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    At Bertram's Hotel

    Page 21
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      There was more screaming as the car came round the corner on two wheels, a great roar, and the beautiful white monster came tearing up the street.

      “She’ll kill someone,” said Father, “she’ll kill a lot of people…even if she doesn’t kill herself.”

      “I wonder,” said Miss Marple.

      “She’s a good driver, of course. A damn good driver. Whoof, that was a near one!”

      They heard the roar of the car racing away with the horn blaring, heard it grow fainter. Heard cries, shouts, the sound of brakes, cars hooting and pulling up and finally a great scream of tyres and a roaring exhaust and—

      “She’s crashed,” said Father.

      He stood there very quietly waiting with the patience that was characteristic of his whole big patient form. Miss Marple stood silent beside him. Then, like a relay race, word came down along the street. A man on the pavement opposite looked up at Chief-Inspector Davy and made rapid signs with his hands.

      “She’s had it,” said Father heavily. “Dead! Went about ninety miles an hour into the park railings. No other casualties bar a few slight collisions. Magnificent driving. Yes, she’s dead.” He turned back into the room and said heavily, “Well, she told her story first. You heard her.”

      “Yes,” said Miss Marple. “I heard her.” There was a pause. “It wasn’t true, of course,” said Miss Marple quietly.

      Father looked at her. “You didn’t believe her, eh?”

      “Did you?”

      “No,” said Father. “No, it wasn’t the right story. She thought it out so that it would meet the case exactly, but it wasn’t true. She didn’t shoot Michael Gorman. D’you happen to know who did?”

      “Of course I know,” said Miss Marple. “The girl.”

      “Ah! When did you begin to think that?”

      “I always wondered,” said Miss Marple.

      “So did I,” said Father. “She was full of fear that night. And the lies she told were poor lies. But I couldn’t see a motive at first.”

      “That puzzled me,” said Miss Marple. “She had found out her mother’s marriage was bigamous, but would a girl do murder for that? Not nowadays! I suppose there was a money side to it?”

      “Yes, it was money,” said Chief-Inspector Davy. “Her father left her a colossal fortune. When she found out that her mother was married to Michael Gorman she realized that the marriage to Coniston hadn’t been legal. She thought that meant that the money wouldn’t come to her because, though she was his daughter, she wasn’t legitimate. She was wrong, you know. We had a case something like that before. Depends on the terms of a will. Coniston left it quite clearly to her, naming her by name. She’d get it all right, but she didn’t know that. And she wasn’t going to let go of the cash.”

      “Why did she need it so badly?”

      Chief-Inspector Davy said grimly, “To buy Ladislaus Malinowski. He would have married her for her money. He wouldn’t have married her without it. She wasn’t a fool, that girl. She knew that. But she wanted him on any terms. She was desperately in love with him.”

      “I know,” said Miss Marple. She explained: “I saw her face that day in Battersea Park….”

      “She knew that with the money she’d get him, and without the money she’d lose him,” said Father. “And so she planned a cold-blooded murder. She didn’t hide in the area, of course. There was nobody in the area. She just stood by the railings and fired a shot and screamed, and when Michael Gorman came racing down the street from the hotel, she shot him at close quarters. Then she went on screaming. She was a cool hand. She’d no idea of incriminating young Ladislaus. She pinched his pistol because it was the only way she could get hold of one easily; and she never dreamed that he would be suspected of the crime, or that he would be anywhere in the neighbourhood that night. She thought it would be put down to some thug taking advantage of the fog. Yes, she was a cool hand. But she was afraid that night—afterwards! And her mother was afraid for her….”

      “And now—what will you do?”

      “I know she did it,” said Father, “but I’ve no evidence. Maybe she’ll have beginner’s luck…Even the law seems to go on the principle now of allowing a dog to have one bite—translated into human terms. An experienced counsel could make great play with the sob stuff—so young a girl, unfortunate upbringing—and she’s beautiful, you know.”

      “Yes,” said Miss Marple. “The children of Lucifer are often beautiful—And as we know, they flourish like the green bay tree.”

      “But as I tell you, it probably won’t even come to that—there’s no evidence—take yourself—you’ll be called as a witness—a witness to what her mother said—to her mother’s confession of the crime.”

      “I know,” said Miss Marple. “She impressed it on me, didn’t she? She chose death for herself, at the price of her daughter going free. She forced it on me as a dying request….”

      The connecting door to the bedroom opened. Elvira Blake came through. She was wearing a straight shift dress of pale blue. Her fair hair fell down each side of her face. She looked like one of the angels in an early primitive Italian painting. She looked from one to the other of them. She said:

      “I heard a car and a crash and people shouting…Has there been an accident?”

      “I’m sorry to tell you, Miss Blake,” said Chief-Inspector Davy formally, “that your mother is dead.”

      Elvira gave a little gasp. “Oh no,” she said. It was a faint uncertain protest.

      “Before she made her escape,” said Chief-Inspector Davy, “because it was an escape—she confessed to the murder of Michael Gorman.”

      “You mean—she said—that it was she—”

      “Yes,” said Father. “That is what she said. Have you anything to add?”

      Elvira looked for a long time at him. Very faintly she shook her head.

      “No,” she said, “I haven’t anything to add.”

      Then she turned and went out of the room.

      “Well,” said Miss Marple. “Are you going to let her get away with it?”

      There was a pause, then Father brought down his fist with a crash on the table.

      “No,” he roared—“No, by God I’m not!”

      Miss Marple nodded her head slowly and gravely.

      “May God have mercy on her soul,” she said.

      * * *

      The Agatha Christie Collection

      THE HERCULE POIROT MYSTERIES

      Match your wits with the famous Belgian detective.

      The Mysterious Affair at Styles

      The Murder on the Links

      Poirot Investigates

      The Murder of Roger Ackroyd

      The Big Four

      The Mystery of the Blue Train

      Peril at End House

      Lord Edgware Dies

      Murder on the Orient Express

      Three Act Tragedy

      Death in the Clouds

      The A.B.C. Murders

      Murder in Mesopotamia

      Cards on the Table

      Murder in the Mews

      Dumb Witness

      Death on the Nile

      Appointment with Death

      Hercule Poirot’s Christmas

      Sad Cypress

      One, Two, Buckle My Shoe

      Evil Under the Sun

      Five Little Pigs

      The Hollow

      The Labors of Hercules

      Taken at the Flood

      The Underdog and Other Stories

      Mrs. McGinty’s Dead

      After the Funeral

      Hickory Dickory Dock

      Dead Man’s Folly

      Cat Among the Pigeons

      The Clocks

      Third Girl

      Hallowe’en Party

      Elephants Can Remember

      Curtain: Poirot’s Last Case

      Explore more at www.AgathaChristie.com

      * * *

      * * *

      The Agatha Christie Collection

      THE MISS MARPLE MYSTERIES

      Join the legendary spinst
    er sleuth from St. Mary Mead in solving murders far and wide.

      The Murder at the Vicarage

      The Body in the Library

      The Moving Finger

      A Murder Is Announced

      They Do It with Mirrors

      A Pocket Full of Rye

      4:50 From Paddington

      The Mirror Crack’d from Side to Side

      A Caribbean Mystery

      At Bertram’s Hotel

      Nemesis

      Sleeping Murder

      Miss Marple: The Complete Short Stories

      THE TOMMY AND TUPPENCE MYSTERIES

      Jump on board with the entertaining crime-solving couple from Young Adventurers Ltd.

      The Secret Adversary

      Partners in Crime

      N or M?

      By the Pricking of My Thumbs

      Postern of Fate

      Explore more at www.AgathaChristie.com

      * * *

      * * *

      The Agatha Christie Collection

      Don’t miss a single one of Agatha Christie’s stand-alone novels and short-story collections.

      The Man in the Brown Suit

      The Secret of Chimneys

      The Seven Dials Mystery

      The Mysterious Mr. Quin

      The Sittaford Mystery

      Parker Pyne Investigates

      Why Didn’t They Ask Evans?

      Murder Is Easy

      The Regatta Mystery and Other Stories

      And Then There Were None

      Towards Zero

      Death Comes as the End

      Sparkling Cyanide

      The Witness for the Prosecution and Other Stories

      Crooked House

      Three Blind Mice and Other Stories

      They Came to Baghdad

      Destination Unknown

      Ordeal by Innocence

      Double Sin and Other Stories

      The Pale Horse

      Star over Bethlehem: Poems and Holiday Stories

      Endless Night

      Passenger to Frankfurt

      The Golden Ball and Other Stories

      The Mousetrap and Other Plays

      The Harlequin Tea Set

      Explore more at www.AgathaChristie.com

      * * *

      About the Author

      Agatha Christie is the most widely published author of all time and in any language, outsold only by the Bible and Shakespeare. Her books have sold more than a billion copies in English and another billion in a hundred foreign languages. She is the author of eighty crime novels and short-story collections, nineteen plays, two memoirs, and six novels written under the name Mary Westmacott.

      She first tried her hand at detective fiction while working in a hospital dispensary during World War I, creating the now legendary Hercule Poirot with her debut novel The Mysterious Affair at Styles. With The Murder in the Vicarage, published in 1930, she introduced another beloved sleuth, Miss Jane Marple. Additional series characters include the husband-and-wife crime-fighting team of Tommy and Tuppence Beresford, private investigator Parker Pyne, and Scotland Yard detectives Superintendent Battle and Inspector Japp.

      Many of Christie’s novels and short stories were adapted into plays, films, and television series. The Mousetrap, her most famous play of all, opened in 1952 and is the longest-running play in history. Among her best-known film adaptations are Murder on the Orient Express (1974) and Death on the Nile (1978), with Albert Finney and Peter Ustinov playing Hercule Poirot, respectively. On the small screen Poirot has been most memorably portrayed by David Suchet, and Miss Marple by Joan Hickson and subsequently Geraldine McEwan and Julia McKenzie.

      Christie was first married to Archibald Christie and then to archaeologist Sir Max Mallowan, whom she accompanied on expeditions to countries that would also serve as the settings for many of her novels. In 1971 she achieved one of Britain’s highest honors when she was made a Dame of the British Empire. She died in 1976 at the age of eighty-five. Her one hundred and twentieth anniversary was celebrated around the world in 2010.

      www.AgathaChristie.com

      Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins authors.

      THE AGATHA CHRISTIE COLLECTION

      The Man in the Brown Suit

      The Secret of Chimneys

      The Seven Dials Mystery

      The Mysterious Mr. Quin

      The Sittaford Mystery

      Parker Pyne Investigates

      Why Didn’t They Ask Evans?

      Murder Is Easy

      The Regatta Mystery and Other Stories

      And Then There Were None

      Towards Zero

      Death Comes as the End

      Sparkling Cyanide

      The Witness for the Prosecution and Other Stories

      Crooked House

      Three Blind Mice and Other Stories

      They Came to Baghdad

      Destination Unknown

      Ordeal by Innocence

      Double Sin and Other Stories

      The Pale Horse

      Star over Bethlehem: Poems and Holiday Stories

      Endless Night

      Passenger to Frankfurt

      The Golden Ball and Other Stories

      The Mousetrap and Other Plays

      The Harlequin Tea Set

      The Hercule Poirot Mysteries

      The Mysterious Affair at Styles

      The Murder on the Links

      Poirot Investigates

      The Murder of Roger Ackroyd

      The Big Four

      The Mystery of the Blue Train

      Peril at End House

      Lord Edgware Dies

      Murder on the Orient Express

      Three Act Tragedy

      Death in the Clouds

      The A.B.C. Murders

      Murder in Mesopotamia

      Cards on the Table

      Murder in the Mews and Other Stories

      Dumb Witness

      Death on the Nile

      Appointment with Death

      Hercule Poirot’s Christmas

      Sad Cypress

      One, Two, Buckle My Shoe

      Evil Under the Sun

      Five Little Pigs

      The Hollow

      The Labors of Hercules

      Taken at the Flood

      The Underdog and Other Stories

      Mrs. McGinty’s Dead

      After the Funeral

      Hickory Dickory Dock

      Dead Man’s Folly

      Cat Among the Pigeons

      The Clocks

      Third Girl

      Hallowe’en Party

      Elephants Can Remember

      Curtain: Poirot’s Last Case

      The Miss Marple Mysteries

      The Murder at the Vicarage

      The Body in the Library

      The Moving Finger

      A Murder Is Announced

      They Do It with Mirrors

      A Pocket Full of Rye

      4:50 from Paddington

      The Mirror Crack’d from Side to Side

      A Caribbean Mystery

      At Bertram’s Hotel

      Nemesis

      Sleeping Murder

      Miss Marple: The Complete Short Stories

      The Tommy and Tuppence Mysteries

      The Secret Adversary

      Partners in Crime

      N or M?

      By the Pricking of My Thumbs

      Postern of Fate

      Credits

      Cover illustration and design by Sara Wood

      Copyright

      This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

      AGATHA CHRISTIE® MARPLE® MISS MARPLE® AT BERTRAM’S HOTEL™. Copyright © 2011 Agatha Christie Limited (a Chorion company). All rights reserved. At Bertram’s Hotel was first published in 1965.

      AT BERTRAM’S HOTEL © 1966. Published by permission of G.P. Putnam’s Sons, a member of Penguin Group (
    USA) Inc. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

      Library of Congress Cataloging-in-Publication Data is available upon request.

      ISBN 978-0-06-207369-3

      EPub Edition © MAY 2011 ISBN: 978-0-06-176016-7

      11 12 13 14 15

      About the Publisher

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      HarperCollins Publishers Ltd.

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      http://www.harpercollins.co.uk

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      HarperCollins Publishers Inc.

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      New York, NY 10022

      http://www.harpercollins.com

     

     

     



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