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    The Political Memoir of a Feminist Militant

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    inconsequential that her word under oath meant nothing.

      Now we have a kind of half-memory; one can remember

      being raped, but remembering the name and face of the

      158

      Memory

      rapist, saying the name aloud, pointing to the face, actually

      compromises the victim’s claim. People are willing to cluck

      empathetically over the horror of rape as long as they are not

      made responsible for punishing the rapist.

      Proust’s madeleine signifies the kind of memory one may

      have. That memory may be baroque. A regular woman who

      has been coerced had bet er have a very simple story to tell

      and a rapist dripping with gold lame guilt instead of sweat.

      A worker in a rape crisis center told me this story. It

      happened down the street from where I live. A woman moved

      into a new apartment on the parlor level, slightly elevated

      from the street but not by much. She needed to have someone

      come into her new apartment to install new windows. The

      worker did most of the work but said that he needed a particular tool in order to finish. He said that he would be willing to come back that evening to finish the job. The woman was

      grateful; after al , there is nothing quite as dangerously insecure

      as an urban apartment near the ground floor with unlocked

      windows. He came back; he beat and raped her. At the trial

      his defense was that he had been her boyfriend, she had had

      sex with him many times, she liked it rough, and as with the

      other times this was not rape. She, of course, did not know

      him at al .

      The jury believed him, which is to say that they had reasonable doubt about her testimony. After al , she could not prove that he had not been her boyfriend, that she had never met

      159

      Heartbreak

      him before that day. This scenario has to be the world’s worst

      rape nightmare outside the context of torture and mass

      murder. It was so simple for him.

      The point is that once the victim can identify the predator,

      once she says his name and goes to court, there is no empathy

      for her, not on the part of al the good, civic-minded citizens

      on the jury, not from the media reporting on the case (if they

      do), not from men and women socializing in bars. She’s got

      the mark of Cain on her; he does not. Al the sympathy tilts

      toward him, and he has an unchangeable kind of credibility

      with which he was born. To ruin his life with a charge of rape

      is heinous - more heinous than the rape. No mat er how

      many rapists go free, the society does not change the way the

      scales of justice are weighted; he’s got a pound of gold by

      virtue of being a male, and she’s got a pound of feathers. It

      couldn’t be more equal.

      People deal with hideous events in different ways, and one

      way is to forget them. A forgotten event is not always sexual or

      abusive. I worked very hard for years as a writer and feminist.

      One night I had dinner with a distant cousin. “I remember when

      you used to play the piano, ” she said. I didn’t remember that

      fact of my life at al and had not for decades. My life had

      changed so much, I had so little use for the memory, perhaps,

      that I had forgot en the years of piano lessons and recitals.

      I sat stunned. She was bewildered. She insisted: “Don’t you

      remember? ” I was blank until she gave me some details. Then

      160

      Memory

      I began to remember. In fact, she had remembered my life

      as a pianist over a period of decades during which I had

      forgot en it.

      With sexual abuse, people remember and people forget. The

      process of remembering can be slow, tormenting, sometimes

      impossible. Aharon Appelfeld thanks the Holocaust survivors

      who insisted on remembering when al he wanted to do was

      forget. There are at least two Holocaust memoirs about forgetting, and if one can forget a concentration camp one can forget a rape. If one can forget as an adult, a child can surely forget.

      I read some years ago about a study in which a mother

      chimpanzee was fit ed with a harness that had knives sticking

      out; her babies were released into her presence; trying to

      embrace her they were cut; the more cut they were the more

      they tried to hold tight to her; the more they were hurt the

      more they wanted their mother. The research itself is repugnant, but the terrifying story of what happened during it strikes me as an accurate parable of a child’s love, blind love, and

      desperate need. Remembering and forget ing are aspects of

      needing and loving, not rulers of what the heart does or does

      not know. Those who say children are lying when they

      remember as adults abuse they endured as children are foolish

      - as are those who think children categorically do not know

      when they’ve been hurt.

      I remember a lot of things that happened in my life.

      Sometimes I wish I remembered every little thing. Sometimes

      161

      Heartbreak

      I think that the best gift on dying would be if God gave one

      that second between life and death in which to know everything al at once, al that one ever wanted to know. For myself, I’d include every fact of my own experience but especial y the

      earliest years - and I'd like to know everything about my

      parents, what they thought and what they dreamed. I'd like to

      know our lineage al the way back, who my ancestors were

      and what made them tick. I have a few questions about lovers

      and friends, too. At the same time I want to know the truth

      about the cel , the galaxy, the universe, where it began and

      how it will end. I’d like to know what the sun is real y like -

      it’s not just fire and cold spots - as much as I’d like to know

      how there can be so much empty space inside a molecule.

      I'd like to go back and redo my high school physics class and

      real y master the language of mathematics. I’d like to know if

      there is a God and what faith means. I’d like to know how

      Shakespeare wrote from the inside out. I know that if there are

      black holes in the universe, multiple personalities simply

      cannot be impossible. In fact they have God’s mark al over

      them as an elegant solution to a vile problem - children forced

      to live in hel find ways to chop the hel up, a child becomes

      plural, and each part of the plurality must handle some aspect

      of the hel as if it’s got al of it. This is more complicated than

      fragmenting a personality, but there is nothing difficult to

      understand. The child becomes many children, and each has a

      personality and work cut out for it; each personality helps the

      162

      Memory

      child endure. What is difficult is how children are hurt, and

      sometimes the denial of multiple personalities, which is, of

      course, a denial of memory, is also a denial of sexual abuse.

      The story isn’t simple enough to be believed by outsiders, but

      the victim has found a way to survive. It’s miraculous, real y.

      One ritual-abuse survivor with double-digit personalities told

      me to think of her as a small army fighting for the rights of

      women. I do.

      A memoir, which this i
    s, says: this is what my memory

      insists on; this is what my memory will not let go; these

      points of memory make me who I am, and al that others find

      incomprehensible about me is explained by what’s in here.

      I need to say that I don’t care about being understood; I want

      my work to exist on its merits and not on the power of personality or celebrity. I have done this book because a lot of people asked me to, and I hope this work can serve as a kind

      of bridge over which some girls and women can pass into

      their own feminist work, perhaps more ambitious than mine

      but never less ambitious, because that is too easy. I want

      women to stop crimes against women. There I stand or fal .

      163

      Acknowledgments

      This book owes everything to Elaine Markson. She wanted

      me to write it and helped me at every step along the way.

      I also want to thank Nikki Craft, Sal y Owen, Eva Dworkin,

      Michael Moorcock, Linda Moorcock, Robin Morgan, John

      Stoltenberg, Susan Hunter, Jane Manning, Sheri DiPelesi,

      Louise Armstrong, Julie Bindell, Gail Abarbanel, Valerie

      Harper, and Gretchen Langheld for their support.

      I am grateful to David Evans, producer for the BBC1 series

      Omnibus. I used testimony from the documentary done on my

      work by David; he helped make the last third of this book

      possible.

      I am also grateful to my editor, Elizabeth Maguire, for her

      useful suggestions and great enthusiasm. I thank her assistant,

      William Morrison, and al the other folks at Basic Books for

      their work in publishing Heartbreak.

      164

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