Leopold is delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. This means that we have checked every single page in every title, making it highly unlikely that any material imperfections – such as poor picture quality, blurred or missing text - remain. When our staff observed such imperfections in the original work, these have either been repaired, or the title has been excluded from the Leopold Classic Library catalogue. As part of our on-going commitment to delivering value to the reader, within the book we have also provided you with a link to a website, where you may download a digital version of this work for free. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. If you would like to learn more about the Leopold Classic Library collection please visit our website at www.leopoldclassiclibrary.com

It was midwinter. The owner of Willow Creek stood at his parlourwindow, smoking and gazing. There was not much to look at, for snow hadoverwhelmed and buried the landscape, fringed every twig of the willows,and obliterated the frozen river.(Illutrated)

Example in this ebookA generation has passed away since “The Camp of Refuge” first issued from the press. Although published anonymously, it shows that its author had a very extensive knowledge of the history and topography of the Fen district.The book, however, while it embodied much real history, was put forth with no higher pretension than that of a tale, whose characters were historic personages, and whose incidents occurred, in the main, during the Norman Conquest.Knowing that this interesting book had become very scarce, and thinking that it would prove as acceptable to this, and perhaps to the next, generation as it did to the past—the present publishers determined to offer a new edition to the public; trusting at the same time that its contents will help to foster a loyalty and a love for our English nation.But with a new edition some few comments appeared necessary; therefore Notes to the text, a vi short Appendix, and two Maps have been added, not with a view merely to embellish the original work, nor to convert it into a real history, but to assist, in some measure, the youthful reader, or mayhap those, too, who have but limited means of consulting the many sources of information upon which the ground-work of the tale rests.SECOND ANNOTATED EDITION.In preparing this edition, care has been taken to correct whatever defects, typographical or otherwise, may have been found in the former one; several fresh foot-notes have been introduced, the Appendix has been re-arranged and enlarged, and a Map (adapted from Dugdale’s Monasticon), representing the ground plan of the Spalding Monastery, or “Succursal Cell,” has also been added.These emendations and additions, it is confidently hoped, will ensure for the book a more extended appreciation than it has hitherto enjoyed.To be continue in this ebook..................................................................................

This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.

James B. Hendryx (1880-1963) was the author of more than 50 novels and anthologies, and wrote hundreds of stories. And Hendryx wrote what he knew, spending time in Alaska, Canada, and the Wyoming badlands. But he’s best known for his characters set around the outlaw community of Halfaday Creek in the Yukon. Set during the Gold Rush of the late 1890s, Hendryx penned over a hundred stories featuring these characters over the span of 25 years for magazines such as West, Dime Western, New Western, Argosy, and the primary home for the Halfaday Creek series, Short Stories.

Malcolm is missing. Levi is taken. And all the light from the world has gone with them. Kendall Malcolm thought the world ended when her marriage ended and her life fell apart. She was wrong. Things could be a lot darker. She stands at the precipice—leader, mother, warrior—placing herself between the world and darkness. But does she have to do it alone? It’s looking that way.

In his first novel, Dave Eggers has written a moving and hilarious tale of two friends who fly around the world trying to give away a lot of money and free themselves from a profound loss. It reminds us once again what an important, necessary talent Dave Eggers is. From the Trade Paperback edition.

In our Mundane world, Kody undergoes controlled coma, with possible side effect of Reverse Mood (title backwards). He wakes in Xanth, immune to curse that switches how people see each other, pretty as ugly, and vice versa. He likes zombie Zosi, starts double Quest, to break spell and save zombies. Team has unknowing spy for villainess NoAmi. Demons have wagers on outcome.

Selections from 30 of the poets of the Guerilla Poetics Project.Presenting work by such underground luminaries as David Barker, justin barrett, Luis C. Berriozabal, JJ Cambell, Alan Catlin, Leonard J. Cirino, Glenn W Cooper, Christopher Cunningham, Soheyl Dahi, Dave Donovan, Doug Draime, Nathan Graziano, S.A. Griffin, Christopher Harter, Richard Krech, Mike Kriesel, Ellaraine Lockie, Adrian Manning, Hosho McCreesh, Brian McGettrick, Amanda Oaks, Bob Pajich, Kathleen Paul-Flanagan, Michael Phillips, Sam Pierstorff, C. Allen Rearick, Charles P. Ries, Ross Runfola, William Taylor, Jr., and Don Winter, the GPP Reader delivers the very best in small press poetry. GPP Poets and Operatives have covertly smuggled over 50,000 beautiful, letterpress broadsides into bookstores and libraries worldwide, and have been written about in the Wasatch Journal, Utne Reader, Poets & Writers, and featured in Quercus Review #7. Open the right book, and the GPP might just find you.

Riley has to do something. He can't sit by any longer. He's in a car, he has a gun. He can't believe what he's about to do.Riley has to do something. He can't sit by any longer. He's in a car, he has a gun. He can't believe what he's about to do.He must take action, despite the cost. He must do it...it's right, and she's worth it.

A journalist trapped in a soul-destroying job. A mysterious code hidden in a series of newspaper articles. One damaged god seeking redemption. All collide in one fateful interview certain to change lives and alter the future in unimaginable ways. "Apeiron, Aziz" is a 6368 word science fiction short story in the vein of Philip K. Dick.DARK HOLLOW CREEK/RETURN TO DARK HOLLOW CREEKThe surprising twists of the story come alive when a bus load of strangers are stranded in a snow storm and take lodge in an abandoned inn. While there, their lives begin to unravel as the storms moves on. The strangers intertwine with their own problems touching the lives of the others which create a surprising finish in their snowbound prison. Finally, they are set free and are on their way to go on with their lives. But, they have made a vow to each other to return to Dark Hollow in ten years for a reunion. FALSE WITNESSA judge picks up a prostitute hitchhiking in Mississippi. He had killed his wife and has her in the trunk of the car. He hires the prostitute to be a false witness to cover up his wife’s murder. The judge has everything worked out with his money and influence. All the prostitute has do is lie. Will it work? He seems to think so. What about you? All she has to do is just lie.DOUBLE TROUBLEWhen Tommy has an affair with another woman and she ends up pregnant, his wife Kimberly is haunted by his infidelity which later on leads to divorce. Revenge may seem sweet at times, but it can be bitter. When Tommy finds out that Kimberly is going to inherit some big money, he doesn’t want a share he wants it all. He then creates a plan to have her stalked, scared and murdered if that what it takes. He hires a set of twins to get the job done. (Double Trouble), do I need to say anymore. In the end, you will find an impressive conclusion which may be rewarding.ON THE CORNER OF PERRY STREETOn the Corner of Perry Street is a little different type of story. On the corner of Perry Street is a bus stop. Throughout the story, all different kinds of people catch the bus there. The bus stop is the only one in town and it is headed out of town. The bus riders who come that way have a lot to say as they wait for the bus.BRIDGE OVER MCKINLEY COUNTY RIVERA young couple and a child’s life are determined on the McKinley Bridge. Their lives will be changed forever by a man with a jealous rage and a lot of anger in his heart. Lives are turned around and changed forever through an incident that just happened. We all have done wrong. We all pay for our wrongs, but it is sad to say innocent players will suffer. Whether we know or believe it, our lives touch the lives of others sometimes without us knowing it.

Interstellar astronaut Helene Kirsch surveyed asteroids for a privately funded research station in an outlying star system. Overworked and underpaid, she flew through the belt until her ship's scanning equipment met a rocky mass with high interference. If her intuition was correct, good things would follow and Hammond could deliver a steady paycheck for once.DESECRATION: In a hidden world of wizards where only men hold the power of magic, one girl arises with the power to change everything, if she isn't killed first…Adriana Victoriana Evangelista (Addie), daughter to the High Chancellor of the Wizard’s Council, has always been the perfect wizard girl. She never questions why men possess magical powers and women have no power at all, magical or otherwise. Male wizards blend into the modern human world, leading huge corporations while wizard women are sequestered away. On her sixteenth birthday, Addie discovers she possesses magic. Under wizard law, she is a desecration. An ancient prophecy surrounds the emergence of a girl magic-wielder, the wizard queen, who is destined to bring about the downfall of the wizard-kin.Addie has long had a forbidden crush on a human boy who lives in the wizard stronghold, Rory Devlin. As she delves deeper into the dangerous mysteries surrounding her own destiny, she suspects Rory might be more than just human.Addie’s fate sends her straight into the path of a powerful and evil sorcerer, but the worst danger of all may come from right inside her own home.

Amazon.com ReviewChelsea Cain steps into a crowded, blood-soaked genre with Heartsick, a riveting, character-driven novel about a damaged cop and his obsession with the serial killer who...let him live. Gretchen Lowell tortured Detective Archie Sheridan for ten days, then inexplicably let him go and turned herself in. Cain turns the (nearly played out) Starling/Lecter relationship on its ear: Sheridan must face down his would-be killer to help hunt down another. What sets this disturbing novel apart from the rest is its bruised, haunted heart in the form of Detective Sheridan, a bewildered survivor trying to catch a killer and save himself. --Daphne Durham Questions for Chelsea CainAmazon.com: Gretchen Lowell haunts every page of Heartsick. Even when she actually appears in the jail scenes with Sheridan, she reveals nothing, and yet it's obvious she's anything but one-dimensional. What is her story? Cain: I purposely didn't reveal Gretchen's past, beyond a few unreliable hints. I thought there was a really interesting tension in not knowing what had driven this woman to embrace violence so enthusiastically. The less we know about killers' motives, the scarier they are. Maybe that's why people spend so much time watching 24-hour news channels that cover the latest horrible domestic murder. We want to understand why people kill. Because if we can peg it on something, we can tell ourselves that they are different than us, that we aren't capable of that kind of brutality. Plus this is the launch of a series and I thought it would be fun for readers to get to learn more about Gretchen as the series continues. I just finished Sweetheart, and I promise there's a lot more Gretchen to come. Amazon.com: As a first-time thriller author, you've got to be elated to see early reviews evoke the legendary Hannibal Lecter. Did you anticipate readers to make that connection, or are there other serial series (on paper or screen) that inspired the story of Gretchen and Sheridan? Cain: I thought that the connection to Lecter was inevitable since Heartsick features a detective who visits a jailed serial killer. But I wasn't consciously inspired by Silence of the Lambs (or Red Dragon, which is the Harris book it more accurately echoes). I grew up in the Pacific Northwest when the Green River Killer was at large, and I was fascinated by the relationship between a cop who'd spent his career hunting a killer (as many of the cops on the Green River Task Force did) and the killer he ends up catching. I'd seen an episode of Larry King that featured two of the Green River Task Force cops and they had footage of one of the cops with Gary Ridgway (the Green River Killer) in jail and they were chatting like old friends. They were both trying to manipulate one another. The cop wanted Ridgway to tell him where more bodies were. Ridgway is a psychopath and wanted to feel in control. But on the surface, they seemed like buddies having a drink together at a bar. It was kind of disturbing. I wanted to explore that. Making the killer a woman was a way to make the relationship even more intense. Making her a very attractive woman upped the ante considerably. Amazon.com: Reading Heartsick I was actually reminded of some of my favorite books by Stephen King. Like him, you have an uncanny ability to make your geographical setting feel like a character all its own. Do you think the story could have happened in any other place than Portland? Cain: Heartsick Hawaii would definitely have been a different book. (Archie Sheridan would have been a surfer. Susan would have worked at a gift shop. And Gretchen would have been a deranged hula girl.) I live in Portland, so obviously that played into my decision to set the book here. All I had to do was look out the window. Which makes research a lot easier. But I also think that the Pacific Northwest makes a great setting for a thriller, and it's not a setting that's usually explored. Portland is so beautiful. But it’s also sort of eerie. The evergreens, the coast, the mountains--the scale is so huge, and the scenery is so magnificent. But every year hikers get lost and die, kids are killed by sneaker waves on the beach, and mountain climbers get crushed by avalanches. Beauty kills. Plus it has always seemed like the Northwest is teeming with serial killers. I blame the cloud cover. And the coffee. Amazon.com: In a lot of ways, Heartsick is more about the killer than the killings, and it’s hard not to suspect that Gretchen killed only to get to Sheridan. That begs the question: is the chase always better than the catch? As a writer, is it more exciting for you to imagine the pursuit--with its tantalizing push-and-pull--than the endgame? Cain: The most interesting aspect of the book to me is the relationship between Archie and Gretchen. Really, I wrote the whole book as an excuse to explore that. The endgame is satisfying because it's fun to see all the threads come together, but it's the relationship that keeps coming back to the computer day after day. Amazon.com: Your characters--Susan Ward in particular--are raw, tautly wired, imperfect but still have this irresistible tenderness. It's their motives and experiences that really drive the story and ultimately elevate it way beyond what you might expect going into a serial killer tale. How did you resist falling into something more formulaic? Did you know what shape Susan and the others would take going in? Cain: I knew I wanted flawed protagonists. I'm a sucker for a Byronic hero. Thrillers often feature such square-jawed hero types, and I wanted a story about people just barely hanging on. The psychological component is really interesting to me, and I liked that Susan's neuroses are, in their own ways, clues. In many ways, I embraced formula. I love formula--there’s a reason it works. And I decided early on that I wasn't going to avoid clichés for the sake of avoiding them. Some clichés are great. My goal was not to write a literary thriller, but to take all the stuff I loved from other books and TV shows and throw them all together and then try to put my own spin on it. Heartsick is a pulpy page-turner with, I hope, a little extra effort put into the writing and the characters. Basically, I just wrote the thriller that I wanted to read. (photo credit: Kate Eshelby) From Publishers WeeklyStarred Review. In this outstanding thriller, the first in a new series, Cain (_Confessions of a Teen Sleuth_) puts a fresh spin on a scenario familiar to fans of Thomas Harris's The Silence of the Lambs. When someone starts dumping the bodies of teenage girls around Portland, Ore., after soaking them in tubs of bleach, Archie Sheridan, a police detective addicted to pain killers, turns for help to Gretchen Lowell, an imprisoned serial killer who once tortured him (the big scar on his chest was shaped like a heart). Covering the crimes is reporter Susan Ward, a smart-alecky punk with pink hair and authority issues. The suspense builds as the narrative shifts between Sheridan's new case and his ordeal with Lowell, who in her own way is as memorable a villain as Hannibal Lecter. The damp Portland locale calls to mind the kind of Pacific Northwest darkness associated with Ted Bundy and Kurt Cobain. A vivid literary style lifts this well above the usual run of suspense novels. 200,000 first printing; author tour. (Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Amazon.com ReviewChelsea Cain steps into a crowded, blood-soaked genre with Heartsick, a riveting, character-driven novel about a damaged cop and his obsession with the serial killer who...let him live. Gretchen Lowell tortured Detective Archie Sheridan for ten days, then inexplicably let him go and turned herself in. Cain turns the (nearly played out) Starling/Lecter relationship on its ear: Sheridan must face down his would-be killer to help hunt down another. What sets this disturbing novel apart from the rest is its bruised, haunted heart in the form of Detective Sheridan, a bewildered survivor trying to catch a killer and save himself. --Daphne Durham Questions for Chelsea CainAmazon.com: Gretchen Lowell haunts every page of Heartsick. Even when she actually appears in the jail scenes with Sheridan, she reveals nothing, and yet it's obvious she's anything but one-dimensional. What is her story? Cain: I purposely didn't reveal Gretchen's past, beyond a few unreliable hints. I thought there was a really interesting tension in not knowing what had driven this woman to embrace violence so enthusiastically. The less we know about killers' motives, the scarier they are. Maybe that's why people spend so much time watching 24-hour news channels that cover the latest horrible domestic murder. We want to understand why people kill. Because if we can peg it on something, we can tell ourselves that they are different than us, that we aren't capable of that kind of brutality. Plus this is the launch of a series and I thought it would be fun for readers to get to learn more about Gretchen as the series continues. I just finished Sweetheart, and I promise there's a lot more Gretchen to come. Amazon.com: As a first-time thriller author, you've got to be elated to see early reviews evoke the legendary Hannibal Lecter. Did you anticipate readers to make that connection, or are there other serial series (on paper or screen) that inspired the story of Gretchen and Sheridan? Cain: I thought that the connection to Lecter was inevitable since Heartsick features a detective who visits a jailed serial killer. But I wasn't consciously inspired by Silence of the Lambs (or Red Dragon, which is the Harris book it more accurately echoes). I grew up in the Pacific Northwest when the Green River Killer was at large, and I was fascinated by the relationship between a cop who'd spent his career hunting a killer (as many of the cops on the Green River Task Force did) and the killer he ends up catching. I'd seen an episode of Larry King that featured two of the Green River Task Force cops and they had footage of one of the cops with Gary Ridgway (the Green River Killer) in jail and they were chatting like old friends. They were both trying to manipulate one another. The cop wanted Ridgway to tell him where more bodies were. Ridgway is a psychopath and wanted to feel in control. But on the surface, they seemed like buddies having a drink together at a bar. It was kind of disturbing. I wanted to explore that. Making the killer a woman was a way to make the relationship even more intense. Making her a very attractive woman upped the ante considerably. Amazon.com: Reading Heartsick I was actually reminded of some of my favorite books by Stephen King. Like him, you have an uncanny ability to make your geographical setting feel like a character all its own. Do you think the story could have happened in any other place than Portland? Cain: Heartsick Hawaii would definitely have been a different book. (Archie Sheridan would have been a surfer. Susan would have worked at a gift shop. And Gretchen would have been a deranged hula girl.) I live in Portland, so obviously that played into my decision to set the book here. All I had to do was look out the window. Which makes research a lot easier. But I also think that the Pacific Northwest makes a great setting for a thriller, and it's not a setting that's usually explored. Portland is so beautiful. But it’s also sort of eerie. The evergreens, the coast, the mountains--the scale is so huge, and the scenery is so magnificent. But every year hikers get lost and die, kids are killed by sneaker waves on the beach, and mountain climbers get crushed by avalanches. Beauty kills. Plus it has always seemed like the Northwest is teeming with serial killers. I blame the cloud cover. And the coffee. Amazon.com: In a lot of ways, Heartsick is more about the killer than the killings, and it’s hard not to suspect that Gretchen killed only to get to Sheridan. That begs the question: is the chase always better than the catch? As a writer, is it more exciting for you to imagine the pursuit--with its tantalizing push-and-pull--than the endgame? Cain: The most interesting aspect of the book to me is the relationship between Archie and Gretchen. Really, I wrote the whole book as an excuse to explore that. The endgame is satisfying because it's fun to see all the threads come together, but it's the relationship that keeps coming back to the computer day after day. Amazon.com: Your characters--Susan Ward in particular--are raw, tautly wired, imperfect but still have this irresistible tenderness. It's their motives and experiences that really drive the story and ultimately elevate it way beyond what you might expect going into a serial killer tale. How did you resist falling into something more formulaic? Did you know what shape Susan and the others would take going in? Cain: I knew I wanted flawed protagonists. I'm a sucker for a Byronic hero. Thrillers often feature such square-jawed hero types, and I wanted a story about people just barely hanging on. The psychological component is really interesting to me, and I liked that Susan's neuroses are, in their own ways, clues. In many ways, I embraced formula. I love formula--there’s a reason it works. And I decided early on that I wasn't going to avoid clichés for the sake of avoiding them. Some clichés are great. My goal was not to write a literary thriller, but to take all the stuff I loved from other books and TV shows and throw them all together and then try to put my own spin on it. Heartsick is a pulpy page-turner with, I hope, a little extra effort put into the writing and the characters. Basically, I just wrote the thriller that I wanted to read. (photo credit: Kate Eshelby) From Publishers WeeklyStarred Review. In this outstanding thriller, the first in a new series, Cain (_Confessions of a Teen Sleuth_) puts a fresh spin on a scenario familiar to fans of Thomas Harris's The Silence of the Lambs. When someone starts dumping the bodies of teenage girls around Portland, Ore., after soaking them in tubs of bleach, Archie Sheridan, a police detective addicted to pain killers, turns for help to Gretchen Lowell, an imprisoned serial killer who once tortured him (the big scar on his chest was shaped like a heart). Covering the crimes is reporter Susan Ward, a smart-alecky punk with pink hair and authority issues. The suspense builds as the narrative shifts between Sheridan's new case and his ordeal with Lowell, who in her own way is as memorable a villain as Hannibal Lecter. The damp Portland locale calls to mind the kind of Pacific Northwest darkness associated with Ted Bundy and Kurt Cobain. A vivid literary style lifts this well above the usual run of suspense novels. 200,000 first printing; author tour. (Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Before hearts entwined and battles fought, a little girl invoked the ancient magic of Yule.A holiday themed short based in the magical world of the epic fantasy series, the World In-between.Waylines is a magazine of science-fiction, fantasy, and horror. Our goal is to capture the "bang" in speculative fiction - that mindbending, wow factor. Issue 6 features interviews with Wesley Chu and film maker David Karlak, with the following stories:1 Anaea Lay takes us on a walk on the dark side in, “A Long Fuse to a Slow Detonation” -- a journey into the mind of a woman skirting the edge of sanity.2 Andrew S.Williams goes to the opposite end of the spectrum with a whimsical tale of a computer tech and his struggle with customer complaints for the X-7000 Teleporter in, “Best Regards.”

Have you ever wondered what it will take to save the world? Annie has. But what can she do about it? Disaster and death have pushed Annie to her own personal tipping point. Her decision may be a little crazy, but perhaps that’s what it will take to change the world . . .Now also available at lulu.comHave you ever wondered what it will take to save the world? Annie has. But what can she do about it? Disaster and death have pushed Annie to her own personal tipping point. Her decision may be a little crazy, but perhaps that’s what it will take to change the world.Working as a teacher, Annie is confronted with issues that face the whole community. Her care for her students extends to fear for their future, but what can one person do? The death of her companion brings home the finality of extinction, and Annie can no longer avoid the voice that drives her to act - even if her choice of action is one that leads her friends to doubt her sanity.This book explores some of the moral and ethical issues associated with global warming. We know what the problem is - why does it persist? Annie cannot understand why this is so, but she believes that there must always be hope.Now also available at lulu.com.

As Neste prepares the beautiful winged horse Llawen for the Aerial Games, the rest of the team struggles with Hoel, the team leader, and Adam, the weakest rider. Even though she is betrothed to Hoel, Neste's sense of honor pushes her to encourage Adam. Then tragedy strikes and Neste's world falls apart. Can she rebuild her life alone?As Neste prepares the beautiful winged horse Llawen for the Aerial Games, the rest of the team struggles with Hoel, the team leader, and Adam, the weakest rider. Even though she is betrothed to Hoel, Neste's sense of honor pushes her to encourage Adam. Then tragedy strikes and Neste's world falls apart. Can she rebuild her life alone?This novella introduces the reader to the flying horses of Tremeirchson, a remote town in medieval Wales. It is a prequel to ON A WING AND A DARE, which is followed by IN THE WINDS OF DANGER and UNDER A WILD AND DARKENING SKY.

When you are about to breathe your last breath and the Grim Riper is knocking on your door, it's good to have a brother by your side.When Sonny, former Road Dogs president, is down and out with cancer and about to cross over to the other side, Cave Man comes back to bring a brother home; to fight off the Grim Reaper and a band of evil little demons that are trying to drag Sonny's soul to hell.Spending Christmas in the little village of Blå Dalen, deep in the heart of the Norwegian Alps, Ashley meets Runo under the glow of the northern lights. They hit it of, and with the promise of spectacular scenery, she follows him into the mountains, hoping to capture the perfect photograph. But Runo has a terrible secret, and after one moment of weakness, Ashley's life will change forever.

This amazing piece of children stories is written by children for children.This is the second in the 3niti Multimedia Academy Children Projects Publications, this one being a compendium of stories by the 2014 Summer Multimedia Training students(Ages 6-19).It is amazing to see children learn at a quick pace and come up with their own stories and drawings within a short period after their training.This amazing piece of children stories is written by children for children. This is the second in the 3niti Multimedia Academy (3MA) Children Projects Publications, this one being a compendium of stories by the 2014 Summer Multimedia Training (SMT) students. In August 2014, 3MA organized a 3-weekend, 5 hours a day training for Children between ages 4 and 19. The children were trained on Basic Digital Multimedia. Within a cumulative period of 15 hours, they learnt how to use the Microsoft Windows 7 & 8, Ms Paint application, Sound Recorder, Notepad, Wordpad, Muvee Auto Producer, Microsoft Powerpoint, and Microsoft Word. It is so amazing to see children learn at such a quick pace and come up with their own stories and drawings within such a short period. This concept is borne out of a passion to empower children and teenagers by 3MA Chief Executive, Moses Olanrewaju Bolarin.