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    Eugene Onegin. A Romance of Russian Life in Verse

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      Daily beefsteaks and Strasbourg pies

      And irrigate them with champagne;

      Nor slander viciously could spread

      Whene'er he had an aching head;

      And, though a plucky scatterbrain,

      He finally lost all delight

      In bullets, sabres, and in fight.

      XXXV

      His malady, whose cause I ween

      It now to investigate is time,

      Was nothing but the British spleen

      Transported to our Russian clime.

      It gradually possessed his mind;

      Though, God be praised! he ne'er designed

      To slay himself with blade or ball,

      Indifferent he became to all,

      And like Childe Harold gloomily

      He to the festival repairs,

      Nor boston nor the world's affairs

      Nor tender glance nor amorous sigh

      Impressed him in the least degree,—

      Callous to all he seemed to be.

      XXXVI

      Ye miracles of courtly grace,

      He left you first, and I must own

      The manners of the highest class

      Have latterly vexatious grown;

      And though perchance a lady may

      Discourse of Bentham or of Say,

      Yet as a rule their talk I call

      Harmless, but quite nonsensical.

      Then they're so innocent of vice,

      So full of piety, correct,

      So prudent, and so circumspect

      Stately, devoid of prejudice,

      So inaccessible to men,

      Their looks alone produce the spleen.(16)

      [Note 16: Apropos of this somewhat ungallant sentiment, a Russian scholiast remarks:—"The whole of this ironical stanza is but a refined eulogy of the excellent qualities of our countrywomen. Thus Boileau, in the guise of invective, eulogizes Louis XIV. Russian ladies unite in their persons great acquirements, combined with amiability and strict morality; also a species of Oriental charm which so much captivated Madame de Stael." It will occur to most that the apologist of the Russian fair "doth protest too much." The poet in all probability wrote the offending stanza in a fit of Byronic "spleen," as he would most likely himself have called it. Indeed, since Byron, poets of his school seem to assume this virtue if they have it not, and we take their utterances under its influence for what they are worth.]

      XXXVII

      And you, my youthful damsels fair,

      Whom latterly one often meets

      Urging your droshkies swift as air

      Along Saint Petersburg's paved streets,

      From you too Eugene took to flight,

      Abandoning insane delight,

      And isolated from all men,

      Yawning betook him to a pen.

      He thought to write, but labour long

      Inspired him with disgust and so

      Nought from his pen did ever flow,

      And thus he never fell among

      That vicious set whom I don't blame—

      Because a member I became.

      XXXVIII

      Once more to idleness consigned,

      He felt the laudable desire

      From mere vacuity of mind

      The wit of others to acquire.

      A case of books he doth obtain—

      He reads at random, reads in vain.

      This nonsense, that dishonest seems,

      This wicked, that absurd he deems,

      All are constrained and fetters bear,

      Antiquity no pleasure gave,

      The moderns of the ancients rave—

      Books he abandoned like the fair,

      His book-shelf instantly doth drape

      With taffety instead of crape.

      XXXIX

      Having abjured the haunts of men,

      Like him renouncing vanity,

      His friendship I acquired just then;

      His character attracted me.

      An innate love of meditation,

      Original imagination,

      And cool sagacious mind he had:

      I was incensed and he was sad.

      Both were of passion satiate

      And both of dull existence tired,

      Extinct the flame which once had fired;

      Both were expectant of the hate

      With which blind Fortune oft betrays

      The very morning of our days.

      XL

      He who hath lived and living, thinks,

      Must e'en despise his kind at last;

      He who hath suffered ofttimes shrinks

      From shades of the relentless past.

      No fond illusions live to soothe,

      But memory like a serpent's tooth

      With late repentance gnaws and stings.

      All this in many cases brings

      A charm with it in conversation.

      Oneguine's speeches I abhorred

      At first, but soon became inured

      To the sarcastic observation,

      To witticisms and taunts half-vicious

      And gloomy epigrams malicious.

      XLI

      How oft, when on a summer night

      Transparent o'er the Neva beamed

      The firmament in mellow light,

      And when the watery mirror gleamed

      No more with pale Diana's rays,(17)

      We called to mind our youthful days—

      The days of love and of romance!

      Then would we muse as in a trance,

      Impressionable for an hour,

      And breathe the balmy breath of night;

      And like the prisoner's our delight

      Who for the greenwood quits his tower,

      As on the rapid wings of thought

      The early days of life we sought.

      [Note 17: The midsummer nights in the latitude of St. Petersburg are a prolonged twilight.]

      XLII

      Absorbed in melancholy mood

      And o'er the granite coping bent,

      Oneguine meditative stood,

      E'en as the poet says he leant.(18)

      'Tis silent all! Alone the cries

      Of the night sentinels arise

      And from the Millionaya afar(19)

      The sudden rattling of a car.

      Lo! on the sleeping river borne,

      A boat with splashing oar floats by,

      And now we hear delightedly

      A jolly song and distant horn;

      But sweeter in a midnight dream

      Torquato Tasso's strains I deem.

      [Note 18: Refers to Mouravieff's "Goddess of the Neva." At St. Petersburg the banks of the Neva are lined throughout with splendid granite quays.]

      [Note 19: A street running parallel to the Neva, and leading from the Winter Palace to the Summer Palace and Garden.]

      XLIII

      Ye billows of blue Hadria's sea,

      O Brenta, once more we shall meet

      And, inspiration firing me,

      Your magic voices I shall greet,

      Whose tones Apollo's sons inspire,

      And after Albion's proud lyre (20)

      Possess my love and sympathy.

      The nights of golden Italy

      I'll pass beneath the firmament,

      Hid in the gondola's dark shade,

      Alone with my Venetian maid,

      Now talkative, now reticent;

      From her my lips shall learn the tongue

      Of love which whilom Petrarch sung.

      [Note 20: The strong influence exercised by Byron's genius on the imagination of Pushkin is well known. Shakespeare and other English dramatists had also their share in influencing his mind, which, at all events in its earlier developments, was of an essentially imitative type. As an example of his Shakespearian tastes, see his poem of "Angelo," founded upon "Measure for Measure."]

      XLIV

      When will my hour of freedom come!

      Time, I invoke thee! favouring gales

      Awaiting on the shore I roam

      And beckon to t
    he passing sails.

      Upon the highway of the sea

      When shall I wing my passage free

      On waves by tempests curdled o'er!

      'Tis time to quit this weary shore

      So uncongenial to my mind,

      To dream upon the sunny strand

      Of Africa, ancestral land,(21)

      Of dreary Russia left behind,

      Wherein I felt love's fatal dart,

      Wherein I buried left my heart.

      [Note 21: The poet was, on his mother's side, of African extraction, a circumstance which perhaps accounts for the southern fervour of his imagination. His great-grandfather, Abraham Petrovitch Hannibal, was seized on the coast of Africa when eight years of age by a corsair, and carried a slave to Constantinople. The Russian Ambassador bought and presented him to Peter the Great who caused him to be baptized at Vilnius. Subsequently one of Hannibal's brothers made his way to Constantinople and thence to St. Petersburg for the purpose of ransoming him; but Peter would not surrender his godson who died at the age of ninety-two, having attained the rank of general in the Russian service.]

      XLV

      Eugene designed with me to start

      And visit many a foreign clime,

      But Fortune cast our lots apart

      For a protracted space of time.

      Just at that time his father died,

      And soon Oneguine's door beside

      Of creditors a hungry rout

      Their claims and explanations shout.

      But Eugene, hating litigation

      And with his lot in life content,

      To a surrender gave consent,

      Seeing in this no deprivation,

      Or counting on his uncle's death

      And what the old man might bequeath.

      XLVI

      And in reality one day

      The steward sent a note to tell

      How sick to death his uncle lay

      And wished to say to him farewell.

      Having this mournful document

      Perused, Eugene in postchaise went

      And hastened to his uncle's side,

      But in his heart dissatisfied,

      Having for money's sake alone

      Sorrow to counterfeit and wail—

      Thus we began our little tale—

      But, to his uncle's mansion flown,

      He found him on the table laid,

      A due which must to earth be paid.

      XLVII

      The courtyard full of serfs he sees,

      And from the country all around

      Had come both friends and enemies—

      Funeral amateurs abound!

      The body they consigned to rest,

      And then made merry pope and guest,

      With serious air then went away

      As men who much had done that day.

      Lo! my Oneguine rural lord!

      Of mines and meadows, woods and lakes,

      He now a full possession takes,

      He who economy abhorred,

      Delighted much his former ways

      To vary for a few brief days.

      XLVIII

      For two whole days it seemed a change

      To wander through the meadows still,

      The cool dark oaken grove to range,

      To listen to the rippling rill.

      But on the third of grove and mead

      He took no more the slightest heed;

      They made him feel inclined to doze;

      And the conviction soon arose,

      Ennui can in the country dwell

      Though without palaces and streets,

      Cards, balls, routs, poetry or fetes;

      On him spleen mounted sentinel

      And like his shadow dogged his life,

      Or better,—like a faithful wife.

      XLIX

      I was for calm existence made,

      For rural solitude and dreams,

      My lyre sings sweeter in the shade

      And more imagination teems.

      On innocent delights I dote,

      Upon my lake I love to float,

      For law I far niente take

      And every morning I awake

      The child of sloth and liberty.

      I slumber much, a little read,

      Of fleeting glory take no heed.

      In former years thus did not I

      In idleness and tranquil joy

      The happiest days of life employ?

      L

      Love, flowers, the country, idleness

      And fields my joys have ever been;

      I like the difference to express

      Between myself and my Eugene,

      Lest the malicious reader or

      Some one or other editor

      Of keen sarcastic intellect

      Herein my portrait should detect,

      And impiously should declare,

      To sketch myself that I have tried

      Like Byron, bard of scorn and pride,

      As if impossible it were

      To write of any other elf

      Than one's own fascinating self.

      LI

      Here I remark all poets are

      Love to idealize inclined;

      I have dreamed many a vision fair

      And the recesses of my mind

      Retained the image, though short-lived,

      Which afterwards the muse revived.

      Thus carelessly I once portrayed

      Mine own ideal, the mountain maid,

      The captives of the Salguir's shore.(22)

      But now a question in this wise

      Oft upon friendly lips doth rise:

      Whom doth thy plaintive Muse adore?

      To whom amongst the jealous throng

      Of maids dost thou inscribe thy song?

      [Note 22: Refers to two of the most interesting productions of

      the poet. The former line indicates the Prisoner of the

      Caucasus, the latter, The Fountain of Baktchiserai. The

      Salguir is a river of the Crimea.]

      LII

      Whose glance reflecting inspiration

      With tenderness hath recognized

      Thy meditative incantation—

      Whom hath thy strain immortalized?

      None, be my witness Heaven above!

      The malady of hopeless love

      I have endured without respite.

      Happy who thereto can unite

      Poetic transport. They impart

      A double force unto their song

      Who following Petrarch move along

      And ease the tortures of the heart—

      Perchance they laurels also cull—

      But I, in love, was mute and dull.

      LIII

      The Muse appeared, when love passed by

      And my dark soul to light was brought;

     


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