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    Idylls of the King and a New Selection of Poems

    Page 22
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      Seeing I go to-day.” Then out she brake:

      “Going? and we shall never see you more.

      And I must die for want of one bold word.”

      “Speak; that I live to hear,” he said, “is yours.”

      Then suddenly and passionately she spoke:

      “I have gone mad. I love you; let me die.”

      “Ah, sister,” answer’d Lancelot, “what is this?”

      And innocently extending her white arms,

      “Your love,” she said, “your love—to be your wife.”

      And Lancelot answer’d, “Had I chosen to wed,

      I had been wedded earlier, sweet Elaine;

      But now there never will be wife of mine.”

      “No, no,” she cried, “I care not to be wife,

      But to be with you still, to see your face,

      To serve you, and to follow you thro’ the world.”

      And Lancelot answer’d: “Nay, the world, the world,

      All ear and eye, with such a stupid heart

      To interpret ear and eye, and such a tongue

      To blare its own interpretation—nay,

      Full ill then should I quit your brother’s love,

      And your good father’s kindness.” And she said,

      “Not to be with you, not to see your face—

      Alas for me then, my good days are done!”

      “Nay, noble maid,” he answer’d, “ten times nay!

      This is not love, but love’s first flash in youth,

      Most common; yea, I know it of mine own self,

      And you yourself will smile at your own self

      Hereafter, when you yield your flower of life

      To one more fitly yours, not thrice your age.

      And then will I, for true you are and sweet

      Beyond mine old belief in womanhood,

      More specially should your good knight be poor,

      Endow you with broad land and territory

      Even to the half my realm beyond the seas,

      So that would make you happy; furthermore,

      Even to the death, as tho’ ye were my blood,

      In all your quarrels will I be your knight.

      This will I do, dear damsel, for your sake,

      And more than this I cannot.”

      While he spoke

      She neither blush’d nor shook, but deathly-pale

      Stood grasping what was nearest, then replied,

      “Of all this will I nothing;” and so fell,

      And thus they bore her swooning to her tower.

      Then spake, to whom thro’ those black walls of

      yew

      Their talk had pierced, her father: “Ay, a flash,

      I fear me, that will strike my blossom dead.

      Too courteous are ye, fair Lord Lancelot.

      I pray you, use some rough discourtesy

      To blunt or break her passion.”

      Lancelot said,

      “That were against me; what I can I will;”

      And there that day remain’d, and toward even

      Sent for his shield. Full meekly rose the maid,

      Stript off the case, and gave the naked shield;

      Then, when she heard his horse upon the stones,

      Unclasping flung the casement back, and look’d

      Down on his helm, from which her sleeve had gone.

      And Lancelot knew the little clinking sound;

      And she by tact of love was well aware

      That Lancelot knew that she was looking at him.

      And yet he glanced not up, nor waved his hand,

      Nor bade farewell, but sadly rode away.

      This was the one discourtesy that he used.

      So in her tower alone the maiden sat.

      His very shield was gone; only the case,

      Her own poor work, her empty labor, left.

      But still she heard him, still his picture form’d

      And grew between her and the pictured wall.

      Then came her father, saying in low tones,

      “Have comfort,” whom she greeted quietly.

      Then came her brethren saying, “Peace to thee,

      Sweet sister,” whom she answer’d with all calm.

      But when they left her to herself again,

      Death, like a friend’s voice from a distant field

      Approaching thro’ the darkness, call’d; the owls

      Wailing had power upon her, and she mixt

      Her fancies with the sallow-rifted glooms

      Of evening and the moanings of the wind.

      And in those days she made a little song, And call’d her song “The Song of Love and Death,” And sang it; sweetly could she make and sing.

      “Sweet is true love tho’ given in vain, in vain;

      And sweet is death who puts an end to pain.

      I know not which is sweeter, no, not I.

      “Love, art thou sweet? then bitter death must be.

      Love, thou art bitter; sweet is death to me.

      O Love, if death be sweeter, let me die.

      “Sweet love, that seems not made to fade away;

      Sweet death, that seems to make us loveless clay;

      I know not which is sweeter, no, not I.

      “I fain would follow love, if that could be;

      I needs must follow death, who calls for me;

      Call and I follow, I follow! let me die.”

      High with the last line scaled her voice, and this,

      All in a fiery dawning wild with wind

      That shook her tower, the brothers heard, and thought

      With shuddering, “Hark the Phantom of the house

      That ever shrieks before a death,” and call’d

      The father, and all three in hurry and fear

      Ran to her, and lo! the blood-red light of dawn

      Flared on her face, she shrilling, “Let me die!”

      As when we dwell upon a word we know,

      Repeating, till the word we know so well

      Becomes a wonder, and we know not why,

      So dwelt the father on her face, and thought,

      “Is this Elaine?” till back the maiden fell,

      Then gave a languid hand to each, and lay,

      Speaking a still good-morrow with her eyes.

      At last she said: “Sweet brothers, yester-night

      I seem’d a curious little maid again,

      As happy as when we dwelt among the woods,

      And when ye used to take me with the flood

      Up the great river in the boatman’s boat.

      Only ye would not pass beyond the cape

      That has the poplar on it; there ye fixt

      Your limit, oft returning with the tide.

      And yet I cried because ye would not pass

      Beyond it, and far up the shining flood

      Until we found the palace of the King.

      And yet ye would not; but this night I dream’d

      That I was all alone upon the flood,

      And then I said, ‘Now shall I have my will;’

      And there I woke, but still the wish remain’d.

      So let me hence that I may pass at last

      Beyond the poplar and far up the flood,

      Until I find the palace of the King.

      There will I enter in among them all,

      And no man there will dare to mock at me;

      But there the fine Gawain will wonder at me,

      And there the great Sir Lancelot muse at me;

      Gawain, who bade a thousand farewells to me,

      Lancelot, who coldly went, nor bade me one.

      And there the King will know me and my love,

      And there the Queen herself will pity me,

      And all the gentle court will welcome me,

      And after my long voyage I shall rest!”

      “Peace,” said her father, “O my child, ye seem

      Light-headed, for what force is yours to go

      So far, being sick? and wherefore would ye look

      On this proud fellow again, who scorns us al
    l?”

      Then the rough Torre began to heave and move,

      And bluster into stormy sobs and say:

      “I never loved him; an I meet with him,

      I care not howsoever great he be,

      Then will I strike at him and strike him down.

      Give me good fortune, I will strike him dead,

      For this discomfort he hath done the house.”

      To whom the gentle sister made reply:

      “Fret not yourself, dear brother, nor be wroth,

      Seeing it is no more Sir Lancelot’s fault

      Not to love me than it is mine to love

      Him of all men who seems to me the highest.”

      “Highest?” the father answer’d, echoing

      “highest?”—

      He meant to break the passion in her—“nay,

      Daughter, I know not what you call the highest;

      But this I know, for all the people know it,

      He loves the Queen, and in an open shame,

      And she returns his love in open shame;

      If this be high, what is it to be low?”

      Then spake the lily maid of Astolat:

      “Sweet father, all too faint and sick am I

      For anger. These are slanders; never yet

      Was noble man but made ignoble talk.

      He makes no friend who never made a foe.

      But now it is my glory to have loved

      One peerless, without stain; so let me pass,

      My father, howsoe’er I seem to you,

      Not all unhappy, having loved God’s best

      And greatest, tho’ my love had no return.

      Yet, seeing you desire your child to live,

      Thanks, but you work against your own desire,

      For if I could believe the things you say

      I should but die the sooner; wherefore cease,

      Sweet father, and bid call the ghostly man

      Hither, and let me shrive me clean and die.”

      So when the ghostly man had come and gone,

      She, with a face bright as for sin forgiven,

      Besought Lavaine to write as she devised

      A letter, word for word; and when he ask’d,

      “Is it for Lancelot, is it for my dear lord?

      Then will I bear it gladly;” she replied,

      “For Lancelot and the Queen and all the world,

      But I myself must bear it.” Then he wrote

      The letter she devised; which being writ

      And folded, “O sweet father, tender and true,

      Deny me not,” she said—“ye never yet

      Denied my fancies—this, however strange,

      My latest. Lay the letter in my hand

      A little ere I die, and close the hand

      Upon it; I shall guard it even in death.

      And when the heat has gone from out my heart,

      Then take the little bed on which I died

      For Lancelot’s love, and deck it like the Queen’s

      For richness, and me also like the Queen

      In all I have of rich, and lay me on it.

      And let there be prepared a chariot-bier

      To take me to the river, and a barge

      Be ready on the river, clothed in black.

      I go in state to court, to meet the Queen.

      There surely I shall speak for mine own self,

      And none of you can speak for me so well.

      And therefore let our dumb old man alone

      Go with me; he can steer and row, and he

      Will guide me to that palace, to the doors.”

      She ceased. Her father promised; whereupon

      She grew so cheerful that they deem’d her death

      Was rather in the fantasy than the blood.

      But ten slow mornings past, and on the eleventh

      Her father laid the letter in her hand,

      And closed the hand upon it, and she died.

      So that day there was dole in Astolat.

      But when the next sun brake from underground,

      Then, those two brethren slowly with bent brows

      Accompanying, the sad chariot-bier

      Past like a shadow thro’ the field, that shone

      Full-summer, to that stream whereon the barge,

      Pall’d all its length in blackest samite, lay.

      There sat the lifelong creature of the house,

      Loyal, the dumb old servitor, on deck,

      Winking his eyes, and twisted all his face.

      So those two brethren from the chariot took

      And on the black decks laid her in her bed,

      Set in her hand a lily, o’er her hung

      The silken case with braided blazonings,

      And kiss’d her quiet brows, and saying to her,

      “Sister, farewell forever,” and again,

      “Farewell, sweet sister,” parted all in tears.

      Then rose the dumb old servitor, and the dead,

      Oar’d by the dumb, went upward with the flood—

      In her right hand the lily, in her left

      The letter—all her bright hair streaming down—

      And all the coverlid was cloth of gold

      Drawn to her waist, and she herself in white

      All but her face, and that clear-featured face

      Was lovely, for she did not seem as dead,

      But fast asleep, and lay as tho’ she smiled.

      That day Sir Lancelot at the palace craved

      Audience of Guinevere, to give at last

      The price of half a realm, his costly gift,

      Hard-won and hardly won with bruise and blow,

      With deaths of others, and almost his own,

      The nine-years-fought-for diamonds; for he saw

      One of her house, and sent him to the Queen

      Bearing his wish, whereto the Queen agreed

      With such and so unmoved a majesty

      She might have seem’d her statue, but that he,

      Low-drooping till he wellnigh kiss’d her feet

      For loyal awe, saw with a sidelong eye

      The shadow of some piece of pointed lace,

      In the Queen’s shadow, vibrate on the walls,

      And parted, laughing in his courtly heart.

      All in an oriel on the summer side,

      Vine-clad, of Arthur’s palace toward the stream,

      They met, and Lancelot kneeling utter’d: “Queen,

      Lady, my liege, in whom I have my joy,

      Take, what I had not won except for you,

      These jewels, and make me happy, making them

      An armlet for the roundest arm on earth,

      Or necklace for a neck to which the swan’s

      Is tawnier than her cygnet’s. These are words;

      Your beauty is your beauty, and I sin

      In speaking, yet O, grant my worship of it

      Words, as we grant grief tears. Such sin in words

      Perchance, we both can pardon; but, my Queen,

      I hear of rumors flying thro’ your court.

      Our bond, as not the bond of man and wife,

      Should have in it an absoluter trust

      To make up that defect: let rumors be.

      When did not rumors fly? these, as I trust

      That you trust me in your own nobleness,

      I may not well believe that you believe.”

      While thus he spoke, half turn’d away, the Queen

      Brake from the vast oriel-embowering vine

      Leaf after leaf, and tore, and cast them off,

      Till all the place whereon she stood was green;

      Then, when he ceased, in one cold passive hand

      Received at once and laid aside the gems

      There on a table near her, and replied:

      “It may be I am quicker of belief

      Than you believe me, Lancelot of the Lake.

      Our bond is not the bond of man and wife.

      This good is in it, whatsoe’er of ill,

      It can be broken easier. I for you

      This
    many a year have done despite and wrong

      To one whom ever in my heart of hearts

      I did acknowledge nobler. What are these?

      Diamonds for me! they had been thrice their worth

      Being your gift, had you not lost your own.

      To loyal hearts the value of all gifts

      Must vary as the giver’s. Not for me!

      For her! for your new fancy. Only this

      Grant me, I pray you; have your joys apart.

      I doubt not that, however changed, you keep

      So much of what is graceful; and myself

      Would shun to break those bounds of courtesy

      In which as Arthur’s Queen I move and rule,

      So cannot speak my mind. An end to this!

      A strange one! yet I take it with Amen.

      So pray you, add my diamonds to her pearls;

      Deck her with these; tell her, she shines me down:

      An armlet for an arm to which the Queen’s

      Is haggard, or a necklace for a neck

      O, as much fairer—as a faith once fair

      Was richer than these diamonds—hers not mine—

      Nay, by the mother of our Lord himself,

      Or hers or mine, mine now to work my will—

      She shall not have them.”

      Saying which she seized,

      And, thro’ the casement standing wide for heat,

      Flung them, and down they flash’d, and smote the

      stream.

      Then from the smitten surface flash’d, as it were,

      Diamonds to meet them, and they past away.

      Then while Sir Lancelot leant, in half disdain

      At love, life, all things, on the window ledge,

      Close underneath his eyes, and right across

      Where these had fallen, slowly past the barge

      Whereon the lily maid of Astolat

      Lay smiling, like a star in blackest night.

      But the wild Queen, who saw not, burst away

      To weep and wail in secret; and the barge,

      On to the palace-doorway sliding, paused.

      There two stood arm’d, and kept the door; to whom,

      All up the marble stair, tier over tier,

      Were added mouths that gaped, and eyes that ask’d,

      “What is it?” but that oarsman’s haggard face,

      As hard and still as is the face that men

     


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