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    Second Wave

    Page 29
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      thiilsis—grass species native to Vhiliinyar.

      Toruna—a Niriian female, who sought help from Acorna and the Linyaari when her home planet was invaded by the Khleevi.

      Twi Osiam—planetary site of a major financial and trade center.

      twilit—small, pestiferous insect on Linyaari home planet.

      Uhuru—one of the various names of the ship owned jointly by Gill, Calum, and Rafik.

      Vaanye—Acorna’s father.

      Vhiliinyar—original home planet of the Linyaari, destroyed by Khleevi.

      viizaar—a high political office in the Linyaari system, roughly equivalent to president or prime minister.

      Virii—Neeva’s spouse.

      visedhaanye ferilii—Linyaari term corresponding roughly to “Envoy Extraordinary.”

      Vriiniia Watiir—sacred healing lake on Vhiliinyar, defiled by the Khleevi.

      Wahanamoian Blossom of Sleep—poppylike flowers whose pollens, when ground, are a very powerful sedative.

      White Star—see Estrella Blanca.

      wii—a Linyaari prefix meaning small.

      yaazi—Linyaari term for beloved.

      Yaniriin—a Linyaari Survey Ship captain.

      Yiitir—history teacher at the Linyaari academy, and Chief Keeper of the Linyaari Stories. Lifemate to Maarni.

      Yukata Batsu—Uncle Hafiz’s chief competitor on Laboue.

      Zaami—a high mountain peak on the Linyaari homeworld.

      Zanegar—second generation Starfarer.

      Brief Notes on the Linyaari Language

      By Margaret Ball

      As Anne McCaffrey’s collaborator in transcribing the first two tales of Acorna, I was delighted to find that the second of these books provided an opportunity to sharpen my long-unused skills in linguistic fieldwork. Many years ago, when the government gave out scholarships with gay abandon and the cost of living (and attending graduate school) was virtually nil, I got a Ph.D. in linguistics for no better reason than that (a) the government was willing to pay, (b) it gave me an excuse to spend a couple of years doing fieldwork in Africa, and (c) there weren’t any real jobs going for eighteen-year-old girls with a B.A. in math and a minor in Germanic languages. (This was back during the Upper Pleistocene era, when the Help Wanted ads were still divided into Male and Female.)

      So there were all those years spent doing things like transcribing tonal Oriental languages on staff paper (the Field Methods instructor was Not Amused) and tape-recording Swahili women at weddings, and then I got the degree and wandered off to play with computers and never had any use for the stuff again…until Acorna’s people appeared on the scene. It required a sharp ear and some facility for linguistic analysis to make sense of the subtle sound-changes with which their language signaled syntactic changes; I quite enjoyed the challenge.

      The notes appended here represent my first and necessarily tentative analysis of certain patterns in Linyaari phonemics and morphophonemics. If there is any inconsistency between this analysis and the Linyaari speech patterns recorded in the later adventures of Acorna, please remember that I was working from a very limited database and, what is perhaps worse, attempting to analyze a decidedly nonhuman language with the aid of the only paradigms I had, twentieth-century linguistic models developed exclusively from human language. The result is very likely as inaccurate as were the first attempts to describe English syntax by forcing it into the mold of Latin, if not worse. My colleague, Elizabeth Ann Scarborough, has by now added her own notes to the small corpus of Linyaari names and utterances, and it may well be that in the next decade there will be enough data available to publish a truly definitive dictionary and grammar of Linyaari; an undertaking which will surely be of inestimable value, not only to those members of our race who are involved in diplomatic and trade relations with this people, but also to everyone interested in the study of language.

      Notes on the Linyaari Language

      1. A doubled vowel indicates stress: aavi, abaanye, khleevi.

      2. Stress is used as an indicator of syntactic function: in nouns stress is on the penultimate syllable, in adjectives on the last syllable, in verbs on the first.

      3. Intervocalic n is always palatalized.

      4. Noun plurals are formed by adding a final vowel, usually-i: one Liinyar, two Linyaari. Note that this causes a change in the stressed syllable (from LI-nyar to Li-NYA-ri) and hence a change in the pattern of doubled vowels.

      For nouns whose singular form ends in a vowel, the plural is formed by dropping the original vowel and adding-i: ghaanye, ghaanyi. Here the number of syllables remains the same, therefore no stress/ spelling change is required.

      5. Adjectives can be formed from nouns by adding a final-ii (again, dropping the original final vowel if one exists): maalive, malivii; Liinyar, Linyarii. Again, the change in stress means that the doubled vowels in the penultimate syllable of the noun disappear.

      6. For nouns denoting a class or species, such as Liinyar, the noun itself can be used as an adjective when the meaning is simply to denote a member of the class, rather than the usual adjective meaning of “having the qualities of this class”—thus, of the characters in ACORNA, only Acorna herself could be described as “a Liinyar girl” but Judit, although human, would certainly be described as “a linyarii girl,” or “a just-as-civilized-as-a-real-member-of-the-People” girl.

      7. Verbs can be formed from nouns by adding a prefix constructed by [first consonant of noun] + ii + nye: faalar—grief; fiinyefalar—to grieve.

      8. The participle is formed from the verb by adding a suffix -an or -en: thiinyethilel—to destroy, thiinyethilelen—destroyed. No stress change is involved because the participle is perceived as a verb form and, therefore, stress remains on the first syllable:

      enye-ghanyii—time unit, small portion of a year (ghaanye) fiinyefalaran—mourning, mourned

      ghaanye—a Linyaari year, equivalent to about 1 1/3 earth years

      gheraalye malivii—Navigation Officer

      gheraalye ve-khanyii—Senior Communications Specialist

      Khleevi—originally, a small vicious carrion feeding animal with a poisonous bite; now used by the Linyaari to denote the invaders who destroyed their homeworld

      khleevi—barbarous, uncivilized, vicious without reason

      Liinyar—member of the People

      linyaari—civilized; like a Liinyar

      mitanyaakhi—large number (slang—like our “zillions”)

      narhii—new

      thiilel—destruction

      thiilir, thiliiri—small arboreal mammals of Linyaari homeworld

      visedhaanye ferilii—Envoy Extraordinary

      Acknowledgments

      We would like to thank Denise Little of Tekno Books for doing the initial editing on this book and most of the others in this series. We would also like to thank Diana Gill, our editor at HarperCollins, for her many excellent suggestions and input into this series. Both editors have been wonderful about discussing ideas with us. We would also like to thank Margaret Ball, who, with Anne, created many of the original characters, including the young Acorna in the first two books in this series, Acorna and Acorna’s Quest.

      About the Authors

      ANNE MCCAFFREY, a multiple Hugo and Nebula Award winner, is one of the world’s most beloved and bestselling science fiction and fantasy writers. She is the author of the hugely successful Dragonriders of Pern series and makes her home in a castle in Ireland.

      ELIZABETH ANN SCARBOROUGH is the author of Channeling Cleopatra, Cleopatra 7.2, and the Nebula Award–winning The Healer’s War, as well as more than twenty science fiction and fantasy novels. She lives in the Puget Sound area of Washington State.

      www.annemccaffrey.org

      www.eascarborough.com

      Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins author.

      BOOKS IN THE ACORNA SERIES

      ACORNA’S CHILDREN

      Second Wave

      First Warning

      ACORNA

    &n
    bsp; By Anne McCaffrey and Margaret Ball

      ACORNA’S QUEST

      By Anne McCaffrey and Margaret Ball

      ACORNA’S PEOPLE

      By Anne McCaffrey and Elizabeth Ann Scarborough

      ACORNA’S WORLD

      By Anne McCaffrey and Elizabeth Ann Scarborough

      ACORNA’S SEARCH

      By Anne McCaffrey and Elizabeth Ann Scarborough

      ACORNA’S REBELS

      By Anne McCaffrey and Elizabeth Ann Scarborough

      ACORNA’S TRIUMPH

      By Anne McCaffrey and Elizabeth Ann Scarborough

      See also

      ANNE MCCAFFREY’S THE UNICORN GIRL

      An illustrated novel featuring stories by Micky Zucker Reichert, Jody Lynn Nye, and Roman A. Ranieri

      Credits

      Jacket design by Ervin Serrano

      Jacket illustration by Chris McGrath

      Copyright

      This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

      SECOND WAVE. Copyright © 2006 by Anne McCaffrey and Elizabeth Ann Scarborough. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

      Mobipocket Reader July 2006 ISBN 0-06-119754-8

      Library of Congress Cataloging-in-Publication Data has been applied for.

      ISBN-13: 978-0-06-052540-8

      ISBN-10: 0-06-052540-1

      10 9 8 7 6 5 4 3 2 1

      About the Publisher

      Australia

      HarperCollins Publishers (Australia) Pty. Ltd.

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      http://www.harpercollinsebooks.com.au

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      HarperCollins Publishers Ltd.

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      http://www.harpercollinsebooks.ca

      New Zealand

      HarperCollinsPublishers (New Zealand) Limited

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      http://www.harpercollinsebooks.co.nz

      United Kingdom

      HarperCollins Publishers Ltd.

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      United States

      HarperCollins Publishers Inc.

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      http://www.harpercollinsebooks.com

      Table of Contents

      Chapter 1

      Chapter 2

      Chapter 3

      Chapter 4

      Chapter 5

      Chapter 6

      Chapter 7

      Chapter 8

      Chapter 9

      Chapter 10

      Chapter 11

      Chapter 12

      Chapter 13

      Chapter 14

      Chapter 15

      Chapter 16

      Chapter 17

      Chapter 18

      Chapter 19

      Chapter 20

      Chapter 21

      Chapter 22

      Chapter 23

      Chapter 24

      Chapter 25

      Chapter 26

      Chapter 27

      Chapter 28

      Chapter 29

      Chapter 30

      Chapter 31

      Chapter 32

      Chapter 33

      Glossary of Terms and Proper Names in the Acorna Universe

      Brief Notes on the Linyaari Language

      Acknowledgments

      About the Authors

      Other Books in the Acorna Series

      Credits

      Cover

      Copyright

      About the Publisher

      Table of Contents

      Chapter 1

      Chapter 2

      Chapter 3

      Chapter 4

      Chapter 5

      Chapter 6

      Chapter 7

      Chapter 8

      Chapter 9

      Chapter 10

      Chapter 11

      Chapter 12

      Chapter 13

      Chapter 14

      Chapter 15

      Chapter 16

      Chapter 17

      Chapter 18

      Chapter 19

      Chapter 20

      Chapter 21

      Chapter 22

      Chapter 23

      Chapter 24

      Chapter 25

      Chapter 26

      Chapter 27

      Chapter 28

      Chapter 29

      Chapter 30

      Chapter 31

      Chapter 32

      Chapter 33

      Glossary of Terms and Proper Names in the Acorna Universe

      Brief Notes on the Linyaari Language

      Acknowledgments

      About the Authors

      Other Books in the Acorna Series

      Credits

      Cover

      Copyright

      About the Publisher

     

     

     



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