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    Apples and Prayers

    Page 22
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      And then their captain arrived. He horsewhipped the mercenary and they scattered. He threw me in a tumbril cart, packed with other prisoners. We puked and gibbered there together in a bloody heap for the whole ride back to Exeter.

      That journey to gaol was bitter. Our hands secured behind our backs, they packed us in, the living and the half-dead, the walking and the mutilated, carting us over the moor to the city we’d only just deserted. It was a crushing return. Already, they’d started on the hangings. Gallows lined the roads and greens of every village on our way. I’m sure I saw the bodies of men and women I knew. Thank God I didn’t see John’s.

      On arrival, the body of one of our priests was hanging from the spire of his church at St. Thomas. They’d hung him there in vestments, with his properties: his bell and beads, his holy-water stoup. They’d even hung a stray, a dog with paws folded across a semblance of the Sacred Host, in mockery. I thought of my Lord’s hound, Listener, and felt my tears coming.

      Our trial next day was short and brutal, truth and fairness never on their minds. I heard the words of our sentence but, for my part, felt myself already dead. I saw a girl, like Alford, no more than fifteen years old, piss her skirts. The guards beat her until she lay without moving. Then they carried her away.

      Tomorrow the barbarities are enacted. Blessed be God the Father, Maker of Heaven and Earth. Blessed be Jesus Christ upon his throne of Resurrection. Blessed be the Virgin Mary, Mother of all things. So help me God that there might be some delivering angel beneath our own legs tomorrow, to pull on our shins and snap our spines before the executioner gets his bloody blade into us. Death doesn’t come with a fall from the gallows. They say the hangman cuts you down before your breath has faded. They say he digs his knife inside and quarters you, removing the innards while the heart still beats, burning up your organs in the fire.

      God’s blood, have they lost their minds! It makes me want to vomit at the thought.

      Jump hard from the ladder you men and women. Break your necks and save yourself the torture. Yet if your present trembling is a sign, you’ll be shitting and pissing with fright and too frozen to make the leap.

      Merciful Mother, break our necks in those nooses as we fall. Protect us from the blades and irons tomorrow.

      As for my own grave, Ben Red’s a long time gone. I die tomorrow to lie in ground I don’t know where. And who’ll be there to place coins on our eyes once we’re gone? Who to keen our way to the grave? Who to shroud us in blankets and tributes of flowers? No one. Tomorrow is the day of cruel disposal.

      The summer is past and fading. The harvest should be in by now, but I hardly know if even the simplest of tasks has been settled. It saddens me to think of all we leave behind this Lammas-tide. To taste once more the sweet-smelling corn bread. To once more make a dolly of corn from the stook. To ride once more as Harvest Queen upon the cart, green with boughs and strewn with flowers. To taste one final Harvest Supper – meats, cheeses, pies and puddings, plaited loaves and dishes piled with apples, roasted, studded sweet with caraway. Ale and cider by the gallon.

      Close my eyes and I can taste it, trickling down my throat like a sweet river. Close my eyes, I can feel John’s hand in mine.

      God be in my heart and in my thinking. God be at my end and my departing. Ave Maria, gratia plena, Dominus tecum. Pray for us in our hour of need, my Lady. Amen.

      Author’s Note

      Although there are several excellent primary and secondary sources relating to the Prayer Book Rebellion of 1549, there are no existing accounts of events from the side of the Catholic Western Rebels. This novel is an imaginative account of possible events. I have been as accurate as possible with regard to the chronology and placing of recorded events, but have taken liberties in almost everything else. The village of Buckland and its surroundings are entirely fictional.

      All characters, place names, episodes and many turns of phrase, are directly derived from the names of 144 breeds of Devon apple, or apples which have a close and historic association with the county. A list is given, although this is not exhaustive, as varieties come and go. Existing lists also disagree as to the exact provenance of particular breeds, but I have tried to be as comprehensive as possible. While certain historic varieties of apple have been associated with the county since before the times of the Tudors, a good number of the others, however, did not exist until the twentieth century – the intention, therefore, is not to be chronologically accurate, rather to let the historic association of the fruit with the county to speak for itself.

      List of Apple Names

      The following list was compiled using What is a Devon Apple: Provisional list of apples with close associations with the county, (Dartington North Devon Trust (1992)), as main source, alongside lists in other reference books. The letter (c) denotes a variety that is known to be a cider apple. In some cases in the novel, I have only used the first part of the name – dropping qualifiers such as ‘apple’ or ‘pippin’ – or have made minor changes to the name for sense.

      All Doer Alphington

      Barum Beech Bearer

      Beef Ben’s Red

      Bickington Gray Billy Down

      Billy White Bittersweet

      Blue Sweet Bowden

      Breadfruit Brimley (c)

      Broomhouse Whites Brown Snout (c)

      Browns Apple (c) Buckland

      Butterbox Buttery d’Or

      Captain Broad Catshead

      Cerif Chisel Jersey (c)

      Coleman Seedling Costard

      Court Royal (c) Crimson King (c)

      Crimson Queen Crimson Victoria

      Devonshire Red Don's Delight

      Dufflin Duke of Devonshire

      Early Bowers Ellis Bitter (c)

      Endsleigh Exeter Cross

      Fair Maid of Devon Farmer’s Glory

      Gilliflower Glass Apple

      Golden Ball Goring

      Halstow Natural Hangy Down

      Hoary Morning Hollow Core

      Honey Pin Improved Pound

      Jacob’s Strawberry John Toucher

      Johnny Andrews Johnny Voun

      Keswick Codling Killerton Sharp

      King Byerd King Manning

      Kingston Bitter Kirton Fair

      Langworthy Leathercoat Russet (1600)

      Limberland Limberlimb

      Listener Long Bit

      Longstem Loral Drain

      Loyal Drong Lucombes Pine

      Lucombes Seedling Major (c)

      Moore's Seedling Morgan Sweet (c)

      Nine Square No Pip

      Northcott Superb Northwood (c)

      Oaken Pin Old English Pippin

      Old Pearmain Payhembury

      Peter Lock Pig Snout

      Pig’s Nose Pine Apple

      Plumderity Plymouth Cross

      Polly White Hair Ponsford

      Pound Quarrenden

      Queen Caroline Quench

      Quoinings Rawlings

      Red Jersey Red Ruby

      Reine des Pommes Reynold’s Peach

      Royal Russet Royal Somerset

      Sercombes Natural Sheep’s Nose

      Sidney Strake Slack My Girdle

      Sops in Wine Sour Bay

      Sour Natural Spicey Pippin

      Spotted Dick Star of Devon

      Stockbearer Stone Pippin

      Stubbard Sugar Bush

      Sugar Loaf Sugar Sweet

      Sweet Alford (c) Sweet Bay

      Sweet Bramley Sweet Cleave

      Sweet Cluster Sweet Coppin (c)

      Tale Sweet (c) Tan Harvey

      The Rattler Thin Skin

      Thomas Rivers Tidicombe

      Tom Putt (c) Tommy Knight

      Tommy Potter Town Farm

      Tremletts Bitter Upton Pyne

      Veitches Perfection Venus Pippin

      Wellington Whimple Wonder

      White Close Pippin Winter Peach

      Woodbine Woolbrook

      I also wish to acknowledge the use of the following texts in researching this novel. In particular, John Hooker’s
    Description of the City of Exeter, a contemporary account of the siege of Exeter from the point of view of the Protestant besieged and Thomas Tusser’s contemporary Five Hundred Pointes of Goode Husbandrie. Joan Morgan and Alison Richards’ Book of Apples and James Crowden’s Cider provided excellent secondary source material, while Beverly Pagram’s Heaven & Hearth was invaluable in matters of Tudor women’s folklore.

      Cider, James Crowden (Cider Press 2, 1999)

      Description of the City of Exeter, John Hooker (1587, ed. W.J. Harte in the Devon and Cornwall Record Society, 1919)

      English Social History, G.M. Trevelyan (Longman Green, 1944)

      Five Hundred Pointes of Good Husbandrie, Thomas Tusser (1573)

      Heaven & Hearth, Beverly Pagram (The Women’s Press, 1997)

      Lady Jane Grey: The Setting of The Reign, David Mathew (Eyre Methuen, 1972)

      Latin Mass Society, http://www.latin-mass-society.org

      Plants and Gardens in The Tudor Years, John Griffiths (pamphlet)

      The Book of Apples, Joan Morgan and Alison Richards (Ebury Press, 1993)

      The English Apple, Rosanne Sanders (Phaidon Press, 1988)

      The English Reformation, A.G. Dickens (Batsford, 1964)

      The Revolt in the West: The Western Rebellion of 1549, John Sturt (Devon Books,1987)

      The South-Western Rebellion of 1549, Joyce Youings (in Southern History, Vol.1, 1979)

      The Tudor Revolution in Government, G.R. Elton (Cambridge University Press, 1953)

      The Western Rebellion of 1549, Frances Rose-Troup (Smith, Elder, 1913)

      The Western Rising 1549, Philip Caraman (Westcountry Books, 1994)

      Tudor Cornwall, A.L. Rowse (Jonathan Cape, 1941)

      Tudor Rebellions, 4th Ed, Anthony Fletcher and Diarmaid MacCulloch (Longman, 1997)

      About The Author

      Andy Brown is the Director of Creative Writing at the University of Exeter. A well-known poet, he has published seven highly praised collections of poetry, including Exurbia (Worple 2014) and Goose Music (with John Burnside, Salt 2008). He is co-editor of a major new poetry anthology, A Body of Work: Poetry and Medical Writing (Bloomsbury 2015). Apples and Prayers is his first novel.

      Published by Dean Street Press 2015

      Copyright © 2015 Andy Brown

      All Rights Reserved

      The right of Andy Brown to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

      Cover by DSP

      ISBN 978 1 910570 11 1

      www.deanstreetpress.co.uk

     

     

     



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