but lie flattened to the ground and glare red-eyed at its captors. For that matter, the Happy Family themselves were pretty sullen. They had fought fire for hours—and that is killing work; and they had been in the saddle ever since, looking for the Kid and for this man who rode bound in their midst.
Weary and Irish and Pink, who had run across him in a narrow canyon, fired pistol-shot signals to bring the others to the spot. But when the others emerged from various points upon the scene, there was very little said about the capture.
In town, the Old man had been quite as eager to come close to Florence Grace Hallman—but he was not so lucky. Florence Grace had heard the news of the fire a good half hour before the train left for Great Falls.
She would have preferred a train going the other way, but she decided not to wait. She watched the sick woman put aboard the one Pullman coach, and then she herself went into the stuffy day-coach. Florence Grace Hallman was not in the habit of riding in day-coaches in the night-time when there was a Pullman sleeper attached to the train. She did not stop at Great Falls; she went on to Butte—and from there I do not know where she went. Certainly she never came back.
That, of course, simplified matters considerably for Florence Grace—and for the Happy Family as well. For at the preliminary hearing of H. J. Owens for the high crime of kidnapping, that gentleman proceeded to unburden his soul in a way that would have horrified Florence Grace, had she been there to hear. Remember, I told you that his eyes were the wrong shade of blue.
A man of whom you have never heard tried to slip out of the court room during the unburdening process, and was stopped by Andy Green, who had been keeping an eye on him for the simple reason that the fellow had been much in the company of H. J. Owens during the week preceding the fire and the luring away of the Kid. The sheriff led him off somewhere—and so they had the man who had set the prairie afire.
As is the habit of those who confess easily the crimes of others, H. J. Owens professed himself as innocent as he consistently could in the face of the Happy Family and of the Kid's loud-whispered remarks when he saw him there. He knew absolutely nothing about the fire, he said, and had nothing to do with the setting of it. He was two miles away at the time it started.
And then Miss Rosemary Allen took the witness stand and told about the man on the hilltop and the bit of mirror that had flashed sun-signals toward the west.
H.J. Owens crimpled down visibly in his chair. Imagine for yourself the trouble he would have in convincing men of his innocence after that.
Just to satisfy your curiosity, at the trial a month later he failed absolutely to convince the jury that he was anything but what he was—a criminal without the strength to stand by his own friends. He was sentenced to ten years in Deer Lodge, and the judge informed him that he had been dealt with leniently at that, because after all he was only a tool in the hands of the real instigator of the crime. That real instigator, by the way, was never apprehended.
The other man—he who had set fire to the prairie—got six years, and cursed the judge and threatened the whole Happy Family with death when the sentence was passed upon him—as so many guilty men do.
To go back to that preliminary, trial: The Happy Family, when H. J. Owens was committed safely to the county jail, along with the fire-bug, took the next train to Great Falls with witnesses and the Honorable Blake. They filed their answers to the contests two days before the time-limit had expired. You may call that shaving too close the margin of safety. But the Happy family did not worry over that—seeing there was a margin of safety. Nor did they worry over the outcome of the matter. With the Homeseekers' Syndicate in extremely bad repute, and with fully half of the colonists homeless and disgusted, why should they worry over their own ultimate success?
They planned great things with their irrigation scheme.... I am not going to tell any more about them just n
ow. Some of you will complain, and want to know a good many things that have not been told in detail. But if I should try to satisfy you, there would be no more meetings between you and the Happy Family—since there would be no more to tell.
So I am not even going to tell you whether Andy succeeded in persuading Miss Rosemary Allen to go with him to the parson. Nor whether the Happy Family really did settle down to raise families and alfalfa and beards. Not another thing shall you know about them now.
You may take a look at them as they go trailing contentedly away from the land-office, with their hats tilted at various characteristic angles and their well-known voices mingled in more or less joyful converse, and their toes pointed toward Central Avenue and certain liquid refreshments. You need not worry over that bunch, surely. You may safely leave them to meet future problems and emergencies as they have always met them in the past—on their feet, with eyes that do not wave or flinch, shoulder to shoulder, ready alike far grin fate or a frolic.
End of Project Gutenberg's The Flying U's Last Stand, by B. M. Bower
*** END OF THIS PROJECT GUTENBERG EBOOK THE FLYING U'S LAST STAND ***
***** This file should be named 1740-h.htm or 1740-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/1/7/4/1740/
Produced by Mary Starr, and David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs
1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than