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    Bertolt Brecht: Mutter Courage und ihre Kinder 1

    Page 25
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      YOUNGER GURNEY:

      This is the City of London, sire.

      ELEVENTH OF FEBRUARY, 1326.

      London

      Soldiers and crowd before Westminster.

      FIRST: The eleventh of February will count among the most important days in England’s history.

      SECOND: A man’s toes freeze on such a night as this.

      THIRD: And we have waited here for seven hours.

      SECOND: Is Ned already in there?

      FIRST: He must pass by to go to Parliament.

      SECOND: There’s a light again up there in Westminster.

      THIRD: Will the Eel bring him round?

      FIRST: I’ll lay a silver shilling on the Eel.

      SECOND: And I two shillings on Ned.

      FIRST: What’s your name?

      SECOND: Smith. And yours?

      FIRST: Baldock.

      THIRD: It’ll snow for sure about morning.

      Westminster

      Edward, blindfold, the two Gurneys.

      ELDER GURNEY:

      Are you content to be at last at the Eel’s?

      EDWARD:

      Aye. Where is the Eel?

      YOUNGER GURNEY:

      That you’ll soon see.

      Exeunt the two Gurneys.

      Enter Mortimer.

      MORTIMER:

      As London’s sweaty market has so forced matters

      That my head for these few minutes almost hangs

      Upon a yea or nay from this man’s humbled lips

      So from him in his weakened state will I

      Rip out this yea like a tooth.

      Takes off Edward’s blindfold.

      EDWARD:

      Is this Westminster and are you the Eel?

      MORTIMER:

      So men call me. It is a harmless beast.

      You are weary; you shall eat

      Drink, bathe perhaps. Would you like that?

      EDWARD:

      Aye.

      MORTIMER:

      You shall find yourself a friend.

      Edward looks at him.

      You shall be taken to England’s Parliament.

      There before the Peers you’ll testify

      You have resigned.

      EDWARD:

      Draw nearer, Mortimer.

      We give you leave to sit. But for our

      Broken health be brief

      In your petition.

      MORTIMER to himself:

      He is hard. Antaeus-like

      He draws strength from Westminster’s soil.

      Aloud:

      Brevity’s the salt in watery soup. I

      Have come for your reply if you’ll

      Resign in favour of your son Edward.

      EDWARD:

      Thirteen years away from Westminster

      After long campaigns, the thorny exercise

      Of command, the flesh’s needs have led me to

      A commonplace concern with the welfare and

      Decline of this my body.

      MORTIMER:

      I understand you.

      Nightly wanderings, human disenchantment

      Give pause for thought. And do you

      After all this weariness of which you speak

      And which you’ve borne so patiently, with such

      Broken health, still intend now

      To continue office?

      EDWARD:

      That is not in our plan.

      MORTIMER:

      Will you consent?

      EDWARD:

      That is not in our plan. The substance

      Of these last days starts to clear. Edward, whose

      Fall approaches, inexorable yet

      Not fearful, knows himself. Not wishing much

      To die he savours the usefulness of

      Withering destruction. Edward, who no more

      Poor Edward is, thinks death but little price

      For such pleasure in his murderer. So then

      When it is time, Mortimer, come yourself.

      MORTIMER:

      I see you grossly wrapped up in yourself

      Whiles I, no longer sullied by a taste

      For power, bear on my shoulders

      This island that one workday word

      Upon your lips can save from civil war.

      Blunt perhaps in feelings, yet knowing much

      No doubt not kingly, yet just perhaps

      Not even that if you will, but yet

      The rough stammering mouth of poor England

      I ask you and I pray you:

      Resign.

      EDWARD:

      Approach us not with such a mean request!

      And yet at this hour when my body

      Purifies I yearn to feel

      Your hands about my throat.

      MORTIMER:

      You fight well. As one well versed in rhetoric

      Whom men call the Eel, and valuing

      Your taste, none the less I ask you

      In this sober matter, at this night hour

      For a brief answer.

      Edward is silent.

      Do not stop your ears! Lest the weight

      Of human tongues, a moment’s whim

      And at the last misunderstanding, plunge

      England in the ocean, speak now!

      Edward is silent.

      Will you resign before the Commons at noon

      Today?

      Edward is silent.

      MORTIMER:

      Will you not resign? You

      Refuse?

      EDWARD:

      Though Edward must in swiftest time

      Bring to a close more tangled matters

      Than you, O busy Mortimer, can know

      Yet while he’s in this world he takes good care

      For all that

      Not to meddle arrogantly

      In your affairs that from a growing

      Distance seem to him most

      Murky.

      Therefore your question has no yea or nay.

      Stitched up, his lips will nothing say.

      Westminster

      MORTIMER alone:

      So long as he draws breath it can come to light.

      Since not rough winds could snatch his foolish

      Mantle from him, nor the warm sun draw it

      Off, let it go rot

      With him.

      A scrap of paper cunningly prepared

      Odourless, proving nothing, shall this

      Chance resolve.

      Since he gives my question neither yea or nay

      I shall give an answer in like kind.

      ‘Eduardum occidere nolite timere bonum est.’

      I leave out the comma. Then can it read:

      ‘Kill not the king, ’tis good to fear the worst’

      Or depending on their state of innocence

      Or whether they have dined or fasted:

      ‘Fear not to kill the king, ’tis good he die.’

      Unpointed as it is thus shall it go.

      Now is England

      Under us, above us God, who’s very old.

      My sole witness I take before the Peers.

      Lightborn, come in.

      Enter Lightborn.

      If, when morning greys, the prisoner’s

      Learned nothing, he’s not for saving.

      Sewer in the Tower.

      The two Gurneys.

      ELDER GURNEY:

      He speaks incessantly, tonight.

      YOUNGER GURNEY:

      It is

      A wonder this king will not yield.

      Worn out purposely, for when he would sleep

      Our drum rolls, he stands

      In a vault knee-deep in

      Sewage, in which all the channels

      Of the Tower run, yet he says not yea.

      ELDER GURNEY:

      That is most strange, brother. Just now I

      Opened up the hatch to throw

      Him meat and I was almost stifled

      With the stench.

      YOUNGER GURNEY:

      He has a body more able to endure than we.

      He sings. When you raise th
    e hatch you hear

      Him sing.

      ELDER GURNEY:

      I think he makes psalms

      Against Spring’s coming. Open up, we’ll

      Ask him again.

      ELDER GURNEY:

      Wilt thou say yes, Ned?

      YOUNGER GURNEY:

      No answer.

      Lightborn has entered.

      ELDER GURNEY:

      Still he will not yield.

      Lightborn gives a letter.

      YOUNGER GURNEY:

      What’s this? I do not understand.

      ‘Kill not the king, ’tis good to fear the worst.’

      ELDER GURNEY:

      ‘Fear not to kill the king’ is there.

      YOUNGER GURNEY:

      Give the token.

      Lightborn gives it.

      ELDER GURNEY:

      There is the key and there the vault.

      Carry out the order. Need you anything besides?

      LIGHTBORN:

      A table and a feather bed.

      YOUNGER GURNEY:

      Here is a light for the cage.

      Exeunt the two Gurneys.

      Lightborn opens the door.

      EDWARD:

      This hole in which they hold me is the sink-hole

      And upon me here, these seven hours, falls

      London’s filth. Yet its sewage hardens

      My limbs. Now they are like cedar

      Wood. The stench of rubbish makes my

      Stature boundless. Great rolls on the drums

      Keep him awake, though weak, so his death

      Find him not in a swoon but rather

      Waking.

      Who’s there? What light is that? Wherefore com’st thou?

      LIGHTBORN:

      To comfort you.

      EDWARD:

      Thou would’st me kill.

      LIGHTBORN:

      What means your Highness to mistrust me thus?

      Come out, brother.

      EDWARD:

      Thy look can harbour naught but death.

      LIGHTBORN:

      I am not without sin, yet not without

      Heart. Come and lie down.

      EDWARD:

      Howell had pity, Berkeley was poorer

      Yet he stained not his hand. The elder

      Gurney’s heart’s a block

      From Caucasus. The younger’s harder. And

      Mortimer, from whom thou comest, ice.

      LIGHTBORN:

      You are haggard, sire. Lie you

      Upon this bed and rest awhile.

      EDWARD:

      Good was rain; hunger satisfied. But

      The best was darkness. All

      Were wavering, many hanging back but

      The best were those betrayed me. Therefore

      Whoever’s dark let him dark remain, who’s

      Unclean, remain unclean. Praise

      Want, praise cruelty, praise

      The darkness.

      LIGHTBORN:

      Sleep, sire.

      EDWARD:

      Something buzzes in my ear and tells me

      If I sleep now I never wake.

      ‘Tis waiting makes me tremble thus.

      Yet I cannot ope my eyes, they stick.

      Therefore tell me wherefore thou art come.

      LIGHTBORN:

      For this.

      Smothers him.

      Westminster

      MORTIMER alone:

      Rise up eleventh of February

      The others are shrubs beside me

      They tremble at my name and dare not

      Impeach me for his death.

      Let come who will.

      Enter the Queen.

      ANNE:

      Ah, Mortimer, my son hath news

      His father’s dead and now, new-hailed

      As king, comes hither in the knowledge

      We have murdered him.

      MORTIMER:

      What matter that he know since he’s

      A child so weak a drop of rain would

      Kill him?

      ANNE:

      In to the Council Chamber he is gone

      To crave the aid and succour of the peers, who

      Like the people, wait since morning for this

      Edward whom you promised. He tears

      His hair and wrings his hands and vows

      To be revenged upon us both.

      MORTIMER:

      Seem

      I like one soon to be under earth?

      Enter Young Edward, Lord Abbot, Rice ap Howell, peers.

      YOUNG EDWARD:

      Murderers!

      MORTIMER:

      What sayest thou, boy?

      YOUNG EDWARD:

      Think not that I’m frighted with thy words.

      ANNE:

      Edward!

      YOUNG EDWARD:

      Stand off, mother! Had you loved him

      As I did you’d not endure his death.

      ABBOT:

      Why speak you not, my lord, unto the king?

      RICE AP HOWELL:

      At this hour should Edward speak

      Unto the Parliament.

      A LORD:

      At this hour

      Is Edward’s mouth dumb.

      MORTIMER:

      Who is the man who will

      Impeach me for this death?

      YOUNG EDWARD:

      I am he.

      MORTIMER:

      Your witness?

      YOUNG EDWARD:

      My father’s voice in me.

      MORTIMER:

      Have you no other witness, my lord?

      YOUNG EDWARD:

      Those not here are my witnesses.

      ABBOT:

      The Earl of Kent.

      RICE AP HOWELL:

      Berkeley.

      A LORD:

      The brothers Gurney.

      ABBOT:

      A man, Lightborn by name, seen

      In the Tower.

      ANNE:

      No more!

      ABBOT:

      Who had a paper with him

      In your writing.

      The peers examine the paper.

      RICE AP HOWELL:

      Equivocal truly. The comma lacks.

      ABBOT:

      Purposely.

      RICE AP HOWELL:

      May be. Yet it stands not therein

      That someone kill the king.

      YOUNG EDWARD:

      Ah Mortimer, thou knowest it was done

      And so shall it be done to thee. Thou diest!

      A witness to this world that thy

      All too subtle wiles, by which

      A kingly body in a grave now lies, too subtle were

      For God.

      MORTIMER:

      If I see right you charge me with the murder

      Of Edward the Second. Sometimes

      The truth untruthful seems nor can we ever

      Know which side the buffalo of state

      Will roll. Good and moral

      The side it rolls not on.

      The buffalo has rolled and fallen on me.

      Had I proof, how would proof serve me?

      The man the state has called a murderer

      Does well to play the murderer

      Were his hand as white as Scotland’s snow.

      Therefore I am silent.

      ABBOT:

      Heed not the windings of the Eel.

      MORTIMER:

      Take away my seal! Squadron on squadron

      France spits towards the isle. In Normandy

      The armies rot. Banish me

      To Normandy as your Governor

      Or as a captain. As a recruiting officer

      What you will, with naked arm to whip

      The army for you ’gainst the foe. Send me as a

      Soldier to be whipped on.

      Yet do not thus

      ‘Twixt meat and napkin, take my life

      Because a young whelp yaps

      For blood to see his father dead.

      Ask yourself if now’s the time

      To clear the case of Edward’s death,

      Or whether this whole isl
    and, purged of one

      Murder, should swim in blood.

      You need me.

      Your silence is heard as far as Ireland.

      Have you a new tongue in your head

      Since yesterday? If your hands are still

      Unsullied, why, they are not sullied yet.

      To be dispatched thus coldly smacks of morality.

      ANNE:

      For my sake, sweet son, pity Mortimer!

      Young Edward is silent.

      Be silent then, I never taught you speech.

      MORTIMER:

      Madam, stand off! I will rather die

      Than sue for life unto a paltry boy.

      YOUNG EDWARD:

      Hang him!

      MORTIMER:

      See, boy, the strumpet fortune turns

      A wheel. It bears thee upwards.

      Upwards and upwards. Thou holdest fast. Upwards.

      There comes a point, the highest. From whence thou see’st

      It is no ladder, but now bears thee downwards

      For it’s round indeed. Who’s seen that, boy

      Does he fall or let himself go? The question

      Is amusing. Savour it!

      YOUNG EDWARD:

      Take him away!

      Mortimer is led out.

      ANNE:

      Bring not the blood of Roger Mortimer on you!

      YOUNG EDWARD:

      These words argue, mother, thou, perchance

      Hast brought my father’s blood on thee.

      For thou, tied fast to Mortimer, I fear

      Art suspect of his death and

      We send you to the Tower for trial.

      ANNE:

      Not from thy mother’s milk suckest thou

      Such caustic wit, Edward the Third.

      Dragged here and there, more than others

      And not from love of change, I’ve ever seen

      Evil nurturing its man and paying

      Every triumph over conscience with success.

      Now evil itself betrays me.

      You say in these last hours died a man

      Whose face yours dimly calls to mind

      Who did me many wrongs, whom I forget

      (Out of pity, you might say)

      Even his face and voice I blotted out.

      So much the better for him.

      Now his son sends me to the Tower.

      That is as good a place as anywhere.

      You who have the excuse, that you

      A child, have seen about you such hard

      Lifeless things, what know you of the world

      Where nothing’s so inhuman as

      Judgement and cold righteousness?

      Exit Anne.

      YOUNG EDWARD:

      It yet remains for us to lay his body

      Worthily to rest.

      ABBOT:

      And so it is of those who saw his crowning

      In Westminster Abbey, not one shall see

      His exequies. Of Edward the Second who

      Not knowing, as it seems, which among his enemies

      Remembered him, knowing not what

      Breed lived in light above his head, knowing

      Not the colour of the leaves, the season

      Nor the pattern of the stars, oblivious

      Of himself, in misery

     


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