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    The Golden Ball and Other Stories


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      ArthOr advanced towards her with boyish affection. She shrank back from him, her eyes dilating. Then

      suddenly, with the shriek of a doomed soul, she fell

      backwards through the open door.

      "Lady Carmichael is dead."

      "What is it?" Arthur asked. "What caused it?"

      "Shok," he was told. "The shock of seeing Arthur

      Carmichael, the real Arthur Carmichael, restored to

      life!"

      "The chgmpn deceiver of our time."

      ---NEW YORK TIMES

      Berkley books by Agatha Christie

      APPOINTMENT WITH DEATH

      THE BIG FOUR

      THE BOOMERANG CLUE CARDS ON THE TABLE

      DEAD MAN'S MIRROR

      DEATH IN THE AIR

      DOUBLE SIN AND OTHER STORIES

      ELEPHANTS CAN REMEMBER

      THE GOLDEN BALL AND OTHER STORIES

      THE HOLLOW

      THE LABORS OF HERCULES

      THE MAN IN THE BROWN SUIT

      MISS MARPLE: THE COMPLETE SHORT STORIES

      MR. PARKER PYNE. DETECTIVE

      THE MOVING FINGER

      THE MURDER AT HAZELMOOR

      THE MURDER AT THE VICARAGE i!,

      MURDER IN MESOPOTAMIA

      MURDER IN RETROSPECT

      MURDER IN THREE ACTS

      THE MURDER ON THE LINKS

      THE MYSTERIOUS MR. QUIN

      N OR M?

      PARTNERS IN CRIME

      THE PATRIOTIC MURDERS

      POIROT LOSES A CLIENT

      THE REGATTA MYSTERY AND OTHER STORIES

      SAD CYPRESS

      THE SECRET OF CHIMNEYS

      THERE IS A TIDE ...

      THEY CAME TO BAGHDAD

      THIRTEEN AT DINNER

      THREE BLIND MICE AND OTHER STORIES

      THE TUESDAY CLUB MURDERS

      THE UNDER DOG AND OTHER STORIES

      THE WITNESS FOR THE PROSECUTION AND OTHER STORIES

      AGATHA

      CHR TIE

      THE GOLDEN BALL

      and Other Stories

      II

      BERKLEY BOOKS, NEW YORK

      This Berkley book contains the complete text of the original hardcover edition.

      It has been completely reset in a typeface

      designed for easy reading and was printed

      from new film.

      THE GOLDEN BALL AND OTHER STORIES

      A Berkley Book / published by arrangement with

      G. P. Putnam's Sons

      PRINTING HISTORY

      Dodd, Mead edition published 1971

      Dell edition / September 1972

      Berkley edition / February 1984

      All rights reserved.

      Copyright © 1924, 1926, 1933, 1934 by Christie Copyrights Trust.

      Copyright © 1971 by Christie Copyrights Trusts.

      Book design by Virginia M. Smith.

      This book may not be reproduced in whole or in part,

      by mimeograph or any other means, without permission.

      For information address: G. P. Putnam's Sons,

      200 Madison Avenue, New York, New York 10016.

      ISBN: 0425099229

      A BERKLEY BOOK ®TM 757,375

      Berkley Books are published by The Berkley Publishing Group,

      200 Madison Avenue, New York, New York 10016.

      The name "Berkley" and the "B" logo

      are trademarks belonging to Berkley Publishing Corporation.

      PRINTED IN THE UNITED STATES OF AMERICA

      20

      19 18 17 16 15

      Conn

      The Liste/xlale Mystery

      The Girl in the Train

      The Manhood of Edward Robinson

      Jane in Search of a Job

      A Fruitful Sunday

      The Golden Ball

      The Rajah's Emerald

      Swan Song

      The Hound of Death

      The Gipsy

      The Lamp

      The Strange Case of Sir Arthur Carmichael

      The Call of Wings

      Magnolia Blossom

      Next to a Dog

      1

      19

      38

      53

      74

      84

      95

      112

      127

      145

      155

      164

      184

      199

      216

      The Listerdale Mystery

      Mrs. St. Vincent was adding up figures. Once or twice she sighed, and her hand stole to her aching forehead. She had

      always disliked arithmetic. It was unfortunate that nowadays

      her life should seem to be composed entirely of one particular

      kind of sum, the ceaseless adding together of small

      necessary items of expenditure making a total that never

      failed to surprise and alarm her.

      Surely it couldn't come to that.t She went back over the figures. She had made a trifling error in the pence, but

      otherwise the figures were correct.

      Mrs. St. Vincent sighed again. Her headache by now was very bad indeed. She looked up as the door opened and

      her daughter Barbara came into the room. Barbara St. Vincent

      was a very pretty girl; she had her mother's delicate

      features, and the same proud turn of the head, but her eyes

      were dark instead of blue, and she had a different mouth,

      a sulky red mouth not without attraction.

      "Oh, Mother!" she cried. "Still juggling with those horrid old accounts? Throw them all into the fire."

      "We must know where we are," said Mrs. St. Vincent uncertainly.

      The girl shrugged her shoulders.

      "We're always in the same boat," she said dryly. "Damned

      hard up. Down to the last penny as usual."

      Mrs. St. Vincent sighed.

      "I wish---" she began, and then stopped.

      "I must find something to do," said Barbara in hard tones. "And find it quickly. After all, I have taken that shorthand

      and typing course. So have about one million other girls

      from all I can see! 'What experience?' 'None, but--' 'Oh!

      2 Agatha Christie

      Thank you, good morning. We'll let you know.' But they

      never do! I must find some other kind of a job---any job." "Not yet, dear," pleaded her mother. "Wait a little longer."

      Barbara went to the window and stood looking out with

      unseeing eyes that took no note of the dingy line of houses

      opposite.

      "Sometimes," she said slowly, "I'm sorry Cousin Amy took me with her to Egypt last winter. Oh! I know I had

      fun--about the only fun I've ever had or am likely to have

      in my life. I did enjoy myself--enjoyed myself thoroughly.

      But it was very unsettling. I mean--coming back to this."

      She swept a hand round the room. Mrs. St. Vincent followed it with her eyes and winced. The room was typical

      of cheap furnished lodgings. A dusty aspidistra, showily

      ornamental furniture, a gaudy wallpaper faded in patches.

      There were signs that the personality of the tenants had

      struggled with that of the landlady; one or two pieces of

      good china, much cracked and mended, so that their saleable

      value was nil, a piece of embroidery thrown over the back

      of the sofa, a water colour sketch of a young girl in the

      fashion of twenty years ago, near enough still to Mrs. St.

      Vincent not to be mistaken.

      "It wouldn't matter," continued Barbara, "if we'd never known anything else. But to think of Ansteys--"

      She broke o
    ff, not trusting herself to speak of that dearly loved home which had belonged to the St. Vincent family

      for centuries and which was now in the hands of strangers.

      "If only Father--hadn't speculated--and borrowed--"

      "My dear," said Mrs. St. Vincent. "Your father was never, in any sense of the word, a businessman."

      She said it with a graceful kind of finality, and Barbara came over and gave her an aimless sort of kiss as she

      murmured, "Poor old Mums. I won't say anything."

      Mrs. St. Vincent took up her pen again and bent over her desk. Barbara went back to the window. Presently the

      girl said:

      "Mother. I heard from--from Jim Masterton this morning. He wants to c6me and see me."

      Mrs. St. Vincent laid down her pen and looked up sharply. "Here?" she exclaimed.

      THE LISTERDALE MYSTERY

      "Well, we can't ask him to dinner at the Ritz very wel sneered Barbara.

      Her mother looked unhappy. Again she looked round I

      room with innate distaste.

      "You're fight," said Barbara. "It's a disgusting pla

      Genteel poverty! Sounds all right--a whitewashed cott2

      in the country, shabby chintzes of good design, bowls

      roses, crown Derby tea service that you wash up yours{

      That's what it's like in books. In real life, with a son starti

      on the bottom rung of office life, it means London. Frov

      landladies, dirty children on the stairs, haddocks for bre:

      fasts that aren't quite--quite and so on."

      "If only---" began Mrs. St. Vincent. "But, really, l

      beginning to be afraid we can't afford even this room mi

      longer."

      "That means a bed-sitting-room--horror!--for you a

      me," said Barbara. "And a cupboard under the tiles:

      Rupert. And when Jim comes to call, I'll receive him

      that dreadful room downstairs with tabbies all round 1

      walls knitting, and stating at us, and coughing that dread

      kind of gulping cough they have!"

      There was a pause.

      "Barbara," said Mrs. St. Vincent at last. "Do you-mean--would

      you--.9''

      She stopped, flushing a little.

      "You needn't be delicate, Mother," said Barbara. "

      body is nowadays. Marry 3im, I suppose you mean? I we

      like a shot if he asked me. But I'm so awfully afraid

      won't."

      "Oh! Barbara, dear."

      "Well, it's one thing seeing me out there with Cot

      Amy, moving (as they say in novelettes) in the best socie

      He did take a fancy to me. Now he'll come here and

      me in this! And he's a funny creature, you know, fastidi

      and old-fashioned. I--I rather like him for that. It remi

      me of Ansteys and the village--everything a hundred ye

      behind the times, but so--so--oh! I don't know--so t

      grant. Like lavender!"

      She laughed, half-ashamed of her eagerness. Mrs.

      Vincent spoke with a kind of earnest simplicity.

      4

      Agatha Christie

      "I should like you to marry Jim Mastcrton," she said.

      "He is--one of us. He is very well off, also, but that I don't mind about so much."

      "I do," said Barbara. "I'm sick of being hard up."

      "But, Barbara, it isn't---"

      "Only for that? No. I do really. I--oh! Mother, can't you see I do?"

      Mrs. St. Vincent looked very unhappy.

      "I wish he could see you in your proper setting, darling," she said wistfully.

      "Oh, well!" said Barbara. "Why worry? We might as well try and be cheerful about things. Sorry I've had such

      a grouch. Cheer up, 'darling."

      She bent over her mother, kissed her forehead lightly, and went out. Mrs. St. Vincent, relinquishing all attempts

      at finance, sat down on the uncomfortable sofa. Her thoughts

      ran round in circles like squirrels in a cage.

      "One may say what one likes, appearances do put a man off. Not later--not if they were really engaged. He'd know

      then what a sweet, dear girl she is. But it's so easy for

      young people to take the tone of their surroundings. Rupert,

      now, he's quite different from what he used to be. Not that

      I want my children to be stuck-up. That's not it a bit. But

      I should hate it if Rupert got engaged to that dreadful girl

      in the tobacconist's. I daresay she may be a very nice girl,

      really. But she's not our kind. It's all so difficult. Poor little

      Babs. If I could do anything--anything. But where's the

      money to come from? We've sold everything to give Rupert

      his start. We really can't even afford this."

      To distract herself Mrs. St. Vincent picked up the Morning Post and glanced down the advertisements on the front

      page. Most of them she knew by heart. People who wanted

      capital, people who had capital and were anxious to dispose

      of it on note of hand alone, people who wanted to buy teeth

      (she always wondered why), people who wanted to sell furs

      and gowns and who had optimistic ideas on the subject of price.

      Suddenly she stiffened to attention. Again and again she read the printed words.

      "To gentlepeople only. Small house in Westminster, exquisitely furnished, offered to those who would really care

      THE LISTERDALE MYSTERY 5

      for it. Rent purely nominal. No agents."

      A very ordinary advertisement. She had read many the same or--well, nearly the same. Nominal rent, that was

      where the trap lay.

      Yet, since she was restless and anxious to escape from her thoughts, she put on her hat straightaway and took a

      convenient bus to the address given in the advertisement.

      It pr6ved to be that of a firm of house agents. Not a new bustling firma rather decrepit, old-fashioned place. Rather

      timidly she produced the advertisement, which she had torn

      out, and asked for particulars.

      The white-haired old gentleman who was attending to her stroked his chin thoughtfully.

      "Perfectly. Yes, perfectly, madam. That house, the house mentioned in the advertisement, is No. 7 Cheviot Place.

      You would like an order?"

      "I should like to know the rent first?" said Mrs. St. Vincent.

      "Ah! The rent. The exact figure is not settled, but I can assure you that it is purely nominal."

      "Ideas of what is purely nominal can vary," said Mrs. St. Vincent.

      The old gentleman permitted himself to chuckle a little. "Yes, that's an old trick--an old trick. But you can take

      my word for it, it isn't so in this case. Two or three guineas

      a week, perhaps, not more."

      Mrs. St. Vincent decided to have the order. Not, of course, that there was any real likelihood of her being able

      to afford the place. But, after all, she might just see it.

      There must be some grave disadvantage attaching to it, to

      be offered at such a price.

      But her heart gave a little throb as she looked up at the outside of 7 Cheviot Place. A gem of a house. Queen Anne,

      and in perfect condition! A butler answered the door. He

      had grey hair and little side whiskers, and the meditative

      calm of an archbishop. A kindly archbishop, Mrs. St. Vincent

      thought.

      He accepted the order with a benevolent air.

      "Certainly, madam, I will show you over. The house is ready for occupation."

      He went before her, opening doors, announcing rooms.

      6 Agatha Christie

      "The drawing room, the white study, a powder closet

      through here, madam."

      It was perfect--a dream. The f
    urniture all of the period,

      each piece with signs of wear, but polished with loving

      care. The loose rugs were of beautiful dim old colours. In

      each room were bowls of fresh flowers. The back of the

      house looked over the Green Park. The whole place radiated

      an old-world charm.

      The tears came into Mrs. St. Vincent's eyes, and she

      fought them back with difficulty. So had Ansteys looked--Ansteys..,

      She wondered whether the butler had noticed her emotion.

      If so, he was too much the perfectly trained servant

      to show it. She liked these old servants, one felt safe with

      them, at ease. They were .like friends.

      "It is a beautiful house," she said softly. "Very beautiful.

      I am glad to have seen it."

      "Is it for yourself alone, madam?"

      "For myself and my son and daughter. But I'm

      afraid--"

      She broke off. she wanted it so dreadfully--so dreadfully.

      She felt instinctively that the butler understood. He did

      not look at her, as he said in a detached, impersonal way:

      "I happen to be aware, madam, that the owner requires

      above all suitable tenants. The rent is of no importance to

      him. He wants the house to be tenanted by someone who

      will really care for and appreciate it."

      "I should appreciate it," said Mrs. St. Vincent in a low

      voice.

      She turned to go.

      "Thank you for showing me over," she said courteously.

     


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