Thomas, Hugh. John Strachey. New York: Harper and Row, 1973.
Tomkins, Calvin. Living Well Is the Best Revenge. New York: Viking Press, 1971.
Turner, Elizabeth Hutton, ed. Americans in Paris (1921–1931): Man Ray, Gerald Murphy, Stuart Davis, Alexander Calder. Washington, D.C.: Counterpoint, 1996.
Vidor, King. King Vidor, interviewed by Nancy Dowd and David Shepard, Directors Guild of America Oral History Series. Metuchen, N.J., and London: Scarecrow Press, 1988.
Wagner, Linda M. Dos Passos: Artist as American. Austin: University of Texas Press, 1979.
Walker, Kathrine Sorley. De Basil’s Ballets Russes. New York: Atheneum Publishers, 1982.
White, Norval, and Eliot Willensky. AIA Guide to New York City (revised ed.). New York: Collier Books, 1978.
Wilson, Edmund. Letters on Literature and Politics: 1912–1972 (Elena Wilson, ed.). New York: Farrar, Straus & Giroux, 1977.
——. The Twenties. (Leon Edel, ed.). New York: Farrar, Straus & Giroux 1977.
Wilson, Robert Forrest. Paris on Parade. Indianapolis: Bobbs Merrill, 1925.
Wiser, William. The Crazy Years. New York: Thames and Hudson, 1990.
Wolff, Geoffrey. Black Sun: The Brief Transit and Violent Eclipse of Harry Crosby. New York: Random House, 1976.
Index
Abbott, Berenice, [>]
Abel, William, [>], [>]
Acheson, Dean, [>]
Acosta, Mercedes de, [>]
Adorno, Theodor, [>]
African American culture: Murphys’ interest in, [>]–[>], [>]; and Hallelujah! (Vidor film), [>], [>]–[>]; and recordings inside Weatherbird keel, [>]
Allen, Henry T., [>]
Allen, Ruth, [>]
“American Letter” (MacLeish), [>]–[>], [>]
Amilcar (Villa America farmer), [>]
Amory, Copley, [>], [>], [>]
Amouretti, René de, [>]
Anderson, Sherwood, [>]
Ansermet, Ernest, [>], [>]
Antheil, George, [>], [>]
Antibes, [>]; La Garoupe beach at, [>], [>], [>], [>], [>], [>], [>]; Villa America, [>], [>]–[>], [>]–[>] (see also Murphys LIVING AT VILLA AMERICA; Villa America, Antibes); first visit to, [>]; second summer in, [>], [>], [>], [>]–[>]; Hôtel du Cap in, [>]; 1924 visit to, [>]–[>]; mass discovery of, [>]–[>], [>]; new crowd in, [>], [>]
Anti-Communist hysteria, [>]–[>]
Antigua, Murphys visiting MacLeishes in, [>]
Apollinaire, Guillaume, [>]
Aragon, Louis, [>]
Armory Show, [>], [>]
Arthur, Chester Alan III, [>], [>]
Asparagus (Murphy dog), [>]
Astor, Mrs. Waldorf, [>]
Atkinson, Brooks, [>]
Atterbury, Grosvenor, [>]
Ault, Levi Addison, [>]
Auric, Georges, [>], [>]
“Babylon Revisited” (Fitzgerald), [>]
Bach, Johann Sebastian, GCM’s interest in, [>], [>]
Baker, George Pierce, [>]
Baker, Josephine, [>]
Balanchine, George, [>], [>], [>]
Ballet Russe de Monte Carlo, [>]
Ballets Russes, [>], [>], [>], [>], [>], [>], [>], [>], [>]; films of, [>]. See also Diaghilev, Serge
Ballets Suédois, [>]–[>], [>] n
Bankhead, Tallulah, [>]–[>]
Barnes, Djuna, [>]
Barney, Natalie, [>], [>]
Barr, Alfred, [>]
Barry, Ellen, [>]; on SWM’s appearance, [>]; on SWM’s attitudes toward extramarital sex, [>], [>], [>]; on SWM as Picasso model, [>]; on Hemingway and SWM, [>]; GCM takes shopping, [>], [>]; on SWM’s dress shopping, [>]; on SWM’s high heels, [>]; GCM to on New York, [>]; Murphys visit, [>]; at GCM funeral, [>]
Barry, Philip, [>]–[>]; at Antibes, [>], [>]; play of as parallel to SWM-Picasso, [>]–[>]; on GCM preparing cocktail, [>]; GCM letter to, [>]; Holiday, [>]; off-color stories of, [>]; Bright Star, [>]; death of, [>]
Barrys (Ellen and Philip as couple): meet Murphys in Paris, [>]–[>]; at Antibes (Villa America), [>], [>], [>]; at dinner with Fitzgerald, [>]; at Stewart party, [>]; valedictory visit from, [>]; cottage of, [>]; and barge party, [>]; with Murphys in New York, [>], [>]; Murphys see on Florida trip, [>]; lend house for Honoria’s wedding reception, [>]
Barrymore, John, [>]
Basil, Vassily de, [>]
Baudoin, Edouard, [>]
Beach, Sylvia, [>], [>], [>]
Beatles, GCM’s recognition of, [>]
Beats, and New York culture, [>]
Beaumont, Comte Étienne de, [>]–[>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
Beaumont, Comtesse Étienne de (Édith), [>], [>], [>], [>], [>], [>], [>]
Beckett, Samuel, [>]
Bedford, Sybille, [>]
Benchley, Nathaniel (“Nat”), [>]
Benchley, Robert, [>]; at Antibes, [>], [>], [>], [>]–[>], [>], [>]; at New York party, [>]; in California, [>]; and Parker’s decision to help Murphys, [>]; Parker letter to, [>]; financial help profferred by, [>]–[>]; in Switzerland, [>]; and GCM’s trip to New York, [>]; to Paris, [>]; in New York, [>]; Parker’s alienation from, [>]; on “Noah” bag, [>]; and Campbell’s enlistment, [>]; death of, [>]
Benchley, Robert, Jr. (“Bub”), [>]–[>]
Benét, Stephen Vincent, [>], [>]
Benjamin, Walter, [>]
Benrimo, Tom, [>]
Berlin, Irving, [>], [>]
Bernstein, Leonard, [>]
Bethune, Mary McLeod, [>]–[>], [>]
Bibliothèque (GCM painting), [>], [>], [>], [>], [>]
Bierstadt, Albert, [>]
Bigelow, Josephine Rotch, [>]
Big Money, The (Dos Passos), [>], [>], [>], [>], [>]
Bird, William, [>]
Bishop, John Peale, [>], [>]–[>], [>]–[>], [>]
Bishop, Margaret, [>]
Black culture. See African American culture
Blacklisting, in postwar U.S., [>]
Blake, William, [>]
Blaue Engel, Der, GCM’s liking for, [>]
Blesh, Rudi, [>]–[>]
Blitzstein, Marc, [>]
Boatdeck (GCM painting), [>], [>]–[>], [>], [>], [>]–[>], [>]
Bonnard, Pierre, [>], [>], [>]–[>]
Boote, Rosie. See Headfort, marquess and marchioness of
Börlin, Jean, [>]
Boston, end-of-century stagnation of, [>]–[>]
Bowers, Lloyd, [>]–[>]
Brackett, Charles, [>], [>], [>]
Brancusi, Constantin, [>]
Braque, Georges, [>], [>], [>]
Brecht, Bertholt, [>], [>]
Brennan, Francis (Hank), [>], [>]
Breton, André, [>]
Bricktop, [>]
Browder, Earl, [>]
Brown, Honey, [>]
Buehler, Huber, [>]–[>]
Butler, Dorothy, [>]
Cage, John, [>]
Calder, Alexander, [>]
Callaghan, Morley, [>]
Camoys, Lord, [>]
Camp Adeline, [>]–[>], [>]
Campbell, Alan, [>], [>], [>], [>], [>], [>], [>], [>]
Campbell, Lady Marjorie, [>]
Campbell, Lady Violet, [>]
Campbell, Stella (Mrs. Patrick), [>]–[>], [>], [>], [>], [>], [>], [>]
Cap d’Antibes. See Antibes
Caraman-Chimay, Princesse de, [>]
Carhart, Harold, [>]
Carnavel, L. T., [>]
Carpenter, Ginny, [>], [>]
Carpenter, John Alden, [>], [>], [>]–[>], [>], [>]
Carpenter, Rue, [>], [>], [>]–[>], [>], [>]
Celestine (cook), [>], [>]
Cendrars, Blaise, [>], [>], [>]
Chalêt des Nielles, Murphys purchase, [>]–[>]. See also Villa America, Antibes
Chaliapin, Fyodor, [>]
Chanel, Coco, [>]
Chanler, Hester, [>]. See also Pickmans
&n
bsp; Chanler, Mrs. Winthrop, [>]
Chaplin, Charlie, [>]
Chase, William Merritt, [>], [>]
Cheer Hall, [>]–[>], [>], [>], [>], [>], [>]
Cheney, Ward, [>]
Chirico, Giorgio de, [>]
Church, Frederick, [>]
Claire, Ina, [>]
Clancy, Menefee, [>]
Claudius, Agnes, [>]
Clement (chauffeur), [>]
Cocktail (GCM painting), [>]–[>], [>], [>], [>]–[>]
Cocteau, Jean, [>], [>], [>]; and Radiguet, [>]; at barge party, [>]; Parade, [>]–[>]; as sexually ambiguous, [>]; and Oedipe Roi, [>]; and GCM’s milieu, [>]
Cohn, Roy, [>]
Colonna, Prince, [>]
Contemporary Historians, [>], [>]
Coonen, Alice, [>]–[>]
Copland, Aaron, [>], [>]
Cornell, Katharine, [>]
Cornwall, Larry, [>]
Côte d’Azur, [>], [>]
Course Croisère de la Méditerranée, GCM enters, [>]–[>], [>], [>]
Covert, John, [>]
Cowley, Malcolm, [>], [>]
Crosby, Caresse (formerly Polly Jacob), [>], [>], [>]
Crosby, Harry, [>], [>], [>]–[>], [>], [>]
Crystaux (GCM drawing), [>]
Cubism: of Goncharova, [>]; in GCM’s studies of machinery, [>]; and GCM’s Razor and Watch, [>]; and GCM’s work after Boatdeck, [>]
Cullen, Countee, [>]
cummings, e. e., [>], [>]
Cunard, Lady, [>]
Cunard, Nancy, [>]
Dada, [>]; and typo on Turbines, [>]; and barge party, [>]; and Within the Quota set, [>]
Damrosch, Walter, [>]
Danilova, Alexandra, [>]
Davies, Marion, [>], [>]
Davis, Richard Harding, [>]
Davis, Stuart, [>]
Death of a Salesman, GCM riveted by, [>]
Debussy, Claude, [>]
Delaunay, Sonia, [>]
De Lille, Armand, [>]
Dell, Floyd, [>]
de Maré, Rolf, [>]–[>], [>]
de Mille, Agnes, [>]
Denham, Serge, [>]–[>]
Derain, André, [>], [>], [>], [>]
De Wolfe, Elsie, [>], [>], [>]
Diaghilev, Serge, [>]; Le Sacre du printemps produced by, [>], [>]; at Ballets Russes premiere party, [>]; Murphys paint sets for, [>]–[>]; Les Noces produced by, [>]; at barge party, [>]; and de Mare, [>]; death of, [>]; and Ballets Russes reputation, [>]; GCM’s tales of, [>]
Dial, The, [>]
Dickson, Mrs. (friend of Adeline Wiborg), [>]–[>]
Dickson, Roland, [>]–[>]
Dietrich, Marlene, [>], [>]
Dolin, Anton, [>]
Dolly, Rosie, [>]
Dominguín, Luis Miguel, [>]
Donnelly, Honoria (daughter of SWM). See Murphy, Honoria Adeline
Donnelly, John Charles Baoth (grandson of Murphys), [>], [>]
Donnelly, Laura Sara (granddaughter of Murphys), [>]
Donnelly, William, [>], [>], [>], [>]
Donnelly, William Sherman (grandson of Murphys), [>], [>], [>]
Dos Passos, Elizabeth (formerly Elizabeth Holdridge), [>]–[>], [>]
Dos Passos, John, [>], [>]; at Antibes, [>], [>], [>], [>], [>]; The Big Money, [>], [>], [>], [>], [>]; in Paris of 1920s, [>]; and Les Noces work, [>]; in ballet audience, [>]; and Fitzgeralds, [>]–[>]; and “Dow-dow” nickname, [>]; as summertime expatriate, [>]; on Murphys’ hors d’oeuvres, [>]; and Hemingway, [>], [>], [>], [>], [>]–[>], [>], [>]; and ski trip, [>], [>], [>], [>]; as sailor, [>]; GCM letters to, [>], [>], [>], [>], [>], [>]; Hemingway letter to, [>]; marriage of, [>]; financial and health problems of, [>], [>], [>]; plays of, [>]; on GCM at Mark Cross, [>]; imprisoned Spanish friend of, [>]; and Hemingway on filming of tuna fishing, [>]; visits Saranac, [>]; and Patrick’s death, [>]; as political activist, [>]; and The Spanish Earth, [>]; offered ballet-librettist job, [>]; on Murphys’ guest room, [>]; GCM to on people being themselves, [>]; eye lost in accident, [>]; postwar connection to, [>]; remarriage of, [>]–[>]; Hemingway messages through, [>]–[>]; SWM letter to, [>]; farewell dinner for, [>]; report on GCM funeral to, [>]; The Best Times, [>]; visits SWM in New York, [>]
AND KATY DOS PASSOS: at Swiss health resort, [>]; as U.S. friends, [>]; at Hook Pond Cottage, [>]; on Mediterranean tour, [>]; in Key West, [>], [>]; financial help to, [>], [>], [>]; and Hemingway’s concern about SWM, [>]; with Hemingway in Cuba, [>]; in meeting with SWM and Pauline, [>]; on Cape Cod, [>]; visit Patrick at Christmas, [>]; on trip to Europe, [>], [>]; GCM letter to, [>]; in farewell to MacLeish, [>]; on visit to Pauline Hemingway, [>]; New Year’s 1942 with, [>]
Dos Passos, Katy (formerly Katherine Smith), [>]; and Patrick’s illness, [>]; and Baoth’s death, [>]; on Swan Cove, [>]; on Hitler’s success, [>]; on Cape Cod, [>]; death of, [>]; flowers on grave of, [>]; letters from in Cheer Hall, [>]; Chosen Country descriptions from, [>]
Dos Passos, Lucy, [>]
Doves (GCM painting), [>], [>], [>]
Dowdney, Louise, [>]
Draper, Muriel, [>], [>]
Draper, Paul, [>]
DuBois, Raoul Pène, [>], [>]
Duchamp, Marcel, [>]
du Maurier, Gerald, [>]
Duncan, Isadora, [>], [>]
Dunes, the (Wiborg mansion), [>]–[>], [>], [>], [>]
Dunne, Finley Peter, [>]
Durey, Louis, [>]
East Hampton, Long Island, [>]–[>], [>]; musical burlesque staged in, [>]–[>]; farmer’s cottage for remodeling in, [>]
Eastman, Chrystal, [>]
Eastman, Max, [>]
Egorova, Lubov, [>]
Einstein, Albert, [>]
Eliot, T. S., [>], [>], [>]
Engine Room (Pression/Pressure; GCM painting) [>], [>], [>]
Ernst, Max, [>]
Falla, Manuel de, [>]
Farewell to Arms, A (Hemingway), [>], [>]
Far Side of Paradise, The (Mizener), [>]
Faucigny-Lucinge, prince and princesse Jean-Louis de, [>]
Fels, Florent, [>]
Firouz (prince of Persia), [>]
Fish, Olga. See Wiborg, Olga Marie
Fish, Sidney, [>], [>], [>], [>], [>], [>]
Fish, Stuyvesant, [>]
Fitzgerald, F. Scott, [>], [>]–[>], [>]–[>], [>]–[>]; relationship with Hemingway, [>], [>], [>], [>], [>], [>], [>]–[>], [>]; and Paris, [>], [>]; MacLeish introduced to, [>]; and Zelda’s behavior, [>], [>]–[>]; on Hemingway’s separation from Hadley, [>]; in Delaware, [>], [>]; return to France, [>]; on Murphys entertaining Parker, [>]; in Cannes villa, [>]–[>]; Hemingway letter to, [>]–[>]; in Paris (1930), [>]–[>]; and Zelda’s descent into madness, [>]; MacLeish letter to, [>]; and bathwater scene with Scottie, [>]; in Alabama, [>]; stresses and difficulties of, [>]; on SWM and Hemingway, [>]; on second acts, [>]; in Hollywood, [>], [>]–[>]; and Sheilah Graham, [>]–[>], [>]; death of, [>], [>]; refused burial by Catholic Church, [>], [>]; Arthur Mizener on, [>]; on Murphy descendants, [>]; and Edmund Wilson, [>]; and A Moveable Feast, [>]
WORKS OF: Tender Is the Night, [>]–[>], [>], [>]–[>], [>]–[>] (see also Tender Is the Night); This Side of Paradise, [>]; The Vegetable (play), [>]; The Beautiful and the Damned, [>]; The Great Gatsby, [>], [>]; The Crack-Up, [>], [>]; “Babylon Revisited,” [>]
AND MURPHYS, [>]–[>]; in Tender Is the Night, [>]–[>], [>]–[>], [>], [>], [>]–[>], [>]–[>], [>], [>]; on SWM’s face, [>]; behavior at parties, [>], [>], [>], [>], [>]–[>]; with Murphys at Antibes, [>], [>], [>], [>], [>]–[>], [>], [>]–[>], [>], [>]–[>]; attracted to SWM, [>], [>]–[>], [>]; curiosity, [>], [>]–[>]; attitudes toward GCM, [>]–[>]; helps GCM get movie job, [>]; and Velasquez talisman cross, [>], [>]; as confidant in GCM’s self-analysis, [>], [>]; visit to Ramgut, [>]; SWM’s rebukes, [>]–[>], [>]–[>]; GCM to on trade as drug, [>]; tribute to SWM, [>]–[>]; on SWM-GCM relationship, [>], [>]; SWM invites to Saranac, [>]; GCM letters to, [>], [>], [>]; and Patrick’s death,
[>]; appeal for help and loan, [>]–[>], [>]–[>]; Zelda on, [>]; Hemingway on, [>]; letters in Cheer Hall, [>]. See also under Murphys
Fitzgerald, Frances Scott (“Scottie”), [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]
Fitzgerald, Zelda, [>], [>]–[>]; in Antibes area, [>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>]–[>], [>]; bizarre behavior of, [>], [>], [>]–[>], [>], [>]; MacLeish introduced to, [>]; on Hemingway, [>]; health problems of, [>]; in Delaware, [>], [>]; return to France, [>]; as ballet student, [>]–[>], [>], [>], [>]; in Cannes villa, [>]–[>]; paranoid behavior of, [>]–[>]; breakdown of, [>], [>]; recovery of, [>]; at Ramgut, [>], [>]; in U.S. [>]; in Alabama, [>]; relapse of, [>]; as Tender Is the Night model, [>]; SWM’s expression of sympathy for, [>]; instability of, [>]; paintings of, [>]–[>]; in Baltimore, [>]; and Scott in Hollywood, [>], [>]; on Murphy arrival, [>]; on death of Scott, [>]; and A Moveable Feast, [>]
Flanner, Janet, [>], [>]
Fogarty, Thomas, [>]
Fontaine, Evan Burrows, [>]
Ford, Ford Madox, [>], [>], [>]
Forel, Oscar, [>], [>]
Foujita, Tsuguharu-Léonard, [>], [>]
Frank, Waldo, [>]–[>]
Frankfurter, Felix, [>]
Franklin, Frederic, [>], [>]
Franklin, Sidney, [>]
Galantière, Lewis, [>]
Gammell, Arthur, [>]–[>]
Garden of Eden, The (Hemingway), [>]
Gardner, Isabella Stewart, [>]
Gardner, Robert, [>], [>]
Garrett, John, [>], [>]
Gellhorn, Martha, [>], [>], [>], [>], [>]
Genêt. See Flanner, Janet
Géron, Henriette, [>], [>], [>], [>], [>]
Ghost Town (ballet), [>]–[>], [>]–[>]
Gielgud, John, [>]–[>]
Gilbert, John, [>]
Gill, Brendan, [>]
Gillette, King, [>]
Goelet, Robert Walton, [>], [>], [>]
Goncharova, Natalia, [>]–[>], [>], [>], [>], [>], [>], [>], [>]
Gorey, Edward, [>]
Gould, Jay, [>]
Gounod house, [>]–[>]
Gousha, Joseph, [>]
Graham, Martha, [>]
Graham, Sheilah, [>]–[>], [>]
Great Gatsby, The (Fitzgerald), [>], [>]
Green Hills of Africa (Hemingway), [>]–[>]
Griffith, Helen Sherman, [>]