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    The Heron's Cry

    Page 32
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      Jen sighed. Maybe there were worse things than those sorts of games. ‘Oh God, El. What will I do next year when you go off to university?’

      Ella set down the phone and considered the question ser- iously. ‘Nothing different,’ she said. ‘You’ll never change. You’ll always take work seriously.’ A pause. ‘You know what? We really wouldn’t want you to be anything different. We admire what you do.’ She nodded towards the ceiling. ‘And he’ll grow up eventually. You might have to instruct him in the mysteries of the washing machine when I go, though.’

      Jen laughed.

      ‘Saturday night,’ she said. ‘Takeaway?’

      ‘Mum! We’ve been living on takeaway all week. Or stuff from the freezer.’

      ‘I’ll cook then.’

      There was a pause. ‘Nah,’ Ella said. ‘No offence, Mum, but your cooking? Takeaway.’ She wandered back to her room, taking a mug of tea with her.

      The house was quiet. There was the background noise of traffic on the road outside, but Jen was used to that and it didn’t register. She was exhausted, but she knew she wasn’t ready for sleep. This was like jet lag. Best to keep awake all day and sleep properly tonight. She went through to the small living room. Her phone rang. Cynthia.

      ‘I’ve just told Roger to go,’ she said. ‘I said I’d be out of the house for a couple of hours and I wanted him gone by the time I get back.’

      ‘So you know? About the Suicide Club.’

      ‘After you told me about that website, I asked him what he was doing when he was shut up in the office. He was almost boasting. He said he was doing more to help his depressed patients than through his work in the hospital.’

      Jen could tell her friend was crying. ‘Fancy a coffee? If you don’t mind slumming it, you could come here.’

      Chapter Fifty

      AFTER BREAKFAST, MATTHEW DROVE HOME across Braunton Great Marsh, past the pools rich with wading birds and waterfowl. The grey heron still stood, solitary and motionless, its eyes fixed on the water. Under the huge sky, Matthew felt the tension drain from his forehead and his limbs, and all he was left with was his own guilt. Although there was nothing that he could have done to save Nigel, he should have prevented Wesley’s death. He’d become so absorbed with Nigel’s work, had taken Mack’s suicide for granted, and fixated on the online Suicide Club. He should have realized that family was at the heart of most murders. Janey had played them, revelling in their confusion and her power over her victims. Still, Matthew had lived with guilt for many years, since leaving the Brethren, and he thought he could manage that.

      He passed through the toll gate and onto the track that led to Crow Point and home. He parked by the house, and, climbing out of the car, he was surrounded by natural sounds: the long calls of the herring gulls on the beach and the cries of the lapwing in the marsh. The sea must have been wild and the tide must be in because he could hear the waves breaking, even from where he stood. The kitchen door was shut against the westerly breeze and Jonathan was taking a late breakfast inside.

      The noise of the wind had obviously masked the sound of the car, because Jonathan wasn’t aware of him approaching. Matthew stood for a moment, looking in. He needed certainty, strong boundaries; it was what he’d grown up with. In his last two investigations work and home had blurred and collided and he knew that Jonathan had resented his attempts to keep the two entirely separate. Matthew had phoned home the night before, but the call had been short and he still wasn’t sure how things stood between them.

      Jonathan turned and saw Matthew. Matthew wasn’t certain what the response would be and he waited, wary and anxious. Jonathan waved to him, mimed joy and an offer of coffee. All resentment apparently forgotten, at least for now. It seemed that his husband didn’t harbour grudges. Matthew went inside and closed the door behind him. He went up to Jonathan and put his arm around his shoulder.

      ‘I was thinking,’ he said, ‘that we could invite Eve and Lauren Miller for lunch tomorrow. If you don’t mind cooking.’

      ‘Is that appropriate? Before the case comes to court?’ Teasing.

      ‘Probably not. But I’m learning to be a bit more flexible. Let’s do it anyway.’

      ‘Speaking of lunch, the post came early today.’ Jonathan was grinning. He pushed an envelope across the table towards him.

      Inside there was a card, with an image of a bunch of flowers on the front and Thanks in gold letters. Matthew opened it. Writing that he recognized immediately, but slightly less firm, less certain than he remembered.

      Thank you for a delicious lunch.

      No signature, but none was needed.

      BY ANN CLEEVES

      THE VERA STANHOPE SERIES

      The Crow Trap

      Telling Tales

      Hidden Depths

      Silent Voices

      The Glass Room

      Harbour Street

      The Moth Catcher

      The Seagull

      Frozen (ebook short)

      The Darkest Evening

      THE SHETLAND SERIES

      Raven Black

      White Nights

      Red Bones

      Blue Lightning

      Dead Water

      Thin Air

      Cold Earth

      Wild Fire

      THE TWO RIVERS SERIES

      The Long Call

      The Heron’s Cry

      About the Author

      ANN CLEEVES is the multi-million copy bestselling author behind two hit television series—Shetland, starring Douglas Henshall, and Vera, starring Academy Award Nominee Brenda Blethyn—both of which are watched and loved in the United States.

      Shetland and Vera are available on BritBox in the United States. An adaptation of The Long Call, the first book in her Two Rivers series, will premiere on BritBox in 2022.

      The first Shetland novel, Raven Black, won the CWA Gold Dagger for best crime novel, and Ann was awarded the CWA Diamond Dagger in 2017. She lives in the United Kingdom. You can sign up for email updates here.

      Thank you for buying this

      St. Martin’s Press ebook.

      To receive special offers, bonus content,

      and info on new releases and other great reads,

      sign up for our newsletters.

      Or visit us online at

      us.macmillan.com/newslettersignup

      For email updates on the author, click here.

      Contents

      Title Page

      Copyright Notice

      Dedication

      Acknowledgments

      Author’s Note

      Map

      Chapter One

      Chapter Two

      Chapter Three

      Chapter Four

      Chapter Five

      Chapter Six

      Chapter Seven

      Chapter Eight

      Chapter Nine

      Chapter Ten

      Chapter Eleven

      Chapter Twelve

      Chapter Thirteen

      Chapter Fourteen

      Chapter Fifteen

      Chapter Sixteen

      Chapter Seventeen

      Chapter Eighteen

      Chapter Nineteen

      Chapter Twenty

      Chapter Twenty-One

      Chapter Twenty-Two

      Chapter Twenty-Three

      Chapter Twenty-Four

      Chapter Twenty-Five

      Chapter Twenty-Six

      Chapter Twenty-Seven

      Chapter Twenty-Eight

      Chapter Twenty-Nine

      Chapter Thirty

      Chapter Thirty-One

      Chapter Thirty-Two

      Chapter Thirty-Three

      Chapter Thirty-Four

      Chapter Thirty-Five

      Chapter Thirty-Six

      Chapter Thirty-Seven

      Chapter Thirty-Eight

      Chapter Thirty-Nine

      Chapter Forty

      Chapter Forty-One

      Chapter Forty-Two

      Chapter Forty-Three

      Chapter Forty-Four

      Chapter Forty-Five


      Chapter Forty-Six

      Chapter Forty-Seven

      Chapter Forty-Eight

      Chapter Forty-Nine

      Chapter Fifty

      By Ann Cleeves

      About the Author

      Copyright

      This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.

      First published in the United States by Minotaur Books, an imprint of St. Martin’s Publishing Group

      THE HERON’S CRY. Copyright © 2021 by Ann Cleeves. All rights reserved. For information, address St. Martin’s Publishing Group, 120 Broadway, New York, NY 10271.

      www.minotaurbooks.com

      Map artwork by ML Design Ltd

      Library of Congress Cataloging-in-Publication Data

      Names: Cleeves, Ann, author.

      Title: The heron’s cry / Ann Cleeves.

      Description: First U.S. edition. | New York : Minotaur Books, 2021. | Series: The Two Rivers series ; 2

      Identifiers: LCCN 2021015925 | ISBN 9781250204479 (hardcover) | ISBN 9781250204493 (ebook)

      Subjects: GSAFD: Mystery fiction. | Suspense fiction.

      Classification: LCC PR6053.L45 H47 2021 | DDC 823/.914—dc23

      LC record available at https://lccn.loc.gov/2021015925

      Our ebooks may be purchased in bulk for promotional, educational, or business use. Please contact your local bookseller or the Macmillan Corporate and Premium Sales Department at 1-800-221-7945, extension 5442, or by email at MacmillanSpecialMarkets@macmillan.com.

      Originally published in Great Britain by Macmillan, an imprint of Pan Macmillan

      First U.S. Edition: 2021

     

     

     



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